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Каталог IV Міжнародного конкурсу дитячого малюнка "Ілюстрація до народної казки" - 2016

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Каталог IV Міжнародного конкурсу дитячого малюнка "Ілюстрація до народної казки" - 2016

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Каталог IV Міжнародного конкурсу дитячого малюнка "Ілюстрація до народної казки" - 2016

  1. 1. ϲÄÒÐÈÌÊÀ ²ÍÔÎÐÌÀÖ²ÉÍÀ ϲÄÒÐÈÌÊÀ ñàéò êîíêóðñó: www.konkurs-skazka.ks.ua Õåðñîíñüêèé îáëàñíèé òåàòð ëÿëüîê Ñlub of Kherson catalogue ÍÀÂ×ÀËÜÍÎ-ÅÑÒÅÒÈ×ÍÈÉ ÊÎÌÏËÅÊÑ «ÕÓÄÎÆÍß ØÊÎËÀ» ì.ÕÅÐÑÎÍÀ EDUCATIONAL and AESTHETIC COMPLEX «ART SCHOOL», KHERSON í ̲ÑÜÊÀ ÃÀËÅÐÅß ÒÂÎÐ×ÎÑÒ² IJÒÅÉ ÒÀ ÌÎËÎIJ «ÑÈÍ²É Ê²Ò» êàòàëîã êîíêóðñó KHERSON, UKRAINE ÕÅÐÑÎÍ, ÓÊÐÀ¯ÍÀ 2016
  2. 2. Dear friends! first thing we come back to in our memories when we recollect our childhood is fairy-The tales. Our grandmothers and mothers read and told them to us. So we could understand people’s relationships, we could know right from wrong. It isn’t surprisingly that the theme of this art competition is illustration to folktale. The competition has given a possibility for both grown- ups andchildrentoapplyagaintothisviablesourceof folkcreativework. The idea of the competition has appeared in Kherson, the place where different kinds of art are highlyappreciatedandwherechildren’s creativework is alwayssupported. We sincerely congratulate everybody, who took part in the International art competition “Illustration to folktale”! We wish the participants creative inspiration, success, inexhaustible energy.Enjoyawonderfulworld of folktalesandchildren’s artworks. Organizing committee Øàíîâí³ äðóç³! Êîëè ïîðèíàºø ó ñïîãàäè ïðî äèòèíñòâî, îäíèì ³ç ïåðøèõ, ùî çãàäóºø, º êàçêè, ÿê³ íàì ÷èòàëè é ðîçêàçóâàëè ìàòóñ³ é áàáóñ³. Çà äîïîìîãîþ êàçîê ìè çíàéîìèëèñÿ ç ëþäñüêèìè â³äíîñèíàìè, â÷èëèñÿ ðîçð³çíÿòè, ùî òàêå ïðàâäà ³ ùî òàêå êðèâäà. Òåìîþ êîíêóðñó ñòàëà ³ëþñòðàö³ÿ íàðîäíî¿ êàçêè. Âîíà ñïîíóêຠ³ äîðîñëèõ, ³ ä³òåé çíîâó çâåðíóòèñÿ äî öüîãî æèòòºäàéíîãîäæåðåëàíàðîäíî¿òâîð÷îñò³. ²äåÿ ïðîâåäåííÿ êîíêóðñó âèíèêëà â Õåðñîí³.  