Arthst2 mat techniques_porcelainlacqueredwood_final

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Arthst2 mat techniques_porcelainlacqueredwood_final

  1. 1. Materials and Techniques: Porcelain and Lacquered Wood Chinese Art (Group 2)Prepared by:Fangonil, ElyzaJo, SeuljiLeaño, AbigailQuintela, ClaudineReyes, FrancesSalvador, NancyVerastigue, Patricia1IND-2, ARTHST2
  2. 2. What is lacquer? (Definition and its uses)
  3. 3. Lacquer a somewhat imprecise term for a clear or coloured varnish that dries by solvent evaporation and often a curing process as well that produces a hard, durable finish, in any sheen level from ultra matte to high gloss and that can be further polished as required. produced from the sap of the lac or sumac tree, it is distilled to form a natural polymer In terms of the decorative arts, lacquerware refers to variety of techniques used to decorate wood, metal or other surfaces, some involving carving into deep coatings of many layers of lacquer.
  4. 4. Types of Lacquers
  5. 5. Types of Lacquers Urushiol-based Lacquers* Nitrocellulose Lacquers Acrylic Lacquers Water-based Lacquers
  6. 6. Urushiol-based Lacquers The original lacquer was a varnish resin derived from the sap of a tree indigenous to China and Japan. Its active ingredient is urushiol. It is highly resistant to water, alkali, acid, and abrasion, and has a very hard and durable finish. They are unique amongst lacquers in that they are slow-drying and water-based.
  7. 7. Nitrocellulose Lacquers These are quick-drying solvent-based lacquers containing nitrocellulose.
  8. 8. Acrylic Lacquers This is an acrylic synthetic polymer developed in the 1950s for automobiles. It is similar in many ways to nitrocellulose lacquers, but offers a superior quick-drying time and is used extensively in automobiles
  9. 9. Water-based Lacquers Because of health and environmental risks inherent in using solvent-based lacquers, less toxic water-based lacquers have been developed that often yield acceptable results.
  10. 10. HISTORYof Lacquered Wood in China
  11. 11. Chinese Lacquer Art China is the earliest country in the world using naturallacquer. In the early 1970s, archaeologists unearthed a redlacquer wood bowl in an excavation in the Neolithic Hemuduremains in Yuyao, Zhejiang Province. It is estimated that thebowl was made 7,000 years ago, the oldest existing lacquerwarein the world. Traditional Chinese lacquer art applies naturallacquer liquid from lacquer trees. Starting from red lacquerwood bowls and painted potteries in the Neolithic age, Chineselacquer art enjoyed rapid development in the Warring Period(770-256BC) and the Han Dynasty (206BC-220AD), thanks tothe upgraded productivity of the time.
  12. 12. Examples of Chinese Lacquered Wood
  13. 13. Red lacquer wood bowl, est. made 7,000 years ago Materials: Wood Techniques: Slightly shiny red paint identified as lacquer via chemical methods andspectral analysis. Several layers of lacquer (up in their hundreds) would be applied which will then take weeks to properly harden and dry. Features: Convergence mouth, oval melon shape, circle foot
  14. 14. Painted fish-pattern lacquer vessel, Qin Dynasty (221-206 BC) Natural pigments, such as red cinnabar and blackcarbon, created vermilion (a red orange shade) and black designs
  15. 15. Lacquerware from the Han Dynasty (c. 206 B.C.—220 A.D.)Decorative lacquer became increasingly popular during this dynasty for its ability to protect and preserve.
  16. 16. Lacquer dish, possibly Gansu province, Western China, Ming dynasty (c. A.D. 1489)Decorated with a famous scene on the front and a poem on the back. Inlay techniques used in the manufacture ofbronzes were transferred to lacquer making, incorporating materials such as silver, gold or mother-of-pearl from theNear East. Refined carving techniques depicted increasingly detailed scenes. The ongoing development of lacquer arts brought increasingly complex designs rendered in deep relief.
