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Europeana Awareness WP2 End-user engagement - Year 1 review slides

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This WP aims to engage both professionals and end users in conversations around new content, functions and features. This WP implements support for the meaningful inclusion of User Generated Content (UGC) in Europeana and of the distribution of Europeana content in external environments. Specifically, we examine the following three types of end‐user involvement:
[1] Adding context such as stories
[2] Contributing content such as photos, videos and private historical documents
[3] Collaborating with the Wikimedia community for contextualisation and user contribution

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Europeana Awareness WP2 End-user engagement - Year 1 review slides

  1. 1. WP2 - End-user engagementJohan Oomen – Netherlands Institute for Sound and Vision February 2013 – The Hague
  2. 2. Videohttp://www.europeana1914-1918.eu
  3. 3. Core WP2 objectivesResearch in end-user involvement that will helpdefine opportunities and challenges for Europeana Create a digital storytelling platform as a new component for the Europeana service.Launch a fixed number of thematic campaigns thateach cover a specific challenge for gathering andlinking UGC to EuropeanaEstablish close collaborations with Wikimedia
  4. 4. MotivationPractices of participatory culture change the waywe interact with heritage. - What models are successful? - What role can Europeana play to foster engagment? ell brown / CC BY
  5. 5. Task 2.1 Operationalise tools toenable end user contributions toEuropeana content.D2.1 User requirements and IPR implications for User Contributed Content in Europeana
  6. 6. Correction Classification and and Tagging TranscriptionCollectionacquisition Co-curation Contextualisation
  7. 7. UGC and Europeana• Classification and tagging • Tagging through My Europeana • Video and picture labeling games (EV2)• Contextualisation • Digital Storytelling Platform • Wikipedia editathons• Collection aquisition (gathering digital objects) • Europeana 1914-1918 • 1989 • Wiki Loves Public Art
  8. 8. • 2012: design and development• Testing: March 2013 (incl. Public Libraries)• Launched as part of the 1989 campaign
  9. 9. Europeana 1914-1918 – From concept to project 2008 - Oxford University & JISC launch the Great War Archive 2010-2011 – Europeana, DNB & Oxford University launch Erster Weltkrieg in Alltagsdokumenten 2012-2014 – Europeana launch a series of initiatives across Europe
  10. 10. Activity in 2012: 19 family history roadshows in 7 European countries 1. Belgium (Ypres) 2. Cyprus (Nicosia) 3. Denmark (Gentofte, Aarhus, Vejle, Copenhagen, Guldborgsund, Roskilde, Herning, Sonderborg) 4. Ireland (Limerick, Dublin) 5. UK (Preston, Banbury) 6. Slovenia (Celje, Maribor, Nova Gorica) 7. Luxembourg (Luxembourg)- 2.575 vistors- 1.700 stories- 21.629 files (of which 3.663 online submissions)
  11. 11. Upcoming roadshows: 2013 26 January – Paphos, Cyprus 25 February – Ljubljana, Slovenia 16 March – Trento, Italy 21 March – Dublin, Ireland 18 May – Vicenza, Italy 2013-2014 France Austria Poland Romania Slovakia Greece Serbia Portugal
  12. 12. europeana1914-1918.eu Online user contributions Browsing
  13. 13. Online exploration of the collection
  14. 14. Europeana 1989 May 2013 international press conference and launch
  15. 15. Task 2.3 Theme-based campaign connecting theEuropeana community with Wikimedia Chapters PR events Editathons Wiki Loves Public Art GLAMwiki Toolset
  16. 16. Wikimedia events
  17. 17. Editathons with Europeana Content
  18. 18. Editathons with Europeana Content
  19. 19. Editathons with Europeana Content http://commons.wikimedia.org/wiki/Category:Europeana_1914-1918Campaign on June 29, 2013
  20. 20. Wiki Loves Public Art (May 2013)
  21. 21. Lessons learned Europeana can serve as catalyst in the GLAM sector • Organise campaigns (critical mass) • Provide tools and lessons learned (blog) Significant interest from the public for ‘participatory’ projects • Participation in 1914-1918 Specificities to work with the Wikimedia Chapters • Mostly volunteer driven • Define activities autonomously
  22. 22. Thank you Johan Oomenjoomen@beeldengeluid.nl

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