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Teen titans 003

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Teen titans 003

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Teen titans 003

  1. 1. PFEIFER ROCAFORT BROWN DEC ZOI4 RATED 1' TEEN DCCOH| (S. (0M
  2. 2. 6K1/EL FA TE F/ REE UP FOR HER F/ NAL ACT ETA? /N5 DOWN DEATH B1/TI FEEL NO FEAR ~51// v @055 pow»/ , EA/ zr/4 5055 BLACK KNOW PEEP DOWN I'M NOT ALONE IN HERE
  3. 3. as ES-= ;I-FIE LL T | ='El‘I: 5 {Vt EFALTWFJ Ed / THE LL| i|_L _| =l= EiI'= El' Lu: -iI= aI'. Manners-. II'DEéFD| 'h E| 'I= iE| = »= IEI1 bl'| :lI. l.Il'I l2l: lI. I:ll'iEI= / _Il: lI-uI'I _l. I-ui| _I_ Laeeerer EfiEfi| 'IEI= h I-| :u: aI= I:: i-L: EDVEF I HEVIFI L1JEI= lE variant: Envel- EEHE I-IE I'T1Ell'IEnI= El'VEI'iEFII= I2I: IVEl' rich-{ea | =LII'= Ii| 'I EE5|: |I2iEI= E EdiI= Dl' ITIIHE EI: ll= I=I: ll'I / Edjhl/ III" J Eu= I'= IiE , EIEFEEHEE EFEILIF. E= li| =Dl' / 7
  4. 4. I . . I I71! w. . I w.1IE—I1.lu~ . .l| i.: . I
  5. 5. WHAT TIME IS IT. MIGUEL? ALMOST TWO? THREE? DON'T YOU THINK WE SHOULD, YOU KNOW; GET HOME? GET SOME SLEEP? SLEEP? HA. ’ I CAN'T SLEEP TONIGHT. ’ I'M TOO WIRED AFTER STOPPING THAT FIRE AND BEATING THAT ROBOT. ’ TONIGHT? SAVING GOVERNOR'S ISLAND FROM BEING BLOWN I/ P.’ YESTERDAY? SAVING THOSE KIDS FROM A BUS CRASH. ’ IT'S LIKE I'M EL JEFE DEL MUNDOI GAR! I FEEL LIKE I CAN DO ANYTHING! YEAH; YEAH, I KNOW THE FEELING. BUT RIGHT NOW, I KNOW ANOTHER FEELING. EXHAZ/ S77ON. ANY CHANCE YOU COULD BR/ CK US A RIDE BACK HOME? NO POCKETS. HOMBRE. LO SIENTO. BEFORE YOU GO. . . HOW ABOUT EMPTYING YOUR ROCKETS.
  6. 6. YOU THINK THAT WAS A LITTLE. I DON'T KNOW, OVERK/ LL? WITH THIS? I DUNNO. MIGUEL. YOU'RE JOK/ /VG; RIGHT? THAT GUY WAS GOING TO SHOOT US! SEE? ONE LESS CRIMINAL LOOSE IN NEW YORK. ALREADY; THE STREETS FEEL SAFER. ’ I DON'T THINK THE BULLET WOULD'VE MADE IT THAT FAR. .. HOW YOU DOING. BUDDY? YOU OK ? FROM H/ M/ ANYWAY. . . FAR AS I SEE IT. I WAS METRO POLICE? YES. A MAN TRIED TO MUG US IN BATTERY PARK. OH NO, HE'S CAUGHT. NO. HE WON'T BE GOING ANYWHERE.
