High Renaissance<br />Leonardo da Vinci<br />Raphael<br />Michelangelo<br />Architecture<br />Bramante<br />Palazzo Farnes...
2<br />Figure 22-6  LEONARDO DA VINCI, The Fetus and Lining of the Uterus, ca. 1511–1513. wash, over red chalk and traces ...
LEONARDO DA VINCI, Study of the Varying Effectsof Light Striking a Profile from a Single Source, <br />3<br />Terms: Chiar...
LEONARDO DA VINCI, Madonna and ChildHugging a CatLEONARDO DA VINCI, Study of Babies, 1508-10,red chalk<br />4<br />
5<br />Figure 22-2  LEONARDO DA VINCI, Leonardo da Vinci, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, b...
7<br />
8<br />
9<br />Figure 22-8  RAPHAEL, Madonna in the Meadow, 1505. 1505–1506. Oil on wood, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorische...
10<br />Figure 22-4  LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refector...
Linear Perspective (one-point)<br />11<br />
Anonymous,<br />The Last Supper,<br />15th century,<br />woodcut<br />
13<br />
14<br />
Figure 21-25  DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and tempera on wood, 2’ 6” x 1’ 8”. Thyssen-Bornemis...
16<br />
17<br />
Term: sfumato<br />18<br />
19<br />Rome with Renaissance and Baroque Monuments<br />
Figure 22-24  CHRISTOFORO FOPPA CARADOSSO, medal showing Bramante’s design for the new Saint Peter’s, 1506. Bronze, 2 1/4”...
BRAMANTE<br />Examine the achievements of Donato Bramante:  innovative central-plan designs based on classical sources (in...
Figure 10-4 Temple of Vesta (?), Tivoli, Italy, early first century BCE.<br />22<br />
LEONARDO DA VINCI<br />
Figure 22-25  MICHELANGELO BUONARROTI, plan for Saint Peter’s, Vatican City, Rome, Italy, 1546. (1) dome, (2) apse, (3) po...
Figure 22-26  MICHELANGELO BUONARROTI, Saint Peter’s (looking northeast), Vatican City, Rome, Italy, 1546–1564. Dome compl...
St. Peter’s Basilica from the Piazza San Pietro. Façade by Carlo Maderno, 1607-1615. Dome by Michelangelo, 1546-1564.<br />
27<br />
28<br />Figure 22-8  RAPHAEL, Madonna in the Meadow, 1505. 1505–1506. Oil on wood, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorisch...
29<br />
30<br />Figure 21-40  PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter, Sistine Chapel, Vatican, Rome, I...
31<br />
32<br />
33<br />
34<br />Figure 22-10  RAPHAEL, Galatea, Saladi Galatea, Villa Farnesina, Rome, Italy, 1513. Fresco, 9’ 8” x 7’ 5”. <br />
35<br />Figure 22-5  LEONARDO DA VINCI, Mona Lisa, ca. 1503–1505. Oil on wood, 2’ 6 1/4” x 1’ 9”. Louvre, Paris.   <br />
Figure 22-19  MICHELANGELO BUONARROTI, Creation of Adam detail of the ceiling (FIG. 22-1) of the Sistine Chapel, Vatican C...
37<br />
38<br />
Michelangelo, Creation of Eve, Sistine Chapel, Rome, 1508-1512, fresco<br />
40<br />
41<br />
Figure 22-21  MICHELANGELO BUONARROTI, Last Judgment, altar wall of the Sistine Chapel (FIG. 22-18), Vatican City, Rome, I...
43<br />
Sam Taylor-Wood, Pieta, 2001<br />
Figure 21-12  DONATELLO, David, late 1440–1460. Bronze, 5’ 2 1/4” high. MuseoNazionale del Bargello, Florence.   <br />45<...
46<br />
47<br />
MICHELANGELO,Tomb of Julius II<br />48<br />
MICHELANGELO,Tomb of Julius II,1505-45<br />49<br />
50<br />
51<br />
Figure 21-36  MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.  <br />52<br ...
Figure 21-37  MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.  <br ...
Figure 21-42  PIERO DELLA FRANCESCA, Enthroned Madonna and Saints Adored by Federico daMontefeltro (Brera Altarpiece), ca....
