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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
PHILLIP.BALDWIN@GMAIL.COM
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
PHILLIP.BALDWIN@GMAIL.COM
STATIONS OF THE MIND: thought co...
s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
PHILLIP.BALDWIN@GMAIL.COM
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
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DEVELOPMENT – the contribution t...
s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
PHILLIP.BALDWIN@GMAIL.COM
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iterated game (concept)
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
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s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s
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cultural legacy together as they...
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ANOTHER NEURO SENSOR INSTALLATION FOR NYC.

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Mind compass.b copy

  1. 1. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 1Wednesday, August 7, 2013
  2. 2. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM STATIONS OF THE MIND: thought compass IDEA – the concept or artistic impetus behind the work: Place and install a series of 6 chair stations that circle a rotunda. Behind each of the chairs there is a high lumen projector. At each station the subjects place a ‘Mindwave Neuro-sensor’ on their heads and then they trigger film, sonic environments, and Internet feeds through the Mindwave and their emotions from calm to excited. The interpolation of these emotions, videos, Internet feeds, are then projected overhead and in a circle around the rotunda. With these linked neurosensors the individual will be able to ‘upload’ films on the diverse trails, vectors, and flows that make up the diverse historical and ethnic fabric of a modern metropolis as well as the ‘new’ Noosphere of interconnected minds. The software that results in a new means of perceiving performance and the human destiny within the ‘Noosphere’ of current telematics. PRACTICE – the effectiveness of how the work is put into practice and the impact it has on those experiencing it: These are the general questions that attend the making and the participation in the augmented ‘triggers’: 1. What do you feel about your individual destiny, fate, and ‘Faustian’ deals you have taken to get you to your personal demise ‘in the future’? 2. What do you feel about your lust, desire, and thirst for connection with ‘the other’ through immersion and ecstasy? 3. What do you feel about your mother, father, and your past family who brought you into being with love, lust, and nurturing, or nightmares? 4. What do you feel about the mystery between the total number of people the earth can support (currently seven billion... which has doubled from 1960!), the current amount, and the ‘real’ number of sustainable balance between quality of life and what the planet can ‘provide’. 5. What do you feel about the truth and lies of a political authority, system, machinery, who you ‘pay’ through your taxes and civic participation? What do you feel about the ‘pay to play’ legal system, political sacrifice, voting, and other civic duties? 6. What do you feel about the ‘authorities’ who control the ‘markets’, prices, broadcast propaganda, the pyramids, the bubbles, and the general, daily, ‘pay to play’ behavioral conditioning of the necessities of life like food, shelter, education, and communion? DEVELOPMENT – the contribution the work makes to the development of the artists involved, the art form, and the arts more widely: the work of the artists will be coordinated to exhibit the work. This is a series of practices in art and tech. Why are they separate? What is the destiny of reuniting these separate features? Do they have a cultural legacy together as they might be blended as a new art form? What is the ‘extended nervous system’ of the modern connected individual (In McLuhan’s formulation) when it is constantly connected to ‘things telematic’? CONTEXT – the context in which the work is being presented and the appropriateness of the work to that context: What are the ends of interface and network? What are the ‘ends’ of a single human life and ‘destiny’? Do we view lives as individual ‘Faustian’ cowboys working out destinies in the landscape of infinite anomie? Have we already moved through a time where the combined cloud computing of the Metaweb has reached a type of sentience? What are the many relationships between simulation and database? Would a fracturing of forms merely create a further digression? This is a project that will ask some, express, and demonstrate all these questions implicitly. This installation addresses many of these questions in a unique, ethereal, manner: new Neuro-Aesthetic technologies. 2Wednesday, August 7, 2013