íàøîìó ì³ñò³ øàíóþòü ³ ö³íóþòü ð³çí³ âèäè ìèñòåöòâà,³ùî âàæëèâî– çàâæäè ï³äòðèìóþòü äèòÿ÷ó òâîð÷³ñòü. Ùèðî â³òàºìî âñ³õ, õòî ïðèºäíàâñÿ äî ̳æíàðîäíîãî êîíêóðñó ìàëþíêó “²ëþñòðàö³ÿ äî íàðîäíî¿ êàçêè”! Áàæàºìî ó÷àñíèêàì òâîð÷îãî íàòõíåííÿ, óñï³õ³â, íåâè÷åðïíî¿ åíåð㳿 òà ðàäîñò³â³äñï³ëêóâàííÿ çïðåêðàñíèìñâ³òîìíàðîäíèõ êàçîêòàäèòÿ÷èõ ìàëþíê³â. Îðãêîì³òåò êîíêóðñó Ìàðòîâà ²ðèíà, 16 “Ëåãåíäà ïðî êîçàêà Ðîãà” Óêðà¿íà, Êðèâèé гã
  3. 3. Saptaparni Ghosh, 13 “Raja, Where is your clothes?” India, Navi mumbai Shafiyyah Hasna Rahman, 8 “The Giant Attack Villagers” Indonesia, Gresik Tifani Kujundzsity, 7 “Folktale” Serbia, Subotica Íîâîñ¸ëîâà Þëÿ, 11 “Ñêàçêà î þíîé öàðåâíå è Çìåå Ãîðûíû÷å” Ðîññèÿ, Ëåñîñèáèðñê Äåðÿáèíà Ðèòà, 13 “Øàìàõàíñêàÿ öàðèöà” Ðîññèÿ, Ëåñîñèáèðñê Ëóèçà Òîòåâà, 16 “Ñàì÷èêèâñüêèé íàðîäíî-äåêîðàòèâíû ðîçïèñû” Áîëãàðèÿ, Êàçàíëûê Ñåðãååâà Àíàñòàñèÿ, 12 “Ó ñòðàõà ãëàçà âåëèêè” Ðîññèÿ, Îìñê Anna Marczik, 12 “Fairy beauty Ilona and Aroyelus” Hungary, Berettyoujfalu Ðîìàíîâà Âàëåð³ÿ, 14 “dzðêîâà ï³ñíÿ” Óêðà¿íà, Åíåðãîäàð ßëóíèíà Àíãåëèíà, 7 “ ãîñòÿõ ó êîòà â ñàïîãàõ” Êàçàõñòàí, Êàðàãàíäà Ñòîëáîâà Êàòÿ, 10 “Äîðîãà äîìîé” Êàçàõñòàí, Ïàâëîäàð Áîðîäèíà Ñîôüÿ, 8 “Ïðèíöåññà íà ãîðîøèíå” Ðîññèÿ, Òîìñê Ñóïðóíîâà Àëèíà, 8 “Èâàí-öàðåâè÷ è ñåðûé âîëê” Ðîññèÿ, Îêòÿáðüñê Ãàëèóòèíîâà Àëñó, 13 “Ðóñàëî÷êà” Ðîññèÿ, Ëåñîñèáèðñê
  4. 4. Valentina Ambroziova, 6 “Rozprava” Slovakia, Kosice Áåñïàëîâà Àíàñòàñèÿ, 13 “Êàðëèê Íîñ” Ðîññèÿ, Ïåíçà Dorottya Reka Szabo, 13 “Folktale” Serbia, Subotica Ãàííà Àëåêñàíäðîâ³÷, 14 “Ôàíòàñòèêà” Áåëàðóñü, Ãðîäíî Àíòîíþê Âëàä, 10 “Òðèäöàòü òðè áîãàòûðÿ” Ðîññèÿ, Ëåñîñèáèðñê Àðñåíèé Ðûáàêîâ, 9 “Êðàñàâèöà è ÷óäîâèùå” Ðîññèÿ, Îêòÿáðüñê Êîñåíêîâà Åñåíèÿ, 11 “Íàóðûç” Êàçàõñòàí, Ïàâëîäàð Veronika Sulcova, 10 “Babka” Slovakia, Kosice Áîðäóíîâà Ëèçà, 12 “Ìîðîçêî” Ðîññèÿ, Îìñê Ëîïàòèíà Àíãåëèíà, 9 “Êîíåê Ãîðáóíîê” Êàçàõñòàí, Êàðàãàíäà Ñîëîìîí Àëåêñàíäðà, 9 “Êðîëèê Ïèòåð è åãî äðóçüÿ” Ðîññèÿ, Îìñê Ôîìèíà Àíãåëèíà, 6 “Êîçà-Äåðåçà” Êàçàõñòàí, Ýêèáàçòóç Raj Chonkar, 8 “Grrediness ruins a person” India, Navi mumbai Sneha Hazra, 13 “Tell me the correct answer” India, Navi mumbai
