CARLOS CARVALHOARTE CONTEMPORÂNEA (Lisbon, Portugal) Booth: 10f28 15<19 Feb 2012 Ifema, Feria de Madrid, Spain ARTISTS AT ARCOMadrid HIGHLIGHTED Susana Gaudêncio (1977, Lisbon, Portugal) Ricardo Angélico (1973, Angola) Daniel Blaufuks (1963, Lisbon, Portugal) Manuel Caeiro (1975, Évora, Portugal) Javier Núñez Gasco (1971, Salamanca, Spain) José Lourenço (1975, Lisbon, Portugal)José Batista Marques (1975, Lisbon, Portugal)
SUSANA GAUDÊNCIO SUSANA GAUDÊNCIO, Elsewhere, 2012, site specific installation, variable sizes. Comprised by Houyhnhnm, 2009, Vídeo animation, 3’’07’Addressing questions about utopia and the main narratives, Elsewhere is a site Reviews Author: Miguel Amado 10.23.09-11.20.09 ISE Foundation http://artforum.specific project to ARCO 2012 comprised by Houyhnhnm and Cadmus which are com/archive/id=24170two projects already presented by the artist. http://susanagaudencio.com/houyhnhnm/“Houyhnhnms” are the acutely rational race that Jonathan Swift envisages asarchetypes of purity in Gulliver’s Travels. The reference serves as a counterpoint tothe animations, where loaded societal icons inhabit a strange world. Urban spaces, “Cadmus” represents the formal and programmatic construction of the cityamassed crowds, and orators are rendered in full cinematic action, alongside the according to its maps and organization of its basic needs such as energy andcolorful and idiosyncratic excesses caused by the animation process. communication.Houyhnhnm was presented at Res Publica (curated by Leonor Nazaré and Helena deFreitas), CAM – Fundação Calouste Gulbenkian, from October 2010 to January 2011.Reviews José Marmeleira in PúblicoPresented also at ISE Foundation, New York in October 2009.
Cadmus, 2010, Drawings, Gouache and inkjet print on paper, 29,7 x 21 cm (each)Susana Gaudêncio was born in Lisbon in 1977 and works and lives in Lisbon. to mention Rádio Europa Livre (Plataforma Revólver . Lisbon, Portugal, 2011), ResPublica 1910She has studied Fine Arts at Faculdade de Belas Artes da Universidade de Lisbon and e 2010 face a face (curated by Leonor Nazaré e Helena de Freitas Edifício sede da Fundaçãoat Hunter College in New York and has been exhibiting regularly since 2000. About her Calouste Gulbenkian . Lisbon, Portugal, 2010), Bio Arte 10 + 1 (São Vicente . Madeira, Portugal,solo exhibitions we have to mention Chamber of Execution (Carlos Carvalho Arte 2010), 700IS Experimental Film and Video Festival, Egilsstaðir, Islândia Iceland, 2010), SevenContemporânea. Lisboa Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces. Easy Steps for Social Improvement (curated by Amanda Schmitt, Galeria Hortin & Lui . NewLisbon, Portugal, 2011) Chamber of Examination (Galeria Presença. Porto, Portugal, 2010), York, United States, 2009), NYC Visions (curated by Maurizio Pellegrin, Milbank Chapel andStout Cobweb (organized by Mafalda Santos and Daniel Pires, Maus Hábitos – Espaço de Macy Gallery Columbia University . New York, United States), A Escolha da Crítica (curated byintervenção cultural . Porto, Portugal, 2010), Agonized Humor II (The Mews Project Space, Lígia Afonso, Plataforma Revólver / Edifício Transboavista . Lisbon, Portugal), Opções e FuturosLondon, United Kingdom, 2010), Agonized Humor I (NOGO – Project room for architecture, - Colecção da Fundação PLMJ (Museu da Cidade . Lisbon, Portugal), Artistas Portugueses Lácontemporary art & experimental cinema, Lisbon, Portugal), Front Project Space (ISE Cultural Fora (curated by João Pinharanda, Museu da Electricidade. Lisbon, Portugal), Group (curatedFoundation. New York, United States, Library