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Stage your business- Presentation 9th october

How to start a commercially focused Theater Production Company- Presented at CSSD in October 2012

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Stage your business- Presentation 9th october

  1. 1. Stage Your Business EssentialsJohn Spindler CEO of Capital Enterprise
  2. 2. Key Learning Points of Presentation• How to start a Theatre Company- Basics• Introduction to the Business Model Canvas.• Basic Theatre Finances• Sources of finances and support.• Business Plan template.
  3. 3. Basic Step-by-Step Guide to Starting a Theatre Company1. Decide on who will be involved, roles, responsibilities, levels of commitment (investment) and management structure.2. Agree on a mission/ value statement- The criteria for determining what you are about and what type/style of productions you are going to stage .3. Create a name and a look. Brainstorm ideas on names and develop a logo and an identifiable “look” for your publicity, etc.4. Decide on profit/non-profit status. The main advantage of non-profit status ( Charity/Social enterprise) is qualifying for grants and special discounts. It’s a lot of work, so be realistic about whether the effort is worth it. You can always wait and turn non-profit in the future.5. Register your company @ Companies House and possibly trade mark your name.6. Open a bank account. This enables you to keep track of your company’s financial situation and to accept checks written to the company’s name.7. RESEARCH-RESEARCH-RESEARCH- Market (Audience)-Competition- Funding.8. Identify your costs (direct and fixed) for on-going operations, pre-production, marketing and production.9. Make funding decisions. Determining funding sources ( Investment, Grants, Loans) and likely amounts of income . ( Ticket Sales/ Sponsorship/ Donations/ Sweat Capital)10. Create a marketing/promotion plan of Action. Use “AIDA” and develop a plan to build audiences through additional activities such as social network participation, teaching classes or hosting staged readings.11. Create a database. Consider keeping separate databases for general mailings and for press contacts.12. Call in favours- Marshall your “Sweat Capital”13. Work backwards. Put your first production date far enough into the future that you have time to lay some groundwork. You won’t do your best planning under the deadline of an approaching opening night.
  4. 4. First Steps into showBusiness –• “fiat ars,pereat mundi”• Think of your Audience- Who are they- what do they want?• Choose something for you first show that is relatively easy for you to execute- something you know?• Match ambition to resources e.g. Small Cast’s are cheaper• Choose something simple to stage & portable• Make it contemporary ( No costumes)• Think of what will get your production noticed- media exposure• Open Cast- Attract talent that can sell a show• Don’t pay unless you have too• Call in favours and do “quid pro quo” deals.
  5. 5. A new imperative?• Can I reduce the “market risk” around staging a new production?• Can Theatre Production become self-financing?• Can I run a new Theatre company not reliant on Arts Council Subsidy?
  6. 6. The first steps on the road to starting a sustainable Theatre Production company…A Start-up is….“an organization formed to search for a repeatable and scalable business model”- Steve Blank- “4 Steps to an Epiphany”“an organization dedicated to creating something new under conditions of extremeuncertainty”- Eric Reis- “Lean Start-up”A business model describes….“ how your company creates, delivers and captures value”Or in English:“How your company will make money”
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  10. 10. Value Proposition Why would your target audiencechose to spend their money on your show? 10
  11. 11. What’s the Canvas Model for…• Public display of your initial insights- allows others to give feedback?• Every insight is a “hypothesis” that must be able to be tested and challenged…• Helps to devise tests and collect evidence that proves the business model…• Structures your business and helps to devise a roadmap.