  17. 17. What is porcelain? (Definition and its uses)
  18. 18. Porcelain Porcelain is a ceramic material made by heating raw materials, generally including clay in the form of kaolin, in a kiln to temperatures between 1,200 °C (2,192 °F) and 1,400 °C (2,552 °F). Made through technological processes like proportioning, molding, drying and firing. Compared with pottery, porcelain has tougher texture, more transparent body and finer luster. Chinese definition of porcelain (tzu) resembles the Western definition of "Stoneware", besides having as a key feature that it should ring when struck.
  19. 19. Properties associated with porcelain low permeability and elasticity considerable strength hardness brittleness whiteness translucency and resonance high resistance to chemical attack and thermal shockThe properties listed above explain why porcelain graduallyreplaced pottery in ceramic history.
  20. 20. HISTORYof Chinese Porcelain
  21. 21. History Porcelain originated in China. Porcelainmanufactured during the Tang Dynasty (618–906) wasexported to the Islamic world, where it was highlyprized. Porcelain items in the restrictive sense that weknow them today could be found in the TangDynasty, and archaeological finds has pushed the datesback to as early as the Han Dynasty (206 BCE – 220CE). By the Sui Dynasty (581–618) and Tang Dynasty(618–907), porcelain had become widely produced.
  22. 22. History In the Shanghai dynasty, China became the first country toproduce white stonewares similar in composition and propertiesto what we call porcelain. At this time, ceramics played asecondary role to bronze and jade. Occasionally used for ritual,they performed a largely utilitarian function in everyday life. The widespread use of the word ‘China’, generallydesignating Chinese porcelain, is indicative of the tremendousacclaim such works attracted in the West. For centuries, China was the only country able to producefine quality porcelain so prized abroad. And it was not until theearly eighteenth century that Europeans began to master the artof porcelain manufacture for themselves.
  23. 23. MATERIALS
  24. 24. Materials Kaolin clay is the primary material from which porcelain is made, even though clay minerals might account for only a small proportion of the whole. The word "paste" is an old term for both the unfired and fired material. A more common terminology these days for the unfired material is "body", for example, when buying materials a potter might order an amount of porcelain body from a vendor.
  25. 25. MaterialsThe composition of porcelain is highly variable, but the clay mineralkaolinite is often a raw material. Other raw materials can include:  feldspar  ball clay  glass  bone ash  steatite  quartz  petuntse  alabaster
  26. 26. Types of Porcelain
  27. 27. Types of Porcelain Hard paste and soft paste Blue and White Porcelain White Porcelain Celadon Ceramics Qing Dynasty Porcelain Underglaze Black Porcelain Tang Dynasty Ceramics Earthenware Pottery
  28. 28. Hard paste These porcelain that came from East Asia, especially China, were some of the finest quality porcelain wares. they were formed from a paste composed of kaolin and alabaster and fired at temperatures up to 1,400 °C (2,552 °F) in a wood-fired kiln, producing a porcelain of great hardness, translucency, and strength. Later, the composition of the Meissen hard paste was changed and the alabaster was replaced by feldspar and quartz, allowing the pieces to be fired at lower temperatures.
  29. 29. Soft paste dates back from the early attempts by European potters to replicate Chinese porcelain by using mixtures of clay and ground-up glass (frit) to produce soft-paste porcelain. Soapstone and lime were known to have been included in these compositions. These wares were not yet actual porcelain wares as they were not hard and vitrified by firing kaolin clay at high temperatures. As these early formulations suffered from high pyroplastic deformation, or slumping in the kiln at raised temperature, they were uneconomic to produce and of low quality. Formulations were later developed based on kaolin clay with quartz, feldspars, nepheline syenite or other feldspathic rocks.
  30. 30. Blue and White Porcelain Underglaze Blue Porcelain is the best known type of ceramics. It is often referred to as Blue and White from its blue cobalt oxide painted below the glaze. The reason Chinese Porcelain became so famous is probably because it was traded widely by Europeans from the 17th century onward. By that time, China had already been exporting Blue and Early Qing Dynasty Era White Porcelain to the Middle East (1644 - 1911) and Southeast Asia for centuries.Time period: 1400 to 1700 A.D.