of Sorts (Bowery Poetry Club . New York, United by Emma Spertus, Subletters gallery . Brooklyn, New York, Estados Unidos, 2008), How weStates, 2009), Blocking (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2007), Agent Know (Beta Spaces 08, Arts in Bushwick . Brooklyn, New York, United States), Enganar a FomeProvocateur (curated by Miguel Amado e Filipa Oliveira, Carlos Carvalho Arte Contemporânea (Espaço Avenida . Lisbon, Portugal), Cut! (curated by Tiffany Sum e Yuka Yokoyama, Monkey- Sala Zoom . Lisbon, Portugal), What time is this place (Chashama Gallery Visual Arts Program Town . Brooklyn, New York, United States), MFA thesis Show (Hunter College, Times Square. New York, United States, 2007), Project Room (CAV - Centro de Artes Visuais. Coimbra, Gallery . New York, United States), Artistas Portugueses Lá Fora (curated by João Pinharanda,Portugal, 2004), A/C #1Arte Contempo . Lisbon, Portugal), Técnicas de Auto-defesa (Gallery Edifício da Praça da Liberdade . Viana do Castelo, Lisbon, Portugal ), The Equestrian ProjectArte Periférica, Lisbon, 2001, Susana Gaudêncio (Project Room programme) (Centro de Artes (Hunter College, Times Square gallery . New York, United States, 2007) and Pirate radio (BienalVisuais, Coimbra, 2004), Susana Gaudêncio (Arte Contempo, Lisbon, 2004) and Mnemónica de Liverpool, The Walker Art Gallery . Liverpool, United Kingdom, 2002).de lugares (Gallery Pedro Cera, Lisbon, 2005). About her most recent exhibitions we have
SUSANA GAUDÊNCIO, Views of the exhibition Chamber of Execution Carlos Carvalho Arte Contemporânea . Lisbon, Portugal
SUSANA GAUDÊNCIO, Views of the exhibition Chamber of Execution Carlos Carvalho Arte Contemporânea . Lisbon, Portugal
RICARDO ANGÉLICO RICARDO ANGÉLICO, Estudo para instalação #7, RICARDO ANGÉLICO, Estudo para instalação #4, RICARDO ANGÉLICO, Estudo para instalação #5, RICARDO ANGÉLICO, Estudo para instalação, 2011, Gouache on paper, 75 x 110 cm 2011, Gouache on paper, 75 x 110 cm 2011, Gouache on paper, 75 x 100 cm 2011, Gouache on paper, 75 x 110 cmRicardo Angélico was born in Angola in 1971 and works and lives in Póvoa de Varzim. to mention his regular participations on ARCOMadrid, 20 anos da Sala do Veado (MuseuHe has studied Fine Arts at Faculdade de Belas Artes da Universidade do Porto and Nacional de História Natural, Sala do Veado . Lisbon, Portugal, 2010, O Desenho Dito,has been exhibiting regularly since 1995. About his solo exhibitions we have to 2009 (Casa da Cerca – Centro de Arte Contemporânea . Almada, Portugal, 2009), À voltamention There will be no safety zone (Carlos Carvalho Arte Contemporânea . Lisbon, do papel, 100 artistas (Centro de Arte Manuel de Brito . Algés, Portugal, 2008), V PrémioPortugal, 2011), God is great, but God is greater (Galeria Adhoc . Vigo, Spain, Portugal, Fidelidade Jovens Pintores, (Culturgest . Lisbon, Portugal, 1998). He is represented in the2010), Pele, Plinto e Pelicano (Galeria Gomes Alves 1 . Guimarães, Portugal, 2009), The following collections, Caixa Geral de Depósitos, Lisbon, Portugal, Fundação D. Luís I,aronburg mystery (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2008), St. Cascais, Portugal, Fundação PLMJ, Lisbon, Portugal, Centro de Arte Manuel de Brito, Algés,Adolf II – Um arquitecto em Waldau, (Biblioteca Municipal da Póvoa de Varzim. Póvoa Portugalde Varzim, Portugal, 2005), Caro Jünger/Caro Nabokov (Museu Nacional de HistóriaNatural, Sala do Veado. Lisbon, 2004), Museu de Cera – Imagens da Colecção Christian D.Karloff, (Fundação D. Luís . Cascais, Portugal, 2003), Tlön para principiantes – uma histórianatural, (Galeria Ara . Lisbon, Portugal, 2003) and Novas espécies alimentares (GaleriaAra. Lisbon, Portugal, 1999). About his most noteworthy group exhibitions we have RICARDO ANGÉLICO, Untitled, 2011, Acrylic and China ink on paper, 130 x 144 cm