  12. 12. My Canvas Model…Please complete a business Canvas Model…
  13. 13. What is your business? 1. I believe my customers need/want to……. ? 2. This need/desire can be solved with …….? (i.e. what will my product/The GIF Test service achieve for the customer ? ) 3. I and my team are best placed to lead and build this business because…….? 4. My initial customers will be …….? ( why….?) 5. The no 1 value/reason a customer wants to get from using/buying my service/ product is……..? 6. The customer can also get from my product/service offer these additional benefits………. and…….. 7. I will get the majority of my initial customers to become users/ buyers through………. and………. ( Your route to market is…..?) 8. I will make my money by………? (my revenue model is……?) 9. My primary competition will be…. and …. (i.e. who is presently serving my target customers or why to date have customers not been using something similar to my product or offer) 10. We will beat the competition in the market due to…. and….. 11. My business will grow through………. and……. 12. The biggest risk that the product/service will not work or be competitive is……..? 13. We will solve this risk by……..? 14. What assumptions prior to launch do I hold that if proven wrong could cause the business to fail…..? 15. Can I test out these assumptions prior to full product launch……? (If so how?) 13
  14. 14. Theatre Finances 14
  15. 15. Theatre Budget• Your Salary- Personal Survival Budget.• Scripts - both for reading in order to select a show and for production• Royalties - varies depending on the demand for the show and the size of the hall• Specialty props or consumables that you cant borrow• Rehearsal/performance hall rental• Janitorial/security services (as required by the performance hall)• Utilities (as required by the performance hall)• Lighting/sound equipment rental, depending on what the performance hall offers• Costume construction, purchase or rental (this can be a cast responsibility)• Set construction - lumber, paint, screws, hardware, etc.• Advertising - fliers and/or posters, possibly newspaper or radio ads• Playbills (print costs and possibly design services)• Musicians fees (for musicals)• Insurance• Storage (costumes, sets, props, etc.)
  16. 16. Resource Need• A director• A stage manager• A lighting/sound tech• Someone who can design sets• Someone who can build sets• Someone willing to be in charge of publicity, including the playbill• A music director (who will probably expect to be paid) and a choreographer (if you plan to do musicals)• At least three people willing to serve as the Board of Directors, or Steering Committee, or whatever else you want to call the group that will take responsibility for running the company. One of these should be willing to act as treasurer.Likewise, you will need the following:• A place to rehearse• A place to perform• A place to store costumes, props, etc. between productions• A source for lighting/sound equipment rental
  17. 17. Homework Exercise –Prepare a production budget for your own project?
  18. 18. Pricing & Sales Forecasting – No of Tickets X Average Ticket Price = Sales Forecast Cost of performance or production run / No of tickets @ “Market Price = Target Sales Required to Break-Even.• Price for Profit?- Need to cover the cost of performance by selling only 50-70% of theatre capacity.• Other Income- Subsidy or profit?• Customer Pricing Expectation- Set by the competition, your positioning in the market and the theatre• Volume Vs Margin- If you give discounts you need to sell more tickets.• Trade Profit for Cash- Importance of Advanced Bookings for Cash Flow.• Think Long Term- Big difference between funding a production and funding a business.
  19. 19. Group ExerciseBoot Camp Productions has booked a SOLT Affiliate Theatre to stage 10performances of a revival of “Whose Afraid of Virginia Wolf”. The ProductionBudget for 10 performances is £12,000 and the development, marketing andrehearsal budget is a further £8,000. The Theatre has 140 seats (all goodviews) and the average price for seats sold per past performance is £15 at anachieved occupancy rate of 65% .• Will the show make a profit or require a subsidy to Box office income?• How much profit will be made/ subsidy required?• What would you do to make a production of “Whose Afraid of Virginia Wolf” work at this theatre?
  20. 20. Answers• Theatres average performance occupancy rate X Average ticket price sold = income per performance ( 91 seats X £15 = £1,365)• No of performance’s X Expected ticket income = Income per run (10 performances X £1,365- £13,650)• Total Cost of Production X projected income per run = profit/ loss (£20,000 - £13,650 = -£6,350) What would you do?
