Successfully reported this slideshow.
We use your LinkedIn profile and activity data to personalize ads and to show you more relevant ads. You can change your ad preferences anytime.

Review A: for examination one buddhist arts

359 views

Published on

Part A (more to come)

  • Be the first to comment

  • Be the first to like this

Review A: for examination one buddhist arts

  1. 1. 0021_3_7892_200600048
  2. 2. 0024_3_7894_200304492
  3. 3. 0012_3_7891_200600047
  4. 4. 0007_3_7923_200600046
  5. 5. 0042_3_9143_198905948
  6. 6. 0034_3_7897_200304497
  7. 7. 0032_3_7907_200304512
  8. 8. 0013_3_9197_200304513
  9. 9. 0016_3_7906_200304511
  10. 10. 17
  11. 11. Dry_lacquer_Clay_Mason_p86Dry lacquer technique (armature, clay basis)
  12. 12. Birushana(Vairocana)BuddhaGilt and colors ondry lacquer withbasketry armature.Mason 118.2ndhalf of the 8th c.—probably late 760s.Height 120 inches /10 ft.
  13. 13. 0023_3_9112_198905863
  14. 14. Shûkongôjin. Before 750, Nara period. Clay with pigments. H. 68 1/2 in. Third Month Hall,Clay Tôdaiji, Nara. Mason 115.塑像
  15. 15. 230018
  16. 16. 0019
  17. 17. MudraSeat Shaka and basicsLotus pedestalMandorla (nimbus)Sacred marks (Lakshana)
  18. 18. 0054
  19. 19. Hip and Gable roof 01.ho_nara04Plaster and wood walls. Joinery. Tile roof Stone base
  20. 20. 0032
  21. 21. 0032
  22. 22. Ise
  23. 23. 01.ho_nara04
  24. 24. 0000
  25. 25. 0000
  26. 26. Horyuji_pagoda_elev_Mason _fig73
  27. 27. Stupa_diag_Mason_fig71
  28. 28. Wakakusa dera ca. 607Hôryû-ji ca. 700
  29. 29. 0009
  30. 30. Horyuji garan planYakushiji in Nara, early 8th c
  31. 31. Kofukuji (from Suzuki)730s and later
  32. 32. 0058
  33. 33. 01.ho_nara09
  34. 34. 0006
  35. 35. 01.ho_nara08
  36. 36. 01.ho_nara13
  37. 37. 01.ho_nara05
  38. 38. INTERIOR Hôryû-ji.Amida Paradise, west (6)
  39. 39. Horyuji wall Amida
  40. 40. 01.ho_nara27
  41. 41. Tachibana Lady Tachibana Shrine, early 8th c. bronze (originally with gilding)
  42. 42. Tachibana D Lady Tachibana Shrine, early 8th c. bronze (originally with gilding)
  43. 43. Tachibana Lotus floor
  44. 44. 0000
  45. 45. 0015Horyuji pagoda, ca. 700-711. North doorway
  46. 46. 0016
  47. 47. ^ Hôryûji pagoda east bosatsu •••• ^^Shinyakushiji 12 Generals
  48. 48. Yakushiji Triad. Late 7th or early 8th C.
  49. 49. 0011
  50. 50. 0012
  51. 51. 0014
  52. 52. Bodhisattva detail
  53. 53. 0014 Seattle Art Museum. Tang period Bodhisattva
  54. 54. 0016
  55. 55. 0017
  56. 56. 0019
  57. 57. KofukujiSakara and KendatsubaEight Classes
  58. 58. • Karuda Igaruda). Bird headed protectore. Eight Classes.KofukujiKarura (Garuda)Eight classes
  59. 59. Kofukuji_KasenenTen Great Disciples
  60. 60. Kofukuji_SubodaiTen GreatDisciples
  61. 61. Kofukuji. Ashura. Eight Classes
  62. 62. Heijio plan Mason?
  63. 63. NEXT SLIDE: Left personifying Empress Jinguu. Hachiman god ofwar as monk, Empress Nakatsu.These sculptures function as objects of devotion in certainShinto shrines. Originally the Shinto tradition had no customof making anthropomorphic images, but this was to a certainextent begun after the 8th century, in imitation of Buddhismand under the influence of the so-called honji suijaku theory ofShinto-Buddhist syncretism. Written records tell of Shintoimages being carved in the latter half of the 8th century, butthe earliest extant examples date from the 9th century (earlyHeian period). A feature distinguishing them from Buddhistimages is the existence of both male and femaleimages.There is also a notable absence of set iconographicprinciples of the type which governed the production ofBuddhist images. In many cases they are multicolored, andwere made to imitate the clothing and hair styles of specificmen and women of the court aristocracy of the time.
  64. 64. Three Yakushi-ji Shinto divinities
  65. 65. portrait sculpture of the Shinto deityHachiman in the guise of a Buddhist monk(a noted example of shugo bijutsu, a blendof Shinto and Buddhist iconography) atTodaiji Temple in Nara and the portrait ofTamayorihime-no-mikoto found at YoshinoMikumari Shrine in Nara Prefecture.

×