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Creación, difusión y consumo estético en la era digital

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  1. 1. Nuevos sistemas de creación, difusión y consumo estético<br />Diana C. Casalins<br />dianalins@gmail.com<br />2009<br />
  2. 2. “No existe, realmente, el Arte.<br />Tan sólo hay artistas. Estos eran en otros tiempos hombres que cogían tierra coloreada y dibujaban toscamente las formas de un bisonte sobre las paredes de una cueva; hoy, compran colores y trazan sus carteles sobre el metro. Entre unos y otros han hecho muchas cosas los artistas.<br />E. Gombrich. 1950<br />
  3. 3. ¿Qué es arte?<br />¿Quiénes son los artistas?<br />¿Es una técnica mejor que otra?<br />¿Qué se está produciendo?<br />¿Quiénes lo están haciendo?<br />¿Con qué medios?<br />
  4. 4. Estética. (Del gr. αἰσθησις, sensación, percepción; ικα, relativo a.)<br />1. adj. Perteneciente o relativo a la percepción o apreciación de la belleza. Placer estético<br />2. adj. Artístico, de aspecto bello y elegante.<br />3. f. Ciencia que trata de la belleza y de la teoría fundamental y filosófica del arte.<br />4. f. Conjunto de elementos estilísticos y temáticos que caracterizan a un determinado autor o movimiento artístico. La estética del modernismo<br />5. f. Armonía y apariencia agradable a la vista, que tiene alguien o algo desde el punto de vista de la belleza. Da más importancia a la estética que a la comodidad<br />
  5. 5. critical<br />“A reflectionon art,<br />cultureand nature,“*<br />objetos<br />personas<br />Prueba matemática<br />sinfonía<br />*ENCYCLOPEDIA OF AESTHETICS / Edited by Michael Kelly.--New York, NY:<br />Oxford University Press, August 1998.<br />
  6. 6. “Los trabajos de los poetas son clasificados de acuerdo a<br />lasnuevastécnicasque los poetasdescubren y comparten,<br />Y de acuerdo a sumanera de organizar y desarrollar los recursos del lenguaje;<br />Los poetas se preocupan mucho máspor la manera de disponerlasimágenes<br />queporcrearlas.<br />Las imágenes son dadas a los poetas; la habilidadderecordarlasespor mucho, másimportanteque la habilidad de crearlas.”<br />Victor Shklovsky, a leading figure in the school of literary and linguistic theory known as Russian formalism<br />Modern Criticism and Theory: A Reader (London: Longmans, 1988), pp. 16-30.<br />http://social.chass.ncsu.edu/wyrick/debclass/Shklov.htm<br />
  7. 7. Leonardo da Vinci (1452-1519)<br />
  8. 8. Madona portligatdali<br />Madonna <br />
  9. 9.
  10. 10. Análogo vsDigital<br />
  11. 11. Análogo vsDigital<br />
  12. 12. Análogo vsDigital<br />TITLE: Mechanic, oil finished in Photoshop ARTIST: Benjamin Bjorklund<br />TITLE: El arte de la tranformaciónARTIST: Marco Mojica<br />
  13. 13. Análogo vsDigital<br />
  14. 14. Análogo vsDigital<br />
  15. 15. Análogo vsDigital<br />
  16. 16. Análogo vsDigital<br />Reactable- 2006<br />Sergi Jordà/Marcos Alonso/<br />Martin Kaltenbrunner & GünterGeige<br />
  17. 17. Pro vsAmateur<br />
  18. 18. Pro vsAmateur<br />
  19. 19. Pro vsAmateur<br />Jorge Columbo<br />
  20. 20. Pro vsAmateur<br />
  21. 21. Contemplación vsAcción<br />GolamLevin<br />Julia Nunez<br />
  22. 22. Un ordenador no es una calculadora, <br />Ni internet se asemeja a una llamada de larga distancia<br />La red es una nueva dimensión que nos <br />plantea nuevas formas de interacción<br />en dónde tiempo, espacio y jerarquíadejan de ser las coordenadas que nos marcan la ruta a seguir…<br />
  23. 23. Paredes vsRedes<br />
  24. 24. Paredes vsRedes<br />
  25. 25. Paredes vsRedes<br />
  26. 26. Paredes vsRedes<br />
  27. 27. Paredes vsRedes<br />
  28. 28. Paredes vsRedes<br />
  29. 29. Paredes vsRedes<br />
  30. 30. Paredes vsRedes<br />Hacktivism<br />
  31. 31. Derechos vsIzquierdos<br />Copylefts<br />
  32. 32. Todos los días –escribió Lèger- la industria <br />fabrica objetos que tienen un indiscutible valor plástico. <br />El espíritu de esos objetos domina nuestro siglo”<br />Everyday<br />
  33. 33. Espectador vsProsumidor<br />
  34. 34. Espectador vsProsumidor<br />Future M<br />
  35. 35. “Everyone will be famous for 15 minutes.”<br />“I'm bored with that line. I never use it anymore. My new line is "In 15 minutes everybody will be famous."<br />

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