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CSEND DIALOGUE FORUM



                                                                    Diplomacy Dialogue

           Monday, the 19th of May 2008 from 5.30 to 7.00 pm


       BEAUTY, ART, NATURE AND CHAOS




Perhaps the chief characteristic of works of art-such as in music, literature, painting, dance, and
film--is a sense of "this-otherness" they evoke. That is, the artist takes the "subject" of the work
beyond presentation or representation to a place of "beauty" which "doth tease us out of thought, as
doth eternity," as Keats put it. The grand and tragic as well as the ordinary and quotidian become
infused with a quality which Virginia Woolf called "being", photographer Paul Caponigro calls
"presence," and Leonard Bernstein called "expectation violations". The "this" simultaneously
converges and diverges with a subtle sense of "otherness." Arnold Schoenburn called it the
discovery that "dissonance is the same as consonance": a metaphoric dynamic.
In fact, the kind of dynamic found in literary metaphors pervades works of art. Here items are
juxtaposed so as to continuously compare and contrast them without resolution. A work of literature
is made of interlocking metaphors operating at various levels, from "local," obvious comparisons
("those eyes are pearls") to the large-scale metaphors of Kafka's Castle. In a classic symphony, an
introduced theme is "developed" so that previous versions are continuously compared and
contrasted with new versions as the theme transmogrifies through pitch, rhythm, instrumentation,
strategies like contrary motion and fugue. The principle of simultaneous similarity and difference
operates throughout the piece to produce the sense of this-otherness.
The fractal forms generated by chaotic dynamical systems (perhaps the most ubiquitous forms in
nature: clouds, mountains, the nerves in our bodies, wave patterns, forest ecologies) share both the
quality of this-otherness found in art and the patterns of what fractal geometers call "self-similarity,"
at different scales. Chaos theory and fractals offer a new way to think about the beauty of nature
and its relationship to the beauty of art. Professor John Briggs addresses these issues and
suggests ways to look at the holism of both nature and works of art through the "this-
otherness"/self-similar dynamic.


   •   Professor John Briggs is a distinguished Professor at Western Connecticut State
       University, Department of Writing, Linguistics and Creative Process. He has written many
       books on the Chaos theory, Art and Nature like Trickster Tales, Seven Life Lessons of
       Chaos, Fire in the Crucible among others and Entangled Landscapes, co-authored with poet
       James R. Scrimgeour
CSEND DIALOGUE FORUM

Dialogue Partner/Discussant: Implications to Social Systems and Change
Professor Raymond Saner is the professor for Organisation and International Management at
Basle University. He would have a dialogue exchanges with Prof. Briggs after his initial
presentation and explore together the applicability of Chaos theory to the understanding of social
system change and process of national development.


Organisers:
Prof. Lichia Yiu, the Centre for Socio-Eco-Nomic Development (CSEND)
Prof. Beat Bürgenmeier, Political Economy Department, the University of Geneva



                                         Free of Charge
                                     Uni-Mail, Room M S030
                     More information on CSEND could be found at www.csend.org
Note: This publication has been made available by CSEND with the agrement of the author.




                        The Centre for Socio-Eco-Nomic Development (CSEND) aims at
promoting equitable, sustainable and integrated development through dialogue and
institutional learning.

http://www.csend.org/programmes-a-services
http://www.csend.org/about-csend
http://www.csend.org/project-samples
http://www.csend.org/csend-group
http://www.csend.org/knowledge-area
http://www.csend.org/csend-portraits
http://www.csend.org/community-of-artists




Diplomacy Dialogue is a branch of the Centre for Socio-Eco-Nomic Development
(CSEND), a non-profit R&D organization based in Geneva, Switzerland since 1993.

http://www.diplomacydialogue.org/mission
http://www.diplomacydialogue.org/about-us
http://www.diplomacydialogue.org/projects
http://www.diplomacydialogue.org/publications
http://www.diplomacydialogue.org/conferences
http://www.diplomacydialogue.org/dialogue-forum
http://www.diplomacydialogue.org/partners
http://www.diplomacydialogue.org/links
http://www.diplomacydialogue.org/contact
http://www.diplomacydialogue.org/sitemap

