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[HAD2012] 11 - Dadaismo

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[HAD2012] 11 - Dadaismo

  1. 1. DADAÍSMO Ticianne Ribeiro e Eduardo Novais abril - 2012terça-feira, 3 de abril de 2012
  2. 2. terça-feira, 3 de abril de 2012
  3. 3. Contexto Históricoterça-feira, 3 de abril de 2012
  4. 4. terça-feira, 3 de abril de 2012
  5. 5. O clima mais amplo que abriga as várias manifestações dada pode ser encontrado na desilusão e ceticismo instaurados pela Primeira Guerra Mundial, 1914-1918, que alimenta reações extremadas por parte dos artistas e intelectuais em relação à sociedade e ao suposto progresso social.terça-feira, 3 de abril de 2012
  6. 6. Crítica cultural mais ampla. Interpela não somente as artes mas modelos culturais passados e presentes.terça-feira, 3 de abril de 2012
  7. 7. • Horrores da guerra; • Decadência européia; • Superficialidade da fé no progresso tecnológico e • Inépcia da religião e dos códigos moraisterça-feira, 3 de abril de 2012
  8. 8. Contestação de valores, rejeitam a tradição procurando a completa liberdade.terça-feira, 3 de abril de 2012
  9. 9. Manifestações intencionalmente desordenadas e pautadas pelo desejo do choque e do escândalo.terça-feira, 3 de abril de 2012
  10. 10. Utiliza variados canais de expressão: revista, manifesto, exposição e outros.terça-feira, 3 de abril de 2012
  11. 11. "Eu redijo um manifesto e não quero nada, eu digo portanto certas coisas e sou por princípios contra manifestos, como sou também contra princípios (...). Eu redijo este manifesto para mostrar que é possível fazer as ações opostas simultaneamente, numa única fresca respiração; sou contra a ação pela contínua contradição, pela afirmação também, eu não sou nem para nem contra e não explico por que odeio o bom-senso." Tristan Tzaraterça-feira, 3 de abril de 2012
  12. 12. INÍCIOterça-feira, 3 de abril de 2012
  13. 13. terça-feira, 3 de abril de 2012
  14. 14. A criação do Cabaré Voltaire, 1916, em Zurique, inaugura oficialmente o dadaísmo.terça-feira, 3 de abril de 2012
  15. 15. Fundado pelos escritores alemães H. Ball e R. Ruelsenbeck, e pelo pintor e escultor Hans Arp, promovia encontros dedicados a música, dança, poesia, artes russa e francesa.terça-feira, 3 de abril de 2012
  16. 16. Apresentação de Hugo Ball no Cabaret Voltaire, 1916terça-feira, 3 de abril de 2012
  17. 17. terça-feira, 3 de abril de 2012
  18. 18. O termo dada é encontrado por acaso em uma consulta a um dicionário francês. "Cavalo de brinquedo"terça-feira, 3 de abril de 2012
  19. 19. terça-feira, 3 de abril de 2012
  20. 20. Sinaliza uma escolha aleatória, contrariando qualquer sentido de eleição racional.terça-feira, 3 de abril de 2012
  21. 21. "O termo nada significa" Tristan Tzaraterça-feira, 3 de abril de 2012
  22. 22. Desejo de substituir o absurdo lógico do homem pelo absurdo ilógico. Karawanre Hugo Ball, 1917terça-feira, 3 de abril de 2012
  23. 23. Le Coeur à Barbe 1922terça-feira, 3 de abril de 2012
  24. 24. A geografia do movimento aponta para a formação de diferentes grupos, unidos pelo espírito de questionamento crítico e pelo sentido anárquico das intervenções públicas.terça-feira, 3 de abril de 2012
  25. 25. FILOSOFIAterça-feira, 3 de abril de 2012
  26. 26. • Negação de todas as tradições sociais e artísticas; • Oposição à burguesia e ao naturalismo; • Buscava a destruição da arte acadêmica; • Admiração pela arte abstrata;terça-feira, 3 de abril de 2012
  27. 27. • Valorização do acaso e o absurdo e • Tendências irônicas e anti-racionais.terça-feira, 3 de abril de 2012
  28. 28. O Dadaísmo procurava chocar o público tradicional e libertar a imaginação através da destruição das noções artísticas convencionais.terça-feira, 3 de abril de 2012
  29. 29. Teve grande importância para a arte do século XX e fez parte de um processo de libertação da arte de valores pré- estabelecidosterça-feira, 3 de abril de 2012
  30. 30. Busca de experiências e formas expressivas mais apropriadas à expressão do homem moderno e à sua vida.terça-feira, 3 de abril de 2012
  31. 31. ESTÉTICAterça-feira, 3 de abril de 2012
