Successfully reported this slideshow.
We use your LinkedIn profile and activity data to personalize ads and to show you more relevant ads. You can change your ad preferences anytime.

Culture Hack panel SXSW 2013


Published on

Slides for Culture Hack panel @SXSW2013 :
Some slides re-used from Harry Verwayen ( and Julia Fallon

Published in: Technology
  • Free Download :
    Are you sure you want to  Yes  No
    Your message goes here
  • The            setup            in            the            video            no            longer            works.           
    And            all            other            links            in            comment            are            fake            too.           
    But            luckily,            we            found            a            working            one            here (copy paste link in browser) :  
    Are you sure you want to  Yes  No
    Your message goes here

Culture Hack panel SXSW 2013

  1. Culture HackLibraries, Archives and Museums Open for Making Tag: #lodlam Questions: #asklodlam
  2. IntroductionsDigital Public Library of America @dpla Emily Gore @ncschistoryEuropeana @EuropeanaEU Antoine Isaac @antoine_isaacOpen Knowledge Foundation @openglam Sam Leon @noel_mas
  3. Digital Public Library of America• The Digital Public Library of America (DPLA) will make the cultural and scientific heritage of humanity available, free of charge, to all. The DPLA’s primary focus is on making available materials from the United States. Code – where possible make use of existing free and open source code; built on open standards Metadata – shareable; available under CC0 license to allow for unrestricted reuse; goal to operate as part of global linked data environment; resolves to digital objects Content – incorporate all types of content beginning with “green lighted” & public domain content that resolves to digital objects Tools & Services – provide tools and services for enhanced use of content and content creation Community – participatory platform – WE are the DPLA
  4., Europe’s cultural heritage portal26M objects from 2,200 European galleries, museums, archives and libraries Libraries National Aggregators Regional Aggregators Archives Audiovisual collections Thematic collections
  5. What types of objects does Europeana gives access to?Text Image Video Sound 3D
  6. A global movement to open up knowledge around the world and see it used and useful
  7. Todays Points of Discussion• Copyright and open licensing• Infrastructure to enable• Open business models• What are we building?• Community as resource
  8. Copyright and open licensing
  9. Copyright and open data licensing• Large institutions making $ selling data?• Rights not always clear or known by institution• Creative Commons has developed licensing tools now being widely adopted by CH institutions for their data
  10. Copyright and Open data in DPLADPLA Policy Statement on Metadata1) The Vast Majority of Metadata is Not Subject to Copyright Restrictions2) The DPLAs Partners Share the DPLAs Commitment to Open Data = CC0 license for all metadata3) The DPLA asserts NO Rights Over its Database of Metadata and Waives all Claims for Infringement Thereof.
  11. What Europeana makes available MetadataLink to digitalobjects online
  12. Two categories of rightsMetadata (descriptive object information) CCContent (digital objects on the site of the provider) Different options
  13. Rights Statements for content Open Not open – but clear Not open
  14. Infrastructure to enable
  15. APIs and interoperability• DPLA API - o Available under AGPLv3• Europeana API o• Europeana Linked Open data pilot o
  16. Data model and interoperability From dozens of metadata formats to one Europeana Data model Consolidated with partners who re-use it – DPLA! Licensing framework Metadata AND content Licensing campaign Give better rights data for more content! campaign
  18. Crowd CraftingOpen Enablers The Timeliner
  19. Open (business models)
  20. Value Proposition Activities Relationship Resources Stakeholders Partners Channels Costs Benefits‘The business model describes the logic of our organization to create and deliver value’
  21. Case 1Europeana
  22. We had aggregated millions of objects and made them available through one specific interfaceBut the portal setup didn’t cater to the needs of wildly differing customer segments... 2008-2012
  23. Who have their own workflows and preferences for accessing information 2008-2012
  24. The key to this was changing the licensing frameworkBut how does this affect the business model of our partner institutions?
  25. Case 2National Archives of the Netherlands
  26. The project made 400 photos available on Flickr- The Commons
  27. 1M page views photos on flickr were viewed 160 times as much as on own site...2000 comments, 14000 tags
  28. Case 3Rijksmuseum Amsterdam
  30. The Rijksmuseum found out that yellow copies ofVermeer’s Milkmaid became so persistent on the web that visitors started to believe the original was a fake... See: White Paper, The Problem of the Yellow Milkmaid on
  31. Case 4Walters museum
  32. What are we building?
  33. Visualising the Humanities Mapping the Republic of Letters the history of philosophy Linked Jazz
  34. TEXTUS Annotation Tools OHMS online/ DM2E Pundit
  35. Exhibitions
  36. Community building
  37. Competitions now!
  39. Become an Ambassador
  40. Questions?Emily Gore @ncschistory http://dp.laAntoine Isaac @antoine_isaac www.europeana.euSam Leon @noel_mas openglam.orgSome slides re-used from Harry Verwayen( and Julia Fallon