Rolando cubero (1957) costa rica painter (a c)

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Rolando cubero (1957) costa rica painter (a c)

  1. 1. 17.08.2012 15:22:55
  2. 2. Rolando Cubero (Biography) Rolando Cubero Costa Rica, 1957 Solo Exhibitions2002-Rolando Cubero "Homage to Eros", Historical Museum Dr. Rafael AngelCalderon Guardia, San José, Costa Rica. . 1996 - Rolando Cubero. Recent work.Valanti Gallery, San José, Costa Rica. - Rolando Cubero. Paintings and prints.(Guest Artist) IV International Festival of Culture, Sucre, Bolivia. Group Exhibitions(Selection) 2005 - "Inside-Out" Costa Rican Art Museum. San Jose, Costa Rica. 2004- Roland Cubero. Juan Manuel Hernandez and Mario Moya Art Gallery 99. SanJose. Costa Rica. 2003 - Costa Rican artists. Inaugural exhibition. Art Gallery 99.San Jose, Costa Rica. - Costa Rican Art Exhibition. Villegas-Inagaki Fine Arts. SanFrancisco, California. USA. - Paints. Crisanto Badilla, Rolando Cubero, JorgeManuel Vargas. Henry Gallery Echandi. National Theatre. San Jose, Costa Rica.2001-National Awards 2000, Valanti Gallery, San José, Costa Rica - "Erotic Art",School of Fine Arts, National University. Heredia, Costa Rica 2000 - "Images ofMen", Central Bank Museum, San José, Costa Rica. 1999 - Central United by Art.Vila Nova Fine Art House the Americas. Madrid, Spain. - "Images of Women."Central Bank Museums. San José, Costa Rica 1998 - CAUSE (Central United for HisArt) Exhibition simultaneously.
  3. 3. Galleries: Plastic Contemporary (Guatemala), Portal (Honduras), Codex,(Nicaragua), Valanti (Costa Rica). -I National Painting Competition: "The Artistthrough objects" (Artist guest). Costa Rican Center of Science and Culture, San José,Costa Rica. 1997 - "The Spirit of Latin American Art", Gallery Valanti, San José,Costa Rica 1996-VII Exhibition of Latin American Painting and Sculpture, GallerySpace, San Salvador, El Salvador Sample 1995-VI Latin American Painting andSculpture, Gallery Space, San Salvador, El Salvador 1994-spider 94, Sheraton Hotel,Bar Harbor, Miami, Fla. USA. - "The Spirit of Latin American Art", Gallery Valanti,San José, Costa Rica 1993-Art Miami & 39;93. Bernheim Gallery, (Panama). SpaceGallery (El Salvador), Miami Beach Convention Center, Miami, Fla. USA. - "CentralArtists& 39; Gallery Contemporary Plastic, Guatemala, Guatemala 1992 - Art Miami& 39;92. Bernheim Gallery, (Panama). Fenix Fine Arts (Miami). Miami BeachConvention Center, Miami, Fla. USA. - Five Latin American Masters. AmericasCollection Gallery. Coral Gables, Miami, Fla. USA. 1991-Art Miami & 39;91. VanCleef Fine Arts. Miami Beach Convention Center. Miami, Fla. USA. - "Nudes",Pancorbo, Tovar and Cubero. Van Cleef Fine Arts, Miami. Fla. USA. 1990-I CentralAmerican and Caribbean Artists, Cultural Center Mexico, San José, Costa Rica -"Women," Shakespeare Gallery, San José, Costa Rica. 1989-National Hall, CostaRican Art Museum. San Jose, Costa Rica. 1988-Latin American Roots inContemporary Art, United Nations, New York, USA.
  4. 4. "International Summer Salon II," Ancon 88 "Borka& 39;s Gallery. Lima, Peru -"The New Painting of Costa Rica, 1988", National Museum, San José, Costa Rica.1987-XII International Competition, Association of Art Critics and Commentators(ACCA), Royal Tower, Miami Fla.USA. - "The New Painting of Costa Rica inVenezuela," Mays Gallery León, Caracas, Venezuela - "Plastic Image of Costa Rica",Magna Gallery, Panama, Panama It shows Permanent Collection, Museum ofContemporary Art Ralli, Punta del Este, Uruguay. 1986 - "The New Painting of CostaRica 1986", (Selected for the stage international), National Museum, San José, CostaRica. - "Proposition 86" Jorge Debravo Area, San Jose, Costa Rica. 1985 - "The NewPainting of Costa Rica, 1985", National Museum, San José, Costa Rica. - "Today,Costa Rican Art, Museum of Contemporary Art, Panama. 1984 - "Great and Youth ofToday", Sala Julián Marchena, Museo de Arte Costarricense, San Jose, Costa Rica."Convergence Group, National Museum, San José, Costa Rica - "The New Paintingof Costa Rica, 1984", National Museum, San José, Costa Rica. 1983-ConvergenceGroup, Galería Enrique Echandi, San José, Costa Rica. 1980 - Paintings Ministry ofFinance. School of Visual Arts. University of Costa Rica. San Jose, Costa Rica. - 10Artists. National Museum of Costa Rica. San Jose. Costa Rica. - Costa Rican Painters.
