Digital Workflows Digital Paris, January 31, 2008  Ernst-Joerg Oberhoessel DVS Digital Video Systems AG
Primary objective of IP-RACINE  <ul><li>“ To create an integrated workflow for the Digital Cinema process that supports th...
Digital Video Systems –  Since 1985 a world of firsts <ul><li>World‘s first uncompressed HD DDR, based on a PC  – HDStatio...
Our Digital Cinema workflow enablers Spycer ® Data &  workflow manager Flexible NAS appliance with CMS, transcoding, proxi...
Traditional motion picture value chain  Intermediate Telecine Capture Post Production Mastering Projection Distribution
Current motion picture value chain  Digital Intermediate Film 2K/4K HD Digitizing Editing Auto Conforming Color Grading Zo...
Future motion picture value chain  Digital Intermediate Film+ 4K/8K UHD Digital Cinema Mobile TV Interactive TV Capture Po...
IP-RACINE testbed 3 –  A typical “integrated coherent workflow” 8
Best Practise Openness –  You need to be open to build bridges <ul><li>Open industry-standard platform </li></ul><ul><li>O...
Best Practise Openness – Bridging the worlds of video & data
Best Practise Polyvalence  – How to reuse what you produ c e <ul><li>Distribution channels </li></ul><ul><ul><li>Cinema & ...
Best Practise Performance – There is no time for non-real-time <ul><li>Acquisition & Play-out (video stream or data transf...
Best Practise Data Management – How to manage digital chaos <ul><li>Distributed  content management based on metadata </li...
Best Practise DCI –  One integrated coherent workflow DCI CLIPSTER ®
<ul><li>DCI Accelerator Board </li></ul><ul><li>Benefits </li></ul><ul><li>Performance </li></ul><ul><li>Coherence </li></...
15 minutes on how to build an integrated Digital Cinema workflow
Thank you!   DVS Digital Video Systems AG Krepenstr. 8 30165 Hannover www.dvs.de Ernst-Joerg Oberhoessel [email_address] +...
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iDiff 2008 conference #6 IP-Racine DVS

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iDiff 2008 conference #6 IP-Racine DVS