DANIEL BLAUFUKSDANIEL BLAUFUKS, Mão com pistola de brincar, (from DANIEL BLAUFUKS, Um copo de água, (from the series DANIEL BLAUFUKS, Aula de anatomia, (from the series DANIEL BLAUFUKS, Panorama de Veneza, (from thethe series O Ofício de Viver), 2010, C-Print, 70 x 100 cm O Ofício de Viver), 2010, C-Print, 70 x 100 cm O Ofício de Viver), 2010, C-Print, 70 x 100 cm series O Ofício de Viver), 2010, C-Print, 70 x 100 cm Daniel Blaufuks was born in Lisbon in 1964. He graduated in Photography Studies by Ar.Co., Belem, Lisbon, 2007), Del Zero al 2005, (Fundacion Marcelino Botin, Santander, 2005), Erich Lisbon, 1989, Royal College of Art, London, 1993 and Watermill Center, New York, 1994. He Kahn, (Museu de Arte Moderna – Colecção Berardo, Sintra, 2005), 20 + 1, (Centro Galego was one of the founders of the visual arts school Maumaus and has worked as a teacher at de Arte Contemporânea, Santiago de Compostela, 2004), We Are The World, (Chelsea Art Maumaus, Ar.Co, ETIC, EPI, all in Lisbon, and SESC, in Rio de Janeiro. About his individual Museum, New York City, 2004), RE-Location Shake, (National Museum of Contemporary exhibitions we have to mention Três quartos de memória (Fundação Eva Klabin, Rio de Art, Bucharest, 2004), Pallazzo delle Libertà, Palazzo delle Papesse, Siena, 2003, Arquivo e Janeiro, Brasil, 2011), Hoje é sempre ontem (comissariada por Luiz Camillo Osório, MAM, Simulação - Archive and Simulation, (LisbonPhoto, Centro Cultural de Belém, Lisbon, 2003), Museu de Arte Moderna, Rio de Janeiro, Brasil, 2011), Perecs Büro (curated by Sérgio Mah, Artists in Residence 2002-2003, (Location One, New York, 2003), Open Studios, (International Kunstverein Ruhr, Essen, Germany, 2010), Viagens com a minha tia (Solar Galeria de Arte Studio and Curatorial Program, New York, 2002), London Art Biennale,(Shoreditch Town Cinemática . Vila do Conde, Portugal, 2009), Album (Centro Cultural Vila Flor . Guimarães, Hall, London, 2000), O Autoretrato na Colecção, (Fundação Calouste Gulbenkian, Lisbon, Portugal, 2008), Cinema Motel, (Elga Wimmer PCC, New York City, 2006), No Próximo 1999), Linha de Sombra, (Centro de Arte Moderna, Lisbon, 1999), Biennale Internazionale di Sábado, (Gallery Carlos Carvalho Arte Contemporânea, Lisbon, 2006), A Perfect Day, (Museu Fotografia, (Palazzo Bricherasio, Torino, 1997), En la piel de Toro, (Centro de Arte Reina Sofia, do Chiado, Lisbon, 2005), Tomorrow is a Long Place, (Lurixs Arte Contemporânea, Rio de Madrid, 1997), Carnets de Route, (Galerie Contretype, Bruxelas, 1997), Imagens para os Anos Janeiro, 2004), Collected Short Stories, (Centro de Arte Moderna, Fund. Calouste Gulbenkian, 90, (Fundação de Serralves, Porto, Culturgest Lisbon, 1993). Lisbon, 2003), Exile, (Image Galery, Aarhus, 2001), Tasso, (Mois de la Photo, Paris, 1996) and He is represented in various public and private collections such as Byrd Hoffman Foundation, Ein Tag in Mostar, (Haus der Kulturen der Welt, Berlin, Goethe-Institut, Madrid, 1996). As far New York, Centro de Arte Moderna da Fundação Calouste Gulbenkian, Lisbon, Centro her exhibitions in a group, we have to mention his work in Staging the Archive (MACE Cultural de Belém, Lisbon, Centro Galego de Arte Contemporânea, Santiago de Compostela, – Museu de Arte Contemporânea de Elvas . Elvas, Portugal, 2011), Between Times, Instants, Centro Português