  5. 5. Cuauhtemoc unit. (IMSS). Mexico. DF 1979 - Painters and Sculptors Herediano.Julian& 39;s Gallery Marchena.Museo Costa Rican Art. San Jose, Costa Rica. 1978- National Painters and Sculptors. Interior Palacio de Heredia. Costa Rica. -SeventhAnnual Exhibition of Fine Arts. Costa Rican Art Museum. San José, Costa Rica.1977 - II Bienal Centroamericana of Art. Central American Bank for EconomicIntegration. (BCIE). San Salvador, El Salvador. Awards and Recognition 2000-National Arts Award & 39;Achilles J. Echeverria. " San José, Costa Rica. 1987-FirstPrize. Category: Modern Figurative Painting, "Emilio Estevez Trophy. XIIInternational Competition. Association of Critics and Commentators Art (ACCA).Miami, Fla. USA . 1980-Award "Paintings of Costa Rica", cut, Ministry of Finance,Art Museum Costa Rica. San Jose, Costa Rica. Collaborations 2004 - Cover for thebook "Of Love and Desire" by Marvin Camacho. Graphics Publishing ConsultantsSan Jose. Costa Rica. 2002 - Conference: Eroticism in Rolando Cubero painting. "School of Philosophy, University of Costa Rica. - Invited as International JuryNational Award for Painting of Panama. INAC. Panama. 2001 - Conference on hiswork. School of Visual Arts, University of Costa Rica. 1996-Cover for the CD"Dive" by Roger Lee, GB Productions, Costa Rica. 1995 - Illustrations for the book"The chosen light" of Milton Zárate, Editorial Costa Rica, San Jose. 1990-Illustrations for the book "The End of Memory" by Milton Zárate. Editorial CostaRica Prize for Poetry 1990. National Poetry Prize Achilles J. Echeverría 1991.
  6. 6. Editorial Costa Rica. San Jose, Costa Rica. 1987-Illustrations for the book "TheButterflies of Costa Rica and Their Natural History "by Philip J. DeVries. PrincetonUniversity Press, USA. 1980 - Assistant Prof.. July Escámez in the transfer andrestoration of the murals, "Agriculture" to Francisco Amighetti and "Pieta DaellLuis Costa Rican Art Museum. San Jose, Costa Rica. His works are in privatecollections in Costa Rica, Nicaragua, El Salvador, Guatemala, Panama, Mexico,Colombia, Venezuela, Uruguay, Bolivia, USA, Italy, Switzerland and Germany.CRITICAL ANALYSIS "In a strictly representational painting Cubero is obviouslyfigurative, but thematically it is not. His painting technique is a quality in works ofscience fiction. The space is not "real", but presents an area of "painted" on theevents occurring outside public areas. " "Cubero has set especially in the female nudeas its central plastic interest. For him, a naked body, naked or semi-naked body is nota rhetorical expression of a particular issue, nor is its illustration. And it certainly isan essential part of plastic and conceptual approach that the artist resolved through asort of frozen atmosphere, and certain significant signs (the figure and itsenvironment), which act as part of a "still life" . In this case, if we analyze the paint asa traditional still life, the atmosphere that prevails in it leads to an allegoricalexpression. The female figure, even if they are portraits or taken from live models,becomes allegory in the strict sense defined by the dictionary, ie a "fiction thatpresents an object to the spirit, so you wake up thinking other object”.
  7. 7. I Here the secrecy of the Costa Rican artist paint this. " Belgium Rodríguez Formermuseum director OAS, Washington, DC Former member of International Associationof Art Critics "Rolando Cubero is a provocative artist, transgressive, poet and loverof life, trying to provoke emotions in the viewer through a technique and a veryspecialized subject: the eroticism. Thus, Cubero presents his cult of life, love andhuman sexuality. Rolando and his speech are coupled to a common goal: to capturethe weightless and fragile beauty of the human body. " Luis Rafael Nunez, Director ofthe Calderón Guardia Museum "Addressing the painting of Rolando Cubero is facinga mystery: how a work of such serene sensuality coated can simultaneously provokesuch disruptive impact. His masterful technical command, its classical rigor, hisfascination with detail, the placidity of his stroke, lead us to a universe of evocativeerotica, free from aggression, affect the great mythical and religious themes thatunderlie our vision of the world, and is to exalt them, either to transgress. The nakedbody, absolute monarch of his work allows him, in his splendid imperfection, deifyingthe human and humanizing the divine. The magnetism which generates a dazzlingLaocoon comes precisely from the proposed shift of focal point: the suffering of thecharacters look lost prominence, is hidden even. Who robs the body, above the fray, inambiguous languid, crowned by the blunt honesty and fruity masculine gender. Thefig leaf, lucidly abolished, is the denial of a divorce between body and spirit. Imbuedwith a subtle dreamlike quality, the disturbing reality of the boxes Cubero is invadedby its own representation. Table immersed within its boundaries blurred picture andnaturally upsets the laws that govern our environment. Disturbing, compelling,evocative, entrancing, powerful painting Rolando Cubero appeals and wins.Enamora. "

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