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Lautrec mostra

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Progetto Lezioni esterne. Fase 1: lezione introduttiva alla mostra presso Palazzo Reale

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Lautrec mostra

  1. 1. Henri de Toulouse-Lautrec (1864-1901) Il mondo fuggevole Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  2. 2. Introduzione H. de-Toulouse Lautrec, La clownesse assise, Mademoiselle Cha-U-Kao, 1896, Litografia a colori, Bnf, Parigi • Parigi fin de siècle; • modernità del Moulin Rouge, di Montmartre e delle maisons closes; • realismo provocatorio, sintesi estrema, empatia psicologica; • aristocratico di origine, bohémien per vocazione: visione ambigua della Belle Époque: fascinosa e scintillante / oscura e decadente. Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  3. 3. Vedremo a Palazzo Reale… • 250 opere: 35 dipinti, litografie, acqueforti; serie completa di 22 manifesti, in sezioni tematiche. 1. “Le star – luci e colori di Montmartre” 2. “Il teatro, l’opera e lo spettacolo d’avanguardia” 3. “Il Grande pubblicitario” 4. “Maison closes” 5. “Nel segno. Le passioni” • Provenienza: Musée Toulouse-Lautrec,Albi; Tate Modern, Londra; National Gallery of Art, Washington; Museo Puškin,Mosca; Museum of Fine Arts, Houston; MASP (Museu de Arte, San Paolo); Bibliothèque Nationale de France, Parigi; collezioni private. Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  4. 4. Biografia (1864-1901) • Henri-Marie-Raymond de Toulouse-Lautrec-Montfa - 24 novembre del 1864, Albi (SW Francia) origini nobili (fino a Carlo Magno) da genitori cugini primi. • Picnodisostosi + infortuni (femore e gamba) = arresto della crescita ossea: «Ho la statura del mio casato». Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  5. 5. Biografia (1864-1901) Henri de Toulouse-Lautrec, Side- saddle (Horsewoman-Mme Victorine Hansman?), 1899, Oil on gouache on board 21 7/8 × 16 3/4 (555 × 425), Tate Modern, London Henri de Toulouse-Lautrec, Il fantino, Parigi, collezione privata, 1899 Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini • Percorso di studi irregolare; lunghe convalescenze in sanatorio; educazione aristocratica • «Tieni sempre a mente, figlio mio, che soltanto la vita all'aria aperta e alla luce del giorno è davvero salutare […] Se un giorno dovessi conoscere l'amarezza dell'esistenza, troverai soprattutto nel cavallo, ma anche nel cane e nel falco, dei compagni preziosi, che ti aiuteranno a superare le tue afflizioni» (Alphonse de Toulouse-Lautrec)
  6. 6. Biografia (1864-1901) • 1882 vocazione artistica: École des Beaux-Arts presso Alexandre Cabanel, poi Léon Bonnat (ritrattista e pittore storico), poi Fernand Cormon a Montmartre (contatti con Vincent Van Gogh e Emile Bernard). • 1884, 19 anni, studio a Montmartre. • Pseudonimo Monfa (Un petit accident, 1883) poi Tolav-Segroeg, infine Treclau (anagramma). Henri de Toulouse-Lautrec, Emile Bernard, 1885. Tate Modern, London Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini Emile Bernard era studente con T.L. e Van Gogh all’Atelier Cormon. Bernard sviluppò, come Gauguin uno stile radicale nel dipingere scene bretoni. Disse che T.L. gli richiese 33 sedute di posa per completare il dipinto, 10 delle quali per lo sfondo. Toulouse Lautrec, Monogramma
  7. 7. Biografia (1864-1901) Henri de Toulouse-Lautrec, Aristide Bruant, 1892 e '93 • 1884 fu lo chansonnier Aristide Bruant a spingerlo a interessarsi delle classi meno abbienti; • Carica trasgressiva di Montmartre = osmosi tra rappresentanti del bel mondo e il demi-monde, tra artisti e gente del popolo, arrampicatori sociali e prostitute (A. Dumas figlio, Le demi-monde, 1855, commedia sugli amori e la corruzione di un ambiente sociale parigino) Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  8. 8. Carriera artisticaLautrec nel suo studio al lavoro sul Ballo al Moulin Rouge • 1888 il pittore belga Théo van Rysselberghe lo invita a esporre con il Gruppo dei XX a Bruxelles (difende Van Gogh). • 1891 il proprietario del Moulin Rouge gli commissiona un manifesto di successo. • 1889-94 Salon des Indèpendents ... • Viaggi in Spagna (El Greco e Goya) e a Londra (Whistler e Oscar Wilde) • 1893 si avvicina al teatro (scene di Fedra con Sarah Bernhardt); prima grande mostra individuale con successo. • 1899 muore prostrato da alcolismo e sifilide a 36 anni. Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini «Lautrec aveva il dono di accattivarsi le simpatie di tutti: non aveva mai parole provocatorie per nessuno e non cercava mai di fare dello spirito a spese degli altri».