  7. 7. I CAN'T BELIEVE IT! I MEAN, I CAN'T BELIEVE IT! I CAN'T BELIEVE I'M SITTING! NEXT TO YOU; RIGHT HERE, RIGHT NOW, THE PERSON WHO / NSF/ REV ALL , ‘Bl/ R/ED . , eves’! ‘CLOAK OF 0/vs 501.02"! I EVEN ourz coves: TO BE A . §UPER/ /EIZO. ’ ’ E, YOU DON'T UNDERSTAND. ’ FROM THE . V FIRST TIME I SAW , YOU ON TV. I KNEW WHAT I WANTED TO DO WITH MY LIFE. ’ SHE DIDN'T SHOW UP. AT ALL. I DIDN'T HAVE ANY POWERS. SO I FORMED Pzeny THIS BAND. MUCH THE SAME THING: BASICALLY THE SAME THINO. EX/16 TL)’; IN J ‘ . .n. 5' ". WE'RE INTERNS. ‘ wgwgge 5-T-M? » M55 womneu AT THE | NTERN5« DOWNTOWN ME? RAVEN? WE JUST WANTED TO SAY THANK SAVED OUR LIVES YESTERDAY. THAT THIN6 WITH THE WEREN ’T FOR YOU, WELL. .. KA -BOOM. ’
  8. 8. BUT BUNKER? H BUNKER, HE PFFFT. aw LIKE : — WE KNOW YOU ' IS THE one ~ ‘:2 THAT, HE'S ALL WERE ON THE BUS. W5 A WHO-- 4' srns AND NO KNOW >’0U’RE THE ONE « ' — _, - suasrmvce. MISSED THE SHOW. 1,‘ . ; / V " , ’_, . _w u l I . 4. v / V 4 ~' , .( . - _ > V - . . . g I _ . .1’ 4‘ / « I - ' < »' . ,. r . . _ , v.‘ V . , ,4 9 , . . . a 7 ~. . . _ : » , ,/ I s / , A . _ I. 5 ' » x
  9. 9. YOU'LL FIND I AM LESS VULNERABLE TO TECHNOLOGICAL TRICKS THAN THE OTHERS. I ‘I DEAL IN OTHER REALMS; QDTHER LEVELS OF EXISTENCE. I COULD SUMMON ANY NUMBER OF DEMONS OR DEM/ GODS TO HELP MCEDUDEAL WITH BUT " INSTEAD. .. . ..I THINK I WILL CALL MY FRIENDS.
  10. 10. WHERE EXACTLY IS THIS HAPPEN/ NO; RAY? ALREADY KNOW. I'VE SEEN TO THA 7'. YOU'RE RIGHT. I DO. A BAR IN THE BOWER)’. HOW DO YOU DO THAT? WHAT ABOUT THE OTHERS? THEY COMING; TOO? YO! /I CASS/ E. THE TERROR/ ST H/ IS U2/vsp. L/ V -- MANYL/ V -' ARE/ IT STAKE. THE)’ ARE BE/ NG SUMMONEI7. THEY WILL MEET YOU THERE. THO! /OH GARFIELD SEEMEI7 RELUCTANT" E VEN A BIT CRANK)’. GAR? YEAH, THAT
  11. 11. YOU'LL LEARN I'M AND THERE'S NEVER FOOLED BY SOMETHING ELSE THE S; /MEE'I’RICK YOU'LL LEARN. .. GOT A FEW TRICKS OF MY OWN. EVEN UNDER THAT HOOD. . . I KNOW YOU'VE GOT A PAIR OF EYES. ’ I I'M GOING TO KILL ALL YOUR FRIENDS. THE DARKNESS. . . YOU TRIED TH/ S TRICK ON THE BUS.
  12. 12. ALL OF YOU? ALL . HERE, ALL AT ONCE? THIS IS EVEN BETTER THAN I WAS 730”/552' . ROBOT o/ vcs TONIGHT!
  13. 13. THAT CHANGES EVERYTHING. ’ SOMETIMES, RAY, THE PHYSICAL APPROACH IS MORE EFFECTIVE. M/ O.. . I DON'T THINK SHE'LL BE COMING BACK FROM THAT. ’
  14. 14. ---‘/ OWE S cooI. .coo| .. WONDER E/ /2L, MY EX-GIRLFRIEND, RIGHT? SHE'S IN YOUR GANG. WHAT DID SHE MEAN SHE WAS “PROM|5ED". ..? WE 607 HERE IN WHAT? FIVE MINUTES? "
  15. 15. MINUTES. BUT THOSE KIDS, THE TITANS? THEY WERE ALREADY GONE. OKAY, THAT'S ONE MYSTERY. HERE'S ANOTHER: WHY ARE YOU HERE IN A DIVE BAR AT THE CRACK OF DAWN, MISTER--? AND THESE TWO ARE INTERNS IN OUR HUMAN DEVELOPMENT DIVISION. I HEARD ABOUT THE--'THE / NC/ DENT--AND GOT HERE AS GIUICKLY AS I COULD. AT T. A.R. LABS, WE WATCH OUT FOR OUR OWN. MY BADGE FOR THE LAB--JEN, HAVE YOU NOW YOU SAID IT WAS A ROBOT THAT ME WITH A BOLT , OF ELECTRICITY. BE DEAD IF IT WEREN'T FOR WONDER GIRL. SURE. SHE Pl/ NCHED IT. SHATTERED THAT pm you ROBOT INTO " AM/ LL/ ow ITNFWEEZEFQIZ PIECES. A 30501? SINGLE PIECE. WHAT, POWER? NO. NOT YET, ’ WAS THE THAT ? THAT ANYWAY. I'VE GOT ANOTHER TARGET FOR YOU. A . MORE COLORFUL I . TARGET, ‘ * . ..HEI2E mag ‘ AT 9.T. A.R. 1 . LABS, WE TII'A‘¥‘é‘. i,“I%I’I? «"Ii’e ' ' ‘ wmn om CEILING wHEN YOU ‘ ‘ FOR OUR EXPLODED, BY OWN- THE WAY. . ..IIuwrIIsfar . ‘:'. EIlII. labs. tn.