  1. 1. Digital Workflows Digital Paris, January 31, 2008 Ernst-Joerg Oberhoessel DVS Digital Video Systems AG
  2. 2. Primary objective of IP-RACINE <ul><li>“ To create an integrated workflow for the Digital Cinema process that supports the coherent creation of contents and access to essence and metadata at all stages from capture / creation, through post production and repurposing, to localized play-out.” </li></ul>Provide open and performing solutions which enable our customers … Mission statement of DVS
  3. 3. Digital Video Systems – Since 1985 a world of firsts <ul><li>World‘s first uncompressed HD DDR, based on a PC – HDStationPlus (1999) </li></ul><ul><li>World‘s first DDR to play real-time 2K, dual link – HDStationRGB (2001) </li></ul><ul><li>World‘s first PC workstation with a real-time scaler for 2K - CLIPSTER (2003) </li></ul><ul><li>World‘s first HD DDR – ProntoVision (1997) </li></ul><ul><li>World‘s first uncompressed 4K DDR – sold to NTT Japan (1999) </li></ul><ul><li>World‘s first DDR – ProntoVideo (1995) </li></ul><ul><li>World‘s first PC workstation real-time 4K – CLIPSTER 4K (2005) </li></ul><ul><li>World‘s first real-time effects up to 4K RGB 12 bit – CLIPSTER 4K, 3 rd Gen (2007) </li></ul><ul><li>World‘s first HW-enabled DCI mastering workstation – DCI CLIPSTER (2008) </li></ul>
  4. 4. Our Digital Cinema workflow enablers Spycer ® Data & workflow manager Flexible NAS appliance with CMS, transcoding, proxies, and backup SpycerBox Real-time DI workstation for content editing and finalizing CLIPSTER ® High performing storage area network for multiple online access DVS-SAN High quality digital disk recorder for acquisition and play-out Pronto family Turnkey Solutions
  5. 5. Traditional motion picture value chain Intermediate Telecine Capture Post Production Mastering Projection Distribution
  6. 6. Current motion picture value chain Digital Intermediate Film 2K/4K HD Digitizing Editing Auto Conforming Color Grading Zooming & Panning Mastering & Versioning Recording Capture Post Production Mastering Projection Distribution
  7. 7. Future motion picture value chain Digital Intermediate Film+ 4K/8K UHD Digital Cinema Mobile TV Interactive TV Capture Post Production Mastering Projection Distribution
  8. 8. IP-RACINE testbed 3 – A typical “integrated coherent workflow” 8
  9. 9. Best Practise Openness – You need to be open to build bridges <ul><li>Open industry-standard platform </li></ul><ul><li>Open industry-standard file system </li></ul><ul><li>OpenFX plug-in interface for effects </li></ul><ul><li>Open APIs for other applications </li></ul><ul><li>Open industry-standard single frame file support (DPX, BMP, …) </li></ul><ul><li>Openness for more than 100 file formats and codecs </li></ul>
  10. 10. Best Practise Openness – Bridging the worlds of video & data
  11. 11. Best Practise Polyvalence – How to reuse what you produ c e <ul><li>Distribution channels </li></ul><ul><ul><li>Cinema & D-Cinema </li></ul></ul><ul><ul><li>DVD / HD-DVD </li></ul></ul><ul><ul><li>Rental / Video-on-Demand </li></ul></ul><ul><ul><li>TV broadcasting / IPTV </li></ul></ul><ul><li>International distribution </li></ul><ul><ul><li>PAL/NTSC </li></ul></ul><ul><ul><li>Raster / formats </li></ul></ul><ul><ul><li>Languages / subtitling </li></ul></ul><ul><li>DI Requirements </li></ul><ul><ul><li>Format conversion </li></ul></ul><ul><ul><li>Scaling </li></ul></ul><ul><ul><li>Cropping </li></ul></ul><ul><ul><li>Color space conversion </li></ul></ul><ul><ul><li>Interlacing, De-Interlacing </li></ul></ul>Commercial multi-purpose usage of motion-picture content CLIPSTER ®
  12. 12. Best Practise Performance – There is no time for non-real-time <ul><li>Acquisition & Play-out (video stream or data transfer) </li></ul><ul><ul><li>Real time? ► Pronto famil y </li></ul></ul><ul><li>HD/2K/4K Online Editing, SMPTE Transitions, Color Correction </li></ul><ul><ul><li>Real time? ► CLIPSTER ® </li></ul></ul><ul><li>Scaling, Zoom and Pan, Auto-Conforming, Mastering </li></ul><ul><ul><li>Real time? ► CLIPSTER ® </li></ul></ul><ul><li>Simultaneous access to video & audio files </li></ul><ul><ul><li>Real time? ► DVS-SAN </li></ul></ul>
  13. 13. Best Practise Data Management – How to manage digital chaos <ul><li>Distributed content management based on metadata </li></ul><ul><li>Performing search & browsing </li></ul><ul><li>Previewing of large image sequences (even 4K) </li></ul><ul><li>Sophisticated defragmenter with sequence descattering </li></ul><ul><li>High-speed copying </li></ul><ul><li>Open and flexible system </li></ul>Spycer ®
  14. 14. Best Practise DCI – One integrated coherent workflow DCI CLIPSTER ®
  15. 15. <ul><li>DCI Accelerator Board </li></ul><ul><li>Benefits </li></ul><ul><li>Performance </li></ul><ul><li>Coherence </li></ul><ul><li>Quality </li></ul><ul><li>Security </li></ul>Best Practise DCI – End-to-end HW solution DI workflow DCI specifi- cations
  16. 16. 15 minutes on how to build an integrated Digital Cinema workflow
  17. 17. Thank you! DVS Digital Video Systems AG Krepenstr. 8 30165 Hannover www.dvs.de Ernst-Joerg Oberhoessel [email_address] +49 162 109 32 43 Konstantin Schinas [email_address] +49 162 109 32 64

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