My "Anson Chan Painting Series" at BUVA was still an admiration on elitism based on efficient administration and rule of law. But, my "Kowloon Walled City" at CUHK Fine Arts has presented another vision for public reflection, which is a kind of skepticism on elitism and a reconsideration on an anarchic but proletariat living environment as a realm of searching for true happiness with true love. For sure, the latter Graduation Project might not be a reflection of my genuine personality, but it can still be true once I encounter confusions to the chaotic social circumstances and such hopelessness persists for a decade. The existence of an "exclave" is nothing wrong at all. Once the regime becomes a mob rule, there is at least a buffer zone for Hong Kong citizens to survive once ensuring that the entire economic operation of Hong Kong will not totally collapse.

1. FAA Creative Workshop (Prof. Lukas TAM) – 4th Round Presentation
LEE Kwun-leung Vincent
1007070165 / MA Fine Arts Year 2

2. Homecoming Dad - references
• Greg Girard’s photography
artworks

3. • Cenon de Guzman – My Bestfriend
(24' x 30', 2020, Philippines)
• Pak Sheung Chuen’s performance
art / happening art

4. Kowloon Walled City (Ver. 2) –
Homecoming Dad along the West
Side Street

5. A re-analysis on Celia Tinyan KO’s
paintings – Classicalism in background /
Motional / Vagueness

6. Kowloon Walled City (Ver. 3) -
Lifeguards enjoying sauna spa
at Kwong Ming Road

7. Within a fully-
pledged proletariat
realm of anarchic
urbanism, a
lifeguard could
suffer from no
secularized
judgments and
bureaucratic
restraints to pursue
a courageous mode
of romance.

8. Kowloon Walled City (Ver. 4) –
Lifeguard’s Love Nourishment
inside a Fishball Factory

9. The following two (or three) pieces of paintings from
“Kowloon Walled City Series”…

10. The following two (or three)
pieces of paintings from
“Kowloon Walled City
Series”…