  5. 5. Blanka Nikolics, 12 “Folktale” Serbia, Subotica Aisha Ali Jerwan, 7 “Dancing in the desert” United Arab Emirates, Sharjah Ëÿëü Éîëáóëàí, 6 Òóðöèÿ, Ñòàìáóë Ðÿá÷åíêî Ïîëèíà, 9 “Ñíåæíàÿ êîðîëåâà” Áåëàðóñü, Ìèíñê Aurora Uglik, 12 “Folktale” Serbia, Subotica Ðàÿ Äìèòðîâà, 13 “Ãîðà” Áîëãàðèÿ, Øóìåí Bojan Kovacs, 7 “Folktale” Serbia, Subotica Barbara Varga, 7 “The selfish prince” Hungary, Berettyoujfalu Êèðçîâà Þëÿ, 12 “Áàáà-Ìîðà” Áåëàðóñü, Âèòåáñê Angelina Clara Kallawat, 13 “The Giant and Golden Cucumber” Indonesia, Gresik Îãàííèñÿí Àðàêñÿ, 8 “Ëèñèöà-ñåñòðèöà è ñåðûé âîëê” Êàçàõñòàí, Êàðàãàíäà Samanwita Maita, 9 “Don’t be carried away by the flattering” India, Navi mumbai Lili Kuti, 7 “Folktale” Serbia, Subotica Fatima Eisa Mohamed Alzaabi, 13 “Among the ruins” United Arab Emirates, Sharjah
  6. 6. Ìàøðàï Àõìåäè, 10 “Ìóäðûé äðàêîí” Êàçàõñòàí, Ïàâëîäàð Tiana Sebok Csaki, 5 “Folktale” Serbia, Subotica Ðàäàéêèí Ìàêñèì, 11 “Ìîðîçêî” Ðîññèÿ, Ïåíçà Êàáàíîâà Èðèíà, 11 “ß ðèñóþ ñêàçêó” Ðîññèÿ, Îêòÿáðüñê Ñåë³âàíåöü ªâà, 9 “Äþéìîâî÷êà” Óêðà¿íà, Ïàâëîãðàä Ïèðîæåíêî Äàíèëî, 6 “Êèðèëî Êîæóì'ÿêà” Óêðà¿íà, ñìò. Íîâà Âîäîëàãà Ôàñòîâåöü Ñîô³ÿ, 11 “Êîçà-äåðåçà” Óêðà¿íà, Êðèâèé гã Pop Diana, 13 “Old`s man doughter and old`s woman doughter” Romania, Baiamare Ìàðèÿ Áîãäåëü, 15 “Ñòàðèê-Áîðîâèê” Áåëàðóñü, Ãðîäíî Çàêèðîâ Ðèíàò, 8 “Ëèñà è ìóðàâåé” Êàçàõñòàí, Êàðàãàíäà Ñåìêèíà Àíàñòàñèÿ, 7 “Ãóñè-ëåáåäè” Ðîññèÿ, Òîìñê Íàêîíå÷íà ͳêà, 11 “Àë³ñà â êðà¿í³ ÷óäåñ” Óêðà¿íà, Õìåëüíèöüêèé Ïðàâåäí³êîâà Ñîô³ÿ, 9 “Ôåäîðèíå ãîðå” Óêðà¿íà, Êðèâèé гã Ôåäîðåíêî Ãàííà, 11 “ѳðêî” Óêðà¿íà, Øîñòêà
