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El rodaje de Viridiana, los Dominguines, la productora UNINCI, Pere Portabella, el Pasapoga, el Festival de Cannes,… y la mina andorrana, el cine Tívoli, el Bajo Aragón, La Pirenaica, Sitges, el coche correo… En definitiva, la España de posguerra en todas sus dimensiones; la rural y la urbana, la tradicional y la progresista. Un retrato de la intrahistoria nacional marcada por la represión franquista y, en definitiva, los temores de toda una época. Y ante este panorama, la luz.
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