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residences- gehry residence and koshino house

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postmodernism and critical regionalism

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residences- gehry residence and koshino house

  1. 1. GEHRY HOUSE, SANTA MONICA Frank Owen Gehry Mithilesh Mandal
  2. 2. DE-CONSTRUCTION ―UNRELATED FORMS ―ABSTRACT IN NATURE ―SMOOTH EXTERIOR SURFACES ―CONTRAST OF SHAPES AND FORMS ―LARGE EXPANSES OF A SINGLE MATERIAL
  3. 3. GEHRY RESIDENCE ― DECONSTRUCTIVISM ― RECONSTRUCTION ― LOW COST MATERIALS
  4. 4. GEHRY RESIDENCE ― FORM
  5. 5. GEHRY RESIDENCE ― FACADE
  6. 6. GEHRY RESIDENCE ― WINDOWS REDEFINED
  7. 7. GEHRY RESIDENCE ― INTERIOR / OUTDOOR
  8. 8. GEHRY RESIDENCE ― CONTRAST IN SHAPES & FORMS
  9. 9. GEHRY RESIDENCE ― INTERIORS
  10. 10. GEHRY RESIDENCE
  11. 11. KOSHINO HOUSE BY TADAO ANDO SONAKSHI BHATTACHARJEE 114AR0024
  12. 12. ABOUT Client: Designer by the name of Koshin Location: Ashiya, Hyogo, Japan Architect: Tadao Ando Project Year: 1984 Client: Designer by the name of Koshin
  13. 13. STYLE -CRITICAL REGIONALISM
  14. 14. PLAN -RECTANGULAR CONCRETE BOXES -JOINED LATER BY FAN SHAPED ATELIER -ROOMS ALIGNED LIKE LE CORBUSIER’S MONASTIC CELLS AT SAINTE-MARIE-DE- LATOURETTE.
  15. 15. DESIGN PRINCIPLES 1.BRUTALISM
  16. 16. DESIGN PRINCIPLES 2. ASYMMETRICAL BALANCE 3. NON SEPERATED
  17. 17. DESIGN PRINCIPLES 4 . SPATIAL ORGANIZATION
  18. 18. DESIGN PRINCIPLES 5. SCALE AND PROPORTION
  19. 19. DESIGN PRINCIPLES 5. UNITY AND HARMONY 6. BLENDING
  20. 20. TADAO ANDO’S SIGNATURE TRAITS EMPTINESS
  21. 21. TADAO ANDO’S SIGNATURE TRAIT TACTILITY
  22. 22. TADAO ANDO’S SIGNATURE TRAIT MATERIALITY
  23. 23. COMPARISONS DECONSTRUCTIVISM AND CRITICAL REGIONALISM
  24. 24. COMPARISONS DECONSTRUCTIVISM • Its reformed modernism. • Reduces the overall level of complexity involved • Maintains a clearer analysis while attempting to reconcile modernist architecture with local differences. In effect, this leads to a modernist "vernacular." • Critical regionalism displays a lack of self-criticism and a utopianism of place. CRITICAL REGIONALISM • Its permeated post modernism. • Maintains a level of self-criticism, as well as external criticism and tends towards maintaining a level of complexity. • It is not an empirical process, it can result in whatever an architect wishes, and it thus suffers from a lack of consistency.
  25. 25. THANK YOU  Architecture should speak of its time and place, but yearn for timelessness. -

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