  3. 3. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM THOUGHT PULL THROUGH GENERATIVE SPACE: GAME OF LIFE STRUGGLES WITH ACT OF WILL. IDEA – the concept or artistic impetus behind the work: This is a proposal to expand upon Tommy Martinez’ Thought Dot custom Max program. Within the existing program there is a ‘dot’ that acts like a trigger within 3-d space. As the mind ‘moves’ this dot around in x, y, and z space (with calmness to anger) it moves through existing, generative, moving, 3-d shapes and forms that take on amoebic and ‘lifelike’ qualities. With a nod to ‘Conway’s game of life, and certain game theory operations the binary contrast and even ‘antagonisms’ between the dot moved by human will and the mind wave, and the ‘lifelike’ generative form within the cube the two entities ‘fight it out’ within the limited square space. The shapes will be generative based on certain game theory, and the ‘human will’ is responding to the general questions assigned to each subject in the chair. Place and install a series of 6 chair stations that circle a rotunda. Behind each of the chairs there is a high lumen projector. At each station the subjects place a ‘Mind wave Neuro-sensor’ on their heads and then they trigger film, sonic environments, and Internet feeds through the Mindwave and their emotions from calm to excited. On these are bowls of water that are sitting on the top of Tesla Coils. As the subject moves the energy of thought (while considering the questions on the ‘destiny’ of human energy) The interpolation of these emotions, videos, Internet feeds, are then projected overhead and in a circle around the rotunda. Cameras will record the waves that are made by thought and magnets in the clear plastic bowls. With these linked neurosensors the individual will be able to ‘upload’ films on the diverse trails, vectors, and flows that make up the diverse historical and ethnic fabric of a modern metropolis as well as the ‘new’ Noosphere of interconnected minds. The software that results in a new means of perceiving performance and the human destiny within the ‘Noosphere’ of current telematics. PRACTICE – the effectiveness of how the work is put into practice and the impact it has on those experiencing it: These are the general questions that attend the making and the participation in the augmented ‘triggers’ these are questions on the past and future ‘flow’ of energy: 1. What do you feel about your individual destiny, fate, and ‘Faustian’ deals you have taken to get you to your personal demise ‘in the future’? 2. What do you feel about your lust, desire, and thirst for connection with ‘the other’ through immersion and ecstasy? 3. What do you feel about your mother, father, and your past family who brought you into being with love, lust, and nurturing, or nightmares? 4. What do you feel about the mystery between the total number of people the earth can support (currently seven billion... which has doubled from 1960!), the current amount, and the ‘real’ number of sustainable balance between quality of life and what the planet can ‘provide’. 5. What do you feel about the truth and lies of a political authority, system, machinery, who you ‘pay’ through your taxes and civic participation? What do you feel about the ‘pay to play’ legal system, political sacrifice, voting, and other civic duties? 6. What do you feel about the ‘authorities’ who control the ‘markets’, prices, broadcast propaganda, the pyramids, the bubbles, and the general, daily, ‘pay to play’ behavioral conditioning of the necessities of life like food, shelter, education, and communion? DEVELOPMENT – the contribution the work makes to the development of the artists involved, the art form, and the arts more widely: the work of the artists will be coordinated to exhibit the work. This is a series of practices in art and tech. Why are they separate? What is the destiny of reuniting these separate features? Do they have a cultural legacy together as they might be blended as a new art form? What is the ‘extended nervous system’ of the modern connected individual (In McLuhan’s formulation) when it is constantly connected to ‘things telematic’? 3Wednesday, August 7, 2013
  4. 4. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM DEVELOPMENT – the contribution the work makes to the development of the artists involved, the art form, and the arts more widely: the work of the artists will be coordinated to exhibit the work. This is a series of practices in art and tech. Why are they separate? What is the destiny of reuniting these separate features? Do they have a cultural legacy together as they might be blended as a new art form? What is the ‘extended nervous system’ of the modern connected individual (In McLuhan’s formulation) when it is constantly connected to ‘things telematic’? CONTEXT – the context in which the work is being presented and the appropriateness of the work to that context: What are the ends of interface and network? What are the ‘ends’ of a single human life and ‘destiny’? Do we view lives as individual ‘Faustian’ cowboys working out destinies in the landscape of infinite anomie? Have we already moved through a time where the combined cloud computing of the Metaweb has reached a type of sentience? What are the many relationships between simulation and database? Would