π‘°π’π’‡π’π’“π’Žπ’‚π’•π’Šπ’π’ 𝒐𝒇 π‘Άπ’…π’Šπ’”π’”π’Š π‘ͺπ’π’‚π’”π’”π’Šπ’„π’‚π’ π‘΄π’–π’”π’Šπ’„

S
β€’β€’
Name : Shravani
Shridhar Patil
Class : 8th A
Roll no. : 12
MUSIC PRESENTATION
[ Information of Odissi
classical music ]
ABHINAV ENGLISH SCHOOL[C.B.S.E.]
Odissi Music is ancient and has been
mentioned in the Natya Shastra as
separate branch of classical music.The
traditional music emerged in the halls
of the Jaganntha Temple for the
Lord’s appeasment and usually talks
about religious tales or romance.From
centuries the songs have been passed
from generation to generation in
villages.
ODISSI MUSIC IS A GENRE OF
CLASSICAL MUSIC IN INDIA,
ORIGINATED FROM THE EASTERN
STATE OF ODISHA. THE
TRADITIONAL RITUAL MUSIC FOR
THE SERVICE OF
LORD JAGANNATHA, ODISSI MUSIC
HAS A HISTORY SPANNING OVER
TWO THOUSAND YEARS,
AUTHENTIC SANGITA-SHASTRAS OR
TREATISES, UNIQUE RAGAS & TALAS
AND A DISTINCTIVE STYLE OF
RENDITION.
π‘°π’π’‡π’π’“π’Žπ’‚π’•π’Šπ’π’ 𝒐𝒇 π‘Άπ’…π’Šπ’”π’”π’Š π‘ͺπ’π’‚π’”π’”π’Šπ’„π’‚π’ π‘΄π’–π’”π’Šπ’„
HISTORY
β€’ ODISSI MUSIC IS INTIMATELY AND INEXTRICABLY ASSOCIATED
WITH THE JAGANNTHA TEMPLE OF PURI.
β€’ THE DEITY OF JAGANNATHA IS AT THE HEART OF ODISHA'S CULTURE,
AND ODISSI MUSIC WAS ORIGINALLY THE MUSIC OFFERED AS A
SEVA OR SERVICE TO JAGANNATHA.
β€’ ODISSI MUSIC CRYSTALLISED AS AN INDEPENDENT STYLE DURING
THE TIME OF ODIA POET JAYADEVA,WHO COMPOSED LYRICS MEANT
TO BE SUNG,SET TO RAGAS AND TALAS UNIQUE TO THE LOCAL
TRADITION.
β€’ EVERY NIGHT DURING THE BADASINGHARA OR THE LAST
RITUAL OF THE DEITY, THE GITAGOVINDA OF JAYADEVA IS
SUNG, SET TO TRADITIONAL ODISSI RAGAS & TALAS.
Kabichandra Kalicharan Patnaik
was the man who established the
classical nature of the Odissi
Dance and secured the tag for
it.He also was doing the same for
the music but was pulled down by
som who betrayed him and he
died before he could complete his
second mission.
π‘°π’π’‡π’π’“π’Žπ’‚π’•π’Šπ’π’ 𝒐𝒇 π‘Άπ’…π’Šπ’”π’”π’Š π‘ͺπ’π’‚π’”π’”π’Šπ’„π’‚π’ π‘΄π’–π’”π’Šπ’„
The Gita Govinda was written by the
master-poet Jayadeva,born near
Puru,Odisha.The poet mentions the
suitable Ragas for each of his 24
songs,which indicates a well-developed
musical tradition.The Gita Govinda then
gained enormous popularity and has been
sung repeatedly by stalwarts like MS in
Carnatic styles.It is sung in the temples of
South India in the Carnatic style.
