Michael Tamblyn, CEO of BookNet Canada, describes 6 projects/changes/initiatives that could make things better for publishers, readers, and others with an interest in the future of the book.
8. Commodore 64
Lotus 1-2-3
Macintosh
Apple founded
Whole Internet User’s
Guide & Catalog
Linux released
First mouse-based computer,
Xerox PARC HTML invented
iPod launches
US Department of Labor
Thursday, March 19, 2009
9. J.Crew founded Costco founded
Waterstone’s
Target founded
Wal-Mart founded
Len Riggio buys B&N Starbucks founded
Thursday, March 19, 2009
65. Production
Author Editor Designer
Manager
structure
<chapter>
<heading>
<footnote>
Thursday, March 19, 2009
66. Production
Author Editor Designer
Manager
content structure
<hotelReview> <chapter>
<Venice> <heading>
<footnote>
Thursday, March 19, 2009
67. Production
Author Editor Designer
Manager
content structure
Word
Thursday, March 19, 2009
68. Production
Author Editor Designer
Manager
content structure
Word Word
Thursday, March 19, 2009
69. Production
Author Editor Designer
Manager
content structure
red
Word Word
Thursday, March 19, 2009
70. Production
Author Editor Designer
Manager
content structure
red
Word Word
Thursday, March 19, 2009
71. Production
Author Editor Designer
Manager
content structure
red
Word Word Quark/
Adobe
Thursday, March 19, 2009
72. Production
Author Editor Designer
Manager
content structure
DocBook XML
red
Word Word Quark/
Adobe
PDF
3B2
Thursday, March 19, 2009
73. Production
Author Editor Designer
Manager
content structure
DocBook XML
red
Word Word Quark/
Adobe
PDF
3B2
Galleys
Books
ePub
etc.
Thursday, March 19, 2009
74. Production
Author Editor Designer
Manager
content structure
DocBook XML
red
Word Word Quark/
Adobe
PDF
<hotelReview> 3B2
<Venice>
Galleys
Books
ePub
etc.
Thursday, March 19, 2009
75. Production
Author Editor Designer
Manager
content structure
XSL
oXygen XML editor XSLT
Stylesheet
ePub .Mobi files
XSL-FO Web PDFs
Print PDFs
HTML
Thursday, March 19, 2009
76. Production
Author Editor Designer
Manager
content structure
XSL
oXygen XML editor XSLT
Stylesheet
ePub .Mobi files
XSL-FO Web PDFs
Print PDFs
“The Spartan” HTML
Thursday, March 19, 2009
77. it will kill almost
anyone
Thursday, March 19, 2009
79. Author Editor Designer Compositor
content structure
Word + styles XML
Stylesheet
custom custom
converter converter
ePub
“The Wiley” WileyML Web PDFs
Print PDFs
Thursday, March 19, 2009
152. io e
is
b a
r
p
n
io
t
ip
r s
c
s d
e e
v.
d
e
r g
p in
t
e
k
r
a
m
Thursday, March 19, 2009
153. Alligator - September 15, 2005
hardcover
$29.95
978-0887841958
Thursday, March 19, 2009
154. Alligator - September 15, 2005
hardcover
$29.95
978-0887841958
Thursday, March 19, 2009
155. Alligator - September 15, 2005
hardcover
$29.95
978-0887841958
Thursday, March 19, 2009
156. Alligator - September 15, 2005
hardcover
$29.95
978-0887841958
Thursday, March 19, 2009
157. Notes to buyer
From: Matt
To: Chuck Erion
Chuck -- we would love for Lisa to do
another reading in Waterloo. The last
one turned out really well. June 18th?
From: Chuck Erion
To: Matt
Great, but the Anansi rep has to cover
his own bar tab this time ;-)
send
Thursday, March 19, 2009
158. More author profiles
Two faces of the Rock
Lisa Moore and Michael Crummey showcase different visions of
their shared corner of the world
by Alison Dyer
We’re sitting in Lisa’s yellow and pink kitchen at
the back of her old St. John’s townhouse, which
shoulders up to its neighbours on a steep hill. She
shakes blond curls from her face and with a wide,
open smile offers me a tea. Michael is already
sitting at the table, back propped against the wall.
