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Remembering-Forward

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Прэзентацыя была прадстаўленая ў час Форума "Годнае даўгалецце: роўныя магчымасці для ўсіх пакаленняў" (Мінск, 1-2 кастрычніка 2019 года). Форум быў арганізаваны кааліцыяй "За годнае даўгалецце" (coalition-aging.by)

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Remembering-Forward

  1. 1. THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK SOPHIE VOETS-HAHNE / DUESSELDORF DÜSSELDORF Capital of State NRW R E M E M B E R I N G - F O R WA R D
  2. 2. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK OTTO PANKOK AND THE SINTI IN DUESSELDORF AT THE BEGINNING OF THE 1930th YEARS PAPELON GIRLFRIENDS / Gaisa + Ringela EHRA or child with ball
  3. 3. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK „EIN VOLK, DAS SICH SEINER GESCHICHTE NICHT ERINNERT, IST DAZU VERURTEILT, SIE ERNEUT DURCHLEBEN ZU MÜSSEN“ George Santayana, Historiker „A NATION WHO DOES NOT REMEMBER ITS HISTORY, IS CONDEMNED TO RELIVE THOSE EVENTS” George Santayana, historian
  4. 4. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK IMPORTANT FACTOR IN GERMANY – DEMOGRAPHIC CHANGES
  5. 5. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK NO FEAR TO BECOME OLDER (CICERO) / THE NEW FIELD OF GERAGOGICS AND CULTURE
  6. 6. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK COMES FROM THE GREEK LANGUAGE: GERAIOS/GERAROS IN THE MEANING OF „OLD“ AND AGO IN THE MEANING OF „I LEAD“ AND „I SHOW THE WAY“. THE DEFINITION OF GERAGOGIC
  7. 7. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK NO FEAR TO BECOME OLDER (CICERO) / THE NEW FIELD OF GERAGOGICS AND CULTURE
  8. 8. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK REMEMBERING + LIFE'S WORK / RESOURCE-BASED BIOGRAPHICAL WORK „Gedächtnis und Erinnerung sind geheimnisvolle Kräfte. Und die Erinnerung ist die geheimnisvollere und rätselhaftere von beiden. … Das gute Gedächtnis und das schlechte wohnen im Kopf. …. Die Erinnerungen ... wohnen mitten in uns. Meistens schlummern sie, aber sie leben und atmen, und zuweilen schlagen sie die Augen auf. Sie wohnen, leben, atmen und schlummern überall. In den Handflächen, in den Fußsohlen, in der Nase, im Herzen und im Hosenboden. Was wir früher einmal erlebt haben, kehrt nach Jahren und Jahrzehnten plötzlich zurück und blickt uns an. Und wir fühlen: Es war ja gar nicht fort. Es hat nur geschlafen.“ E R I C H K Ä S T N E R in „Als ich ein kleiner Junge war“ „Mind and memory are mysterious forces. And memory is the more mysterious and enigmatic of them. … The good mind and the bad living in the head. … Memories … live in the midst of ourselves. Mostly they are slumbering, but they live and breathe, and at times they open their eyes. They reside, live, breathe and slumber everywhere. In the palms, in the soles, in the nose, at the heart and at the seat of the pants. What we experienced in the past, suddenly returns afters years and decades and looks at us. And we feel: It was not gone at all. It only slept.“ E R I C H K Ä S T N E R in „When I was a little boy“
  9. 9. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK AMERICAN SOLDIERS IN DÜSSELDORF IN APRIL 1945 REMEMBERING + LIFE'S WORK / RESOURCE-BASED BIOGRAPHICAL WORK
  10. 10. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK LIFE'S WORK, LIFE TRAILS AND COLLECTIVE CURRENT EVENTS – REMEMBRANCE WORK + METHODS
  11. 11. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK LIFE'S WORK, LIFE TRAILS AND COLLECTIVE CURRENT EVENTS – REMEMBRANCE WORK + METHODS RESEARCHING THE LIVINGROOM OF THE GRANDPARENTS A PROJECT IN COLOGNE / GERMANY Geneviève Giraux, Grandmother of the Fotograph Nicolas Henry in her Livingroom in Rambouillet, France Source „Kulturräume“
  12. 12. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK CULTURAL GERAGOGICS + ARTISTIC ASPECTS OF BIOGRAPHICAL WORK BY THE EXAMPLE OF ARTIST PAUL KLEE
  13. 13. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK CULTURAL GERAGOGICS + ARTISTIC ASPECTS OF BIOGRAPHICAL WORK BY THE EXAMPLE OF ARTIST YOLANDA VOM HAGEN / „LIFE IN MEMORY“
  14. 14. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK THE SPIRIT OF FRIDA COMING TO REISHOLZ I / SELFPORTRAIT + IDENTITY FRIDA KAHLO, SELFPORTRAIT AT THE BORDER BETWEEN MEXICO AND THE USA, 1932
  15. 15. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK THE SPIRIT OF FRIDA COMING TO REISHOLZ II / CASA AZUL + BLUE
  16. 16. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK „ICH ERINNERE MICH AN JUGEND UND AN DAS GEFÜHL, DAS NIEMALS WIEDERKEHREN WIRD – DAS GEFÜHL, DASS MEIN LEBEN EWIG WÄHREN KÖNNTE, DAUERHAFTER ALS DAS MEER, DIE ERDE UND ALLE MENSCHEN“ JOSEF CONRAD „I REMEMBER YOUTH AND THE FEELING, THAT WILL NEVER COME BACK – THE FEELING MY LIFE WOULD LAST FOREVER, MORE PERMANENT THAN THE SEA, THE EARTH AND ALL PEOPLE“ JOSEF CONRAD
  17. 17. R E M E M B E R I N G - F O R W A R D - THE ROLE OF GERAGOGICS AND CULTURE FOR RESOURCE-ORIENTED BIOGRAPHICAL WORK s o p h i e v o e t s - h a h n e k u n s t Pädagogik + k u l t u r Geragogik I thank you for your attention

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