de Fotografia, Porto, Centro de Artes Visuais, Coimbra, Colecção BES, intervals, durations (Photoespaña.Teatro Fernán Gómez, Centro de Arte . Madrid, Spain, Lisbon, Fundação PLMJ, Lisbon, MEIAC, Badajoz, Museu de Arte Contemporânea, Funchal, 2010), Da outra margem do Atlântico, alguns exemplos da fotografia e do vídeo português Museu de Arte Contemporânea - Colecção Berardo, Sintra, O Museu Temporário, Lisbon, (curated by Paulo Reis, Centro de Artes Hélio Oiticica . Rio de Janeiro, Brazil), 50 Anos de Arte Museu da Cidade, Lisbon, Palazzo delle Papesse, Siena, Sagamore Art Collection, Miami and Portuguesa, (Fundação Calouste Gulbenkian, Lisbon, 2007), BES Photo, (Centro Cultural de The Progressive Collection, Ohio.
DANIEL BLAUFUKS, Untitled, (from the series Endless End),2005, C-Print, 30 x 40 cm, Ed. 5 DANIEL BLAUFUKS, As moedas de ouro, (from the series O Ofício de Viver), 2010, C-Print, 70 x 100 cm We may define Daniel Blaufuks as an artist capable of contradicting the norm, who expandes and deformes the landscape in order to allow different levels of reading that will in many cases elude his initial intentions. To a certain extent, almost all of Daniel Blaufuks´s works are in the manner of a polyphonic experiment, from arranged ideas; aDANIEL BLAUFUKS, Untitled, (from the series Endless End), montage of sequences in a cinematic style, independently of the fact that in many cases2005, C-Print, 30 x 40 cm, Ed. 5 it does not valorise a narrative linearity, but, rather, a game of language in the sense of Wittengenstein. In Blaufuks´s work everything has to do with the evolution of the thought process, like a river capable of shaping its own course and ending at the right place. Everything is the product of an event about which we know nothing and in which it doesn´t matter who the protagonists are. Everything is true, and what is not, is pure imagination. Or, in any case, a series of notes that will be of use to him in another story in images, one of those stories capable of building itself. Blaufuks is interested in that suspended moment, that is his decisive moment, precisely the non-decision, the event resulting from the space between two virtual events, the moment of lack of communication in this universe of continuous communication, of saturation of apparently decisive instants, that do not allow the encountering of meaning, at every second, in a simple gesture. Thus, each photograph points out an option, a choice, a phrase, word or story. DAVID BARRODANIEL BLAUFUKS, Untitled, (from the series Endless End),2005, C-Print, 30 x 40 cm, Ed. 5
MANUEL CAEIRO MANUEL CAEIRO, Views of the exhibition 12 000m2 dentro de um T0 Carlos Carvalho Arte Contemporânea . Lisbon, PortugalManuel Caeiro´s work is based on a constructive principle, giving emphasis tothe cromathics, the texture, interrelating drawing, architecture and painting. Hefocuses in compositive order coming through the classical roles of perspective,and disorders it, dismantling it. This kind of intervention is also seen in the wayhe uses tonal and material changes, 2 and 3 dimensions, that show us morethan the classical balance and symmetry. Between the years 1999 and 2000he centres his work in a research process about the weathering of tiles andwalls of the typical Lisbon taverns. From 2001 he has leaning over around thehouse concept, through Cenas Domésticas (Gallery Ara, 2001), Neighbourhood(Gallery Évora Arte, 2002) and the group of exhibitions Dream Houses (galleryAra, 2003), Inbox (Gallery Paços do Concelho de Torres Vedras, 2004), OutsideDoor (Palácio da gallery, Tavira, 