Sloping eyebrows and soft eyes like he’s absorbed
some tenderness, some ache of the landscape.
Michael Crummey and Lisa Moore are
undoubtedly two of the hottest writers on the
Rock, and both have much-anticipated new
novels coming out this fall: Moore’s first,
Alligator (House of Anansi Press), in September,
more
Thursday, March 19, 2009
159. Sample chapter
Chapter One
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Integer eget urna. Quisque rhoncus condimentum risus. Sed eu
velit ac enim lacinia dapibus. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aliquam erat volutpat. Sed
pharetra convallis tortor. Aenean sodales tortor ut mi. Fusce quis purus. Pellentesque malesuada porttitor risus.
Pellentesque arcu. Nullam rhoncus enim vitae lacus. Mauris aliquet elit a est. Aenean a leo non diam eleifend congue.
Mauris purus elit, vehicula non, interdum ut, pulvinar non, nisl.
Etiam sed libero. Etiam tincidunt enim at justo. Vivamus vitae erat sit amet quam iaculis iaculis. Cras bibendum nunc
hendrerit libero blandit faucibus. Nulla libero lectus, lacinia quis, dapibus vitae, varius sit amet, quam. Curabitur
vestibulum sem et est. Nunc sit amet sapien in eros vestibulum commodo. Etiam porta ante quis lacus. Pellentesque
purus augue, gravida ac, mollis vel, rhoncus sed, elit. Fusce congue pulvinar massa. Donec facilisis, mauris id ultricies
euismod, nunc mi dictum ante, sed euismod ligula eros quis lacus. In imperdiet pharetra tortor. Morbi vitae lectus. Sed
dignissim, magna eu commodo fermentum, enim risus cursus ante, sit amet ultricies est tellus in nulla. Suspendisse
potenti. Vestibulum metus mi, aliquet eget, molestie id, tincidunt vitae, diam. Nulla purus nulla, feugiat sit amet,
venenatis sed, rutrum sit amet, erat. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia
Curae; Maecenas augue sem, accumsan non, sagittis at, elementum sed, odio.
Nulla ligula metus, fermentum commodo, mattis eget, tempor nec, massa. Donec mollis. Nullam sapien libero, suscipit
ac, semper sed, tincidunt id, arcu. Nulla facilisi. Mauris metus. Cras pharetra interdum eros. Maecenas vel est ut erat
congue iaculis. Phasellus id odio nec enim vulputate hendrerit. Integer id elit vitae tellus dignissim faucibus. Morbi risus.
Vestibulum condimentum nunc quis nisi. Nullam interdum. Suspendisse id velit. Sed nec diam ac lectus venenatis
blandit. Donec eget augue nec neque sodales tristique. Etiam nunc nisi, hendrerit at, tempus vel, dapibus quis, elit. Proin
vitae erat id quam vulputate suscipit. Cras sit amet orci. Vestibulum justo ante, lobortis et, elementum condimentum,
pellentesque quis, erat.
Phasellus sagittis. Aliquam nisl leo, vehicula a, mattis id, porttitor nec, urna. Fusce nulla massa, porttitor eget, cursus et,
vulputate in, ante. Nulla vel diam. Praesent sit amet nunc vel dui ultricies tincidunt. Quisque tellus leo, elementum ut,
tincidunt sed, fermentum ut, nibh. Integer vehicula. Maecenas pretium, lectus ac pulvinar consequat, eros lacus
fermentum elit, a rhoncus metus ipsum id dui. Quisque nisi lectus, accumsan vel, dictum viverra, eleifend at, lectus. Cras
venenatis nunc vel nulla. Aliquam dapibus semper lacus. Curabitur id sapien. Nullam at lacus eu tortor tempor
scelerisque. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Morbi vulputate
consequat dui. Aenean non dui. Phasellus placerat, nisl a pulvinar congue, elit justo posuere sem, eget eleifend leo erat sit
amet dui. Aenean et nisl. Etiam orci. Etiam scelerisque.
