SlideShare a Scribd company logo
1 of 22
JOHN OF DAMASCUS
ON THE DIVINE IMAGES

Dr. Kimberly Vrudny
Theo. 452: Theology and Beauty
University of St. Thomas
ICON
•

Etymology
– Latin, icon
– from Greek eikon, ―likeness, image, portrait,‖
from eikenai: ―to resemble, to be like, to look like‖

•

Biblical Sources / Traditions
– imago Dei, translated: ―image of God,‖ meaning ―icon of God‖
– There is a Jewish saying that thousands of angels go before every
human being, crying: ―Make way, make way for the image of
God‖—the icon of God.

•

In Christianity
– ―[A] conventional religious image typically painted on a small
wooden panel and used in the devotions of Eastern Christians.‖
The Ladder of Divine Ascent
Twelfth Century
St. Catherine‘s Monastery, Sinai/Egypt
Andrei Rublev
The Holy Trinity
Fifteenth Century
Russia
ICONOCLASTS
•

Definition: “Destroyer of Images”

•

Biblical Case:
– Ex. 20:4 / Deut. 5:8: ―You shall not make for yourself an idol,
whether in the form of anything that is in heaven above, or that is
on the earth beneath, or that is in the water under the earth.‖
– Deut 4:15-18: ―Since you saw no form when the Lord spoke to you
at Horeb out of the fire, take care and watch yourselves closely, so
that you do not act corruptly by making an idol for yourselves, in the
form of any figure—the likeness of male or female, the likeness of
any animal that is on the earth, the likeness of any winged bird that
flies in the air, the likeness of anything that creeps on the ground,
the likeness of any fish that is in the water under the earth.‖
– Deut. 27:15: ‗Cursed be anyone who makes an idol or casts an
image, anything abhorrent to the Lord, the work of an artisan, and
sets it up in secret.‘ All the people shall respond, saying, ‗Amen!‘
ICONODULES
•

Definition: “Defender of Images”

•

Biblical Case:
– Ex. 31:1-11: ―The Lord spoke to Moses: See, I have called by name
Bezalel son of Uri son of Hur, of the tribe of Judah: and I have filled him
with divine spirit, with ability, intelligence, and knowledge in every kind of
craft, to devise artistic designs, to work in gold, silver, and bronze, in
cutting stones for setting, and in carving wood, in every kind of craft.
Moreover, I have appointed with him Oholiab son of Ahisamach, of the
tribe of Dan; and I have given skill to all the skilful, so that they may
make all that I have commanded you: the tent of meeting, and the ark of
the covenant, and the mercy-seat that is on it, and all the furnishings of
the tent, the table and its utensils, and the pure lampstand with all its
utensils, and the altar of incense, and the altar of burnt-offering with all
its utensils, and the basin with its stand, and the finely worked
vestments, the holy vestments for the priest Aaron and the vestments of
his sons, for their service as priests, and the anointing-oil and the
fragrant incense for the holy place. They shall do just as I have
8th Century
ICONOCLASTIC
CONTROVERSY
• Emperor Leo III
–
–
–
–
–

726
Opposed veneration of icons (vs.)
Destroyed image of Christ at imperial palace, Constantinople
Riots
730, Second Council of Nicea, reiterated prohibition of sacred images

• Pope Gregory II
– Defended veneration of icons
– Resisted Emperor‘s policy
• Exceeded authority of lay ruler
• Iconoclasm denied Incarnation

– Emperor attempted to replace and then to assassinate Gregory
8th Century
ICONOCLASTIC
CONTROVERSY
• Constantine V, Leo‘s successor, reasserted prohibition of
images
– 754
– Condemned the work of painters under threat of punishment
–

Iconodules were imprisoned and tortured; many went into exile

• Empress Irene reconvened Council of Nicea II
– 787
– Restored veneration

• Emperor Leo V revived iconoclastic policies
– 815, Council in St. Sophia
– Repressed Images

