Buddhism for class


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Influences of Buddhism on Indian Architecture

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Buddhism for class

  2. 2. • Buddhism is a religion and • In some classifications Vajrayana—as philosophy encompassing a variety practiced mainly in Tibet and of traditions, beliefs and practices, Mongolia, and adjacent parts of largely based on teachings China and Russia —is recognized as a attributed to Siddhartha Gautama, third branch, while others classify it as commonly known as the " Buddha - a part of Mahayana. the awakened one”. • Buddhist Architecture has its roots• Two major branches of Buddhism deeply planted in Indian soil - both are recognized: THERAVADA ("The physically, in relation to existing School of the Elders") and construction styles, and MAHAYANA ("The Great Vehicle"). philosophically, in relation to• Theravada has a widespread various cosmic theories that following in Sri Lanka and influenced the layout of sacred sites. Southeast Asia.• Mahayana is found throughout East Asia and includes the traditions of Pure Land, Zen, Nichiren Buddhism, Tibetan Buddhism, Shingon, Tiantai (Tendai) and Shinnyo-en.
  3. 3. • The development of various • The earliest Buddhist construction of symbols representing aspects of significance was the stupa; but these the Buddhas life (563 - 483 BCE) were sculpture not structure. was the beginning of a • Probably the most significant site is at specifically Buddhist architecture. Sanchi where as well as having one of• Traditional building styles would the best preserved Indian stupas, the have been used but it was the full range of Buddhist art and mode of decoration which began architecture from the third century BC to to set these buildings apart. the twelfth AD can be studied here.• As support for the new religion • The other form of specifically Buddhist increased so too did the need for construction that evolved quite early buildings to accommodate the was the rock-cut monastery. requirements of the expanding • For about six centuries, beginning monastic order. around 100 BCE, several monasteries• Although stonework was quite were hewn from the cliffs and rock walls common wood was still the main of valleys. medium and the skill to erect stone • Probably the most famous of these is at structures enclosing appreciable Ajanta. Their development is looked at space had yet to be developed. under CAVES.
  4. 4. • And hence the basic plan of the Buddhist temple is established: an entrance area with a square or rectangular central Courtyard covered hall or open courtyard. • The outward structure is modelled on the key concept of Mt Meru. • The basic floor plan is seen in the early cave monasteries (with meditation cells added) and the structural form in the Mahabodhi temple and Borobudur stupa.Entrance AreaBASIC PLAN
  6. 6. STUPA-SANCHISanchi is 68 kilometers north of Bhopal in Madhya Pradesh
  9. 9. STUPAS• Stupas were built of stones or • The Great stupa has a large bricks, or mark important places hemispherical dome which is flat at the associated with Buddhism or to top, and crowned by a triple umbrella or house important relics (leftovers) of Chattra on a pedestal surrounded by a Buddha. Ashok Maurya who laid square railing or Harmika. the foundation of this group of • Buddhas relics were placed in a casket monuments is said to have built chamber in the centre of the Dome. 84,000 stupas. • At the base of the dome is a high circular• The best examples of stupas are terrace probably meant for parikrama those constructed at AMARAVATI, or circumambulation and an encircling SANCHI, BARHUT AND GAYA. balustrade.• "One of the most striking • At the ground level is a stone-paved architectural remains of ancient procession path and another stone India" and the earliest and largest Balustrade and two flights of steps of the three stupas found in Sanchi leading to the circular terrace. was built by Ashoka (273-236 • Access to it is through four carved B.C.) gateways or Toranas in the North, South, East and West.
  10. 10. SANCHI STUPA• Sanchi in Raisen district of Madhya Pradesh is famous for its magnificent Buddhist monuments and edifices.• Situated on a hill, these beautiful and well- preserved stupas depict the various stages of development of Buddhist art and architecture over a period of thirteen hundred years.• The Great Stupa is 120 feet across (36.6 meters) and, excluding the railing and umbrella, is 54 feet high (16.46 meters).• Stupas may be made of brick, brick and rubble, or encased in masonry.• The present stupa encases an earlier one of about half its present dimensions.• The earlier one, built of large burnt bricks and mud, has been attributed to the Emperor Ashoka, the main reasons being that the level of its floor is the same, and that the bricks used in it resemble those in other Ashokan structures.• The diameter of the stupa is 36.60 metres and its height is 16.46 metres. It is built of large burnt bricks and mud mortar. It is presumed that the elaborately carved Toranas were built by ivory or metal workers in the 1st
  11. 11. SANCHI STUPA - TORANA• The first Torana gateway to be built is the one at the principal entrance on the South.• Each gateway has two square pillars.• Crowning each pillar on all four sides are four elephants, four lions and four dwarfs.• The four dwarfs support a superstructure of three architraves or carved panels one above the other.• Between these are intricately carved elephants and riders on horseback.• The lowest architrave is supported on exquisitely carved bracket figures.• The panels are decorated with finely carved figures of men, women, yakshas, lions and elephants.• The entire panel of the gateways is covered with sculptured scenes .