Duis enim. Quisque id tellus. Vestibulum erat metus, tempus quis, lacinia sed, pretium in, nisi. Mauris porttitor rutrum
Thursday, March 19, 2009
263. Us:
www.booknetcanada.ca
Twitter: @BookNet_Canada
Get on the email list!
Me:
mtamblyn@booknetcanada.ca
Twitter: @mtamblyn
Thursday, March 19, 2009
Editor's Notes
--
It’ll be almost like you’re right there in the room.
It’ll be *exactly* like you’re right there in the room.
times are tough right now. And that creates fear. And fear can lead to paralysis. So rather than hunker down, I thought i’d talk about 6 projects that might change publishing and reading and book selling for the better.
Here is 1960 to 2008
and here is almost 50 years of unemployment data
And in pink is every technical recession we’ve had since 1960.
But here -- and this is the hopeful part
The first mouse-driven computer was designed at Xerox PARC in 1974.
Apple was founded in April of1976
The Commodore 64, still the best selling computer of all time, was launched in 1982, at the same time Lotus 1-2-3 came on the market and revolutionized the business world.
The Macintosh launched just at the end of the recession in 1984,
HTML was invented in 1990, Linux released in 1991
O’Reilly came out with the first book on the Internet at peak unemployment in 1992
and Apple launched the iPod in 2001, 1 month after September 11th.
And that’s just technology -- let’s look at retail...
Target in ‘61
Wal-Mart in ‘62
In 1971, Len Riggio buys Barnes & Noble while 3 guys in Seattle were starting up a little coffee shop.
Waterstones is founded in 1982
Costco introduced wholesale shopping in 83 at the same time J.Crew revolutionizes catalog shopping
Now this is a perfect example of survivor bias -- I haven’t shown you all of the companies that failed during those times, or the ones that were founded at other times.
All I’m trying to show is that interesting stuff can happen in tough times, especially for people that are willing to rethink what their customers want. Notice that just about all of these examples are about a radical rethink of what consumers are interested in.
People are looking for new beginnings
--
--
there are deals to be had -- with partners, companies, vendors
they’ve got other things to worry about
so with that in mind, what is this talk about? Well, if you’re willing to believe that revolutionary things can come out of difficult times, the question really is....
And that got me thinking: what would be some things that you might look back on, 10, 20, 30 years from now and say, that was when it really started to change.
So I gave it some thought, asked some people who were smarter than me, some people who had been in the business longer than me. I came up with (# -- 6 things
6 things that, if someone paid some attention to, dedicated some resources to, might shake things up. Some are
big, industry wide changes that would require a shift in the culture of the book industry, but some are
small, 2 people in a garage kinds of changes.
all are doable. And because there’s nothing worse than having some speaker go on and on about what you should be doing and how you should innovate, we’re going to walk the talk, ‘cause some of these we’re working on...
--
publishers have data everywhere...
and a whole lot else besides. And that data has all kinds of great stuff in it -- author bios and book descriptions, up-to-date prices and jacket copy. Publishers are making great efforts to create it, keep it up to date, make it standards compliant, and yet, for all that, it is (# -- shockingly hard to get)
--
Not if you’re Amazon
Indigo
Bowker
or Baker & Taylor, All of whom have a lot of resources and infrastructure to collecting data. But then, it tends to stay difficult to get at, or expensive to get at, or has strings attached.
--
--
--
--
--
If you’re a blogger
or media
or a library
or a bookstore
or an aggregator
or a community site
or even a publisher’s site.
--
You should be able to call a web service and get back
--
You should be able to send back corrections, associate other data with it.
--
And we feel so strongly about this, that access to bibliographic data is one of those things that is important to push innovation for books online...
That we’re going to see if we can do something about it.
Response has been tremendous and we want more!