  32. 32. O dadaísmo não professa um estilo específico nem defende novos modelos, aliás coloca-se expressamente contra projetos predefinidos e recusa todas as experiências formais anteriores.terça-feira, 3 de abril de 2012
  33. 33. Ainda assim, é possível localizar formas exemplares da expressão dada.terça-feira, 3 de abril de 2012
  34. 34. Nas artes visuais, os ready-made e objets trouvés de Duchamp constituem manifestação cabal de um espírito que caracteriza o dadaísmo.terça-feira, 3 de abril de 2012
  35. 35. Marcel Duchamp, Bicycle Wheel (1913)terça-feira, 3 de abril de 2012
  36. 36. Marcel Duchamp, A fonte (1917)terça-feira, 3 de abril de 2012
  37. 37. Os princípios de subversão mobilizados pelos ready-made e objetos encontrados (objets trouvés) podem ser também observados nas máquinas antifuncionais de Picabia e nas imagens fotográficas de Man Ray.terça-feira, 3 de abril de 2012
  38. 38. Franz Picabia The Child Carburetor, 1919terça-feira, 3 de abril de 2012
  39. 39. Man Ray Cadeau, 1921terça-feira, 3 de abril de 2012
  40. 40. Man Ray L.H.O.O.Q., 1919terça-feira, 3 de abril de 2012
  41. 41. Esse ato não se destinava a ser um ataque à Mona Lisa, mas uma crítica engenhosa à tradição.terça-feira, 3 de abril de 2012
  42. 42. Outra característica a ser observada é o uso de colagens.terça-feira, 3 de abril de 2012
  43. 43. Hannah Höch Da-Dândi, 1919terça-feira, 3 de abril de 2012
  44. 44. Kurt Schwitters Das Undbild, 1919terça-feira, 3 de abril de 2012
  45. 45. DESTAQUES E OBRASterça-feira, 3 de abril de 2012
  46. 46. Marcel Duchampterça-feira, 3 de abril de 2012
  47. 47. Marcel Duchamp Nu descendant un escalier, 1919terça-feira, 3 de abril de 2012
  48. 48. Marcel Duchamp La septième face du dé , 1919terça-feira, 3 de abril de 2012
  49. 49. François Picabiaterça-feira, 3 de abril de 2012
  50. 50. François Picabia La Ville de New York a pençue à travers les corps, 1913terça-feira, 3 de abril de 2012
  51. 51. François Picabia Edtainisil (clergyman), 1913terça-feira, 3 de abril de 2012
  52. 52. François Picabia La Femme au Chien, 1924/26terça-feira, 3 de abril de 2012
  53. 53. François Picabia Moça com sombrinha, 1919terça-feira, 3 de abril de 2012
  54. 54. Max Ernstterça-feira, 3 de abril de 2012
  55. 55. Max Ernst LAnge du Foyer, 1937terça-feira, 3 de abril de 2012
  56. 56. max Ernst O gigante acéfaloterça-feira, 3 de abril de 2012
  57. 57. Kurt Schwittersterça-feira, 3 de abril de 2012
  58. 58. Max Ernst LAnge du Foyer, 1937terça-feira, 3 de abril de 2012
  59. 59. max Ernst O gigante acéfaloterça-feira, 3 de abril de 2012
  60. 60. Man Ray Emanuel Rudzitskyterça-feira, 3 de abril de 2012
  61. 61. Man Ray Indestructible Object, 1923terça-feira, 3 de abril de 2012
  62. 62. Man Ray A lágrimaterça-feira, 3 de abril de 2012
  63. 63. Man Ray Le Violon d´Ingres, 1924terça-feira, 3 de abril de 2012
  64. 64. Man Ray Exemplo de técnica de solarização, ou posterizaçãoterça-feira, 3 de abril de 2012
  65. 65. Man Ray Le baiser, 1932terça-feira, 3 de abril de 2012
  66. 66. Hans Arpterça-feira, 3 de abril de 2012
  67. 67. Hans Arp CloudShepper, 1953terça-feira, 3 de abril de 2012
  68. 68. Hans Arp Torso Garbe, 1958terça-feira, 3 de abril de 2012
  69. 69. RESSONÂNCIASterça-feira, 3 de abril de 2012
  70. 70. Ainda que 1922 apareça como o ano do fim do dadaísmo, fortes ressonâncias do movimento podem ser notadas em perspectivas artísticas posteriores.terça-feira, 3 de abril de 2012
  71. 71. Na França, muitos de seus protagonistas integram o surrealismo.terça-feira, 3 de abril de 2012
  72. 72. Nos Estados Unidos, na década de 1950, artistas como Robert Rauschenberg, Jasper Johns e Louise Nevelson retomam certas orientações do movimento no chamado Neodada.terça-feira, 3 de abril de 2012
  73. 73. CONTRIBUIÇÕES AO DESIGNterça-feira, 3 de abril de 2012
  74. 74. • Reforçou a idéia cubista do uso da letra como experiência visual; • Despertou os designers para o fato de que o chocante e o surpreendente podem chamar a atenção do receptor.terça-feira, 3 de abril de 2012
  75. 75. OBRIGADO!terça-feira, 3 de abril de 2012

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