a fracturing of forms merely create a further digression? This is a project that will ask some, express, and demonstrate all these questions implicitly. This installation addresses many of these questions in a unique, ethereal, manner: new Neuro-Aesthetic technologies. At the conclusion of this installation we proposed integration of new global concerns in the spirit of Tesla. Within the larger idea of ‘free and abundant energy’ we have divided these sections into four areas of participation and funding. We hope you consider this proposal stimulation and we look forward to speaking with you soon. Sincerely, Prof. Phillip Baldwin assurance game (technical) Top B battle of the sexes (informal) battle of the sexes (technical) Top C Chicken, Game of (technical) constant sum game cooperative game (concept) coordination game, pure (technical) Top D Deadlock game (technical) dynamic game (concept) Top E Top F Top G game of assurance (technical) game of chicken (technical) game of Nim Top H Hawk-Dove game (technical) Top I 4Wednesday, August 7, 2013
  5. 5. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM I iterated game (concept) Top J Top K Top L Top M matching pennies (technical) Top N Nim Nim Game non-cooperative game (concept) Top O ordinally symmetric game (technical) Top P Pareto coordination game (technical) prisoner's dilemma (informal) prisoner's dilemma (technical) pure coordination game (technical) Top Q Top R Rock Paper Scissors (technical) Top S sequential game (concept) simultaneous game (concept) stag hunt game (technical) static game (concept) symmetric game Top T Top U Top V variable sum game (concept) Volunteer's Dilemma (technical) Top W Top X Top Y Top Z zero sum game Top 5Wednesday, August 7, 2013
  6. 6. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 6Wednesday, August 7, 2013
  7. 7. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 7Wednesday, August 7, 2013
  8. 8. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 8Wednesday, August 7, 2013
  9. 9. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 9Wednesday, August 7, 2013
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  30. 30. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 30Wednesday, August 7, 2013
  31. 31. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 31Wednesday, August 7, 2013
  32. 32. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 32Wednesday, August 7, 2013
  33. 33. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 33Wednesday, August 7, 2013
  34. 34. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 34Wednesday, August 7, 2013
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  36. 36. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 36Wednesday, August 7, 2013
  37. 37. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 37Wednesday, August 7, 2013
  38. 38. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 38Wednesday, August 7, 2013
  39. 39. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 39Wednesday, August 7, 2013
  40. 40. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 40Wednesday, August 7, 2013
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  44. 44. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 44Wednesday, August 7, 2013
  45. 45. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 45Wednesday, August 7, 2013
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  47. 47. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 47Wednesday, August 7, 2013
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  49. 49. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 49Wednesday, August 7, 2013
  50. 50. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 50Wednesday, August 7, 2013
  51. 51. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 51Wednesday, August 7, 2013
  52. 52. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 52Wednesday, August 7, 2013
  53. 53. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 53Wednesday, August 7, 2013
  54. 54. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 54Wednesday, August 7, 2013
  55. 55. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM 55Wednesday, August 7, 2013
  56. 56. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 56Wednesday, August 7, 2013
  57. 57. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 57Wednesday, August 7, 2013
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  60. 60. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 60Wednesday, August 7, 2013
  61. 61. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 61Wednesday, August 7, 2013
  62. 62. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 62Wednesday, August 7, 2013
  63. 63. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 63Wednesday, August 7, 2013
  64. 64. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 64Wednesday, August 7, 2013
  65. 65. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 65Wednesday, August 7, 2013
  66. 66. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 66Wednesday, August 7, 2013
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  70. 70. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 70Wednesday, August 7, 2013