  16. 16. ' LISTEN. I'LL BE HOME IN TWENTY MINUTES OR SO. I'LL CALL YOU THEN, OKAY? THEN WE / CAN ' THOUGHT 0, YOU WERE ExHAuErEv. I'M AT YOUR PLACE, CASS/ E. I'VE BEEN E/77/HE ON YOUR FRONT , § STEPS FOR AN H01/R, WA/ T/N6 YOU I25 FOR YOUR TR/ I/MPHANT HERE? YES, CASSIE, IT'S YOUR MOTHER. I NEED TO TALK 7 WITH YOU. RIGHT NOW. WHERE ARE you? YOU THINK THEY I'IAVE BISON BURGERS ON THE MENU? I MIGHT GET ONE TO GO. WHERE AM I? I'M GETTING BREAKFAST WITH THE --WITH SOME I'M HERE. I'VE SEEN THE IvEwE-1 . . ' . , mow WHAT you've BEEN up TO. I / I . — VERY, VERY | / ’II5ANp1'M 'I‘v‘
  17. 17. MOM, I HAVE NO IDEA WHAT YOU ARE TALKING THERE ARE ROVING GANGS OF GIRLS RUNNING AROUND MANHATTAN, DRESSED LIKE YOU, ASSAULTING PEOPLE IN THE STREETS. IT'S ALL OVER THE NEWS. I DON'T KNOW WHAT ° THAT/ YARD v TO BELIEVE, HANG UP THE ‘ . D “ . I, I If . * I5 j. __ WOMAN. SHE KNOWS EXACTLY AS ALWAYS; IT WAS GREAT TALKING TO YOU, MOM. YOU GUYS THINK WE SHOULD WORRY ABOUT THE FACT THAT THE SAME KILLER ROBOT HAS ATTACKED US DON'T SWEAT IT. I'M SURE RED ROBIN'S ALL OVER INVES77GATING ANY CONSPIRACIES AND CONNECTIONS. THAT'S H/ S THING. WAITRESS? CAN I GET A ’ ' YEAH. YOU'RE PROBABLY RIGHT. HE'D CALL IF HE NEEDED BACKUP. ..
  18. 18. ''. ..OR IF E FOUND OUT ANYTHING. ’ MIIIM P/ IIIIIIIIHIIIIII. . . . I'. I'JM. lllfli . . M II”! IIIIII ~ / III’ [II, I'l. ‘I.
  19. 19. AND NO IDEA THAT I KNOW EVERY SINGLE THING I _ NEED TO FIGHT
  20. 20. ' . I I’ " , “ " I “x r’~ I -'= "-— . ' 1 , . » ' / ix ‘ I I: I:InI= inI. Ia= I.. . ‘. . . _j_j_. __. T._i_ . L’ V) . . . . , . . »- _: I I I E
  21. 21. DC COMICS PRESENTS. .. [channel ] . I , . ow, what a depressing sight that is over there. right? The LexCorp building smolders with heavy dam- age. The Metropolis streets spew the remnants oI utter chaos. Hundred~do| |ar bills waft about in the wind. only new JUSTICE LEAGUE artist Jason Fabok can make something so bleak look so awesome! I mean, check out his Bat-hazmat suit design at left! So oi course you have to ask: Where Is the Justice League? ? I'll give you a hint: They are in no shape whatsoever to help. l’d show you that particular spread by Jason Instead. ..but I gotta keep some surprises for the Issue. It's not a pretty sight. Who could put them down for the count so swiftly and decisively? Writer Geoff Johns. of coursel But what could do the deed? Another hint: It‘s the title of our next arc that begins in November (with a prologue in October). “The Amazo Ifirus. " Its a real killer. Justice League editor scrambling to find his hazmat onesie JUSTICE LEAGUE #36 Art by Jason Faook and Brad Anderson IN STORES
  22. 22. DC ALL ACCESS: TONY DANIEL ON DEATHSTROKE t's blades, blood, and badass mercenaries this October when the new series DEATHSTROKE slices and dices its way into comic book stores under the creative leadership of writer/ artist Tony S. Daniel! The dangerous and deadly mercenary easily ranks as one ofthe DC Comics Universe's most popular and 5t"Ike5 °Ct- 22! recognizable villains. With his new series fast approaching, we spoke with Tony about his plans for the one—man wrecking crew. What can you say about the overall direction ofthis series? I felt I had a "take" on Slade Wilson and Deathstroke that would make for a heck of a thrill ride month in and month out. I have along game plan and each arc will bring us closer to