2004) conceiving spaces as geometricalyprogressive structures, based on drawing as a structural principle of volumetry.From his solo exhibition we have to distinguish Down side up (Lurixs-Baró)(Galeria Baró . São Paulo, Brasil, 2011), 33’ de fama (Carpe Diem Arte e MANUEL CAEIRO, National Geometric, 2012, Acrílico s/ linho, 150 x 200 cmPesquisa . Lisbon, Portugal, 12 000m2 dentro de um T0 (Carlos Carvalho ArteContemporânea . Lisbon, Portugal, (Domestic Viability, Crown gallery . BruxelasBrussels, Bélgica Belgium), DownTown (Lurixs Arte Contemporânea . Rio de en Brasil, Portugal Y Espanha (Patio Herreriano – Museo de Arte Contemporânea Español . Valladolid, Spain,Janeiro, Brazil), Manuel Caeiro (Palácio Vila Flor . Guimarães, Portugal), Welcome 2008), Surrounding Matta-Clark (Carlos Carvalho Arte Contemporeânea), Prémio Ariane de Rothschild (Palácioto my loft (Carlos Carvalho Arte Contemporânea, 2008), Reconstruyendo el Galveias, Lisbon, Portugal) and Outras Arquitecturas, Outros Artistas...Outras Alternativas (Carlos CarvalhoVacío (Cubo Azul, Léon, Spain) and Deconstruction and Rebuilding (Galeria Arte Contemporânea, Lisbon, 2005). He is represented in various public and private collections such asGomes Alves, Guimarães, Portugal). As far his exhibitions in a group, we have Barclays Bank, Sociedade Nacional das Farmácias, Tipografia Fernandes & Terceiro, Eastécnica, Fundação PLMJ,to mention his work in the many ARCO art fairs, Terceira Metade (curated by Francisco Pimentel & Associados SADV, Serralvarez Arquitectos, Aires Mateus Arquitectos, CGD - Culturgest,Marta Mestre e Luiz Camillo Osório, MAM Rio de Janeiro . Rio de Janeiro, Brazil, CME - Lisboa, Faculdade de Direito – Universidade Clássica de Lisboa, Vítor Pinto da Fonseca, Banque Privée2011), Processo e Transfiguração (Casa da Cerca . Almada, Portugal, 2010), Fiat Edmond de Rothschild Europe, Lisboa, OPCA, BES Vida, Colecção Manuel de Brito, Fundació Banc Sabadell,Lux – Iluminación y creación (curated by Paulo Reis, MACUF – Museo de Arte Barcelona, Spain, Colecção AIP – Associação Industrial Portuguesa, Lisboa, Câmara Municipal de Tavira, BancoContemporáneo . Coruña, Spain, 2010), Parangolé: Fragmentos desde los 90 Mais. MANUEL CAEIRO, 12 000m2 dentro de um T0 #5, 2011, Acrílico s/ linho, 140 x 200 cm
JAVIER NÚÑEZ GASCOJAVIER NÚÑEZ GASCO, Miedo Escénico, 2012, Project in cooperation with André Teodósioand Companhia Nacional de Bailado of Portugal in the theatrical performance Perda PreciosaTeatro Camões, Lisbon, 2012Javier Núnez Gasco is looking for tenants who wish to rent 4m2 of the stage of Teatro how to rent the time of the play by renting the space.Camões during ballet dance “Perda Preciosa”, performed by CNB/ Companhia Nacional The artist plays with objects presented in real life putting them in stagede Bailado (authorship André E. Teodósio, Rui Lopes Graça and Massimo Mazzeo) from performance, sharing artistic with conventional space.April 19 to 22 and 27 to 29 between 9:30 and 11:00pm. The artist is giving the opportunity Taking the subject of authorship more deeply by addressing legal and socialto any person who wishes to make anything of what will be presented in such rented questions, Javier Núñez Gasco opens a gap on an established authorship asspace. The project will first be presented and advertised as a house model in real property of the choreografers and creators of “Perda Preciosa” by offering the tenantrental at Carlos Carvalho Arte Contemporânea’s booth in ARCOMadrid. An enormous the possibility to be an artist (or not). For that matter, althought he is