Figure 22-38  TITIAN, Madonna of the Pesaro Family, 1519–1526. Oil on canvas, 15’ 11” x 8’ 10”. Pesaro Chapel, Santa Maria...
Figure 22-36  GIORGIONE DA CASTELFRANCO, The Tempest, ca. 1510. Oil on canvas, 2’ 8 1/4” x 2’ 4 3/4”. Galleria dell’Accade...
Figure 22-41  TITIAN, Isabella d’Este, 1534–1536. Oil on canvas, 3’ 4 1/8” x 2’ 1 3/16”. Kunsthistorisches Museum, Vienna....
Figure 22-35  GIORGIONE DA CASTELFRANCO (and/or TITIAN?), Pastoral Symphony, ca. 1508–1510. Oil on canvas, 3’ 7 1/4” x 4’ ...
GIORGIONE, Sleeping Venus, c. 1510, oil on canvas<br />
Figure 21-28  SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Tempera on canvas, approx. 5’ 9” x 9’ 2”. Galleria degli U...
Figure 10-49 Pantheon, Rome, Italy, 118 – 125 CE.<br />61<br />
Figure 10-3 Temple of Portunus (Temple of “Fortuna Virilis”), Rome, Italy, ca. 75 BCE.<br />62<br />
Figure 5-14 Elevations of the Doric and Ionic orders.<br />63<br />Compare Doric and Ionic Orders<br />
Figure 22-30  ANDREA PALLADIO, plan of the Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1550–1570. (1) d...
Figure 22-32  ANDREA PALLADIO, interior of San Giorgio Maggiore ,Venice, Italy, begun 1566.<br />67<br />
Figure 21-44  LEON BATTISTA ALBERTI, west facade of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.<br />68<br />
69<br />Figure 22-4  LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refector...
70<br />Figure 21-20  MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco,  21’ 10’ 5/8” x...
Figure 22-47  TINTORETTO, Last Supper, 1594. Oil on canvas, 12’ x 18’ 8”. San Giorgio Maggiore, Venice.<br />71<br />
Figure 22-12 MICHELANGELO BUONARROTI, Pieta, ca. 1498-1500. Marble, 5’ 8 ½” high. Saint Peter’s, Vatican City, Rome.<br />...
73<br />Figure 21-23  FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, 2’ 11 1/2”. x 2’ 1”. Ga...
74<br />Figure 22-2  LEONARDO DA VINCI, Leonardo da Vinci, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, ...
FRANCOIS CLOUET,<br />Woman in the Bath,<br />c. 1571<br />
Figure 22-45  BRONZINO, Portrait of a Young Man, ca. 1530–1545. Oil on wood, 3’ 1 1/2” x 2’ 5 1/2”. Metropolitan Museum of...
Figure 22-11  RAPHAEL, Baldassare Castiglione, ca. 1514. Oil on canvas, 2’ 6 1/4” x 2’ 2 1/2”. Louvre, Paris. <br />79<br />
Paolo Veronese,<br />The Crucifixion,<br />c. 1584,<br />Musée du Louvre<br />
Figure 19-21 Doge’s Palace, Venice, Italy, begun ca. 1340-1345; expanded and remodeled, 1424-1438.<br />81<br />
86<br />Figure 21-48  ANDREA MANTEGNA, Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465–1474. Fresco, 8...
87<br />
Figure 22-53  GIULIO ROMANO, Palazzo del Tè, Mantua, Italy, 1525–1535. <br />
Figure 22-53  GIULIO ROMANO, interior courtyard facade of the Palazzo del Tè, Mantua, Italy, 1525–1535.<br />90<br />
BRAMANTE, Tempietto<br />
Figure 21-36  MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.  <br />92<br ...
Figure 21-37  MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.  <br ...
Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; staircase, 1558-15...
Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; staircase, 1558-15...
Term: Corbel<br />Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; ...
Mannerist Sculpture<br />Examine the expressive forms of sculpture.<br />Recognize the artistic elements of Mannerist scul...
GIOVANNI BOLOGNA,<br />Venus Bathing<br />
Figure 5-62  PRAXITELES, Aphrodite of Knidos. Roman marble copy of an original of ca. 350–340 BCE. 6’ 8” high. MuseiVatica...
