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Innovation in Audience
Development
Pete Gomori, Marketing Manager, Tate Modern 18 May
2011
What’s the aim?
Tate’s mission – to increase public understanding and enjoyment of art
Business objectives – maximise visitor numbers & give them the best
experience
Make the most of new opportunities – both creatively and strategically
Our tools
Difference between online/social media/in-gallery audience
Data
What can you find out about your audiences?
Demographics Motivations
Habits Interests
What are you going to do with the info?
Satisfaction
Visitors who have
this motivation to visit…
spiritual
emotional
social
intellectual
…need this
from a visit:
food for the soul
feast for the eyes
finding out new things
feeling comfortable
Motivation
Visitors who have
this motivation…
Aficionados
Actualisers
Sensualists
Researchers
Self-Improvers
Urban Cool
Social Spacers
Site Seers
Families
Art professionals
Non-professionals
Art professionals
Non-professionals
< 35 years old
> 35 years old
First time visit
Families
…and these …divide into
determining demographics… these segments:
spiritual
emotional
social
intellectual
* Identified through ‘golden questions’
Tate visitor segments
Audience
priorities
Current audiences – regular exhibition and collection visitors, artists/art
world/academics, tourists, members
Developmental audiences – young people under 25, families, locals
Projects
Tinie Tempah / Ofili
Tate Tracks
Street Art
Festivals
Flyering
Facebook & Twitter
‘On my way to see the Gabriel
Orozco exhibition at the tate
modern now’ Paloma Faith
‘After reading @Palomafaith 's
tweets going to go to the Tate in my
lunchbreak’ Gemma Perolls
Live Tweet
Promotions
.
Increasing engagement
(Tate’s first ever Flash online display ad)
Datacapture
• Email subscribers increased by 39%
over last exhibition

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Pete Gomori Presentation

Editor's Notes

  1. What works for us and what makes sense for us… Do these things make sense in any way for you? Can they spark off any ideas?
  2. Get closer to a dialogue the better your surveys become Age Gender Residence Background Education Art Knowledge Emotional, intellectual etc Why us? Satisfaction? Suggestions? Needs? Frequency Attendance Purchasing Café use Mobile use Other galls Time of visit Art forms Media Artists Topics/themes Countries Ideas Non-art interests
  3. The segmentation is built on a visit (as opposed to grouping visitors based on their personality/values/life stage…) individuals experience changing need states Can be in a different segment on a different visit E.g. someone can be an Actualiser when on their own and a member of the Urban Cool when coming w/friends; a Researcher on one day and coming for a family visit on another day; etc.
  4. The segmentation is built on a visit (as opposed to grouping visitors based on their personality/values/life stage…) individuals experience changing need states Can be in a different segment on a different visit E.g. someone can be an Actualiser when on their own and a member of the Urban Cool when coming w/friends; a Researcher on one day and coming for a family visit on another day; etc.
  5. What works for us and what makes sense for us… Do these things make sense in any way for you? Can they spark off any ideas?