drivingoutdoor will be placed along with a photo of the exact space to be rented in order to attention on setting and determine conditions of the legal right to use 4m2catch both costumers and art viewers attention. Five photo views of the stage shows the of the stage, Javier Nuñez Gasco by expanding his authorship, chooses not tospace to be rented. An advertising campaign and other promotional activities will be control creatively the entire artwork. However Javier Núñez Gasco, as the artistorganized in order to run an effective communication operation. will take and include photos of the performance in the final artwork project.The rented space will be separated from the wooden floor of the stage by a thin layer oftransparent thermoplastic holding the marks of people who have visited the booth in For more information please visit http://miedoescenico2012.blogspot.com/order to establish a different zones. Therefore, what the artist is trying to investigate is
Javier Núñez Gasco was born in Salamanca, Spain in 1971. About his solo shows we have Miramiento Alguno – Arte Iberoamericano Actual (curated by Omar-Pascual Castillo;to mention Misérias Ilimitadas, Lda. Pantallas sensibles (curated by Javier Panera, DA2 organización: Alexis Esquível, Martha Elizabeth Laguna, Raúl Genaro), Bienal de laDomus Artium 2002 – Centro de Arte de Salamanca . Salamanca, Spain), Tu Creador no te Habana Playa, Havana . Havana, Cuba), Making Life Come to Life: Ben d’Armagnacolvida, Espaço Land, Lisbon, Portugal) Registros (2004, curated by por Javier Panera, DA2 (curated by Claudine Hellweg, Ardi Poels, Stedelijk Museum . Amsterdam, TheDomus Artium 2002 – Centro de Arte de Salamanca . Salamanca, Spain), VIII Edição do Netherlands), Videomix: Geometrías del Deseo (curated by Javier Duero, La CasaConcurso Bienal de fotografia Purificación Garcia Encendida . Madrid, Spain(Museu da Cidade . Lisboa Lisbon, Portugal and Palácio de Cristal . Porto, Portugal, 2011), Resonance (curated by Dominique Busch, The Netherlands Instituut voorAbismos Contemporâneos I Look Up! Natural Porto Art Show (2010, comissariado por Mediakunst, Montevideo . Amsterdam, The Netherlandscurated by David Barro, Fundação da Juventude – Palácio das Artes . Porto, Portugal), Seducidos por el Accidente (curated by David Barro, Fundación Luis Seoane . LaSpain on the Edge – Limits of a Narrative Conflict NEXT: the invitational Exhibition of Coruña, Spain). He is represented in the following collections: Junta de Castilla yEmerging Art (2010, curated by Nacho Ruiz), No future Art Bus (2008, comissariada por León, Spain, Museo de Salamanca, Salamanca, Spaincurated by Raúl Martínez e Michele Robecchi, Monkey Town . New York, United States), Instituto de la Juventud, Ministerio de Trabajo y Asuntos Sociales, Madrid, Spain,Idílios (2007, curated by Javier Panera, DA2 Domus Artium 2002 – Centro de Arte de Ayuntamiento de Leganés, Madrid, Spain, Centro Fotográfico Universidad deSalamanca . Salamanca, Spain, “War trade…” (2006, curated by por Ramón Mateos), “Video Salamanca, Salamanca, Spain, DA2 Domus Artium 2002 – Centro de Arte deLounge”, La Constancia, “Plataforma Puebla 2006” (curated by Priamo Losada and Barbara Salamanca, Salamanca, Spain, ADIAC – Associação para a Difusão InternacionalPerea, Puebla, México), Luzboa – Bienal Internacional da Luz (curated by Mário Caeiro; da Arte Contemporânea, Lisbon, Portugal, COFF – Centro Ordóñez-Falcón deorganización Extramuros – Associação Cultural para a Cidade, Lisbon, Portugal), Sin Fotografía, San Sebastián, Spain, O Espaço do Tempo, Montemor-o-Novo, Portugal.