  7. 7. Îñòðîâñêàÿ Èðèíà, 11 “Ìóõà-Öîêîòóõà” Ðîññèÿ, Òîìñê Aarohan Dutta, 9 “Who will bell the cat?” India, Navi mumbai Zsofia Groza, 8 “Golden-Haired Sheep” Hungary, Berettyoujfalu Ëåòþøåâ Êèðèëî, 8 “Êîëîáîê” Óêðà¿íà, Êðàìàòîðñüê Ìàëþòà ³êòîð³ÿ, 11 “ϳòåð Ïåí” Óêðà¿íà, Ìèêîëà¿â Íàêàçíà Àíàñòàñ³ÿ, 15 “Ïðèíöåñà íà ãîðîøèí³” Óêðà¿íà, Êàì’ÿíñüêå Ïàëàìàð÷óê Äàðüÿ, 13 “Ìàëü÷èê ñ ïàëü÷èê” Ðîññèÿ, Ëåñîñèáèðñê Âäîâèíà ßíà, 11 “Ïðèíöåñà íà ãîðîøèíå” Ðîññèÿ, Îêòÿáðüñê Mario Mohacsi, 12 “Raado and Anyicska” Hungary, Berettyoujfalu Åäåëüñêîâà Óëüÿíà, 9 “Êàçàõñêàÿ ñêàçêà” Êàçàõñòàí, Ïàâëîäàð Æèãàëüöîâ Ìàòâåé, 7 “Ñêàçêà î öàðå Ñàëòàíå” Ðîññèÿ, Îêòÿáðüñê ͳêîëü ʳðâàñ, 6 “Ëèñè÷êà òà æóðàâåëü” Óêðà¿íà, Ìèêîëà¿â Íàäðà Àííà, 10 “Ëèñèöÿ òà âîâê” Óêðà¿íà, Á³áðêà Îñüêèíà Âëàäà, 9 “Âîëøåáíèê èçóìðóäíîãî ãîðîäà” Óêðàèíà, Êðèâîé Ðîã
  8. 8. Lilla Varga, 10 “Little Pumpling” Hungary, Berettyoujfalu Hargita Szakall, 7 “Folktale” Serbia, Subotica Ïîñòîÿëêî Âàðâàðà, 9 “Êîòèê-çîëîòîé ëîáèê” Áåëàðóñü, Áåðåçà Êóðëîâà Âàëåðèÿ, 14 “Äþéìîâî÷êà” Óêðàèíà, Êðèâîé Ðîã Íàçàðåíêî Êàòåðèíà, 13 “×åðâîíà øàïî÷êà” Óêðà¿íà, Êàì’ÿíñüêå Êîíîâàëåíêî Àííà, 8 “Êîøêà, êîòîðàÿ íå ìîæåò æèòü áåç îáëàêîâ” Óêðàèíà, Õàðüêîâ Øåì³ãîí Ðîìàí, 8 “Õîðîáðèé ñâ³òëÿ÷îê” Óêðà¿íà, ×åðêàñè Àíàñòàñèÿ Ñòàíêåâè÷, 15 “Áóðàòèíî” Áåëàðóñü, Ãðîäíî Farcas Stefan, 11 “Space invaders” Romania, Baiamare Âèêòîðèÿ Ìèøêåëü, 14 “Ðóñàëî÷êà” Áåëàðóñü, Ãðîäíî Orsolya Leda Szabo, 5 “Folktale” Serbia, Subotica Êðóïåíÿ Àíòîí³íà, 11 “Ìàëåíüêèé ïðèíö” Óêðà¿íà, Êðèâèé гã Ìàòëàé Àííà-Ìàð³ÿ, 10 “Æóðàâåëü ³ ëèñèöÿ” Óêðà¿íà, Øîñòêà Íàãîðíÿê ßíà, 10 “Ñíåæíàÿ êîðîëåâà” Ðîññèÿ,Òîìñê
  9. 9. Ïàâëåíêî Àðòåì, 7 “Èâàí öàðåâè÷ è ñåðûé âîëê” Óêðàèíà, ×åðíèãîâ ²âàíîâà Þë³ÿ, 15 “Ïàí Êîöüêèé” Óêðà¿íà, Êðèâèé гã ×àóñ Èëüÿ, 8 “Ëèñè÷êà è êîëîáîê” Óêðàèíà, ×åðíèãîâ Òîäîð÷óê Äàðèíà, 5 “Âîâê ³ ñåìåðî êîçåíÿò” Óêðà¿íà, Åíåðãîäàð Ôåäîðåíêî ͳê³òà, 10 “Êèðèëî Êîæóì'ÿêî” Óêðà¿íà, Øîñòêà Øàïîâàëîâà Äèàíà, 11 “Öàðåâíà-ëÿãóøêà” Óêðàèíà, Êðèâîé Ðîã ×åïåëü Àë³íà, 12 “Àë³ñà â êðà¿í³ ÷óäåñ” Óêðà¿íà, Êðèâèé гã Hamad Eisa Mohamed Alzaabi, 9 “Enchanted swan” United Arab Emirates, Sharjah Êðàâ÷åíêî Àëèñà, 5 “Îãíèâî” Óêðàèíà, Êðèâîé Ðîã Ìàòþõèíà Åêàòåðèíà, 10 “Ëèñè÷êà-ñåñòðè÷êà” Óêðàèíà, Êðèâîé Ðîã Ñèíÿêîâ ªãîð, 10 “Öàï òà áàðàí” Óêðà¿íà, Ãîëà Ïðèñòàíü Äîáðîâîëüñêàÿ Åâà, 6 “Ñêàçêà ïðî ïðèíöåññó” Óêðàèíà, ×åðíèãîâ Ïðèìàê Âàëåðèÿ, 7 “Òðè ìåäâåäÿ” Óêðàèíà, ×åðíèãîâ ³íí³êîâ Áðîí³ñëàâ, 7 “Ðóêàâè÷êà” Óêðà¿íà, Îëåêñàíäð³âêà