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High ren mannerismb

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High ren mannerismb

  1. 1. High Renaissance<br />Leonardo da Vinci<br />Raphael<br />Michelangelo<br />Architecture<br />Bramante<br />Palazzo Farnese<br />Venetian regional style<br />Bellini<br />Giorgione<br />Titian<br />Palladio<br />
  2. 2. 2<br />Figure 22-6 LEONARDO DA VINCI, The Fetus and Lining of the Uterus, ca. 1511–1513. wash, over red chalk and traces of black chalk on paper, 1’ 8 5/8”. Royal Library, Windsor Castle. <br />
  3. 3. LEONARDO DA VINCI, Study of the Varying Effectsof Light Striking a Profile from a Single Source, <br />3<br />Terms: Chiaroscuro, modeling<br />
  4. 4. LEONARDO DA VINCI, Madonna and ChildHugging a CatLEONARDO DA VINCI, Study of Babies, 1508-10,red chalk<br />4<br />
  5. 5. 5<br />Figure 22-2 LEONARDO DA VINCI, Leonardo da Vinci, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, begun 1483. Oil on wood (transferred to canvas), 6’ 6 1/2” x 4’. Louvre, Paris. <br />
  6. 6.
  7. 7. 7<br />
  8. 8. 8<br />
  9. 9. 9<br />Figure 22-8 RAPHAEL, Madonna in the Meadow, 1505. 1505–1506. Oil on wood, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorisches Museum, Vienna. <br />
  10. 10. 10<br />Figure 22-4 LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan. <br />
  11. 11. Linear Perspective (one-point)<br />11<br />
  12. 12. Anonymous,<br />The Last Supper,<br />15th century,<br />woodcut<br />
  13. 13. 13<br />
  14. 14. 14<br />
  15. 15. Figure 21-25 DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and tempera on wood, 2’ 6” x 1’ 8”. Thyssen-Bornemisza Collection, Madrid. <br />15<br />
  16. 16. 16<br />
  17. 17. 17<br />
  18. 18. Term: sfumato<br />18<br />
  19. 19. 19<br />Rome with Renaissance and Baroque Monuments<br />
  20. 20. Figure 22-24 CHRISTOFORO FOPPA CARADOSSO, medal showing Bramante’s design for the new Saint Peter’s, 1506. Bronze, 2 1/4” diameter. British Museum, London. <br />20<br />
  21. 21. BRAMANTE<br />Examine the achievements of Donato Bramante: innovative central-plan designs based on classical sources (influence of tholoi and Roman circular temples), and the beginning of new St. Peter’s in Rome.<br />21<br />
  22. 22. Figure 10-4 Temple of Vesta (?), Tivoli, Italy, early first century BCE.<br />22<br />
  23. 23. LEONARDO DA VINCI<br />
  24. 24. Figure 22-25 MICHELANGELO BUONARROTI, plan for Saint Peter’s, Vatican City, Rome, Italy, 1546. (1) dome, (2) apse, (3) portico.<br />24<br />Term: Portico<br />
  25. 25. Figure 22-26 MICHELANGELO BUONARROTI, Saint Peter’s (looking northeast), Vatican City, Rome, Italy, 1546–1564. Dome completed by GIACOMO DELLA PORTA, 1590. <br />25<br />Terms:<br />Pilaster<br />Colossal order<br />
  26. 26. St. Peter’s Basilica from the Piazza San Pietro. Façade by Carlo Maderno, 1607-1615. Dome by Michelangelo, 1546-1564.<br />
  27. 27. 27<br />
  28. 28. 28<br />Figure 22-8 RAPHAEL, Madonna in the Meadow, 1505. 1505–1506. Oil on wood, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorisches Museum, Vienna. <br />
  29. 29. 29<br />
  30. 30. 30<br />Figure 21-40 PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter, Sistine Chapel, Vatican, Rome, Italy, 1481–1483. Fresco, 11’ 5 1/2” x 18’ 8 1/2”. <br />
  31. 31. 31<br />
  32. 32. 32<br />
  33. 33. 33<br />