JOSÉ LOURENÇO José Lourenço was born in Lisbon in 1975 and works and lives in Lisbon. He has studied Painting at Faculdade de Belas Artes da Universidade de Lisbon and he has exhibiting regurarly since 1994. About his solo exhibitions we have to mention Anamorphosis (Marília Razuk galeria de arte, São Paulo, Brasil, 2010), Paisagens (Pavilhão de Portugal, Lisbon, 2007), Ao redor do teu corpo, (Carlos Carvalho Arte Contemporânea, Lisbon, 2006), Lugares (Gallery My name’s lolita art. Madrid, 2005) ¿Dónde os perdi? (Gallery Marisa Marimón. Ourense), Os teus segredos eram jardins (Gallery Ara. Lisbon, 2001). As far his exhibitions in a group, we have to mention his work in Lugares de incerteza / Look up! Natural Porto art show (Palacete Pinto Leite, Porto, Portugal, 2010), Ressonância Visual (curated by David Barro, Paços da cultura, S. João da Madeira, Portugal, 2010), Antes de ayer y pasado mañana; o lo que puede ser pintura hoy, (Museo de Arte Contemporáneo Unión Fenosa - MACUF . Coruña, Spain, 2009), Fragmentos desde os 90: Brazil, Portugal, Spain, (Museu Patio Herreriano de Valladolid, curated by Paulo Reis and David Barro), 2º Prémio de Pintura Ariane de Rothschild (Gallery Municipal - Galveias, 2005), Outras Arquitecturas, Outros Artistas…Outras Alternativas (Carlos Carvalho Arte Contemporânea, 2005) Le Premier Dessin (Gallery Ara, 2004, Lisbon, with Manuel Caeiro and José Batista Marques). He is represented in various public and private collections such as Secil, Barclays Bank, Baviera, S.A., Câmara Municipal da Amadora, Colecção Norte de Arte Contemporânea. Governo da Cantábria, Diputación de Ourense, Faculdade Belas-Artes da Universidade de Lisbon, Fundação Baruch Spinoza. Barcelona, Fundação PLMJ . Lisbon, Instituto Cervantes and Museu de Belas Artes de Santander. JOSÉ LOURENÇO, Untitled, 2008, Acrylic on canvas,120 x 120 cm JOSÉ LOURENÇO, Untitled, 2008, Acrylic on canvas, 130 x 195 cm, detail
JOSÉ BATISTA MARQUES José Batista Marques was born in Lisbon in 1975. He graduated in Painting Studies by Faculty of Fine Arts of the University of Lisbon. About his individual exhibitions we have to mention A cor a terapia do impossível (Centre Municipal de Cultura La Mercê, Burriana, Castelo, Spain, 2011), O crime oculto (Galeria Gomes Alves, Guimarães, Portugal, 2010) e Odisseia Dor & Espanto (Carlos Carvalho Arte Contemporânea, Lisbon, Portugal, 2010). As far his exhibitions in a group, we have to mention Muito Obrigado Arte Portugués del siglo XXI en la colección Coca Cola (DA2 Domus Artium, Salamanca, Spain, 2010), Jeune Création Européenne 2007/09 (Museu Municipal Amadeo de Souza-Cardoso, Amarante, Portugal, 2009), A imagem seguinte (Espaço Arte Tranquilidade, Lisboa, Lisbon, Portugal, X Mostra