  10. 10. Çàèìåíêî Äàøà, 10 “Ñêàçêà î ïîòåðÿíîì âðåìåíè” Óêðàèíà, Êðèâîé Ðîã ×åðíîóñ Åêàòåðèíà, 8 “Äîáðûíÿ è Çìåé” Óêðàèíà, Íèêîëàåâ Òàðàñåíêî Âëàäèñëàâà, 11 “Öàð³âíà-æàáà” Óêðà¿íà, Çàïîð³ææÿ Ãàéòèíà Ìàð³ÿ, 9 “Öàð Øàõðèÿð” Óêðà¿íà, ³ííèöÿ Çàçþê Ðóñëàíà, 12 “̳ôîëîã³ÿ ñëîâ’ÿí” Óêðà¿íà, Êðåìåí÷óã ²ðèíà Îñòàïåíêî, 10 “Ëèñèöÿ òà æóðàâåëü” Óêðà¿íà, ×åðêàñè Ïàïûðèíà Âàðâàðà, 12 “Êîíåê-Ãîðáóíîê” Ðîññèÿ, Ëåñîñèáèðñê Òàíàññ ²âàí, 13 “Ñí³ãóðîíüêà” Óêðà¿íà, Ïóòèëà Áàðàíîâñêàÿ Èìàí, 14 “Ïàí Êîöêèé” Óêðàèíà, Êðèâîé Ðîã Ñòåö³â Ñîô³ÿ, 15 “Îðåë ³ ëåâ” Óêðà¿íà, Á³áðêà Äîìîðîùåíà Àíàñòàñ³ÿ, 9 “Ðóêàâè÷êà” Óêðà¿íà, Çàïîð³ææÿ Àíàñòàñ³ÿ Ñìîëåö, 9 “Ïîäîðîæ áëàêèòíî¿ ñòð³ëè” Óêðà¿íà, Îäåñà Àðáóçîâà Àííà, 8 “Áèòèé íåáèòîãî âåçå” Óêðà¿íà, Êðèâèé гã Ïåòðåöüêèé Êð³ñòîôåð, 14 “Êàçêà ïðî åäåëüâåéñ” Óêðà¿íà, Ðàêîøèíî
  11. 11. Àíàñòàñ³ÿ Äóá, 12 “Ëèñèöÿ ³ ðàê” Óêðà¿íà, ²âàíî-Ôðàíê³âñüê ªëèçàâåòà ˳ñþò³íà, 14 “Êîëà-ðèáà” Óêðà¿íà, Îäåñà Äì³òð³øèíà Êðèñòèíà, 14 “Á³ëîñí³æêà” Óêðà¿íà, Õàðüê³â Ïðèùåïî Êðèñòèíà, 9 “Ïîïåëþøêà” Óêðà¿íà, Åíåðãîäàð Àíàñòàñèÿ Ñóìöîâà, 10 “Ïåòóøîê è äâà ìûøîíêà” Óêðàèíà, Õàðüêîâ Ãàéäàðæè ªëèçàâåòà, 11 “Êîòèê ³ ï³âíèê” Óêðà¿íà, Çàïîð³ææÿ Ëîïàò³í Âëàäèñëàâ, 8 “Êîòèãîðîøêî” Óêðà¿íà, Êîðñóíü-Øåâ÷åíê³âñüêèé Âîëîøèí Äåíèñ, 11 “Êîòèãîðîøêî” Óêðà¿íà, Îëåêñàíäð³ÿ Ñàâ³÷ Âëàäà, 8 “Ïåïï³ – äîâãà ïàí÷îõà” Óêðà¿íà, ͳæèí Ñòåôàí Æàëîáíþê, 9 “Ëèñè÷êà-ñåñòðè÷êà òà âîâê” Óêðà¿íà, Îäåñà Áóðàêîâà Îëüãà, 10 “Àëèñà â ñòðàíå ÷óäåñ” Óêðàèíà, Êðèâîé Ðîã Ãðèöåíêî Äàðèíà, 8 “×åðâîíà øàïî÷êà” Óêðà¿íà, ͳæèí Øòîäà Âàëåð³ÿ, 10 “Ãèäêå êà÷åíÿ” Óêðà¿íà, ñ.Âèñîêèé Çàäîðîæíÿ Îëüãà, 13 “Ôàðáîâàíèé ëèñ” Óêðà¿íà, Äðàáîâ