We’ll use it in our own services...
we’re working with libraries and library wholesalers, who want more efficient access to Canadian publisher data.
Publisher support so far has been great. The data is starting to pour in.
It’s going to take some time to get going, but we think this could be a tremendous resource for the industry.
And we want to hear from you -- what would you do with it?
-
-
-
-
-
There has been a lot of talk, understandably, about the benefits of XML...
-
-
-
Now, from the perfect XML workflow, we want 2 things:
We want content: is this a recipe? Is it a short story? Is it a hotel review? Is it about Venice?
We also want structure? When do chapters begin and end, is this text a footnote.
The Production side is all over (#) structure. But they aren’t going to be making calls on what the content is about.
The author and the editor are all about content, but how do they share what they know?
Typically, a publishing house looks something like this:
The author’s working in Word
The editor says they’re working in Word...
but is really working in pen
but you want them to work in Word.
When it’s all done, the designer is working in Indesign or Quark.
Production Manager is creating PDFs, maybe some DocBook, or going to a 3B2 compositing system.
And from there come galleys, books, ePub files and everything else.
And that’s kinda the way things are at a lot of publishing houses right now.
So how do you get that XML goodness in?
So you could do the O’Reilly approach, which doesn’t cost much and is pretty lean and clean.
Editors working right in XML,
Designers work on XSL stylesheets
Production takes XML through an Extensible Stylesheet Transform into
ePub
XSL-FO, which can format XML for PDF
or HTML for the web.
I call it The Spartan.
It’s rigorous, it’s pure and strong and uncompromising. It can adapt to any situation. It’s minimal.
And...
--
Because if you show this to most editors... they’re going to start drinking at their desks. (And that’s a problem at the best of times.)
You can try the approach Wiley has been taking, where they use
MS Word with custom styles, then convert to XML during compositing. But they’ve written a lot of custom software and conversion tools to make that work.
Google “StartWithXML” and check out the O’Reilly site. it’ll show you how a number of different publishers have tackled the problem. But all of them have either a big startup cost or a huge culture change or both.
It can be easier. Maybe it’s working with
--
The person who takes that on and really cracks the code, is not only going to be a hero, but will probably make out like a bandit.
--
--
what do I mean by DRM-free? let me explain...
--
First there was the iRex illiad...
And then the Sony Reader PRS-500
then the Kindle, with free newspaper...
Then the Sony PRS-505, now with disembodied hands
Then the PRS-700. 100% fewer disembodied hands, but grippy ridges
Then Amazon comes back with the Kindle 2 -- one disembodied hand, better manicure and a scary robotic voice!
And finally, the PlasticLogic Reader.
Which is like Jesus -- it is perfect and will save the world, but only 12 people have seen it working and no one knows when it is going to arrive.
And you could look at these and say -- look, they’re getting better all the time. It’s only a matter of time before we have the perfect reading device. But of course, they all have a problem.
I’m going to let Cory Doctorow and those guys deal with the pros-and-cons of Digital Rights Management. The DRM I’m worried about is...
Date Repulsion Mode
You know what I’m talking about -- it is a carefully guarded secret at Amazon headquarters that no one holding a Kindle at a Starbucks has ever been asked for their phone number.
There is a reason they use the disembodied hand.
Now DRM, like all things, is relative. In fact, there is a scale.
At the bottom, we have Renaissance Faire costumes
Homemade Star Trek Jewelry
And then somewhere between Bluetooth Headsets...
and the Speak&Spell
we have the Readers
followed by the Zune
iPods & iPhones
Books that make us look smart
and Labrador puppies.
So that’s the DRM* continuum.
Michael Serbinis (Shortcovers) and Neelan Choksi (Lexcycle/Stanza) are sitting back there saying “excellent -- I backed the right horse”. But don’t be so sure. After all -- who are you going to walk up to
him?
or him?
her?
or her?
These two are obviously busy.
These two you could definitely be talking to.
Because we know reading is sexy.
As far as I have been able to tell, there are no buttons that say: “mobile electronics are sexy”, but that’s the challenge -- make a device that makes us look look smarter and more attractive than we really are, just like books do.
