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  1. 1. Benjamin’sTrashAesthetics- Ben Highmore- <br />fazıl akın<br />
  2. 2. content<br />Aim: theorizing everyday life<br />Everydayexperiences of modernity<br />Waysof catchingeveryday life<br />Important Points for our project<br />Relations<br />
  3. 3. Aim: theorizing everyday life<br />Benjamin<br /><ul><li>Criticalhistory of present
  4. 4. Experiences: everyday as demandforinnovativeforms
  5. 5. Everydaylife: objects + sensation</li></li></ul><li>Everydayexperiences of modernity<br />Stockexperiencescannot be turnedintocriticalattentionandpractice<br />Oursensesareblocked<br />Communicating problem<br />Erlebnis-Erfahrung<br />PROBLEMS<br />Onesolutionwould be; poeticexpression<br />forExamplecinema<br />
  6. 6. ways of catchingeveryday life<br />Ragpicker<br />Materialobjectswhichlive in twotimes:<br />Past ,present<br />Importantpoint;<br />Progress<br />Period of decline<br />“trashaesthetics”<br />Montage<br /><ul><li>makesfamiliarstrange</li></ul>Montage of elements<br /> “spark”<br />Forrecognition, legibility, communicationcritique<br />Designing a collagewhichawakesthemateraility of modernityfromitsdreamscape<br />Livingmeansleavingtraces<br />Traces of experience<br />Collectingcommodities<br />
  7. 7. Important Points for our project<br /><ul><li>Material objects in progress/ period of decline
  8. 8. Cinema and other poetic expressions make the everyday life more visible
  9. 9. Traces of experiences:strategic, economic, moral, bodily
  10. 10. Montage- collage of materialobjects
  11. 11. Architecturaltheory of attendingtothe modern everyday life, arcadeproject</li></li></ul><li>defamilirization<br />phantasmagoria<br />History of present<br />ephemora<br />detective<br />interior<br />