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Degree in Cinematography. Fourth Year. Editing,postproduction and sound 2016/2017

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The Fourth Year of our Degree in Editing, post-production and sound aims to get editors to widen their perspectives toward different ways of make cinema and understand it. Students will realize short films in 35mm, Red Epic and Red One Digital Cinema with coordination of the projects and a detailed follow-up of the work of the different film crews.

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Degree in Cinematography. Fourth Year. Editing,postproduction and sound 2016/2017

  1. 1. 1.- The Film Edition II . • Editing against the shooting. Expressive possibilities of editing and reedi- ting. • Ellipsis and temporary dilatations in the edition. • Everything is arranged in the postproduction room! Red lines that can not save edition • Multiediting • Preparation and edition of 3D transitions 2.- 3D Modeling. • 3D Maya interface . Customizing the environment. Working Philosophy in Autodesk Maya. – Selection methods. The channel box.- Floating Menus. Creation and configuration of shelves . - The 3D space. - Working on the views. - Modes of viewing and selection tools. - Keyboard shortcuts and functions of Maya. - Basic Tools. - Properties of objects. • Modeling. Principles of 3D modeling. -Types of geometry. - nurbs modeling. Topology and philosophy of nurbs curves. Converting nurbs to polygons. - Polygonal modeling. - Primitive. - Basic operations with polygons. - Fundamen- tals of polygonal modeling. - Modeling with polygons: low poly. - Inorganic Modeling. - Modeling and construction of complex meshes for the construction of inorganic objects ( vehicles) - . Organic Modeling. - Face and body topology. - Distribution and organization of the animation mesh. - Creating blend shapes. • 3D Texturizing. Texturizing with Mudbox. – Material layers: color map, bump, diffusion, specular. - Application of the model. 3.- 3D Animation . • Basic animation and effects. Animation techniques. Key control. Animation cornering. • Animation applied to non-organic objects. Camera animation. Animation for motion graphics. Character animation. • Configuration of a character setup. Automation of functions for animation. Development of an advanced skeleton: bipeds and quadrupeds. Inverse kinematics, hierarchies and direct kinematics. Walking Cycle. Control of attribu- tes expressions. Facial animation tools. Mel basic expressions. Handlers, shafts and pivots. Basic Lighting. 4.- Rendering and finishing projects . • Render. – Available output formats and their use. Preferences and advanced settings. Global renders. Batch-render, hardware render buffer. Application of motion-blur. Shadows, reflection and refraction. -Print image formats. Division of tasks in postproduction. Depth and blur. Layered render composition. Playblast and render in low resolution for the animatic. Scene optimization to render. -Control depth (DOF). Artwork. -1- www.bandeapart.org París 143 - local. 08036 Barcelona Tel: +34 93 444 76 78. Fax: +34 93 419 13 89 info@bandeapart.org DEGREE IN CINEMATOGRAPHY 4th EDITING, POST-PRODUCTION AND SOUND Major DIRECCIÓN FOTOGRAFÍA Y CÁMARA MONTAJE , SONIDO Y POSTPRODUCCIÓN. COURSE STARTS 2016/2017: OCTOBER 2016 SCHEDULE: • MORNING : 10:00 to 14:00 hours. • AFTERNOON: 16:00 to 20:00 hours FEES : Choose from single monthly payment and single payment: • Total amount of the course monthly Payment: 5800€. REGISTER:1.840€ y 8 Fees of 495€ october 2016 to may 2017. • Total amount of the course Single payment : 5100€. This method of payment is a bonus of € 700 cost of the course. • Places will be allocated in strict order of registration. • Check validation of students from other schools. OBJETIVES AND STRUCTURE The Fourth Year of our Degree in Editing, Post-Production and Sound aims at consolida- ting the knowledge acquired and at absorbing the technique of editing, sonorization and finalising of film projects. As a student, you will apply the knowledge acquired in the shooting and editing of two 35 mm short films, six 16 mm shootings and the Cineminutes, performing different roles and taking part in the projects from beginning to end. We want you to look for your own style as a creator and film technician, to become confident in yourself and in your way of working in a professional environment. We will coordinate and monitor projects, as well as following closely the work of the different film crews.At the end of the FourthYear editing and sound teams will be chosen for the six 35 mm projects among the students who have shown the best evolution in all exercises of the Degree
  2. 2. 5.- Direct Sound and Sound Postproduction II. • MIXES II. Dolby 5.1 and other digital systems. The 3D Sound. Supervised mixes of the Red Epic Short Film made by Student Directors. • Direct Sound IV. Practicum Sound Catchment. Samplers. Previous voicing work. 6.- Lenguaje y Estética VIII. Nuevos Cines. • Viva Italia: From Antonioni, Fellini and Visconti to the ugliness of Pasolini. EastWinds. Brazil:The aesthetics of hunger and violence. Cinemas of the Far East: Eros and Thanatos. Young Swedish and a huge filmmaker (Bergman). Germany again. Belgium: Between the fantastic and hyperrealism. Stateless. • The view. The tone. The theme and tempo. • Hollywood in the era of new cinema. The renewal of the comedy. The Twilight and Wild: Peckinpah. The TV generation: Mulligan, Lumet, Pollack... European influence. Neoclassicism. Great Expectations.The domain of technolo- gy. Rise and Fall. Proper names: Coppola, Scorsese, Bogdanovich, Allen, Spiel- berg, Lucas... Box office, disasters and show. • Other areas II: both easts and Africa . Iranian teachers . Throughout Turkey. Classic China and Different Chinese. From Korea to a new Japan. The Egyptian cinema and Cinema of Palestine and Israel. • Today 's cinema. 7.- Projects IV. • Direct Sound preparation. Editing and post-production projects shot by student directors. • Sound memory. Edition and mixer of the projects.Work on continuous shoo- ting projects during the course. • Multidisciplinary shooting practices with tutoring. -2- www.bandeapart.org París 143 - local. 08036 Barcelona Tel: +34 93 444 76 78. Fax: +34 93 419 13 89 info@bandeapart.org DEGREE IN CINEMATOGRAPHY 4th EDITING, POST-PRODUCTION AND SOUND Major REGISTER NOW 1. Download the registration form in www.bandeapart.org 2. Fill in all pages and select the course and payment form (single or monthly ) 3. Sing all pages of the application form and, once you have paid, send them toghether with the payment proof and a photocopy of your identity card or passport to our administration departament By e-mail: administracion@bandeapart.org By fax: Nº de Fax: +34 934191389 By post: Bande a Part Escuela de Cine c/ París, 143 · Local 08036 Barcelona · España 4. Once all documents have been receibed,you will receive confirmation of your place. If you have any queries, please address them to our department of student assistance and information Monday to Friday from 10:00 am to 9:00 pm Tel.:+34 934447678 Skype: bandeapartbcn Email info@bandeapart.org Visit us at: Bande a Part Escuela de Cine c/ París, 143 · Local 08036 Barcelona · España www.bandeapart.org

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