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20080519 third dialogueforum-announcement

  • 1. CSEND DIALOGUE FORUM Diplomacy Dialogue Monday, the 19th of May 2008 from 5.30 to 7.00 pm BEAUTY, ART, NATURE AND CHAOS Perhaps the chief characteristic of works of art-such as in music, literature, painting, dance, and film--is a sense of "this-otherness" they evoke. That is, the artist takes the "subject" of the work beyond presentation or representation to a place of "beauty" which "doth tease us out of thought, as doth eternity," as Keats put it. The grand and tragic as well as the ordinary and quotidian become infused with a quality which Virginia Woolf called "being", photographer Paul Caponigro calls "presence," and Leonard Bernstein called "expectation violations". The "this" simultaneously converges and diverges with a subtle sense of "otherness." Arnold Schoenburn called it the discovery that "dissonance is the same as consonance": a metaphoric dynamic. In fact, the kind of dynamic found in literary metaphors pervades works of art. Here items are juxtaposed so as to continuously compare and contrast them without resolution. A work of literature is made of interlocking metaphors operating at various levels, from "local," obvious comparisons ("those eyes are pearls") to the large-scale metaphors of Kafka's Castle. In a classic symphony, an introduced theme is "developed" so that previous versions are continuously compared and contrasted with new versions as the theme transmogrifies through pitch, rhythm, instrumentation, strategies like contrary motion and fugue. The principle of simultaneous similarity and difference operates throughout the piece to produce the sense of this-otherness. The fractal forms generated by chaotic dynamical systems (perhaps the most ubiquitous forms in nature: clouds, mountains, the nerves in our bodies, wave patterns, forest ecologies) share both the quality of this-otherness found in art and the patterns of what fractal geometers call "self-similarity," at different scales. Chaos theory and fractals offer a new way to think about the beauty of nature and its relationship to the beauty of art. Professor John Briggs addresses these issues and suggests ways to look at the holism of both nature and works of art through the "this- otherness"/self-similar dynamic. • Professor John Briggs is a distinguished Professor at Western Connecticut State University, Department of Writing, Linguistics and Creative Process. He has written many books on the Chaos theory, Art and Nature like Trickster Tales, Seven Life Lessons of Chaos, Fire in the Crucible among others and Entangled Landscapes, co-authored with poet James R. Scrimgeour
  • 2. CSEND DIALOGUE FORUM Dialogue Partner/Discussant: Implications to Social Systems and Change Professor Raymond Saner is the professor for Organisation and International Management at Basle University. He would have a dialogue exchanges with Prof. Briggs after his initial presentation and explore together the applicability of Chaos theory to the understanding of social system change and process of national development. Organisers: Prof. Lichia Yiu, the Centre for Socio-Eco-Nomic Development (CSEND) Prof. Beat Bürgenmeier, Political Economy Department, the University of Geneva Free of Charge Uni-Mail, Room M S030 More information on CSEND could be found at www.csend.org
  • 3. Note: This publication has been made available by CSEND with the agrement of the author. The Centre for Socio-Eco-Nomic Development (CSEND) aims at promoting equitable, sustainable and integrated development through dialogue and institutional learning. http://www.csend.org/programmes-a-services http://www.csend.org/about-csend http://www.csend.org/project-samples http://www.csend.org/csend-group http://www.csend.org/knowledge-area http://www.csend.org/csend-portraits http://www.csend.org/community-of-artists Diplomacy Dialogue is a branch of the Centre for Socio-Eco-Nomic Development (CSEND), a non-profit R&D organization based in Geneva, Switzerland since 1993. http://www.diplomacydialogue.org/mission http://www.diplomacydialogue.org/about-us http://www.diplomacydialogue.org/projects http://www.diplomacydialogue.org/publications http://www.diplomacydialogue.org/conferences http://www.diplomacydialogue.org/dialogue-forum http://www.diplomacydialogue.org/partners http://www.diplomacydialogue.org/links http://www.diplomacydialogue.org/contact http://www.diplomacydialogue.org/sitemap