  9. 9. Carriera artistica • 20 anni di attività; più di 600 dipinti, dal 1891 al 1901 350 litografie, 31 manifesti e 9 incisioni. • Vita bohémien, ma da professionista (guadagni in un conto separato dalla rendita familiare). • Detrattori: la sintesi bidimensionale e la qualità essenziale del tratto furono talvolta perfino assimilati alla sua deformità fisica: “prigioniero di una formula: gnomo, nano, bohème di Montmartre” (La Depêche di Lione); “Come esistono gli appassionati di corride, di esecuzioni capitali e di spettacoli di questo genere, così ci sono gli appassionati di Lautrec” (Courrier français: 1901). • Promotore: Maurice Joyant, ex compagno di liceo e direttore della Galleria Goupil, sul boulevard di Montmartre; si impegnò a realizzare il Musée Toulouse-Lautrec di Albi (1922 dono opere dalla madre). Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  10. 10. Il dandy • «La nostra epoca non è meno ricca di temi sublimi di quella precedente [...] Ho osservato che la maggioranza degli artisti che hanno condannato i soggetti moderni si sono accontentati di soggetti pubblici e ufficiali [...] Ci sono invece dei soggetti privati che sono molto più eroici di quelli pubblici. Lo spettacolo della vita alla moda e le migliaia di esseri - criminali e mantenute - che galleggiano alla deriva nei bassifondi di una grande città. [...] La vita della nostra città è piena di spunti poetici e meravigliosi: ne siamo avvolti, vi siamo immersi come in una meravigliosa atmosfera, ma non ce ne accorgiamo» (Charles Baudelaire, 1846) Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  11. 11. Tecniche e stile • Apparente spontaneità, ma disciplinata applicazione al disegno (Composizioni oblique = occhiata di traverso) • Degas (inquadrature fotografiche del corpo umano), Cézanne, Renoir, Manet, Bonnard (litografie colorate), Van Gogh (giapponismo); stampe giapponesi e fotografia. • Anticonvenzionale (cartone con pittura a olio molto leggera e spesso tecniche miste, es. olio e pastelli). Henri de Toulouse-Lautrec, La toilette 1889; olio su cartone, 67×54 cm, museo d'Orsay, Parigi Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  12. 12. Stile Oltre l’Impressionismo: • figura in primo piano, ambiente è pretesto per caratterizzarla; • tavolozza essenziale: blu e verdi, contrapposti ai viola ed ai rosa; • disegno e linea = influenzò Liberty; • peculiarità psicologiche; • no pittura en plein air e tempi di esecuzione dilatati. «Solo la figura esiste, il paesaggio non è, né deve essere che un accessorio: il pittore paesaggista non è che un bruto. Il paesaggio deve servire a far comprendere meglio il carattere della figura» (Henri de Toulouse-Lautrec) Oltre il Realismo: «Ho cercato di fare ciò che è vero e non ideale» e «Dipingo le cose come stanno. Io non commento. Io registro»; ma … Precursore dell’Espressionismo: • grafica pubblicitaria d’autore; • sintesi bidimensionale e qualità essenziale del tratto Henri de Toulouse-Lautrec, Ballo al Moulin Rouge 1889-1890; olio su tela, 115×150 cm, Museum of Art, Filadelfia Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  13. 