  12. 12. TAKHT-I-BAHAI• The Buddhist monastic complex of Takht-i- Bahai (Throne of Origins) was founded in the early 1st century. Owing to its location on the crest of a high hill, it escaped successive invasions and is still exceptionally well preserved.• The Takht-i-Bahi is situated on top of a 152 m high hill, about 80 km from Peshawar and 16 km north- west of the city of Mardan.• The name Takht-i-Bahi derives from the spring on the hilltop and is literally translated as Spring Throne‘.
  13. 13. • The principal buildings are contained within • A stupa court on the south a rectangle of approximately 200’ in • The monastery on the north length, consists of:
  14. 14. TAKHT-I-BAHAI• An intervening terrace for the • Enclosing the court on three sides was reception of votive stupas , small a range of small chapels , each chapels & structural contributions. containing a cell or niche , not as in the• To the west of the monastery is a hinayana face. conference or assembly hall. • The roof of the chapels were so• The courtyard was an open designed that a cupola alternated quadrangle measuring 45’ by 55’. with a trefoil vault, each an architecturally decorative motif and• In the center, on a platform of 20’ depicting a separate constructional side and 8’ high , rose the tall tradition, for the former was derived tapering stupa, which with its six from the anchorite’s bee hive hut and tiered umbrella, reached a total later from the conventional shape of height of 50’. the Chaitya hall.• An elegant stairway on the north side • The cells or the monastery had gave access to the platform for unadorned walls protected by a circumbulation , but the ordinary verandah .it had the stone bed for processional path was around the relaxing and a small niche to act as quadrangle at the base. shelf.
  15. 15. CHAITYA HALL• Chaitya grihas or halls of worship were built all over the country either of brick or excavated from rocks.• Ruins of a large number of structural Buddhist chaitya grihas are found in the eastern districts of Andhra Pradesh, in valleys, near rivers and lakes.• The largest brick chaitya hall was excavated at Guntapalli.• Some of the most beautiful rock-cut caves are those at Ajanta, ElIora, Bhaja, Karle, Bagh, Nasik and Kanheri. Some of the chunar sand-stone rock--cut chaityas of Bhaja. Kondane.• Karle and Ajanta, all in Maharashtra state are earlier excavations and belong to the first phase or Hinayana creed of Buddhism and are similar to the brick and wooden structures of Ashokan times.
  16. 16. • Some of the chaityas show that wood had been used in the roofing and entrance arches.• The chaitya at Bhaja is a long hall 16.75 m long and 8 m broad with an apse at the end.• The hall is divided into a central nave and an aisle on either side flanked by two rows of pillars. The roof is vaulted.• The rock-cut stupa in the apse is crowned by KARLE, CHAITYA HALL a wooden harmika.• The chaitya has a large arched torana or entrance with an arched portico.• Hinayana rock architecture reaches the peak of excellence in the splendid chaitya at Karle.• The second phase of Buddhist architecture is marked by the Mahayana creed of Buddhism seen in some of the excellent rock-cut chaityas at Ajanta in Aurangabad district of Maharashtra excavated between 5th AD and 9th century AD during the rule of the Vakatakas, the Guptas and the Rashtrakutas.
  17. 17. • The caves were first discovered in the beginning of the 19th century.• The caves are excavated from a semi-circular steep rock with a stream flowing below, and were meant for the use of the monks who spent the rainy season there in meditation.• The caves are at different levels and have stairs leading down to the stream.• The chaityas have a vaulted ceiling with a huge horse-shoe shaped window or chaitya window over the doorway.• A remarkable feature of these Chaityas is the imitation of woodwork on rock.• Beams and rafters were carved in the rock though they serve no purpose.• From the unfinished caves, we get an idea of the method of excavation.• Starting from the ceiling, they worked downwards.• Solid blocks were left to be carved into pillars.• After finishing the verandah, they excavated the interior.
  19. 19. • It is an architectural gem shows usual nave in the center divided from the side aisles by pillars and terminating in the apse which contains the stupa.• There are two solid octagonal columns and two pillars at the sides which forms the vestibule.• In front of these standing columns stood a pair of simha stambhas ( lion pillar); the column with the bell shaped column surmounted by 4 lions back to back resembles the lion pillar at Saranath.• Above the screen rises a plain wall which has now disappeared .• On top of the plain wall stand dwarf pillars, between which light penetrates not only to the vestibule but through the great Chaitya window of the façade to the interior of the magnificent hall.
  20. 20. • A high barrel vault with ribs formed of separate pieces of wood fixed by plugs into the rock covers the nave.• The seven remaining pillars without base and capital stands in the apse at the far end around the back of the stupa.• The central stupa has the harmika with inverted stepped pyramid and an umbrella• Three entrances lead into the hall .• The central one meant for the members of the sangha had a raised • An inverted lotus capital with the ribbed pathway into the nave. element placed inside the box above it• 37 pillars adorn the interior of the crowns the octagonal columns. hall. 30 of them belonging to the opt • The abacus which repeats the form of the based type, richly carved. each stepped base but in reverse order, stands on a diminishing squares. supports finely sculptured groups of• on this rest the pot like base which figures mounted on elephants and horses. appears to hold the bottom of the pillar.