Internacional Unión Fenosa, Museu de Arte Contemporâneo Unión Fenosa . A Coruña, Spain, 2008), À volta do papel (CAMB – Centro de Arte Manuel de Brito, Algés, Portugal, 2008), Pretérito Perfeito (Museu de Francisco Tavares Proença Júnior . Castelo Branco, Portugal, 2008), XIII Premi D’Artes Visuals Ciutat de Burriana (C.M.C La Mercê . Burriana, Spain, 2008), IV Certamen Internacionat de Pintura de Castellón (Museu de Belles Arts de Castelló . Espanha Spain, 2008), 3º Prémio de Pintura Ariane de Rothschild (Antiga gráfica de Mirandela Lisbon, Portugal, 2007), Outras Arquitecturas, Outros Artistas...Outras Alternativas (Carlos Carvalho Arte Contemporânea, Lisbon, Portugal, 2005), Wunderkammer II: paisages (Celebração do 15ºaniversário da galeria Nina Menocal . Cidade do México, 2005). He is represented in various public and private collections such as BES-Vida, Lisbon, Portugal,JOSÉ BATISTA MARQUES, O Grande Livro, 2011, Barclays Bank , Lisbon Portugal, Câmara Municipal de Oeiras, Oeiras, Portugal, Oil and plaster, 97 x 57,5 x 41 cm Eastécnica, Lisbon Portugal, Banque Privée Edmond de Rothschild, Lisbon Portugal, Banco Mais, Lisbon Portugal, Fundação Marquês de Pombal, Lisbon, Portugal, Faculdade de Belas-Artes da Universidade de Lisboa, Lisbon, Portugal and DA2 Domus Artium 2002, Salamanca, Spain
JOSÉ BATISTA MARQUES, O homem invisível, 2011, JOSÉ BATISTA MARQUES, Untitled, 2011, Oil and plaster, 120 x 15 x 15 cm Oil and plaster, 120 x 15 x 15 cm
ARCOmadrid_2012 CARLOS CARVALHO ARTE CONTEMPORÂNEA Rua Joly Braga Santos, Lote F R/C GALLERY ARTISTS 1600 – 123 Lisboa Portugal Ricardo Angélico (1973, Angola) Tel.+(351) 217 261 831 José Bechara (1957, Rio de Janeiro, Brazil) Daniel Blaufuks (1963, Lisbon, Portugal) Fax+(351) 217 210 874 Isabel Brison (1963, Lisbon, Portugal) Carla Cabanas (1979, Lisbon, Portugal) firstname.lastname@example.org Manuel Caeiro (1975, Évora, Portugal) www.carloscarvalho-ac.com Catarina Campino (1975, Lisbon, Portugal) Mónica Capucho (1971, Lisbon, Portugal) Booth: 10f28Alexandra do Carmo (1966, Felgueiras, Portugal) Paulo Catrica (1965, Lisbon, Portugal) Sandra Cinto (1968, Santo André, SP, Brazil) Roland Fischer (1957, Saarbrücken, Germany) Javier Núñez Gasco(1952, A Coruña, Spain) Susana Gaudêncio (1977, Lisbon, Portugal) José Lourenço (1975, Lisbon, Portugal) José Batista Marques (1975, Lisbon, Portugal) Antía Moure (1981, Lugo, Spain) Álvaro Negro (1973, Lalín, Spain) Luís Nobre(1971, Lisbon, Portugal) Ana Luísa Ribeiro(1962, Lisbon, Portugal) STAFF AT ARCOMadrid Richard Schur(1971, Munich, Germany) Director: Carlos Carvalho tel. +(351)919 728 575 Eurico Lino do Vale (1966, Porto, Portugal) Assistant: Isabel Amaral Manuel Vilariño (1952, A Coruña, Spain) email@example.com