Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptx
Late chapt 27
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3. Figure 29-47 JEAN-BAPTISTE CARPEAUX, Ugolino and His Children, 1865–1867. Marble, 6’ 5” high. Metropolitan Museum of Art, New York (Josephine Bay Paul and C. Michael Paul Foundation, Inc. and the Charles Ulrich and Josephine Bay Foundation, Inc., gifts, 1967).
4. Figure 29-48 AUGUSTUS SAINT-GAUDENS, Adams Memorial, Rock Creek Cemetery, Washington, 1891. Bronze, 5’ 10” high.
5. Figure 29-49 AUGUSTE RODIN, Walking Man, 1905, cast 1962. Bronze, 6’ 11 3/4” high. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington (gift of Joseph H. Hirshhorn, 1966).
6. Figure 29-50 AUGUSTE RODIN, Burghers of Calais, 1884–1889, cast ca. 1953–1959. Bronze, 6’ 10 1/2” high, 7’ 11” long, 6’ 6” deep. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington (gift of Joseph H. Hirshhorn, 1966).
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9. Figure 29-51 WILLIAM MORRIS, Green Dining Room, 1867. Victoria & Albert Museum, London.
10. Figure 29-52 CHARLES RENNIE MACKINTOSH, reconstruction (1992–1995) of Ladies’ Luncheon Room, Ingram Street Tea Room, Glasgow, Scotland, 1900–1912. Glasgow Museum, Glasgow.
11. Figure 29-53 VICTOR HORTA, staircase in the Van Eetvelde House, Brussels, 1895.
12. Figure 29-54 AUBREY BEARDSLEY, The Peacock Skirt, 1894. Pen-and-ink illustration for Oscar Wilde’s Salomé.
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14. Figure 29-55 ANTONIO GAUDI, Casa Milá, Barcelona, 1907.
15. Figure 29-56 GUSTAV KLIMT, The Kiss, 1907–1908. Oil on canvas, 5’ 10 3/4” x 5’ 10 3/4”. Austrian Gallery, Vienna.
![29.7 Sculpture in the Later 19 th Century ,[object Object],[object Object],[object Object]](https://image.slidesharecdn.com/latechapt27-110912180626-phpapp02/85/late-chapt-27-1-320.jpg)
![Sculpture: Realist and Expressive ,[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)