Tesissencilla

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  • Tesissencilla

    1. 1. Avisos <ul><li>Les diapositives estan en anglès (encara que la presentació serà en castellà) per a facilitar el seguiment de la presentació a alguns companys. </li></ul><ul><li>La presentació es transmetrà per streaming a través d'Internet. </li></ul><ul><li>El contingut de la presentació serà sobre la investigació en curs més que sobre el projecte </li></ul>
    2. 2. Edgar Gómez Cruz Internet Interdisciplinary Institute Universitat Oberta de Catalunya From “Kodak culture” to “Flickr culture”. Digital Photography Practices in everyday life.
    3. 3. Menu for today <ul><li>Primero A little bit of historical context </li></ul><ul><li>Segundo The digital photography and the changes in their practices. </li></ul><ul><li>Postre Research Project (photography as a practice) </li></ul><ul><li>Café empirical example </li></ul>
    4. 4. Photography. 200 years of history in 3 slides:
    5. 5. Joseph Nicéphore Niépce 1826 It all began with this:
    6. 6. 20th Century, Photography as a “mediator” of the world
    7. 7. “ Kodak Culture”
    8. 8. … and the digital arrived…..
    9. 9. The photography practices had change <ul><li>The cost and privacy of images production </li></ul><ul><ul><li>Zero cost, production and postproduction house made </li></ul></ul><ul><li>The tools for that production </li></ul><ul><ul><li>Memory cards, cables, screens, computers </li></ul></ul><ul><li>The object(s) of photography </li></ul><ul><ul><li>From weddings and birthdays to ego-shots and ashtrays </li></ul></ul><ul><li>The “times” of the photography </li></ul><ul><ul><li>Essay and mistake, screenview, from shoot to the Internet </li></ul></ul>
    10. 10. The photography practices had change
    11. 11. The photography practices have changed (remediation-playfulness) De Capa… … a Balakov
    12. 12. Stolen statistics
    13. 13. http://www.pewinternet.org/pdfs/PIP_Teens_Social_Media_Final.pdf Pew Internet Project 2007 with 400 American youngsters:
    14. 14. UM Global: Social Web Tracker – Wave 2 March 2007 UPLOADING PHOTOS: MASS ADOPTION
    15. 15. Photography as a study object
    16. 16. Some canonical studies Essay Sociology Anthropology Semmiotics
    17. 17. Photography: “new wave” studies <ul><li>Digital photography as a threat to “reality representation” </li></ul><ul><li>Mobile devices and photography </li></ul><ul><li>Platforms as places and communities </li></ul><ul><li>Analysis of the content of the photos in different platforms </li></ul><ul><li>Youth, Social Networks Sites and use of photography </li></ul>
    18. 18. So….here comes my thesis http://www.phdcomics.com
    19. 19. General theme <ul><li>The topic of this research proposal is the </li></ul><ul><li>study of the digital photography practices in </li></ul><ul><li>everyday life. The relationship between </li></ul><ul><li>these practices with technological devices </li></ul><ul><li>and their multiple imbrications in the </li></ul><ul><li>construction of identities, subjectivities and </li></ul><ul><li>social bonds on the Internet. </li></ul>
    20. 20. The objectives <ul><li>To identify “new” photography practices in everyday life in relation to the production, distribution and exhibition of photographs, specially using Internet </li></ul><ul><li>To elaborate a model to explain the relations between the digital photography practices in everyday life and how they shaped and create subjectivities in relation with the “staging” of identities and the creation of social bonds, specially through Internet. </li></ul>
    21. 21. “ Light” Hypotheses <ul><li>Digital photography transforms the photo objects </li></ul><ul><li>Digital photography practices generate subjectivities </li></ul><ul><li>Photography is used in Social Network Systems as a key element for identity construction </li></ul><ul><li>Photography is not only a “memory object” anymore but an element for the creation of social bonds </li></ul><ul><li>Social bonds shape the photographed objects </li></ul>
    22. 22. Theoretical approach <ul><li>Practice theory (Schatzki, Knorr-Cetina y Von Savigny, 2001; Bourdieu, 1977; Reckwitz, 2002; Couldry, 2004). </li></ul><ul><li>Social Construction of Technology ; Pinch, Bijker y Hughes, 2001 )  Domestication of technology </li></ul><ul><li>Microsociology (Goffman, 2004; Garfinkel, 2006) </li></ul><ul><li>New Media/Internet Studies (Lister, 2003; Miller y Slater,2000; Hine, 2000) </li></ul><ul><li>Visual Sociology and Anthropology (Pink, Chalfen, Ardèvol) </li></ul>
    23. 23. Metodological approach Etnography Material, “traditional”, “Virtual” = Following practices
    24. 24. Analytical model Based in Du Gay et.al. (1997)
    25. 25. Highlights of the research <ul><li>Heavy Snapshooters (amateur avant-garde : everyday photography but constantly). </li></ul><ul><li>Beginning with Flickr users and groups to “jump” offline. Beginning with observation in public places and “follow” practices </li></ul><ul><li>One year of “anthropological” work </li></ul><ul><li>Using different “mediators” </li></ul>
    26. 26. This is just the beginning… <ul><li>First approach (everything changes) </li></ul><ul><li>Literature review </li></ul><ul><li>Presenting papers in congresses </li></ul><ul><li>Discussing the project with colleagues and professors </li></ul><ul><li>All comments and suggestions are welcome…. </li></ul>
    27. 27. <ul><li>Gracias </li></ul><ul><li>Gràcies </li></ul><ul><li>Thank you </li></ul><ul><li>Grazie </li></ul><ul><li>Obrigado </li></ul><ul><li>Dziekuje </li></ul>

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