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Ap drawing breadth

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AP Studio Art Drawing Breadth Lessons

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Ap drawing breadth

  1. 1. AP DRAWING BREADTH
  2. 2. BREADTH ASSIGNMENT #1 STILL LIFE  Light and Shade  Rendering of Form  Composition Media: Charcoal on Paper quick studies; Graphite, Charcoal, or Pastel on Paper final work
  3. 3. BREADTH ASSIGNMENT #2  Light and Shade, Rendering of Form, Composition, Mark Making, Illusion of Depth  Media: Colored Pencil on Construction Paper LEGO STILL LIFE
  4. 4. PROFESSIONAL ARTIST EXAMPLES
  5. 5. BREADTH #3 Hands Light and Shade, Rendering of Form, Composition, Line Quality, Surface Manipulation, Mark Making
  6. 6. HAND PROJECT EXAMPLE
  7. 7. BREADTH # 4 EXPRESSIVE MARK MAKING Line Quality, Composition, Surface Manipulation, Mark Making
  8. 8. Possible Tools
  9. 9. Possible Tools
  10. 10. BREADTH # 5 Portraiture Line Quality, Light and Shade, Rendering of Form, Composition, Surface Manipulation, The Illusion of Depth, Mark Making
  11. 11. PORTRAITURE EXAMPLES
  12. 12. PORTRAITURE OPTIONAL PREPARATORY ACTIVITY
  13. 13. BREADTH # 6 Line Quality, Light and Shade, Rendering of Form, Composition, Surface Manipulation, The Illusion of Depth, Mark Making FIGURE DRAWING
  14. 14. Figure Drawing  WE WILL BE USING A CHALK GESSO TECHNIQUE.
  15. 15. CLINT BROWN Clint Brown is Professor Emeritus at Oregon State University where his primary focus and passion was teaching drawing. He is an artist who has consistently used the human figure as a means of commenting on the human condition. His work has encompassed painting, drawing, printmaking, bronze and resin casting, and large scale public sculpture. He is the author of two books on art, Drawing from Life and Artist to Artist. http://clintbrownartist.com/
  16. 16. BREADTH #7 Abstraction Light and Shade, Composition, Surface Manipulation, Mark Making
  17. 17. BREADTH # 8 Mixed Media Collage  Light and Shade, Composition, Surface Manipulation, Mark Making
  18. 18. Discussion Examples: Using the descriptors in the AP workshop handbook, discuss which course these works would be appropriate for.
  19. 19. BREADTH # 9 DRAPERY PAINTING  Light and Shade, Composition, Rendering of Form
  20. 20. CHALK GESSO TECHNIQUE If you enjoyed working in this technique you can create your drapery project this way.
  21. 21. BREADTH #10 CROSS CONTOUR DRAWING Line quality, Rendering of Form, Mark Making
  22. 22. CROSS CONTOUR EXAMPLES
  23. 23. BREADTH 11 & 12  THESE WILL BE TWO DIFFERENT ASSIGNMENTS.  USE THIS SITE FOR EXAMPLES OF FINISHED WORKS http://apcentral.collegeboard.com/apc/mem bers/exam/exam_information/222059.html  TWO PROJECTS OF YOUR CHOICE THAT EXPLORES ONE OF THE KEY DESCRIPTORS BELOW:  Line Quality, Light and Shade, Rendering of Form, Composition, Surface Manipulation, The Illusion of Depth, Mark Making
  24. 24. STUDENT EXAMPLES
  25. 25. TIMELINE  AUGUST 14 - SUMMER ASSIGNMENT CRITIQUE  AUGUST 21 - BREADTH 1 CRITIQUE  SEPTEMBER 4 – BREADTH 2 CRITIQUE  SEPTEMBER 25 – BREADTH 3 CRITIQUE  OCTOBER 9 – BREADTH 4 CRITIQUE  OCTOBER 23- BREADTH 5 CRITIQUE  NOVEMBER 6 BREADTH 6 CRITIQUE  NOVEMBER 20 BREADTH 7 CRITIQUE  DECEMBER 4 BREADTH 8 CRITIQUE  DECEMBER 18 BREADTH 9 CRITIQUE  DATE TBA BREADTH 10 CRITIQUE – MIDTERM EXAM GRADE  You will do this when you sit for the exam.  JANUARY 4 BREADTH 11 & 12 DUE (THESE ARE COMPLETED DURING WINTER BREAK

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