Michael Serbinis and Neelan Choski are now thinking -- “how do I get eBooks onto Labrador puppies?”
And I have no idea what it should look like. I’m not an industrial designer. But that’s the challenge. If we can make pink digital cameras and 3 pieces of fake vintage luggage for $199, and if we can reimagine the watch and the kitchen knife, we can do this.
--
--
--
--
because it isn’t about whether a book is good, or worthy. It’s about
And if there is one thing we know about people, it’s that they’re bizarre and unpredictable.
Let me try to give a sense of how hard this is.
Last year, there were about 90,000 new titles ordered, stocked or sold in the Canadian supply chain.
Here are the top 30000 of those 90,000. This pretty much represents every book that sold more than 50 copies. The other 60,000 sold less than 50, or had been ordered but not stocked or stocked but not sold or special ordered and so on.
The green ones have sold 500+
1000+
5000+
10,000
25,000 -- again, just the green ones
50,000
Books that sold over 100,000 copies are dark green dots.
Welcome to the Canadian book market. Now if we were in a purely digital world, this wouldn’t matter -- you’d have all the files ready and people could buy what they want.
But since 99.5% of books sales are still paper books, that means there are decisions to make. How much stock, how much store space, does it go on the front page of the website.
And to sift those 90,000 titles down to real buying decisions the buyer has to rely on...
--
--
* Maybe. If they have the time to dig it up. And if they bought the right amount last time and didn’t hurt their own sales.
or, as they say in America,
the “catalog”. As I’ve been thinking about the challenges of the front-list buy, I’ve been very interested in catalogues lately.
First off, there are a lot of them. Thousands of catalogues, tens of thousands of copies.
Inside publishing houses, catalogs are the talisman. They are obsessed over, great care is given to their design. They are obsessively proof-read. And as soon as they are completed...
They are shipped across the country at great expense.
As soon as it hits the printer it’s out of date. prices are changing, marketing plans are changing, titles are dropping out or dropping in.
half of each catalog doesn’t get read. If you’ve ever bought from catalogues, you know that the back half is all backlist you already know about.
and in fact, a good sales reps job is to go through the catalog with you and say...
--
--
--
That makes sense. Most publishers have downloadable catalogues.
But buyers are driven crazy by going through a thousand different PDFs from a hundred different publishers.
So we could consolidate them -- have publishers presenting catalogues through a single service. That’s a good start, but...
Let’s look at one to see what I’m talking about.
Now first, let me say that House of Anansi Press had no foreknowledge that I was going to showcase their catalog. So first let me say, it looks fabulous.
Second, if there are retailers in the house, you should buy a boatload of this, because it’s going to be a fantastic book. But only as big a boatload as you need, because Sarah does not like returns. So trust that I will treat this with gentle care.
So we’re looking at Lisa Moore’s much anticipated new novel, February. (Coming out in June)
So back to Lisa Moore. there is some great stuff here.
Got a cover
Description
A bio and photo of the author
Previous editions of her critically acclaimed work
voluminous praise
marketing plans
But what else could it do?
What if clicking on a previous title (or a related title or a comp title) brought up the sales history for that title.
And more specifically, the sales history for the retailer where the catalog was being viewed.
And showed their stock position and turn.
And looked at their performance vs. the market as a whole. Was this a title they over-bought, underbought? Did the rest of the market go crazy for this book and they missed out?
A catalog could also enable the conversation between a buyer and a seller and capture the planning that goes into getting the buy solidified.
You should be able to pull up media mentions, press clippings, blog links, RSS searches...
First chapters, full ARCs...
--
Only the books that are right for each account, in the order you think they would want to see them.
enriched with historical sales data on previous editions, previous books by the same author, comp titles, marketing calendars.
everything a buyer needs to get the right number of books for their store.
We know that this challenge isn’t going away and it’s only going to get tougher. So let’s look at a front-list buying process that gives every book the best possible shot at it’s little green dot.