• Empress Theodora and ―Feast of Orthodoxy‖
– 843, Empress Theodora restored at Synod in Constantinople
JOHN of DAMASCUS
• Biography
–
–
–
–

ca. 675 - ca. 749
born in Damascus
730, joined monastery of St. Sabas near Jerusalem
726-730, wrote Apologia Against Those Who Decry Holy
Images, the ―first Christian treatise devoted explicitly and
exclusively to sacred images.‖ —Moshe Barasch
On the Apologia
―[John] maintained that an icon does not pretend to be an equivalent, and therefore a
substitute, for what it portrays, but is a likeness which raises the mind to its original.
Both he and—and a later stage of controversy—the monastic reformer Theodore of
Studios (759-826) identified the fundamental issue in the iconoclastic controversy as
Christological. If Christ‘s humanity, which can in principle be pictured, is real, concrete,
and historical; and if, at the same time, it is truly one with the hypostasis of the divine
Logos, then the veneration of an image of Christ is analogous to the veneration of the
Gospels, which ‗pictures‘ Christ in words. Both icon and Gospel are testimonies to the
[presence] of the divine in the worlds of nature and history, and both are media of
access to God.‖
—Williston Walker, 233.
JOHN OF DAMASCUS
TRINITARIAN GOD

FORMAL SUBSTANCE
spiritual / divine nature

―It is clear that it is impossible to make an
image of God or of anything like God, since he
is uncircumscribable and unimaginable, lest
the creation be venerated in worship as God‖
(para. 15, page 28).
―Of old, God the incorporeal and formless was
never depicted, but now that God has been
seen in the flesh and has associated with
human kind, I depict what I have seen of God. I
do not venerate matter, I venerate the
fashioner of matter, who became matter for my
sake‖ (para. 16, page 29).

IMAGE / ICON
MATERIAL SUBSTANCE
human nature

CREATED ORDER

―[T]here are images of invisible and formless
things that provide in bodily form a dim
understanding of what is depicted. . . . ‗[T]he
invisible things of God, since the creation of
the world, have been clearly perceived through
the things that have been made.‘ For we see
images in created things intimating to us dimly
reflections of the divine‖ (para. 11, page 26)

―I reverence therefore matter and I hold in
respect and venerate that through which my
salvation has come about, I reverence it not as
God, but as filled with divine energy and grace‖
(paga. 14, page 71).
―We therefore venerate the images, not by
offering veneration to matter, but through them to
those who are depicted in them‖ (para. 41, page
112).
Terminology
•

Worship
– Latreia
 worship
 adoration
 properly offered to God alone

 Veneration
– Hyperdulia
 veneration
 In the sense of devotion
 properly offered to Theotokos
 such veneration points ultimately to God

– Proskunesis (Greek) / Dulia (Latin)
 veneration
 in the sense of devotion
 properly offered to saints and images
 such veneration points ultimately to God
ONGOING
CONTROVERSIES
Br. Robert Lentz, OFM
Christ of Maryknoll
2002
Br. Robert Lentz, OFM
Mother of the Disappeared
1986
Br. Robert Lentz, OFM
Gandhi
Fr. William Hart McNichols
Our Lady of Sorrows
Fr. William Hart McNichols
Francis ‘Neath the Bitter Tree
Alex Alferov
Madonna Study
1993
Acrylic on Paper
20‖ x 36‖
Alex Alferov
Graffiti Madonna 1
2004
Acrylic and Spray Paint on
Canvas
40‖ x 60‖
DISCUSSION

More Related Content

Similar to 02 John of Damascus On the Divine Images

Similar to 02 John of Damascus On the Divine Images (20)

Sacred Images
Sacred ImagesSacred Images
Sacred Images
 
Spiritual beliefs
Spiritual beliefsSpiritual beliefs
Spiritual beliefs
 
Review 6 christian
Review 6 christianReview 6 christian
Review 6 christian
 
Chapter8 deities and places of worship
Chapter8 deities and places of worshipChapter8 deities and places of worship
Chapter8 deities and places of worship
 
Religious works of the Gothic Period
Religious works of the Gothic PeriodReligious works of the Gothic Period
Religious works of the Gothic Period
 
The X-mas/Nimrod Truth
The X-mas/Nimrod TruthThe X-mas/Nimrod Truth
The X-mas/Nimrod Truth
 
Art and Religion report
Art and Religion reportArt and Religion report
Art and Religion report
 
Icons upload
Icons uploadIcons upload
Icons upload
 
Journey Through The Bible Ezekiel:Visions Of God
Journey Through The Bible Ezekiel:Visions Of GodJourney Through The Bible Ezekiel:Visions Of God
Journey Through The Bible Ezekiel:Visions Of God
 
Sing to the Lord presentation
Sing to the Lord presentationSing to the Lord presentation
Sing to the Lord presentation
 
From jesus of scriptures final
From jesus of scriptures finalFrom jesus of scriptures final
From jesus of scriptures final
 
Iain Provan: What is Creation?
Iain Provan: What is Creation?Iain Provan: What is Creation?
Iain Provan: What is Creation?
 