Slade Wilson, his world, and his goals. In the first arc, I set out to reestablish Deathstroke, the mercenary, as well as Slade Wilson, the man. In this beginning chapter, I'm basically setting up the rest ofthe series. What appeals to you about working on Deathstroke? What I find most appealing is that I know what I'm going to do and ifl work hard, it'll all come together. Every day I push myself to be the best artist I can possibly be—and then some. Same with my writing. There's lots that I'm excited about regarding Deathstroke, but I'm even more excited about the improvements I've been making in my work. I know it will carry over and make an impact on the book itself. How does this differ from your work on Superman/ Wonder Woman? It's a completely different feel. There‘ll be no confusing DEATHSTROKE with SUPERMAN/ WONDER WOMAN! Deathstroke will be a violent series and I'll be pushing the envelope as far as I can take it. I am in the middle ofa big fight scene and it is going to be nuts. The level ofviolence and brutality is not something I've done so much of before. Batman and Detective Comics came close, but of course Batman doesn't kill his enemies. waiters vast: ext / still ’: <c.1o(‘—¥:5: i"AV{= l5X,3(5}I 41$ ‘Wit: a»a: <:x. ~ rrwi ‘rarer-. ,ir: ext i§1rWii(? Jt7‘iF(: ,Tliti'nTi}iiTiI. SIDCALLACCESS I DCALLACCESS. COM flfl D( (OMKS BOB HARRAS Senior VP — Editor-in-Chief, DC Comics DIANE NELSON President DAN DIDIO and JIM LEE Co-Publishers GEOFF JOHNS Chief Creative Officer AMIT DESAI Senior VP — Marketing 8. Franchise Management AMY GENKINS Senior VP — Business & Legal Affairs NAIIZI GARDINER Senior VP — Finance JEFF BOISON VP — Publishing Planning MARK CHIARELLO VP — Art Direction & Design JOHN CUNNINGHAM VP — Marketing TERRI CUNNINGHAM VP — Editorial Administration LARRY GANEM VP — Talent Relations 8. Services ALISON GILL Senior VP — Manufacturing & Operations HANK KANALZ Senior VP — Vertigo Ex Integrated Publishing JAY KOGAN VP — Business is Legal Affairs, Publishing JACK MAI-IAN VP — Business Affairs, Talent Nick NAPOLITANO VP — Manufacturing Administration FRED RUIZ VP — Manufacturing Operations COURTNEY SIMMONS Senior VP — Publicity BOB WAYNE Senior VP — Sales TEEN TITANS IISSN itzlli-1-8-ll7I 3. December, ZUI4. Pulilislied rnnntlily by Di) Comics, ITIJU Binadway, New tint NV Illlllli, PDSTMASTEII: Send address changes In TEEN TITANS, DE liuinics Suhsnriptirins, E0. Enx H537. liig Sandy, TX 75755-li537.Annna| suhscnptinn rate (12 issuesl $24.99. Canadian suhscnlters inust arid Sl2.[lfl ler iinstage and GST. EST it is lil25!I2lfl72.A| | lnreign cnuntrizs rnnst aitl SlZ.0D lei pnstage. U. S.lnnds nnly. Eupyriglit © Zl]l4 DC Duinii: s.A| | Riultts lTeseived. A|| eltaiatleis featured in this issue. the distindive likenesses lheienl and related elements are uademarlis ul DE Eamits The S1.Dll8S. I2llatBl. 'lElS and incidents mentinried in tits magazine are entirely hntinrral. [TE Lnrnim dues nut read at accept nnsnlinned snhmissiniis nl ideas. sinries ni anwnrlcfnr Advertising and Enstnm Publishing i: iintai: t tlixnmii: sadiiertisiny@di: uiinii; s.aiin. Fin details an DE Cnmies liatiri_L; s. iiistt decnmicsmm/ gn/ ratings. DE Enmicsa Wamer Bins. Eiitertaininent Company
  23. 23. It :3 : .,. _r«[ln. ~t$. .. . . x . H N . _‘ x ‘ X . ~ .

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