Inspiring Social Justice Through Theater


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This paper would present the use of theatre as an inspirational and educational tool in promoting diversity and social justice. Web-­‐based courses reach across geographical lines and allow various cultures to come together to discuss, explore and create works that produce change in their community as well as the world. The paper will focus on the creation, process and outcome of two specific courses: Theatre for Social Justice and Theatre of Diversity. The paper will show how theatre reflects social justice and diverse issues and then goes a step further in inspiring students to have a voice.

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Inspiring Social Justice Through Theater

  1. 1. Commonality within Cultural Diversity Experienced through Theater<br />
  2. 2. SYLLABUS<br />the4230 - Commonality within Cultural Diversity Experienced through TheaterHolly McDonald<br />THE 4230 Syllabus<br />PROFESSOR CONTACT:<br />Holly E. McDonald E-mail: hmcdonal@mail.ucf.eduOffice: T207, Main Campus, New Performing Arts CenterHRS.: T/R 11-1<br />COURSE DESCRIPTION:<br />To introduce the universal ideas, images, and myths that inspired the work of diverse theatre artists. The course will look specifically at the cultures that have yielded significant plays/playwrights from the 1950’s to the end of the twentieth century. We will define, discuss, and analyze common themes within the text.<br />
  4. 4. To explore various cultures through theatre
  5. 5. To understand how and why plays can represent/speak for a culture/group
  6. 6. To be exposed to various ideas, values and challenges of other cultures/groups
  7. 7. To gain a respect for the theatre in its role/representation of various cultures and values
  8. 8. Awareness
  9. 9. Tolerance </li></li></ul><li>OBJECTIVES<br />STUDENTS SHOULD BE ABLE TO:<br />Identify the important role theatre plays in supporting diverse communities <br />Identify characteristics, challenges, stereotypes of various cultures <br />Comment with respect and knowledge on diverse plays and the communities they represent <br />Develop an open-minded thought process that allows intelligent conversation to transpire among people with different ideas. <br />Appreciate various types of plays and the playwrights inspiration in creating these works <br />
  10. 10. REQUIRED READING<br /> – Spiderwoman Theater <br />Two Trains Running – August Wilson <br />Tea – Velina Hasu Houston <br />The Vagina Monologues – Eve Ensler <br />Stop Kiss – Diana Son <br />Zoot Suit – Louis Valdez <br />The Girl Who Fell From The Sky - Heidi W. Durrow <br />
  11. 11. GRADING<br /><ul><li>Grades are based on the university plus/minus system. To figure grade at any point, proceed with the following:
  12. 12. Total the number of points earned
  13. 13. Divide by the amount of points that are possible (at that particular point)
  14. 14. This will provide you with a number
  15. 15. Check the following chart:
  16. 16. A 4.00 93-100 A- 3.75 90-92 B+ 3.25 87-89 B 3.00 83-86 B- 2.75 80-82 C+ 2.5 77-79 C 2.00 73-76 C- 1.75 70-72 D+ 1.25 67-69 D 1.00 63-66 D- 0.75 60-62 F 0.00 59-0</li></li></ul><li>ASSIGNMENTS<br /><ul><li>Midterm- 50ptsFinal- 50ptsPosts- 100pstsInterview- 100ptsCrash essay/participation post- 50pts
  17. 17. The Girl Who Fell From The Sky- 50pts</li></li></ul><li>CLASS NOTES<br />This syllabus is subject to change at the discretion of the instructor <br />Violations of student academic behavior standards are outlined in the Golden Rule, the University of Central Florida’s student handbook. <br />Any student in this course who has a disability that may prevent him or her from fully demonstrating her/his abilities should contact Student Disabilities at UCF <br />There are plays and materials that may express adult/controversial themes, as well as, adult/strong language. <br />Assignments must meet deadlines, no late work <br />Please allow 48 hours for an E-mail response <br />Disagreeing is allowed, disrespect will not be tolerated! <br />
  19. 19. Syllabus<br />Course Description<br />PR: Grade of C (2.0) or better in ENG 1101 <br />A study of radical street performance and the impact on the individual, as well as society. We will examine case studies from the following: agit-prop, invisible theatre, demonstrations, rallies, direct action, puppetry, parades, pageants, performance art, guerrilla theatres and circuses- in an effort to an understanding of its full impact. <br />
  20. 20. Course Goals<br />(overarching goals for the course)<br />Researching and using case studies that have served as the impetus for social change, in some cases, history <br />Understanding aspects of actual performance that works in a public (street) venue <br />To contemplate the meaning and create a personal point of view on the meaning of radical street performance <br />To gain a sense of the emotional impact and effectiveness of radical street theatre within a community <br />An awareness of the historical progression of radical street theatre <br />Identify some of the most radical, popular, groups and individuals in radical street performance <br />To develop an awareness of theatre’s impact on society <br />To become aware of the power an individual can have within their community and other communities in need <br />Understand the importance of radical social and political change <br />
  21. 21. Objectives<br />Students should be able to:<br />Utilize theatre as a means of social and political change <br />Effectively articulate their personal point of view on radical street performance <br />Will understand the evolution of radical street theatre <br />Will be able to create an engaging mini/scene script of a radical street performance that will address an issue of concern <br />Will be inspired by theatre and theatre artists <br />Will have an understanding of the impact artists have on social, as well as political issues <br />Will question norms of our justice system and communities <br />Effectively research on case studies involving radical performance <br />Understand the emotional impact of theatre <br />Will be able to discuss specific groups, as well as individuals who have made a significant contribution to radical street theatre <br />Will be able to identify various types of radical street performance <br />Will increase the awareness of special needs in a social or political situation <br />Will effectively create discussions on political and social issues <br />
  22. 22. Required Reading<br />Radical street performance, an international anthology, edited by Jan Cohen-Cruz, Routledge – London and New York, ISBN: 0-415-15231-3 <br />Various online sources assigned in modules throughout the course <br />
  23. 23. Requirements<br />50 points for 9 posts.  All worth 5 points. with post 8 worth 10 points. <br />50 points for 1 play response (play of your choice, with political or social Issues) <br />75 points for one midterm, mini/scene script of your created radical Street performance <br />25 points for 1 case study outline <br />100 points for 1 final <br />Reading assignments of text and links listed throughout <br />