 Jayadeva  The Gita Govinda
Importance of Odissi Music
β€’ Odissi music is the finest reconciliation of harmony with
melody, which suffers no diminution of the essential
quality of the classical music. The individual character of
Odissi Music makes every recital an interpretation and
self-expression. The uniqe identity of Odissi classical
music lies in its presentation with equal importance to
the Odissi dance and its classical ornamentation. Both
Odissi Music and Odissi Dance have retained its
distinctive identity in spite of diversity in languge,
religion, and culture that was brought to Odisha’s
geographical localization by bridging the southern and
nothern section of India.It is ironic that Odissi music
which is soul of Gotipua dance still continue to endure
the debate for its classical status whereas Odissi dance
form has already attained the classical status along
with its contemporary classical dance forms of India.
RAGAS
β€’ Odissi ragas are different from the ragas of
Hindustani and Karnataki classical music. The
primary Odissi ragas are :
β€’ 1]Kalyana
β€’ 2]Nata
β€’ 3]Shree Gowda
β€’ 4]Baradi
β€’ 5]Panchama
β€’ 6]Dhanashri
β€’ 7]Karnata
β€’ 8]Bhairavee
β€’ 9]Shokabaradi.
Musical instruments used in Odissi
β€’ Odissi dance is always accompanied by Odissi
music and with a number of musical
instruments. The musical notes that are
accompanied with Odissi dance are the same
as the music of Odissa itself. There was a
move to classify Odissi as a separate classical
system.
Pakhawaj: Pakhawaj also known as
mridangam is the most common north Indian
representative of the class of barrel shaped
drums known as mridang. Pakhawaj has a
right head which is identical to tabla accept
somewhat larger. The left head is similar to the
tabla bayan except that there is a temporary
application of flour and water instead of the
black permanent spot. It is laced with rawhide
and has tuning blocks placed between the
straps and shell.
π‘°π’π’‡π’π’“π’Žπ’‚π’•π’Šπ’π’ 𝒐𝒇 π‘Άπ’…π’Šπ’”π’”π’Š π‘ͺπ’π’‚π’”π’”π’Šπ’„π’‚π’ π‘΄π’–π’”π’Šπ’„
Manjira: Manjira is known by many names in
India, it is a very ancient instrument. It is also
called jhanj, tala, mondira, (small size) kafi
(large size), or a host of other names. It is
basically a set of small cymbals. It is mainly
used for dance music and bhajans. They are
usually made of brass.
SINGERS
1] Raghunath Panigrahi
SONG : Gita Govinda
2] Balakrushna Das
SONG : Nayane Sunayera
3] Damodar Hota 4]Sangita Gosain
SONG : Mo Kanthe Jagannath
THANKYOU
1 of 18

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π‘°π’π’‡π’π’“π’Žπ’‚π’•π’Šπ’π’ 𝒐𝒇 π‘Άπ’…π’Šπ’”π’”π’Š π‘ͺπ’π’‚π’”π’”π’Šπ’„π’‚π’ π‘΄π’–π’”π’Šπ’„

  • 1. Name : Shravani Shridhar Patil Class : 8th A Roll no. : 12 MUSIC PRESENTATION [ Information of Odissi classical music ] ABHINAV ENGLISH SCHOOL[C.B.S.E.]
  • 2. Odissi Music is ancient and has been mentioned in the Natya Shastra as separate branch of classical music.The traditional music emerged in the halls of the Jaganntha Temple for the Lord’s appeasment and usually talks about religious tales or romance.From centuries the songs have been passed from generation to generation in villages.
  • 3. ODISSI MUSIC IS A GENRE OF CLASSICAL MUSIC IN INDIA, ORIGINATED FROM THE EASTERN STATE OF ODISHA. THE TRADITIONAL RITUAL MUSIC FOR THE SERVICE OF LORD JAGANNATHA, ODISSI MUSIC HAS A HISTORY SPANNING OVER TWO THOUSAND YEARS, AUTHENTIC SANGITA-SHASTRAS OR TREATISES, UNIQUE RAGAS & TALAS AND A DISTINCTIVE STYLE OF RENDITION.