  12. 12. Áîáðîâñêèé Âëàäèñëàâ, 14 “Êàê ïóòåøåñòâîâàë Äæîâàííèíî ïî ïðîçâèùó áåçäåëüíèê” Óêðàèíà, Êðèâîé Ðîã Áàðñüêà Àíæåëà, 9 “Ñîëîì'ÿíèé áè÷îê” Óêðà¿íà, Øîñòêà Æèðóëèê Þðèé, 15 “Ãóöóëüñêàÿ ëåãåíäà” Óêðàèíà, Íèêîëàåâ Æóê Îëüãà, 12 “Ëèñè÷êà-ñåñòðè÷êà” Óêðà¿íà, Õìåëüíèöüêèé Ñêîðèê Ïîë³íà, 12 “Òðüîìñèí Áîãàòèð” Óêðà¿íà, Êðèâèé гã Êàëèí Ñîô³ÿ, 12 “Ãàðð³ Ïîòòåð” Óêðà¿íà, Íàäâ³ðíà Ñâÿòåíêî Ñîô³ÿ, 8 “Âîâê ³ ëèñèöÿ” Óêðà¿íà, Õåðñîí Aiste Strumilaite, 14 “Lithuanian tale of founding of Vilnius” Lithuania, Jonava ßöèíà Âàëåð³é, 14 “Áàéêà ïðî ñåëî Áóêîâåöü” Óêðà¿íà, ñ.Ðàêîøèíî Áàðáîé Àë³íà, 12 “Ãàðð³ Ïîòòåð” Óêðà¿íà, Äí³ïðî Áîãäàí Áóëàâèí, 10 “Ëèñåíîê” Óêðàèíà, Õàðüêîâ Ðàøêî Âåðîí³êà, 9 “Çîëîòèé êëþ÷èê, àáî ïðèãîäè Áóðàò³íî” Óêðà¿íà, ͳæèí Ìàëüöåâà Êñåí³ÿ, 12 “Ìóõà-Öîêîòóõà” Óêðà¿íà, Õåðñîí ͳãìàòóë³íà Ìàð³ÿ, 7 “Ëþäè-ïòàõè” Óêðà¿íà, Õåðñîí
  13. 13. Ïàíäàðîâ Âëàä,14 “Îêî äðàêîíà” Óêðà¿íà, Îäåñà Êîøåëåâ Ñåðã³é, 8 “×åðâîíà øàïî÷êà” Óêðà¿íà, Åíåðãîäàð Øàðóí Îëåêñ³é, 13 “ͳ÷ ïåðåä гçäâîì” Óêðà¿íà, Ïîëòàâà Ïîðîøèíà Îëåêñàíäðà, 8 “Ëåòþ÷èé êîðàáåëü” Óêðà¿íà, Êðèâèé гã Êóðî÷êà Âñåâîëîä, 8 “Ñëîí ³ òèãð” Óêðà¿íà, Õåðñîí Äóìè÷ Àííà,10 “Á³ëîñí³æêà òà ñ³ì ãíîì³â” Óêðà¿íà, Õåðñîí Ãîëîëîáîâà Êàð³íà, 8 “Êàçêà ïðî ÷åðâîíîãî êîíÿ” Óêðà¿íà, Õåðñîí Íàäåæä³íà Îëåíà, 11 “Çì³é Ãîðèíè÷ ³ Âàñèë³ñà” Óêðà¿íà, Õàðüê³â Àíäð³é ªë³ñåºâ, 7 “Ïîäîðîæ áëàêèòíî¿ ñòð³ëè” Óêðà¿íà, Îäåñà Êîëîìèåö Êèðà, 6 “Äðóæíèå çâåðè” Óêðàèíà, ×åðíèãîâ Ïàâëþê Àíàñòàñ³ÿ, 9 “Ðóêàâè÷êà” Óêðà¿íà, Çàïîð³ææÿ Ãåîðã³é Çàñóõ³í, 8 “Àôðèêàíñüêà êàçêà” Óêðà¿íà, Õåðñîí Êðóïíèê ªëèçàâåòà, 7 “Òðè ÷àð³âíèêà” Óêðà¿íà, Õåðñîí Ãîí÷àðîâà Ñîô³ÿ, 7 “Êàçêà ïðî á³ëîãî ñëîíà” Óêðà¿íà, Õåðñîí
  14. 14. Valeria Vincze, 8 “The magic egg” Hungary, Kecskemet Ïàâë³÷óê Äìèòðî, 10 “Ñîëîì’ÿíèé áè÷îê” Óêðà¿íà, Êðèâèé гã Ëóêüÿíîâà Äàðüÿ, 9 “Êîò, ïåòóõ è ëèñà” Óêðàèíà, Íèæíèå Ñåðîãîçû ²íîçåìöåâà Êñåí³ÿ, 15 “Ñâ³òëÿ÷êè” Óêðà¿íà, Ïîëòàâà Áóðêàöüêà Êàòåðèíà, 12 “Ïòàøèíà äîëÿ” Óêðà¿íà, Õåðñîí Áàðòºíºâà Äàð’ÿ, 11 “Âäåÿêîìó êîðîë³âñòâ³” Óêðà¿íà, Õåðñîí Ãëóõîâà Äàð’ÿ, 8 “Ãóë³âåð” Óêðà¿íà, Õåðñîí Shabiyyah Mumtazah, 6 “Jaka Tarub and Seven Angels” Indonesia, Gresik Ñìèðíîâà Âëàäà, 13 “Äîáðûíÿ è Çìåé Ãîðûíû÷” Ðîññèÿ, Ïåíçà Êóðèëî Ñîô³ÿ, 7 “Ëèñè÷êà-ñåñòðè÷êà ³ âîâê-ïàí³áðàò” Óêðà¿íà, Çàïîð³ææÿ Ìàöþê Þë³àíà, 13 “Ìàëåíüêà â³äüìî÷êà” Óêðà¿íà, Õåðñîí ßêèìåíêî Ìèêîëà, 7 “Ó øàøêîâîìó êîðîë³âñòâ³” Óêðà¿íà, Õåðñîí Ñàëòèêîâà ³êòîð³ÿ, 7 “Ìóôòèê òà ÷àð³âíèé ãðåá³íåöü” Óêðà¿íà, Õåðñîí Áóðëàêà Àë³íà,16 “Îõîðîíåöü ÷àñó” Óêðà¿íà, Õåðñîí