  71. 71. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 71Wednesday, August 7, 2013
  72. 72. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 72Wednesday, August 7, 2013
  73. 73. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 73Wednesday, August 7, 2013
  74. 74. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 74Wednesday, August 7, 2013
  75. 75. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 75Wednesday, August 7, 2013
  76. 76. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 76Wednesday, August 7, 2013
  77. 77. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 77Wednesday, August 7, 2013
  78. 78. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 78Wednesday, August 7, 2013
  79. 79. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 79Wednesday, August 7, 2013
  80. 80. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 80Wednesday, August 7, 2013
  81. 81. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 81Wednesday, August 7, 2013
  82. 82. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 82Wednesday, August 7, 2013
  83. 83. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 83Wednesday, August 7, 2013
  84. 84. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 84Wednesday, August 7, 2013
  85. 85. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 85Wednesday, August 7, 2013
  86. 86. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 86Wednesday, August 7, 2013
  87. 87. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 87Wednesday, August 7, 2013
  88. 88. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 88Wednesday, August 7, 2013
  89. 89. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 89Wednesday, August 7, 2013
  90. 90. s t a t i o n s o f t h e m i n d : r o t u n d a PHILLIP.BALDWIN@GMAIL.COM 90Wednesday, August 7, 2013
  91. 91. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM cultural legacy together as they might be blended as a new art form? What is the ‘extended nervous system’ of the modern connected individual (In McLuhan’s formulation) when it is constantly connected to ‘things telematic’? CONTEXT – the context in which the work is being presented and the appropriateness of the work to that context: What are the ends of interface and network? What are the ‘ends’ of a single human life and ‘destiny’? Do we view lives as individual ‘Faustian’ cowboys working out destinies in the landscape of infinite anomie? Have we already moved through a time where the combined cloud computing of the Metaweb has reached a type of sentience? What are the many relationships between simulation and database? Would a fracturing of forms merely create a further digression? This is a project that will ask some, express, and demonstrate all these questions implicitly. This installation addresses many of these questions in a unique, ethereal, manner: new Neuro-Aesthetic technologies. At the conclusion of this installation we proposed integration of new global concerns in the spirit of Tesla. Within the larger idea of ‘free and abundant energy’ we have divided these sections into four areas of participation and funding. We hope you consider this proposal stimulation and we look forward to speaking with you soon. Sincerely, Prof. Phillip Baldwin assurance game (technical) Top B battle of the sexes (informal) battle of the sexes (technical) Top C Chicken, Game of (technical) constant sum game cooperative game (concept) coordination game, pure (technical) Top D Deadlock game (technical) dynamic game (concept) Top E Top F Top G game of assurance (technical) game of chicken (technical) game of Nim Top H Hawk-Dove game (technical) Top I iterated game (concept) Top J Top K 91Wednesday, August 7, 2013
  92. 92. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM L Top M matching pennies (technical) Top N Nim Nim Game non-cooperative game (concept) Top O ordinally symmetric game (technical) Top P Pareto coordination game (technical) prisoner's dilemma (informal) prisoner's dilemma (technical) pure coordination game (technical) Top Q Top R Rock Paper Scissors (technical) Top S sequential game (concept) simultaneous game (concept) stag hunt game (technical) static game (concept) symmetric game Top T Top U Top V variable sum game (concept) Volunteer's Dilemma (technical) Top W Top X Top Y Top Z zero sum game Top 92Wednesday, August 7, 2013
  93. 93. s t a t i o n s o f t h e m i n d : t h o u g h t c o m p a s s PHILLIP.BALDWIN@GMAIL.COM Tools are extensions of the human limbs…. bullets are the extensions of human teeth. Paranoia is the extension of the electronic age. Ego seeks pattern recognition Mythology is pattern recognition Paranoia is pattern recognition gone awry. Crying of lot 49 What is real and what isn’t? Images affect the psyche like viruses…. it propagates to psyches to psyches of alpha recognition. Alph radiation. Bombarded on us. Weakens the human immune system. Image virus. Physiological immune system is tradition. 93Wednesday, August 7, 2013
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