  21. 21. VIHARAS• Viharas or monasteries constructed with brick or excavated from rocks are found in different parts of India.• These monastic buildings built of bricks were self-contained units and had a Chaitya hall or ROCK-CUT VIHARA, NASIK Chaitya mandir attached to a stupa - the chief object of • These cells served as dwelling (living) places worship. for the monks. • Some of the important Buddhist viharas are• They have a hall meant for those at Ajanta, Ellora. Nasik, Karle, Kanheri, congregational prayer with a Bagh and Badami. verandah running on three sides or an open courtyard • The Hinayana viharas found in these places surrounded by a row of cells have many interesting features which and a pillared verandah in differentiate them from the Mahayana type in front. the same regions.
  22. 22. • The columns have a square base with figures of dwarfs and elaborately carved brackets (supports) and capitals.• Below the capital is a square abacus with finely carved designs.• The walls and the ceilings of the cave contain the most exquisite paintings. THREE STOREYED VIHARA, ELLORA • Though plain , they are large halls with cells excavated in the walls on three sides. • The hall has one or more entrances. • The small cells, each with a door have one or two stone platforms to serve as beds. • The viharas of Ellora dated 400 AD to 7th century AD are of one, two, and three storeys and are the largest of the type.TYPICAL VIHARA PLAN
  23. 23. AMARAVATI STUPA• The Great Stupa at Amaravati was a large Buddhist monument built in south-eastern India between the second century B.C. and the third century A.D.• It was a centre for religious activity and worship for hundreds of AMARAVATI STUPA years.• The main part of the Amaravati • A small box made of stone, pottery or Stupa was a solid great dome which metal was usually placed within the most likely stood about 18 metres dome of a stupa. high. • This box contained the ashes of the• The dome was made of pale green Buddha or an important Buddhist figure. limestone which was probably • The lower part of the dome was painted with bright colours. covered with large stone reliefs.
  24. 24. Harmika Upper domePillars Lower dome Outer Inner Railing Pillars Railing Gateway
  25. 25. • It was about 160 feet (50 m) in • The reliefs, carved on the greenish diameter and 90 to 100 feet white limestone characteristic of the (about 30 m) high, but it has been region, mostly depict events of the largely destroyed. Buddha’s life and his previous births• A low drum with a hemispherical (Jātaka stories). dome, the railings and drum • The crowded yet unified compositions covered with carvings, and the of the later period are filled with whole surrounded by an elaborate dynamic movement, a keen awareness and richly carved railing. of the dramatic, and a delight in the• The four cardinal points are sensuous world. marked by groups of five pillars, • There is an abundance of rounded while free-standing columns topped forms and a richness so overwhelming by lions are set up at the four that the frame is barely able to contain entrances, replacing the torana the sculpture. (ceremonial gateway) of earlier stupas.• The most notable feature of the amaravati stupa is the elaborate carvings on its marble surface.
  26. 26. UPPER DOME• The main part of the Amaravati Stupa was a solid great dome which most likely stood about 18 metres high.• The dome was made of pale green limestone which was probably painted with bright colours.• The upper part of the dome was probably decorated with plaster garlands.• Garlands made of real vines and flowers were used to decorate buildings for festivals and special occasions.• Although none of these garlands have survived at Amaravati, it is believes that they existed because they can be seen in stone reliefs showing stupas.• Fragments of plaster garlands have also been found at other stupa sites in the region.
  27. 27. LOWER DOMEThe lower part of Eight sided pillarthe dome wascovered with largestone reliefs.PILLARFacing each gatewayinto the AmaravatiStupa was a group offive pillars.The pillars weremounted on a specialplatform called theayaka which was partof the drum andextended out from it. The dharmachakra rests on top of a column set amidst vines and flowers.
  29. 29. Gateway Ayaka Platform• There were four • A small platform extended out from the drum at gateways in the railing each of the gateways. around the Stupa. • Five pillars were mounted on top of each of the• Each one of the gateways ayaka platforms. marked one of the four • The ayaka platform may have been used in the directions, north, south, rituals which took place at the Amaravati Stupa. east and west. Railing Harmika• Around the outer limits of • The harmika was a the Stupa was a tall small platform with a railing made of railing located at the limestone. very top of a stupa.• The railing marked the • Sometimes umbrellas boundaries of the Stupa. were mounted in the harmika as a symbol of honour and respect.
  30. 30. The top of the slab shows a row of symbols called TRIRATNAS - A symbol representing the Three Jewels of Buddhism: The Buddha, The Law set out by the Buddha, and the monastic brotherhood.Below the triratnas is a rowof lions. Lions wereimportant symbols of powerand protectionA classic depiction of the stupa, withlions at the gateway, dharmachakracapitals on pillars and semi-divinefigures worshipping the stupa.