Edtc 6340-66 copyright crash course alberto tudon 6th ed


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Edtc 6340-66 copyright crash course alberto tudon 6th ed

  1. 1. Get Permission or Pay the Price.Alberto Tudόn
  2. 2. Get Permission or Pay the Price. Don’t be this guy
  3. 3. Training AgendaTraining Expectations: The Public Domain and Orphan Works Why all works can’t be digitized. Content on the Web Content and public domain Fair use Available licenses The Teach Act Laws and their impact Getting Permission How to get it Sources Sources used to develop this presentation
  4. 4. The Public Domain and Orphan WorksWhy all works can’t be digitized.• How is an orphan work determined?
  5. 5. The Public Domain and Orphan WorksWhy all works can’t be digitized. • A reasonable search for the author is done and none is found.
  6. 6. The Public Domain and Orphan WorksWhy all works can’t be digitized. The owner’s right.
  7. 7. The Public Domain and Orphan Works Cont.Why all works can’t be digitized.• What libraries are doing about orphan worksSearching for authors Make a calculated Post with restriction risk
  8. 8. Content on the Web• Using materials from the Internet  Copyright notice no longer required  All works are protected whether digital or not  Assume everything is a published printed work
  9. 9. Content on the Web Cont.Implied license  Might be confusing  Not specific  Misleading to public
  10. 10. Content on the Web Cont.Express License  Very specific  Allowsfor flow of creativity.
  11. 11. Content on the Web Cont.Liability for posting infringing work  Individuals can be sued  Universities are liable for student infringement
  12. 12. Fair UseThe licenses that are available and sources Copyright Clearance Author Libraries Center Subscription Transaction Creative Commons licenses licenses licenses
  13. 13. Fair Use Cont.The licenses that are available to the public • Penalty for use without consent.  $150,000.00
  14. 14. The TEACH ActThe impact copyright laws have had on distance education TEACH Act of 2002  DVD clips must be made to an analog recording device only.  Digital clips must be kept in a digital format with technological protection.
  15. 15. Getting PermissionSources for collections of images  Academic Image Cooperative  American Society of Media Photographers  Artists Rights Society  Aurora Picture Network International  Media Image Resource Alliance  Visual Arts and Gallery Association
  16. 16. Getting Permission Cont.Some misconceptions about using music in education  Most colleges and universities do pay a fee to use music but only for a very limited use.  They are not allowed to play music in a dramatic setting like a play or dance without obtaining permission first.
  17. 17. We can do it.Together Together we can ensure that our students complete the necessary work without placing themselves in a legal predicament..
  18. 18. SourcesSources used to develop this presentation• Georgia, H., (2011, Sept. 4 ). Copyright Crash Course. Retrieved from http://copyright.lib.utexas.edu/pdandorphan.html.• Georgia, H., (2011, Sept. 4 ). Obtaining Rights to Produce a Play or Musical or use live music in performance Retrieved from http://copyright.lib.utexas.edu/perform.html.• Georgia, H., (2011, Sept. 4 ). Fair Use of Copyrighted Materials. Retrieved from http://copyright.lib.utexas.edu/copypol2.html.• Georgia, H., (2011, Sept. 4 ). The TEACH Act. Retrieved from http://copyright.lib.utexas.edu/teachact.html.• Georgia, H., (2011, Sept. 4 ). Getting Permission. Retrieved from http://copyright.lib.utexas.edu/permissn.html.