  • 5. HISTORY β€’ ODISSI MUSIC IS INTIMATELY AND INEXTRICABLY ASSOCIATED WITH THE JAGANNTHA TEMPLE OF PURI. β€’ THE DEITY OF JAGANNATHA IS AT THE HEART OF ODISHA'S CULTURE, AND ODISSI MUSIC WAS ORIGINALLY THE MUSIC OFFERED AS A SEVA OR SERVICE TO JAGANNATHA. β€’ ODISSI MUSIC CRYSTALLISED AS AN INDEPENDENT STYLE DURING THE TIME OF ODIA POET JAYADEVA,WHO COMPOSED LYRICS MEANT TO BE SUNG,SET TO RAGAS AND TALAS UNIQUE TO THE LOCAL TRADITION. β€’ EVERY NIGHT DURING THE BADASINGHARA OR THE LAST RITUAL OF THE DEITY, THE GITAGOVINDA OF JAYADEVA IS SUNG, SET TO TRADITIONAL ODISSI RAGAS & TALAS.
  • 6. Kabichandra Kalicharan Patnaik was the man who established the classical nature of the Odissi Dance and secured the tag for it.He also was doing the same for the music but was pulled down by som who betrayed him and he died before he could complete his second mission.
  • 8. The Gita Govinda was written by the master-poet Jayadeva,born near Puru,Odisha.The poet mentions the suitable Ragas for each of his 24 songs,which indicates a well-developed musical tradition.The Gita Govinda then gained enormous popularity and has been sung repeatedly by stalwarts like MS in Carnatic styles.It is sung in the temples of South India in the Carnatic style.
  • 9.  Jayadeva  The Gita Govinda
  • 10. Importance of Odissi Music β€’ Odissi music is the finest reconciliation of harmony with melody, which suffers no diminution of the essential quality of the classical music. The individual character of Odissi Music makes every recital an interpretation and self-expression. The uniqe identity of Odissi classical music lies in its presentation with equal importance to the Odissi dance and its classical ornamentation. Both Odissi Music and Odissi Dance have retained its distinctive identity in spite of diversity in languge, religion, and culture that was brought to Odisha’s geographical localization by bridging the southern and nothern section of India.It is ironic that Odissi music which is soul of Gotipua dance still continue to endure the debate for its classical status whereas Odissi dance form has already attained the classical status along with its contemporary classical dance forms of India.
  • 11. RAGAS β€’ Odissi ragas are different from the ragas of Hindustani and Karnataki classical music. The primary Odissi ragas are : β€’ 1]Kalyana β€’ 2]Nata β€’ 3]Shree Gowda β€’ 4]Baradi β€’ 5]Panchama β€’ 6]Dhanashri β€’ 7]Karnata β€’ 8]Bhairavee β€’ 9]Shokabaradi.
  • 12. Musical instruments used in Odissi β€’ Odissi dance is always accompanied by Odissi music and with a number of musical instruments. The musical notes that are accompanied with Odissi dance are the same as the music of Odissa itself. There was a move to classify Odissi as a separate classical system.
  • 13. Pakhawaj: Pakhawaj also known as mridangam is the most common north Indian representative of the class of barrel shaped drums known as mridang. Pakhawaj has a right head which is identical to tabla accept somewhat larger. The left head is similar to the tabla bayan except that there is a temporary application of flour and water instead of the black permanent spot. It is laced with rawhide and has tuning blocks placed between the straps and shell.
  • 15. Manjira: Manjira is known by many names in India, it is a very ancient instrument. It is also called jhanj, tala, mondira, (small size) kafi (large size), or a host of other names. It is basically a set of small cymbals. It is mainly used for dance music and bhajans. They are usually made of brass.
  • 16. SINGERS 1] Raghunath Panigrahi SONG : Gita Govinda 2] Balakrushna Das SONG : Nayane Sunayera
  • 17. 3] Damodar Hota 4]Sangita Gosain SONG : Mo Kanthe Jagannath