Tabernacle intro
Tabernacle introTabernacle intro
Tabernacle intro
 
6christianart kw bblog
6christianart kw bblog6christianart kw bblog
6christianart kw bblog
 
6christianart kw bblog
6christianart kw bblog6christianart kw bblog
6christianart kw bblog
 
Review Presentation Week 9
Review Presentation Week 9Review Presentation Week 9
Review Presentation Week 9
 
Basic Christian Trinitarian Principles - Falsehood Exposed
Basic Christian Trinitarian Principles - Falsehood ExposedBasic Christian Trinitarian Principles - Falsehood Exposed
Basic Christian Trinitarian Principles - Falsehood Exposed
 
Iconographic Analysis
Iconographic AnalysisIconographic Analysis
Iconographic Analysis
 
Byzantine Art
Byzantine ArtByzantine Art
Byzantine Art
 
217 Last 400 Years wh
217 Last 400 Years wh217 Last 400 Years wh
217 Last 400 Years wh
 

More from theoaesthetics

2016 Engagement Strategy
2016 Engagement Strategy2016 Engagement Strategy
2016 Engagement Strategytheoaesthetics
 
GALE Advisory Board on Sustainability
GALE Advisory Board on SustainabilityGALE Advisory Board on Sustainability
GALE Advisory Board on Sustainabilitytheoaesthetics
 
GALE Advisory Board Overview
GALE Advisory Board OverviewGALE Advisory Board Overview
GALE Advisory Board Overviewtheoaesthetics
 
2015 Intro for Advisory Board
2015 Intro for Advisory Board2015 Intro for Advisory Board
2015 Intro for Advisory Boardtheoaesthetics
 
HIV/AIDS Initiatives at the University of St. Thomas
HIV/AIDS Initiatives at the University of St. ThomasHIV/AIDS Initiatives at the University of St. Thomas
HIV/AIDS Initiatives at the University of St. Thomastheoaesthetics
 
Introduction to Service-Learning
Introduction to Service-LearningIntroduction to Service-Learning
Introduction to Service-Learningtheoaesthetics
 
Best Practices in Engaged Pedagogies
Best Practices in Engaged PedagogiesBest Practices in Engaged Pedagogies
Best Practices in Engaged Pedagogiestheoaesthetics
 
Introduction to Service-Learning
Introduction to Service-LearningIntroduction to Service-Learning
Introduction to Service-Learningtheoaesthetics
 
AIDS, Apartheid, and the Arts of Resistance: Theological Reflection in South ...
AIDS, Apartheid, and the Arts of Resistance: Theological Reflection in South ...AIDS, Apartheid, and the Arts of Resistance: Theological Reflection in South ...
AIDS, Apartheid, and the Arts of Resistance: Theological Reflection in South ...theoaesthetics
 
01 Introduction to Theology and Beauty
01 Introduction to Theology and Beauty01 Introduction to Theology and Beauty
01 Introduction to Theology and Beautytheoaesthetics
 

More from theoaesthetics (13)

2016 Engagement Strategy
2016 Engagement Strategy2016 Engagement Strategy
2016 Engagement Strategy
 
GALE Advisory Board on Sustainability
GALE Advisory Board on SustainabilityGALE Advisory Board on Sustainability
GALE Advisory Board on Sustainability
 
GALE Advisory Board Overview
GALE Advisory Board OverviewGALE Advisory Board Overview
GALE Advisory Board Overview
 
2015 Intro for Advisory Board
2015 Intro for Advisory Board2015 Intro for Advisory Board
2015 Intro for Advisory Board
 
HIV/AIDS Initiatives at the University of St. Thomas
HIV/AIDS Initiatives at the University of St. ThomasHIV/AIDS Initiatives at the University of St. Thomas
HIV/AIDS Initiatives at the University of St. Thomas
 