  15. 15. Ìóñòÿöà ßíà, 8 “Ðóñàëîíüêà” Óêðà¿íà, Õåðñîí Ñåðäþê Âëàäèñëàâ,15 “Âîäÿíèé” Óêðà¿íà, Õåðñîí Õìåëëºð Åë³çàáåò, 16 “Áîæåâ³ëüíà Íàëë³” Óêðà¿íà, Õåðñîí Ìàíóê’ÿí Îëåíà,10 “Öàð Ïëàêñ³é òà ëîñêîòóí” Óêðà¿íà, Õåðñîí Ëóáåíåöü Ìàð³ÿ,12 “Ôàðáîâàíèé ëèñ” Óêðà¿íà, Õåðñîí Ðóäêîâñüêà Êàòåðèíà, 8 “Êóðî÷êà Ðÿáà” Óêðà¿íà, Õåðñîí Áîãîìîëîâà Ìàðãàðèòà, 11 “Ìîðîçêî” Óêðà¿íà, Õåðñîí ˳ùèíñüêà ³êòîð³ÿ, 10 “гïêà” Óêðà¿íà, ñìò. Çàâîäñüêå Ïëàñòóí Îëüãà, 11 “Ðîçóìíà äîíüêà” Óêðà¿íà, Õåðñîí Þð÷åíêî Îëåã, 7 “Ðóñàëîíüêà è äðóç³” Óêðà¿íà, Õåðñîí Ìî³ñººâà Åì³ë³ÿ, 10 “Ëèñèöÿ ³ æóðàâëü” Óêðà¿íà, Õåðñîí Àëåêñåºâà Îêñàíà, 6 “Ãóë³âåð” Óêðà¿íà, Õåðñîí Øåâ÷óê Äàð³ÿ, 15 “Ìåð³ Ïîïï³íñ” Óêðà¿íà, Õåðñîí Ìàêñèìþê Îëåêñàíäðà, 12 “Öàð³âíà æàáà” Óêðà¿íà, Õåðñîí
  16. 16. Áóíêóñ Àííà, 6 “Òðè ÷àð³âíèêà” Óêðà¿íà, Õåðñîí Êîâòóí Àííà, 11 “Êàçêà ïðî öàðÿ Ñàëòàíà” Óêðà¿íà, Õåðñîí Êîáçàð Àíàñòàñ³ÿ, 13 “Àë³ñà â êðà¿í³ ÷óäåñ” Óêðà¿íà, Õåðñîí Êóëèêîâà ³êòîð³ÿ, 10 “Æàð-ïòèöÿ” Óêðà¿íà, Õåðñîí Ñèíÿºâà Àë³ñà, 12 “Óêðà¿íñüêà íàðîäíà êàçêà” Óêðà¿íà, Õåðñîí Ðîìàíþê Àð³íà, 6 “Ïðèíöåñà” Óêðà¿íà, Õåðñîí Æóêîâà Äàð’ÿ, 9 “²âàñèê Òåëåñèê” Óêðà¿íà, Õåðñîí Âàêóëà Äàíè¿ë, 12 “Êîòèãîðîøêî” Óêðà¿íà, Êðèâèé гã Æóðàâåëü ³êòîð³ÿ, 14 “²âàí Áîãàòèð” Óêðà¿íà, Ïåðâîìàéñüêèé Áî÷åâñüêà Ïîë³íà,12 “×àðè êâ³òêîâî¿ ôå¿” Óêðà¿íà, Õåðñîí Æàëîáà Âåðîí³êà, 11 “Æàð-ïòèöÿ” Óêðà¿íà, Õåðñîí Çàâºðþõ³íà Äàð³ÿ, 11 “Ðóñàëîíüêà” Óêðà¿íà, Õåðñîí Ìåëüíèêîâà Ñîô³ÿ, 7 “Êàçêà ïðî ÷àð³âíèê³â” Óêðà¿íà, Õåðñîí Ãðàáîâà Îêñàíà, 10 “Óëþáëåíà êóðêà” Óêðà¿íà, Õåðñîí
  17. 17. Ñìèðíîâ Äàíèèë, 11 “Ìåëåíüêàÿ âåäüìà” Óêðàèíà, Ñêàäîâñê Ñîëîäîâí³êîâà Ìàðãàðèòà, 7 “Ïàñòóøêè” Óêðà¿íà, Õåðñîí Ñòðàòåíêî Àííà, 11 “Âïåðò³ áðàòè” Óêðà¿íà, Õåðñîí Âåëè÷êî Âàëåð³ÿ, 8 “Êàçêà ïðî ÷àð³âíèê³â” Óêðà¿íà, Õåðñîí óðíÿê Ñîô³ÿ, 12 “Ãóñè-ëåáåä³” Óêðà¿íà, Á³áðêà Ðæàâöåâ Àëåêñåé, 11 “Áîãàòûðè” Êàçàõñòàí, Ïåòðîïàâëîâñê ²âàøêîâà Ëþáîâ, 5 “Êàçêà ïðî ðèáàêà ³ ðèáêó” Óêðà¿íà, ×åðêàñè