  21. 21. Sources of Start-up Finance• Personal resources (time and money = sweat equity)• Friends, Family & Fools ( Your Supporters)• Customers and Suppliers• Government Grants & Loans• Corporate Sponsorship• Debt Providers – Banks – Specialist lenders• Equity Providers – Private Investors-AngelsMatching the right mix of sources to the right stage and type of finance is the key to successful fundraising
  22. 22. Looking for Funding? –Grants & Awards• Stage One (Bursaries & Awards for New Producers)-• Arts Council-• London Councils-• Fundraising Resources & News -• Foyles Foundation-• Welcome Trust-• Shell Livewire -£1000 award for new entrepreneurs 16-30 -• UK Film Council-• New Enterprise Allowance ( August 2011 in London) -• J4B- Portal for grant finding• Skillset:• AHRC-• NESTA-• British Council-• Angels- Sponsorship••••• Crowdfunding (USA only)• Crowdfunding.• Crowdfunding success story-• Next Generation Finance Consortium-• ELSBC-
  23. 23. Theatre AngelsThe capital is raised through independent investors, or ‘angels’, who individually invest a specific agreed amount of finance into the production, and whose liability ends at that amount. The first profits from the production always go straight back to these investors until they have recouped their initial investment, after which the production is deemed to be in profit. Once this capital has been repaid, the investors will share in 60% of the production’s profits, with the producers retaining the remaining profits of 40%. Usually, the minimum amount required to invest in a commercial play is £2,500 and a musical approximately £10,000 but smaller amounts are possible if agreed with the producer. You will need a Lawyer to draw up the Agreement.
  24. 24. SEIS- Tax breaks to encourage investment in start-upsSeed Enterprise Investment Scheme-SEIS is a tax break launched in April 2012 for UKtax payers to encourage them to buy shares in start-up companies registered in theUKThe Facts:• SEIS investors can input £100,000 in a single tax year rising to a maximum £150,000 over two or more tax years in to a single company• Investors cannot control the company receiving their capital• Investors pick up 50% tax relief in the tax year the investment is made, regardless of their marginal rate.• In the 2012-13 tax year, tax payers can roll any chargeable gain in the tax year in to a SEIS with a full capital gains tax exemption (another 28%)• The business must be a start-up company -registered in the UK within 2 years of claim.• The company must not employ more than 25 workers.• The company must have assets of less than £200,000.• The company has to trade in an approved sector – generally not in finance or investment, for example, a property company raise capital as a SEIS.
  25. 25. Useful LinksGeneral Information:• Capital Enterprise-• NESTA Guide to Starting a Creative Business-• Business Link -• British Library-• HMRC• Companies House:• Guide to Early Stage Investment: Theatre link:• Society of London Theatre-• British Theatre Guide:• Theatrical Management Association-• BECTU- Technicians Union Rates-• Equity-• Scripts-• Power to the Pixel:• Circalit:• Production Base:
  26. 26. 10 minute Business Plan –• 7 Slides• Challenge- “ Catch a fish”- an “investor” Grab ttention Spark nterest- What’s in it for them? Create a esire – Leave them wanting more Make them ct- What’s your ask?
  27. 27. Slide 1- Introductory Slide• Who are You?• Short Pitch- Your business/ production in one line• Tell the Business Plan “Reader” what want them to remember
  28. 28. Slide 2- Audience/ Customer• Who are you selling too?- Who has the money?• Audience Profile/ Market Size?• Why will they come?• Comparable success stories• Specific examples
  29. 29. Slide 3 : Your Product/Service• What are you offering- features/benefits• Unique Selling Proposition- Why choose to come to your production?• Better than the competitor because….. ?• How are you going to first reach then secondly convince your customers to buy? – i.e. marketing plan.
  30. 30. Slide 4- Why Now• Market Trends- Good opportunity now because…..?• Time Critical Decision making process- Who do you need to “get on side” to start the business (get the production of the drawing board), how is it done and how near are you to getting a yes?• Compelling Reason to “invest” now
  31. 31. Slide 5 - Why Us?• Team Today ( Credentials, roles & responsibilities)• Team Future ( Staff, Associates, Partners)• Connectivity & Partners. – Who do you know and why are they useful ?• Sustainable competitive advantage- What are you going to do make sure you are not a “one show/trick pony” ?
  32. 32. Slide 6: Financials –Keep it Simple ( i.e. A graph?)• Top Line Sales• Costs/ Cash Flow• Investment Required & for what• Forecast Value of Show/ IP/ Company ( based on payback, ROI)• Exit Strategy- How will the investor get more than his money back.
  33. 33. Contact us for more information or to arrange a follow up meeting 020 7 679 4598 07968 470901