chinese ceramics

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chinese ceramics

  1. 1. After the invention of pottery in the Neolithicperiod, (5000-2200 B.C.), the ancient Chinesesucceeded in producing painted pottery, blackpottery and carved pottery. The long years ofexperience in kiln firing led China enteringinto a new ceramic age in the Han dynasty(206 B.C.-220 A.D.) Although archaeologicalfinds have revealed that glazed pottery wasproduced as early as the Western Zhoudynasty (1100-771 B.C.), yet the production ofglazed wares was not common until the HanDynasty.
  2. 2. The production of blue and white wares at theend of the Yuan dynasty (1280-1367) and thebeginning of the Ming dynasty (1368-1643)was generally of a poorer quality, possibly dueto the shortage of imported cobalt during theperiod of political instability. In Yung Lo reign(1403-1424), both the potting and glazingtechniques improved and wares attained awhiter body and richer blue than those ofYuan dynasty ware. The underglaze blue ofthe Yung Lo wares and Hsuen Te (1426-1435)wares noted or their rich blue tone.
  3. 3. Throughout the Ming dynasty, dragonand phoenix were the most populardecorative motifs on ceramic wares.Other animals, plant forms, and humanfigures in garden and interior settingwere often used as decors for blue andwhite wares. It has been noted thatafter Wan Li (1573-1620), very fewceramic wares of the Ming dynastybear reign marks.
  4. 4. The fashionable wucai wares of Chia Ching (1522-1566) and Wan Li (1573-1620) periods are usuallyfully covered with colourful patterns. Very often thecolors are a bit too heavy. The colors used includered, yellow, light and dark green, brown, aubergineand underglaze blue. In Ming dynasty, a variety ofporcelain wares were decorated with motifs comingup on colored ground instead. They included wareswith green glazed pattern on a yellow ground,yellow glazed pattern on a blue ground, greenglazed pattern on a red ground and other colorcombinations.
  5. 5. Another remarkable category of coloured wares produced in the Mingdynasty was the susancai or tri-colour. The major three colours areyellow, green and aubergine. Tri-colour wares of the Ming dynastyappeared in the reigns of Hsuen Te, Chia Ching and Wan Li.The peak of Chinese ceramic production was seen in the reigns ofKang Hsi (1622-1722). Yung Cheng (1723-1735) and Chien Lung(1736-1796) of the Ching dynasty during which improvement wasseen in almost all ceramic types, including the blue and white wares,polychrome wares, wucai wares, etc. The improved enamel glazes ofearly Ching dynasty being fired at a higher temperature also acquireda more brilliant look than those of the Ming dynasty.The production of doucai wares in the Yung Cheng period reachednew height both in quantity and technical perfection.
  6. 6. The use of fencai enamel for decorating porcelain wares was first introduced inKang Hsi period. The production of fencai enamel wares reached a maturestage in the Yung Cheng era. As the improved fencai enamels had a widerrange of colours and each could be applied in a variety of tones, they could beused to depict some of the highly complicated pictorial compositions of flowerand plant forms, figures and even insects.Ching dynasty is a period specially noted for the production of colour glazes. Inthe area of monochromes, Ching potters succeeded in reproducing most of thefamous glaze colours found in ceramic wares on the Sung, Yuan and Mingdynasties. In addition, they created a number of new glazes, especially themonochromes. Among them were the Sang-de-boeuf, the rough-pink, the coralred and the mirror black. All these four glazes were invented in the reign ofKang Hsi.Yung Cheng potters invented a flambe glaze know as Lujun, or robins eggwhich was produced in two firings. Another significant colour glazesuccessfully produced by the Ching potter was tea-dust. It is an opaque glazefinely speckled with colours in green, yellow and brown.
  7. 7. When Ming was taken over by Qing (about 1639-1700 AD), and whenQing was taken over by the Republic of China (about 1909-1915 AD),the disturbances in these two periods resulted in the collapse of theofficial kilns. In their places, private kilns were established by theoperators and artists who previously worked in the official kilns. Withtheir expertise, they produced high quality porcelain wares, such as theexport porcelain wares made during the transition of Ming to Qing,which earned a high praise in overseas markets, and the excellentimitations of Sung, Yuan and Qing wares are made during "the earlystage of the Republic of China," which were almost true to the originals.When the war broke out in 1937, triggered by the incident at Lo-KouBridge, all the kilns were closed. The operators and artists weredispersed, and many of them traveled to the south, trying to make aliving. When peace came in 1945, social stability led to the re-establishment of the pottery industry. In this stretch of fifty years to thepresent time, the industry has re-gained its previous glory and isenjoying a growing prosperity. In the past twenty years, the ceramicsindustry has been developing at a quick pace.

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