Frank Owen Gehry

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  • Frank Owen Gehry

    1. 1. Frank Owen Gehry
    2. 2. BIOGRAPHY <ul><li>FRANK GEHRY WAS born in Toronto, Canada, in 1929 </li></ul><ul><li>At the age of 17, he moved with his family to Los Angeles, California and studied architecture at the University of Southern California. </li></ul><ul><li>Later, he studied city Planning at Harvard University. </li></ul><ul><li>He established his own firm in 1962 in Los Angeles. </li></ul>MAGGIE’S CENTRE, DUNDEE, SCOTLAND VITRA DESIGN MUSEUM, WEIL EM RHEIM, GERMANY
    3. 3. BIOGRAPHY <ul><li>Since that time, he has designed public and private buildings in America, Japan and Europe. </li></ul><ul><li>Gehry’s work has earned him several of the most significant awards in the architectural field. Including the Pritzker Architectural Prize. </li></ul>The dancing house, Prague, Czech republic Gehry tower, Hanover, Germany
    4. 4. DESIGN STYLE <ul><li>&quot;Every building is by its very nature a sculpture. You can't help it. Sculpture is a three-dimensional object and so is a building.“ </li></ul><ul><li>Frank O. Gehry </li></ul><ul><li>“ I approach each building as a sculptural object, a spatial container, a space with light and air, a response to context and appropriateness of feeling and spirit. To this container, this sculpture, the user begins his baggage, his program, and interacts with it to accommodate his needs. If he can’t do that, I’ve failed.” </li></ul><ul><li>Frank O. Gehry </li></ul><ul><li>In spite of changes in Gehry’s design over the years, his approach to a building as a sculpture retains. </li></ul>
    5. 5. DESIGN STYLE <ul><li>Gehry’s architecture has undergone a marked evolution from the plywood and corrugated-metal vernacular of his early works to the distorted but pristine concrete of his later works. However, the works retain a deconstructed aesthetic that fits well with the increasingly disjointed culture to which they belong. </li></ul><ul><li>Most recently, Gehry has combined sensuous curving forms with complex deconstructive massing, achieving significant new results. </li></ul>
    6. 6. WORKS
    7. 8. THE GEHRY HOUSE
    8. 9. The Gehry House <ul><li>Location : Santa Monica, California   </li></ul><ul><li>Date : 1978   </li></ul><ul><li>Construction System : light wood frame, corrugated metal, chain link </li></ul>Photo coutesy: Thomas mayer
    9. 10. THE ORIGINAL BUNGLOW By wrapping the perimeter of the lot with construction materials and leaving the original house as it was, Gehry created a new space between the lots lines and the old house. THE NEWBUNGLOW THE ORIGINAL HOUSE WAS A SMALL, TWO STORY COTTAGE COVERED BY SHINGLE.
    10. 11. THE CONCRETE LAYER Low aqua concrete walls were used to mark the boundary
    11. 12. THE CORRUGATED METAL LAYER CORRUGATED METAL WAS USED CORRUGATED METAL walls were used TO build NEW SPACES AS KITCHEN AND DINING
    12. 13. THE WOODEN LAYER Wooden plank walls were build in the back yard
    13. 14. LAYER OF FLOOR A new roof was added to the additional spaces created
    14. 15. LAYER OF CHAIN LINK FENCING Chain link fencing was used Chain link fencing was used to enclose the floor added.
    15. 16. LAYER OF GLASS Glass cubes were placed over the kitchen and dining to throw in light
    16. 17. THE EXTERIOR LOOK
    17. 18. RELATIONSHIP OF THE NEW AND THE OLD HOUSE
    18. 19. THE RELATION IN THE INTERIORS
    19. 20. PLANS ENTRANCE GROUND FLOOR PLAN FIRST FLOOR PLAN
    20. 21. kITCHEN Living room Backyard and swimming pool
    21. 22. Guggenheim museum bilbao
    22. 23. GUGGENHEIM MUSEUM <ul><li>Location : BILBAO, SPAIN   </li></ul><ul><li>Date : 1997   </li></ul><ul><li>Construction System : STEEL FRAME, TITANIUM SHEATHING </li></ul>
    23. 24. LOCATION Puente De La Salve Campo Volantin Footbridge N The river walk
    24. 25. HIGHLIGHTER FOR BILBAO
    25. 26. THE CONCEPT
    26. 27. view from Puente De La Salve
    27. 28. View from Campo Volantin Footbridge
    28. 29. CALM AND UNINTERACTIVE
    29. 30. ENTRANCE TO THE BUILDING
    30. 31. THE ATRIUM
    31. 32. SKYLIGHT OVER THE ATRIUM
    32. 33. OTHER SOURCES OF LIGHT IN THE ATRIUM
    33. 34. Atrium surrounded by exhibition galleries
    34. 35. SUSPENDED WALKWAYS CONNECTING GALLERIES
    35. 36. THE terrace
    36. 37. GALLERIES Ground floor plan Third floor plan
    37. 38. LIGHTING IN GALLERIES
    38. 39. PARTITIONS IN GALLERIES
    39. 40. RECTANGULAR LOFTS UNDER SKYLIGHTS
    40. 41. RECTANGULAR LOFTS UNDER SKYLIGHTS
    41. 42. The service areas OFFICES PARKING
    42. 43. Views of the service areas
    43. 44. landscaping SHADES AND TREES LANDSCAPE FURNITURE
    44. 45. Water bodies
    45. 46. Water bodies
    46. 47. Water bodies
    47. 48. Water bodies

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