Introduction to Service-Learning
Introduction to Service-LearningIntroduction to Service-Learning
Introduction to Service-Learning
 
HIV/AIDS Initiatives
HIV/AIDS InitiativesHIV/AIDS Initiatives
HIV/AIDS Initiatives
 
Best Practices in Engaged Pedagogies
Best Practices in Engaged PedagogiesBest Practices in Engaged Pedagogies
Best Practices in Engaged Pedagogies
 
Introduction to Service-Learning
Introduction to Service-LearningIntroduction to Service-Learning
Introduction to Service-Learning
 
Examining Atonement
Examining AtonementExamining Atonement
Examining Atonement
 
Terry Nichols
Terry NicholsTerry Nichols
Terry Nichols
 
AIDS, Apartheid, and the Arts of Resistance: Theological Reflection in South ...
AIDS, Apartheid, and the Arts of Resistance: Theological Reflection in South ...AIDS, Apartheid, and the Arts of Resistance: Theological Reflection in South ...
AIDS, Apartheid, and the Arts of Resistance: Theological Reflection in South ...
 
01 Introduction to Theology and Beauty
01 Introduction to Theology and Beauty01 Introduction to Theology and Beauty
01 Introduction to Theology and Beauty
 

02 John of Damascus On the Divine Images

  • 1. JOHN OF DAMASCUS ON THE DIVINE IMAGES Dr. Kimberly Vrudny Theo. 452: Theology and Beauty University of St. Thomas
  • 2. ICON • Etymology – Latin, icon – from Greek eikon, ―likeness, image, portrait,‖ from eikenai: ―to resemble, to be like, to look like‖ • Biblical Sources / Traditions – imago Dei, translated: ―image of God,‖ meaning ―icon of God‖ – There is a Jewish saying that thousands of angels go before every human being, crying: ―Make way, make way for the image of God‖—the icon of God. • In Christianity – ―[A] conventional religious image typically painted on a small wooden panel and used in the devotions of Eastern Christians.‖
  • 3.
  • 4. The Ladder of Divine Ascent Twelfth Century St. Catherine‘s Monastery, Sinai/Egypt
  • 5. Andrei Rublev The Holy Trinity Fifteenth Century Russia
  • 6. ICONOCLASTS • Definition: “Destroyer of Images” • Biblical Case: – Ex. 20:4 / Deut. 5:8: ―You shall not make for yourself an idol, whether in the form of anything that is in heaven above, or that is on the earth beneath, or that is in the water under the earth.‖ – Deut 4:15-18: ―Since you saw no form when the Lord spoke to you at Horeb out of the fire, take care and watch yourselves closely, so that you do not act corruptly by making an idol for yourselves, in the form of any figure—the likeness of male or female, the likeness of any animal that is on the earth, the likeness of any winged bird that flies in the air, the likeness of anything that creeps on the ground, the likeness of any fish that is in the water under the earth.‖ – Deut. 27:15: ‗Cursed be anyone who makes an idol or casts an image, anything abhorrent to the Lord, the work of an artisan, and sets it up in secret.‘ All the people shall respond, saying, ‗Amen!‘
  • 7. ICONODULES • Definition: “Defender of Images” • Biblical Case: – Ex. 31:1-11: ―The Lord spoke to Moses: See, I have called by name Bezalel son of Uri son of Hur, of the tribe of Judah: and I have filled him with divine spirit, with ability, intelligence, and knowledge in every kind of craft, to devise artistic designs, to work in gold, silver, and bronze, in cutting stones for setting, and in carving wood, in every kind of craft. Moreover, I have appointed with him Oholiab son of Ahisamach, of the tribe of Dan; and I have given skill to all the skilful, so that they may make all that I have commanded you: the tent of meeting, and the ark of the covenant, and the mercy-seat that is on it, and all the furnishings of the tent, the table and its utensils, and the pure lampstand with all its utensils, and the altar of incense, and the altar of burnt-offering with all its utensils, and the basin with its stand, and the finely worked vestments, the holy vestments for the priest Aaron and the vestments of his sons, for their service as priests, and the anointing-oil and the fragrant incense for the holy place. They shall do just as I have