13. Maisons closes Parte di un dipinto più grande “Nel Salon” presso il Musée d'Albi in Francia. • Dai primi anni ’90 dipinti e disegni; vi alloggiava per settimane; prostitute, modelle ideali per disinvoltura; amico e confidente; • studi di donne in pose casuali, in attesa dei clienti; • mai moralismo né sentimentalismo; • simpatia umana, umorismo, malinconia, disillusione, disperazione. H. de Toulouse-Lautrec, The Two Friends, 1894. Tate Modern, London Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini H. de Toulouse-Lautrec, Salon in Rue Des Moulins, pastello su carta, 1894-1895, Musée Toulouse-Lautrec di Albi. Luogo di vita quotidiana. Colore rapido, filiforme, sullo sfondo non copre la trama del disegno a carboncino sottostante. Immediatezza vs. gestazione elaborata.
  14. 14. Locali di Montmartre • Le Divan Japonaise, Les Folies- Bergére, Le Moulin Rouge, Le Mirliton e il Rat Mort; un po’ più in là il Moulin de la Galette (balli sfrenati come la quadriglia e il can can) H. de Toulouse-Lautrec, Divan Japonais 1893; stampa, 81×62,3 cm, Museum of Fine Arts, Boston Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  15. 15. Personaggi del cabaret H. de Toulouse-Lautrec, Jane Avril 1899, Litografia a colori, Bnf, Parigi http://www.janeavril.net/gallery.html Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini H. de Toulouse-Lautre, Jane Avril 1893; stampa, 127,9×91,4 cm, Nelson-Atkins Museum of Art, Kansas City
  16. 16. Personaggi del cabaret H. de Toulouse-Lautrec, La Goulou e Valentin-Le-Désossé, olio su tela, 1895 Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini H. de Toulouse-Lautrec, Moulin Rouge, Louise Weber «La Goulue», Jacques Renaudin «Valentin le Désossé, 1891 La Goulue arrivant au Moulin Rouge, 1892, MoMA
  17. 17. Personaggi del cabaret Ritratti della cantante Yvette Guilbert del 1894, Albi, Musée Toulouse-Lautrec – Manifesto per il Divan Japonais dove si esibisce in guanti neri, 1892-3, Museum of Fine Arts, Boston Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  18. 18. Personaggi del cabaret Ritratto di May Milton, 1895, Art Institute of Chicago – Manifesto per May Milton, 1895, coll. priv. – Foto della ballerina Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  19. 19. Personaggi del cabaret La cantante May Belfort, 1895, Metropolitan Museum of Art, New York – Foto di scena – Miss May Belfort, 1895, Cleveland Museum of Art Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  20. 20. Personaggi del cabaret https://youtu.be/a-EJxn3cfXc Schizzi: Loie Fuller, 1862, Albi, Musée Toulouse-Lautrec Progetto Lezioni Esterne - Liceo "Agnesi" Milano - a.s. 2017-’18 Silvia Caldarini
  21. 21. Accertamento ricaduta didattica Materiali a disposizione: • PPT; • appunti della lezione introduttiva; • opere analizzate in mostra. Sulle star del tempo: • www.dutempsdescerisesauxfeuillesmortes.net • www.aloj.us.es Valutazione formativa: • interesse e partecipazione collaborativa al dialogo durante la visita; Valutazione sommativa: • Kahoot! Progetto Uscite Didattiche 2016-'17 - Liceo "Agnesi", Milano - Silvia Caldarini

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