  34. 34. 34<br />Figure 22-10 RAPHAEL, Galatea, Saladi Galatea, Villa Farnesina, Rome, Italy, 1513. Fresco, 9’ 8” x 7’ 5”. <br />
  35. 35. 35<br />Figure 22-5 LEONARDO DA VINCI, Mona Lisa, ca. 1503–1505. Oil on wood, 2’ 6 1/4” x 1’ 9”. Louvre, Paris. <br />
  36. 36. Figure 22-19 MICHELANGELO BUONARROTI, Creation of Adam detail of the ceiling (FIG. 22-1) of the Sistine Chapel, Vatican City, Rome, Italy, 1511–1512. Fresco, 9’ 2” x 18’ 8”. <br />36<br />
  37. 37. 37<br />
  38. 38. 38<br />
  39. 39. Michelangelo, Creation of Eve, Sistine Chapel, Rome, 1508-1512, fresco<br />
  40. 40. 40<br />
  41. 41. 41<br />
  42. 42. Figure 22-21 MICHELANGELO BUONARROTI, Last Judgment, altar wall of the Sistine Chapel (FIG. 22-18), Vatican City, Rome, Italy, 1536–1541. Fresco, 48’ x 44’.<br />42<br />
  43. 43. 43<br />
  44. 44. Sam Taylor-Wood, Pieta, 2001<br />
  45. 45. Figure 21-12 DONATELLO, David, late 1440–1460. Bronze, 5’ 2 1/4” high. MuseoNazionale del Bargello, Florence. <br />45<br />First free-standing nude statue since antiquity. Notice the contrapposto<br />Nudity used to portray a Biblical hero rather than as an allegory for sinfulness (Medieval mentality).<br />
  46. 46. 46<br />
  47. 47. 47<br />
  48. 48. MICHELANGELO,Tomb of Julius II<br />48<br />
  49. 49. MICHELANGELO,Tomb of Julius II,1505-45<br />49<br />
  50. 50. 50<br />
  51. 51. 51<br />
  52. 52. Figure 21-36 MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445. <br />52<br />Terms:<br />Rustication,<br />Stringcourses, <br />Dressed masonry, <br />Cornice<br />
  53. 53. Figure 21-37 MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445. <br />53<br />Term: Arcade<br />
  54. 54. Figure 21-42 PIERO DELLA FRANCESCA, Enthroned Madonna and Saints Adored by Federico daMontefeltro (Brera Altarpiece), ca. 1472–1474. Oil on wood, 8’ 2” x 5’ 7”. PinacotecadiBrera, Milan. <br />54<br />Term: Disegno<br />
  55. 55. Figure 22-38 TITIAN, Madonna of the Pesaro Family, 1519–1526. Oil on canvas, 15’ 11” x 8’ 10”. Pesaro Chapel, Santa Maria deiFrari,Venice.<br />55<br />
  56. 56. Figure 22-36 GIORGIONE DA CASTELFRANCO, The Tempest, ca. 1510. Oil on canvas, 2’ 8 1/4” x 2’ 4 3/4”. Galleria dell’Accademia, Venice.<br />56<br />
  57. 57. Figure 22-41 TITIAN, Isabella d’Este, 1534–1536. Oil on canvas, 3’ 4 1/8” x 2’ 1 3/16”. Kunsthistorisches Museum, Vienna.<br />57<br />
  58. 58. Figure 22-35 GIORGIONE DA CASTELFRANCO (and/or TITIAN?), Pastoral Symphony, ca. 1508–1510. Oil on canvas, 3’ 7 1/4” x 4’ 6 1/4”. Louvre, Paris. <br />58<br />Terms:<br />Colorito<br />Disegno<br />Poesia<br />
  59. 59. GIORGIONE, Sleeping Venus, c. 1510, oil on canvas<br />
  60. 60. Figure 21-28 SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Tempera on canvas, approx. 5’ 9” x 9’ 2”. Galleria degli Uffizi, Florence. <br />Figure 5-62 PRAXITELES, Aphrodite of Knidos. Roman marble copy of an original of ca. 350–340 BCE. 6’ 8” high. MuseiVaticani, Rome.<br />60<br />
  61. 61. Figure 10-49 Pantheon, Rome, Italy, 118 – 125 CE.<br />61<br />
  62. 62. Figure 10-3 Temple of Portunus (Temple of “Fortuna Virilis”), Rome, Italy, ca. 75 BCE.<br />62<br />
  63. 63. Figure 5-14 Elevations of the Doric and Ionic orders.<br />63<br />Compare Doric and Ionic Orders<br />
  64. 64. Figure 22-30 ANDREA PALLADIO, plan of the Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1550–1570. (1) dome, (2) porch.<br />64<br />
  65. 65.
