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EMC JOUR 3000 Fall 2011 Lecture 4 Movement and Light

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EMC JOUR 3000 Fall 2011 Lecture 4 Movement and Light

  1. 1. EMC / JOUR 3000 INTRO TO MOTION PICTURES<br />Edward Bowen<br />Lecture Four <br />Inside the Shot Part 2<br />Movement and Light<br />
  2. 2. Technology of Motion Pictures<br />Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis.<br />
  3. 3. Technology of Motion Pictures<br />Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis. “Barry Lyndon” (1975) Stanley Kubrick<br />http://youtu.be/qHCc4eMgIqQ<br />
  4. 4. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis.<br />Tilt - Camera swivels vertically from a fixed axis.<br />
  5. 5. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis.<br />Tilt - Camera swivels vertically from a fixed axis.<br />http://youtu.be/66TuSJo4dZM<br />
  6. 6. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an image optically, without moving the camera. Adjusting from wide to telephoto or visa versa.<br />http://www.youtube.com/watch?v=9cyfnkyRavI<br />
  7. 7. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an image optically, without moving the camera. Adjusting from wide to telephoto or visa versa. “As The World Turns” (2010)<br />http://www.youtube.com/watch?v=Hn2IiRyD70Q<br />
  8. 8. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an image optically, without moving the camera. Adjusting from wide to telephoto or visa versa. “Barry Lyndon” (1975) Stanley Kubrick<br />http://youtu.be/aHCwzsFEJyw<br />
  9. 9. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an image optically, without moving the camera. Adjusting from wide to telephoto or visa versa. “Barry Lyndon” (1975) Stanley Kubrick<br />http://youtu.be/0QtmFGv67kw<br />
  10. 10. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. Camera moves forward or backwards or to the side. Usually on wheels; often on track.<br />
  11. 11. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Jules and Jim” (1962) Francois Truffaut<br />http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=245567<br />
  12. 12. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Jules and Jim” (1962) Francois Truffaut<br />http://youtu.be/lj0mHadxpVU<br />
  13. 13. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Stagecoach” (1939) John Ford<br />http://youtu.be/7Pu9V85Njg8<br />
  14. 14. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Endorphin” (2009) Michael J. Sirois<br />http://www.youtube.com/watch?v=uRGdFU-DS7U<br />
  15. 15. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br />Dolly/Zoom: Dollying and Zooming the lens at the same time.<br />“La Haine” (1995) Mathieu Kassovitz<br />http://www.youtube.com/watch?v=iv41W6iyyGs<br />
  16. 16. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br />Dolly/Zoom (Vertigo Shot): Dollying and Zooming the lens at the same time. “Jaws” (1975) Steven Spielberg<br />http://www.youtube.com/watch?v=svEPWBxpYjo<br />
  17. 17. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br />Dolly/Zoom (Vertigo shot): Dollying and Zooming the lens at the same time.<br />http://www.youtube.com/watch?v=FPBYOIetRdw<br />
  18. 18. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br />Dolly/Zoom (Vertigo Shot): Dollying and Zooming the lens at the same time.<br />http://www.youtube.com/watch?v=-Vm54QL8iZc<br />
  19. 19. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement.<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down. “The Formorian” (2007) Aideen McCarthy<br />http://www.youtube.com/watch?v=ZK2U-LXXQ6k<br />
  20. 20. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement.<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down. “Gone With The Wind” (1939) Victor Fleming<br />http://www.youtube.com/watch?v=MWShydqVGfI<br />
  21. 21. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down.<br />“Notorious” (1946) Alfred Hitchcock<br />
  22. 22. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down. “Touch of Evil” (1958) Orson Welles<br />http://www.youtube.com/watch?v=Yg8MqjoFvy4<br />
  23. 23. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down.<br />“High Noon” (1952) Fred Zinnemann<br />http://www.tcm.com/mediaroom/video/247745/High-Noon-Movie-Clip-Frank-Miller.html<br />
  24. 24. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Aerial Shot: Shot taken from a helicopter, airplane, or other flying device. “The Shawshank Redemption” (1994) Frank Darabont<br />http://www.youtube.com/watch?v=wyDifF2_Csk<br />
  25. 25. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam<br />http://www.youtube.com/watch?v=kXQP3mlPA_s<br />
  26. 26. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam<br />http://vimeo.com/9035023<br />
  27. 27. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam “Snake Eyes’ (1998) Brian DePalma<br />http://vimeo.com/3235512<br />
  28. 28. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Faces” (1968) John Cassavetes<br />http://www.youtube.com/watch?v=9595kcSEc4A<br />
  29. 29. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Green Zone” (2009) Paul Greenglass<br />http://www.youtube.com/watch?v=bkTpAYrLcOo<br />
  30. 30. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Cloverfield” (2008) Matt Reeves<br />http://www.youtube.com/watch?v=ufYF0f-zMgY<br />
  31. 31. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “The Walking Dead” (2010) Frank Darabont<br />http://www.youtube.com/watch?v=6MJYyp47DuQ<br />
  32. 32. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “The Uninvited” (1944) Lewis Allen<br />http://www.tcm.com/mediaroom/video/293233/Uninvited-The-Movie-Clip-Don-t-Get-Rattled.html<br />
  33. 33. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “Day for Night” (1973) Francois Truffaut<br />http://www.youtube.com/watch?v=N0vlqK_BS8k<br />
  34. 34. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “Barry Lyndon” (1975) Stanley Kubrick<br />http://www.youtube.com/watch?v=KkJZOxqB-qk<br />
  35. 35. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “Buried” (2010) Rodrigo Cortez<br />http://www.youtube.com/watch?v=j1Yyhxq56Xg<br />
  36. 36. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film<br />
  37. 37. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film<br />
  38. 38. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film Gargoyles (1972) <br />http://www.youtube.com/watch?v=59Kz6G8174w<br />
  39. 39. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film Zen - Vendetta (2011) <br />http://youtu.be/qo-vZxQl9-U<br />
  40. 40. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film<br />
  41. 41. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film “Twilight Zone - The Movie” (1983) John Landis<br />http://www.youtube.com/watch?v=nH5Mjhey4lQ<br />
  42. 42. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film “Dracula’s Widow” (1983) Christopher Coppola<br />http://www.youtube.com/watch?v=f5CPqpQ_i7Y<br />
  43. 43. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />High Key – Lighting style in which the image is more uniformly lit, with little variation between the brightest and darkest areas. “Office Space” (1999) Mike Judge<br />http://vimeo.com/5944863<br />
  44. 44. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />High Key – Lighting style in which the image is more uniformly lit, with little variation between the brightest and darkest areas. “When Harry Met Sally” (1989) Rob Reiner<br />http://www.youtube.com/watch?v=F-bsf2x-aeE<br />
  45. 45. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Low Key – More dramatic lighting style in which there is great variation between the brightest and darkest areas. “Se7en” (1995) David Fincher<br />http://www.youtube.com/watch?v=J4YV2_TcCoE<br />
  46. 46. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Expressionism– “The Black Cat” (1934) Edgar Ulmer<br />http://www.youtube.com/watch?v=iMWi2Rxmsfs<br />
  47. 47. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Film Noir – “He Walked By Night” (1948) Cinematography by John Alton<br />http://www.tcm.com/mediaroom/video/221050/He-Walked-by-Night-Movie-Clip-Officer-Rawlins.html<br />
  48. 48. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />“The Godfather” (1972) Cinematography by Gordon Willis<br />http://www.youtube.com/watch?v=AbchmWS5jIU<br />

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