Âàðóùèê Áîãäàí, 11 “Ñîëîì’ÿíèé áè÷îê” Óêðà¿íà, Õåðñîí Áóòåíêî Ñîô³ÿ, 10 “Ïîðòðåò Øàïîêëÿê” Óêðà¿íà, Õåðñîí Åãàðìèíà Àëåíà, 12 “Êîíåê-Ãîðáóíîê” Ðîññèÿ, Ëåñîñèáèðñê Ðîìàíåíêî Åâà, 13 “Çîëîòàÿ Ðûáêà” Ðîññèÿ, Ëåñîñèáèðñê Ãóò³êîâà Åì³ë³ÿ, 10 “Öàð³âíà-æàáà” Óêðà¿íà, Õåðñîí Ôèëàòîâà Ìàðèÿ, 7 “Áàáà ßãà” Êàçàõñòàí Ïåòðîïàâëîâñê
  18. 18. Aisha Hassan Abdulrahman, 11 “Resting in the Garden” United Arab Emirates, Sharjah Þùåíêî Âàëåð³ÿ, 8 “Êîòèê ³ ï³âíèê” Óêðà¿íà, Ïîëòàâà Ëîõìàòîâà Àííà, 10 “Ïðèíöåñà íà ãîðîøèí³” Óêðà¿íà, Åíåðãîäàð Ìåëüíèêîâà Àííà, 8 “Ðóêàâè÷êà” Óêðà¿íà, Õåðñîí Æåãóë³í Âàñèëü, 6 “×àð³âíå ì³ñòî” Óêðà¿íà, Õåðñîí Ïîðâèíà Àííà, 12 “Êîíåê-Ãîðáóíîê” Ðîññèÿ, Ëåñîñèáèðñê Çàïðîøóºìî âçÿòè ó÷àñòü ó íàñòóïíîìó V ̳æíàðîäíîìó êîíêóðñ³ äèòÿ÷îãî ìàëþíêà “²ëþñòðàö³ÿ äî íàðîäíî¿ êàçêè” â 2018 ðîö³ Welcome to 2018 International Art Competition “Illustration to Folktale” KHERSON, UKRAINE ÕÅÐÑÎÍ, ÓÊÐÀ¯ÍÀ 2016
  19. 19. Íàâ÷àëüíî-åñòåòè÷íèé êîìïëåêñ «Õóäîæíÿ øêîëà» ì.Õåðñîíà Äèòÿ÷à õóäîæíÿ øêîëà. Äèçàéí-ë³öåé. ³ää³ëåíÿ âèùî¿ îñâ³òè: ðåàë³çóº ïðèíöèï íåïåðåðâíîñò³ îñâ³òè â ãàëóç³ îáðàçîòâîð÷îãî ìèñòåöòâà òà äèçàéíó. Íàãîðîäæåíèé Ïî÷åñíîþ ãðàìîòîþ Êàá³íåòó ì³í³ñòð³â Óêðà¿íè. Çàñíîâàíà ó 1980 ðîö³. Ïåäàãîã³÷íà ðîáîòà ç ä³òüìè â³ä 5 ðîê³â ç îáðàçîòâîð÷îãî òà äåêîðàòèâíîãî ìèñòåöòâà. Äèðåêòîð - Ñë³ï³÷ Þ.Â., êàíäèäàò ïåäàãîã³÷íèõ íàóê, äîöåíò. Çàñíîâàíèé ó 1997 ð. Äîâóç³âñüêà ï³äãîòîâêà ñòàðøîêëàñíèê³â äî ìèñòåöüêèõ ñïåö³àëüíîñòåé. Äèðåêòîð - Ñë³ï³÷ Ï.À., Çàñëóæåíèé ä³ÿ÷ ìèñòåöòâ Óêðà¿íè. âèùà îñâ³òà «áàêàëàâð, ñïåö³àë³ñò, ìàã³ñòð» çà ñïåö³àëüí³ñòþ «õóäîæíèê-äèçàéíåð». Ãðàô³÷íèé òà êîì’þòåðíèé äèçàéí. Çàâ³äóâà÷ - ïðîôåñîð ÍÀÊÊÊ³Ì Ñë³ï³÷ À.Ë., Çàñëóæåíèé ä³ÿ÷ ìèñòåöòâ Óêðà¿íè. «Õóäîæíÿ øêîëà» âóë. Íåáåñíî¿ ñîòí³, 21 Óêðà¿íà, ì. Õåðñîí, 73003 òåë.: +38(0552) 26 41 53 e-mail: dl2001@ukr.net «Art School» str. Nebesnoi sotni, 21 Ukraine, Kherson, 73003 tel.: +38 (0552) 26 41 53 e-mail: dl2001@ukr.net ÊÎÌÏÉ ËÈ ÅÍ Ê× ÑÈÒÅÒ ÑÅ-ÎÍÜËÀ×ÂÀÍ ”ÀËÎÊ Ø ßÍÆÎÄÓÕ“ ÕÅ. ÐÑÌ ÎÍÀ

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