  66. 66.
  67. 67. Figure 22-32 ANDREA PALLADIO, interior of San Giorgio Maggiore ,Venice, Italy, begun 1566.<br />67<br />
  68. 68. Figure 21-44 LEON BATTISTA ALBERTI, west facade of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.<br />68<br />
  69. 69. 69<br />Figure 22-4 LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan. <br />
  70. 70. 70<br />Figure 21-20 MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8” x 10’ 4 3/4”. <br />
  71. 71. Figure 22-47 TINTORETTO, Last Supper, 1594. Oil on canvas, 12’ x 18’ 8”. San Giorgio Maggiore, Venice.<br />71<br />
  72. 72. Figure 22-12 MICHELANGELO BUONARROTI, Pieta, ca. 1498-1500. Marble, 5’ 8 ½” high. Saint Peter’s, Vatican City, Rome.<br />72<br />
  73. 73. 73<br />Figure 21-23 FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, 2’ 11 1/2”. x 2’ 1”. Galleria degli Uffizi, Florence.<br />
  74. 74. 74<br />Figure 22-2 LEONARDO DA VINCI, Leonardo da Vinci, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, begun 1483. Oil on wood (transferred to canvas), 6’ 6 1/2” x 4’. Louvre, Paris. <br />
  75. 75.
  76. 76. FRANCOIS CLOUET,<br />Woman in the Bath,<br />c. 1571<br />
  77. 77. Figure 22-45 BRONZINO, Portrait of a Young Man, ca. 1530–1545. Oil on wood, 3’ 1 1/2” x 2’ 5 1/2”. Metropolitan Museum of Art, New York (H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929). <br />77<br />
  78. 78.
  79. 79. Figure 22-11 RAPHAEL, Baldassare Castiglione, ca. 1514. Oil on canvas, 2’ 6 1/4” x 2’ 2 1/2”. Louvre, Paris. <br />79<br />
  80. 80. Paolo Veronese,<br />The Crucifixion,<br />c. 1584,<br />Musée du Louvre<br />
  81. 81. Figure 19-21 Doge’s Palace, Venice, Italy, begun ca. 1340-1345; expanded and remodeled, 1424-1438.<br />81<br />
  82. 82.
  83. 83.
  84. 84.
  85. 85.
  86. 86. 86<br />Figure 21-48 ANDREA MANTEGNA, Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465–1474. Fresco, 8’ 9” in diameter. <br />
  87. 87. 87<br />
  88. 88.
  89. 89. Figure 22-53 GIULIO ROMANO, Palazzo del Tè, Mantua, Italy, 1525–1535. <br />
  90. 90. Figure 22-53 GIULIO ROMANO, interior courtyard facade of the Palazzo del Tè, Mantua, Italy, 1525–1535.<br />90<br />
  91. 91. BRAMANTE, Tempietto<br />
  92. 92. Figure 21-36 MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445. <br />92<br />Terms:<br />Rustication,<br />Stringcourses, <br />Dressed masonry, <br />Cornice<br />
  93. 93. Figure 21-37 MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445. <br />93<br />Term: Arcade<br />
  94. 94. Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; staircase, 1558-1559.<br />94<br />
  95. 95. Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; staircase, 1558-1559.<br />
  96. 96. Term: Corbel<br />Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; staircase, 1558-1559.<br />
  97. 97. Mannerist Sculpture<br />Examine the expressive forms of sculpture.<br />Recognize the artistic elements of Mannerist sculpture.<br />97<br />
  98. 98.
  99. 99.
  100. 100. GIOVANNI BOLOGNA,<br />Venus Bathing<br />
  101. 101. Figure 5-62 PRAXITELES, Aphrodite of Knidos. Roman marble copy of an original of ca. 350–340 BCE. 6’ 8” high. MuseiVaticani, Rome.<br />101<br />

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