  31. 31. White PorcelainWhite Porcelains began to be made on a large scale atJingdezhen and at many other southern kilns from the time of the Song dynasty (960 - 1279). The most famous of the early Porcelains was qingbai (pronounced ching- pie). Whiteware Ceramics were traded throughoutSoutheast Asia. Until eclipsed by Blue and White Qingbai Ewer with Phoenix HeadPorcelain in the 14th century, it was the dominant Chinese Sung Dynasty period (960 - 1279). Ceramic of its era. Time period: 1000 to 1400 A.D.
  32. 32. Song Dynasty celadon porcelain witha fenghuang spout, 10th century, China.
  33. 33. Celadon Ceramics Celadon is a western word used originally to describe the green glaze ofCeramics from Longquan in China. The glaze is made of clay mixed with woodash and is 2-5% iron, and must be fired in an oxygen reduced atmosphere. The Celadon method began to be used in the 7th century in China. Bythe time of the Song dynasty (960-1280), the skills of the potters had advanced toa high degree that fine vessels had a jade-like appearance and texture. By the 14thcentury, motifs such as lotus flowers and stylized chrysanthemums were incisedfor decoration. Time period: 1000 to 1600 A.D.
  34. 34. Qing Dynasty Porcelain Potters began using bright colours toadorn plates and vases with meticulously painted scenes. Porcelain ceramicists began producing five-coloured ware by applying a variety of underglaze pigments to floral, landscape andfigurative scenes - a style which was (and is) highly sought-after in the West. The artefact originates from the Early Qing Dynasty (1644 - 1911). Its mark indicates it was produced during the reign of Kangxi (1662 - 1722)Time period: 1700 to 1900 A.D.
  35. 35. Qing Dynasty Porcelain During the Yung Cheng era (1723-1735) Porcelain was enhanced by the development of fencai enamel in a wide range of colors and tones.
  36. 36. Underglaze Black Porcelain Long before the Chinese made Blue and White Porcelain using cobalt, a black iron oxide wasused to paint motifs below a clear protecting glaze. This technique, used at Cizhou in northern China, developed independently from the Celadon production in Ming Dynasty Era southern China. (1368 - 1644) Time period: 1400 to 1700 A.D.
  37. 37. Tang Dynasty Ceramics Early Chinese Coloured Stoneware is often called Sancai which means three-colours. However, the colours of the glazes used to decorate the wares of the Tang dynasty (618 - 911) were not limited to three in number. In the West, Tang Sancai wares were sometimes referred to as egg-and-spinach by dealers for the use of green, yellow and white. Though the latter of the two colours might be more properly described as amber and off-white / cream. Sancai wares originate from northern China. At kiln sites located at Tongchuan, Neiqui county in Hebei and Gongxian in Henan, the clays used for burial wares were similar to those used by Tang potters. The burial wares were fired at a lower temperature than contemporary whiteware.Time period: 1000 to 1600 A.D.
  38. 38. Earthenware Pottery Earthenware is the earliest type of pottery and is known to have existed for the past 10,000 years. Secondary clay was formed on the pottery wheel or rolled into strings and laid on top of another to form the pot. Earthenware was commonly fired in simple open pits and therefore found in most early civilizations. Firing temperatures normally reached 400C to 700C. It is thought that most of the Earthenware found its way on trade ships as necessities of the men sailing the ships. Their limited number suggests that Earthenware was never made for export.Time period: 1000 to 1600 A.D.
  39. 39. Sources http://arts.cultural-china.com/en/40Arts4658.html http://www.britishmuseum.org/pdf/Chinese%20Art%20Teach ers%20guide.pdf http://ceramics.chalre.com/ceramic_types.htm http://www.chinesefurniture.co.uk/wood.html http://www.doityourself.com/ http://en.wikipedia.org/wiki/Lacquer http://www.thewoodwhisperer.com

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