  • 8. 8th Century ICONOCLASTIC CONTROVERSY • Emperor Leo III – – – – – 726 Opposed veneration of icons (vs.) Destroyed image of Christ at imperial palace, Constantinople Riots 730, Second Council of Nicea, reiterated prohibition of sacred images • Pope Gregory II – Defended veneration of icons – Resisted Emperor‘s policy • Exceeded authority of lay ruler • Iconoclasm denied Incarnation – Emperor attempted to replace and then to assassinate Gregory
  • 9. 8th Century ICONOCLASTIC CONTROVERSY • Constantine V, Leo‘s successor, reasserted prohibition of images – 754 – Condemned the work of painters under threat of punishment – Iconodules were imprisoned and tortured; many went into exile • Empress Irene reconvened Council of Nicea II – 787 – Restored veneration • Emperor Leo V revived iconoclastic policies – 815, Council in St. Sophia – Repressed Images • Empress Theodora and ―Feast of Orthodoxy‖ – 843, Empress Theodora restored at Synod in Constantinople
  • 10. JOHN of DAMASCUS • Biography – – – – ca. 675 - ca. 749 born in Damascus 730, joined monastery of St. Sabas near Jerusalem 726-730, wrote Apologia Against Those Who Decry Holy Images, the ―first Christian treatise devoted explicitly and exclusively to sacred images.‖ —Moshe Barasch
  • 11. On the Apologia ―[John] maintained that an icon does not pretend to be an equivalent, and therefore a substitute, for what it portrays, but is a likeness which raises the mind to its original. Both he and—and a later stage of controversy—the monastic reformer Theodore of Studios (759-826) identified the fundamental issue in the iconoclastic controversy as Christological. If Christ‘s humanity, which can in principle be pictured, is real, concrete, and historical; and if, at the same time, it is truly one with the hypostasis of the divine Logos, then the veneration of an image of Christ is analogous to the veneration of the Gospels, which ‗pictures‘ Christ in words. Both icon and Gospel are testimonies to the [presence] of the divine in the worlds of nature and history, and both are media of access to God.‖ —Williston Walker, 233.
  • 12. JOHN OF DAMASCUS TRINITARIAN GOD FORMAL SUBSTANCE spiritual / divine nature ―It is clear that it is impossible to make an image of God or of anything like God, since he is uncircumscribable and unimaginable, lest the creation be venerated in worship as God‖ (para. 15, page 28). ―Of old, God the incorporeal and formless was never depicted, but now that God has been seen in the flesh and has associated with human kind, I depict what I have seen of God. I do not venerate matter, I venerate the fashioner of matter, who became matter for my sake‖ (para. 16, page 29). IMAGE / ICON MATERIAL SUBSTANCE human nature CREATED ORDER ―[T]here are images of invisible and formless things that provide in bodily form a dim understanding of what is depicted. . . . ‗[T]he invisible things of God, since the creation of the world, have been clearly perceived through the things that have been made.‘ For we see images in created things intimating to us dimly reflections of the divine‖ (para. 11, page 26) ―I reverence therefore matter and I hold in respect and venerate that through which my salvation has come about, I reverence it not as God, but as filled with divine energy and grace‖ (paga. 14, page 71). ―We therefore venerate the images, not by offering veneration to matter, but through them to those who are depicted in them‖ (para. 41, page 112).
  • 13. Terminology • Worship – Latreia  worship  adoration  properly offered to God alone  Veneration – Hyperdulia  veneration  In the sense of devotion  properly offered to Theotokos  such veneration points ultimately to God – Proskunesis (Greek) / Dulia (Latin)  veneration  in the sense of devotion  properly offered to saints and images  such veneration points ultimately to God
  • 15. Br. Robert Lentz, OFM Christ of Maryknoll 2002
  • 16. Br. Robert Lentz, OFM Mother of the Disappeared 1986
  • 17. Br. Robert Lentz, OFM Gandhi
  • 18. Fr. William Hart McNichols Our Lady of Sorrows
  • 19. Fr. William Hart McNichols Francis ‘Neath the Bitter Tree
  • 20. Alex Alferov Madonna Study 1993 Acrylic on Paper 20‖ x 36‖
  • 21. Alex Alferov Graffiti Madonna 1 2004 Acrylic and Spray Paint on Canvas 40‖ x 60‖