1. BAHAY KUBO
This track is as acquainted to Filipino schoolchildren since the "ABC's" and "Twinkle, Twinkle, Minor Star" are to
Young ones in all places. Credited to have already been composed by composer and 1997 Countrywide Artist for
Music Felipe de Leon (1912-1992), it tells of the standard Filipino rural dwelling, the humble "bahay kubo" or nipa
hut, and goes on to enumerate the assorted greens planted in its vicinity.
PAKITONG-KITONG
Also referred to as "Tong Tong Tong Tong Pakitong-kitong," this Filipino people track has the two a Tagalog and
Cebuano Model. It describes a crab that is certainly delectable to try to eat, but challenging to capture because of
its snapping Click here to find out more pincers.
MAGTANIM AY 'DI BIRO
Credited to Felipe de Leon, "Magtanim Ay 'Di Biro" ("Planting Rice is rarely Enjoyable") describes the laborous
chore of planting rice. It has been lined by Filipino rock band The Dawn, and former president Joseph "Erap"
Estrada even rewrote it into a much more "inspirational" Variation entitled "Kung Tayo'y Magtatanim" ("If Most of
us Plant Rice").
O ILAW
A well known example of the standard Filipino really like tune style "kundiman", this tune was built well-known by
Filipino singer and actor Ruben Tagalog (1920-83). The real title from the track is in fact "Aking Bituin" ("My Star"),
its present-day title owning been derived from its very first two words "o ilaw" ("o light-weight").
ANG PIPIT
"Ang Pipit" ("The Sparrow") relates the story a sparrow who falls from the department its perched on immediately
after staying stoned by a cruel person. It absolutely was co-written by Lucio D. San Pedro (1913-2002) and Levi
Celerio (1910-2002). Named Countrywide Artist for Songs and Literature in 1997, Celerio experienced composed
over four,000 tunes and has even been A part of the Guinness Guide of Earth Records for his unusual expertise of
playing new music from a leaf.
SA UGOY NG DUYAN
Yet another collaboration from Lucio San Pedro and Levi Celerio. "Sa Ugoy ng Duyan" ("The Swing with the
Cradle") is often a haunting and nostalgic lullaby expressing the feelings of a youngster getting tranquil protection
in the arms of a loving mother.
SA LIBIS NG NAYON
This track describes the magnificence and serenity of existence while in the countryside. It absolutely was prepared
by Santiago S. Suarez and popularized by Filipina singer and "Queen of Kundiman" Sylvia la Torre.
BAYAN KO

2. Composed in 1929 by Filipino poet Jose Corazon de Jesus ("Huseng Batute" 1896-1932) and afterwards
established to audio by Constancio de Guzman (1903-eighty three), "Bayan Ko" ("My Nation") was meant for a
patriotic track protesting the American occupation on the Philippines. Since then, it has basically been a second
national anthem for liberty-loving Filipinos, a concept tune for some of the most momentous events in Philippine
heritage. Its most renowned rendition could be the just one by Filipino people singer Freddie Aguilar.
It might be reported that a rustic is defined by its folk tracks. From this listing of Filipino people tracks, we can
easily Collect that the persons from the Philippines certainly are a humble folks, total not merely of mirth but
additionally of deep aspiration. They're also an industrious persons, having a appreciate for The straightforward
matters in everyday life, as well as a terrific craving for peace and countrywide independence. Not to mention, the
Filipino consumers are a talented good deal, capable of crafting songs that mirror the nature in their beloved
nation.
Facial area it: we're fascinated by ghosts. Specifically this time of calendar year, in the course of the year of
Halloween and the Working day of the Dead. Irrespective of whether as metaphors or as intimations of our
mortality, you need not always have confidence in ghosts to understand them. These ten songs and CDs
symbolize a variety of designs, from somber to playful, from common to experimental. But all of them share a
guaranteed feeling of artistry that offers Together with the useless, the dying, or points departed.
1. Furry Sings the Blues (music) -- Joni Mitchell. In this tune about an previous blues singer in Memphis, Mitchell is
haunted by pictures of ghosts in addition to a bygone period: "Bourbon laughter -- ghosts -- and background falls
to parking loads and purchasing malls."
2. The Ghost of Tom Joad (tune) -- Bruce Springsteen. With all the restrained, transparent arrangement along with
the whispery singing, Springsteen conjures Steinbeck's downtrodden character from your Grapes of Wrath.
3. Ghosts I-IV (CD) -- Nine Inch Niles. In Trent Reznor's initial purely instrumental CD, produced earlier this
calendar year, the new music is crafted all around ambient drones, easy piano figures and ghostly respiratory.
4. Happy Phantom (tune) -- Tori Amos. A lyrical, lilting tune about returning to be a mischievous ghost: "and I'll go
chasing the nuns out inside the yard." Subtly arranged for piano plus a dulcimer that's played during the way of
the de-tuned fiddle.
5. Haunted (song) -- Poe. The eerie arrangement evokes lyrics about remaining haunted by things through the
previous: "yet another think about the ghost in advance of I make it depart."
six. Hotel California (song) -- The Eagles. The ghostly hotel on the title serves as metaphor for that nineteen
seventies L.A. new music sector. The choice of 12-string guitar for your intro, its Unusual sound evoking an
instrument from A further time, sets the right mood.
seven. Hush, Hush, Hush (tune) -- Paula Cole, as carried out by Herbie Hancock and Annie Lennox. Inside the
Hancock/Lennox version of this track a few young male dying of AIDS ("skeleton, your eyes have missing their
heat"), the sombre tune opens up into flights of improvisatory jazz, the most beautiful and transferring evocation
of the soul currently being launched that you'll ever hear.
eight. The Spectral Ships (CD) -- Richard Bone. Richly introspective, ambient instrumental items that produce the
image of ghostly ships gliding silently across the h2o.
nine. Twilight and Ghost Tales (CD) -- Chris Schlarb. An experimental collage of anonymous movements and
numberless tracks with contributions by fifty artists. The music weaves alongside one another electronic noises,
voices, discipline recordings and devices. One critic describes it as "an evocation to memory."

3. ten. Thriller (music) -- Michael Jackson. A campy voice-more than by Vincent Cost, a ground-breaking video and
an excellent beat: what is not to love? Supplied how the pop idol later on applied plastic medical procedures to
reshape his experience into something monstrous, the tune was prescient... an illustration of lifetime imitating
artwork?