And this is another one where we’re going to roll up our sleeves. Starting this year, we’re working on a new set of projects that combine
the sales and inventory data we have through BNC SalesData
the rich bibliographic data we’re collecting through biblioshare
the research that we’ve done on returns
that we’re calling Collaborative Commerce.
Where we’ll be looking at publisher needs around Catalog 2.0
and other ways we can support the front-list buying process
We’re also piloting some very interesting analysis techniques related to backlist. We’re helping publishers and retailers identify titles that are performing well just under the radar.
--
--
--
For all of the advances in online bookselling, I find it fascinating that the online shopping paradigm for books hasn’t really changed since 1995.
Since then, it’s been: home page
subject page
list page
single book page. And with a few tweaks here and there, that’s pretty much the way it’s been for the last 13 or 14 years. Innovation has pretty much been confined to putting more stuff on this page,
or new ways to make lists of books. And this is obviously very effective, or these guys wouldn’t be doing it. But I think like a lot of people I tend to...
I go with a title in mind -- something I’ve read about or heard about -- run some searches and find it. So I search online, but
but I browse in stores. In a store I can
--
both visually and mentally
because bookstores are all about happy accidents.
--
We’re clearly pretty visual when it comes to books.
And it’s not just that we keep creating more and more beautiful spaces (#)
so that we can walk around and have our happy accidents, but also because the books themselves
are a profoundly
visual
and often such an achingly beautiful
medium where a huge amount of attention gets paid to
what the book looks like.
--
so there are sites like zoomii,
that will let me zoom around
an infinite collection of book covers
or sites like coverpop
or oSkope
or amaztype from japan, where I can type in the word “Canada”
and get a pile of books about Canada arranged in the shape of the word Canada.
--
at the end of the day, they’re more about
the developer’s skill at manipulating Amazon Web Services
--
--
It could be that the difference comes down to
curation. Maybe it isn’t about having
everything. Maybe it’s about
--
--
--
--
This one is dear to my heart. When you hear people talk about it, publishing is the quintessential
plateau industry, in the sense that the
rules that people play by
and the roles that they have are pretty fixed.
Roles in plateau industries tend towards a high degree of specialization. How can you tell if you’re in a plateau industry?
This isn’t automatically a negative. There are lots of benefits. Specialization brings
--
--
--
institutional memory. But the downside is that
Because when change comes, specialization brings resistance.
--
--
--
--
--
--
--
--
When you’re in meetings and someone asks about trying something new, how often do you hear
--
Or even, I’m not sure if we could do all of that, but could we do 80% or half?
In publishing, the big challenge is around
Specialization means that IT people tend to get shoved in the back office to work on the SAP system, or to configure the warehouse management system, or keep the servers running.
For most publishers today, technology = operations. And yet, with the explosion of the web, there has never been a greater need for publishers (and retailers too!) to bring in
People who can think across technology, a love of books, an understanding of the reader and what she wants, online culture and
It’s about getting past the first stage of...
being a tool user -- facebook, twitter, blogs and so on
and becoming a
tool maker -- making things that other people don’t have. To do this, you need to change a couple of things. When traditional companies bring creative technology people in, they tend to break them on the wheel.
--
--
--
--
--
--
--
--
So glad you’re working on the project.
so to bring creative technology in, companies have to embrace a bit of
startup culture inside their organizations.
When was the last time you saw this on a publisher’s website?
startup culture inside their organizations.
look for people that can do a little of a lot -- hack some PHP, configure a database sure, but look for the other stuff too. At BookNet we have retailers and publishers, but we also have writers and librarians, cooks and composers, software developers who can do propane repair, one theatre technician, one philosopher.
--
--
--
And again, this is something we believe in. It’s a part of how we do things, but we also want to help other people bring technology and innovation into their companies. One of the ways we’re doing this is that this year we’re the exclusive sponsor of
BookCampTO. We’re taking the money that we would have used for a booth at BookExpo and underwriting all of the expenses for BookCamp so that people can come together and figure out