Mobile Phones and Interactive Music Systems: History and Forecast

Mobile Phones and Interactive Music
Systems: History and Forecast
Nathan Bowen, PhD
Moorpark College / CUNY Graduate Center
nbowen@gmail.com
January 28, 2014
@ UC Irvine
history of mobile phone music
three histories:
telephone art
mobile music
networked music
telephone art
telephone art
interest in how this communication medium is
different than other available technologies
conversations as opposed to one-way ‘speeches’
(printing press, radio, TV, traditional concerts)
participative media: audience is given a voice
Art by Telephone – Robert Huot (1969)
artist creates context
for visitor to take part
in creative process
telephone used to
make art-making a
social experience
Max Neuhaus – Public Supply I (1966)
radio switchboard
plus callers making
sounds
mixed by Neuhaus at
WBAI, New York
performance space
over large geographic
area
...It seems that what these works are really about is proposing to
reinstate a kind of music which we have forgotten about and
which is perhaps the original impulse for music in man: not
making a musical product to be listened to, but forming a
dialogue, a dialogue without language, a sound dialogue.
Max Neuhaus (1939-2009)
Public Supply I (1966)
Public Supply IV (1973)
Radio Net (1977)
mobile music
mobile music
music on the go
old history – processionals, parades, marching
bands, etc.
instrument is frequently adapted for convenience
with mobile apps, the ‘pocket’ instrument carries on
this aesthetic
Lalya Gaye et al. – Sonic City (2002-04)
Mark Shepard – Tactical Sound
Garden(2007)
networked music
networked music
ability for ‘instrument’ to be played by multiple
people, intercommunication
ability to jam over great distances (JackTrip, The
Sound Wire Project, MUSE)
performer/composer/audience paradigm disrupted
(or not)
emphasis on new instruments, new configurations
League of Automatic Music Composers –
later… The Hub
laptop orchestras and other ensembles
Princeton Laptop Orchestra (PLOrk)
Mobile Phones and Interactive Music Systems: History and Forecast
Jon Thomson & Alison Craighead – Telephony
(2001)
http://www.thomson-craighead.net/docs/teleph.html
Ligna – Wählt die Signale (2003)
http://ligna.blogspot.com/2009/07/dial-signals-radio-concert-for-144.html
Levin et al. – Dialtones: A Telesymphony
(2001)
Ryan and Hays Holladay – Location Aware
Music (2011)
mobile phone orchestras
Michigan Mobile Phone Ensemble
audience participation
Luke Dahl, Jorge Herrera, Carr Wilkerson TweetDreams (2010)
distributed systems
Jesse Allison, Divergence (2012)
1 of 24

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Mobile Phones and Interactive Music Systems: History and Forecast

  • 1. Mobile Phones and Interactive Music Systems: History and Forecast Nathan Bowen, PhD Moorpark College / CUNY Graduate Center nbowen@gmail.com January 28, 2014 @ UC Irvine
  • 2. history of mobile phone music
  • 5. telephone art interest in how this communication medium is different than other available technologies conversations as opposed to one-way ‘speeches’ (printing press, radio, TV, traditional concerts) participative media: audience is given a voice
  • 6. Art by Telephone – Robert Huot (1969) artist creates context for visitor to take part in creative process telephone used to make art-making a social experience
  • 7. Max Neuhaus – Public Supply I (1966) radio switchboard plus callers making sounds mixed by Neuhaus at WBAI, New York performance space over large geographic area
  • 8. ...It seems that what these works are really about is proposing to reinstate a kind of music which we have forgotten about and which is perhaps the original impulse for music in man: not making a musical product to be listened to, but forming a dialogue, a dialogue without language, a sound dialogue. Max Neuhaus (1939-2009) Public Supply I (1966) Public Supply IV (1973) Radio Net (1977)
  • 10. mobile music music on the go old history – processionals, parades, marching bands, etc. instrument is frequently adapted for convenience with mobile apps, the ‘pocket’ instrument carries on this aesthetic
  • 11. Lalya Gaye et al. – Sonic City (2002-04)
  • 12. Mark Shepard – Tactical Sound Garden(2007)
  • 14. networked music ability for ‘instrument’ to be played by multiple people, intercommunication ability to jam over great distances (JackTrip, The Sound Wire Project, MUSE) performer/composer/audience paradigm disrupted (or not) emphasis on new instruments, new configurations
  • 15. League of Automatic Music Composers – later… The Hub
  • 16. laptop orchestras and other ensembles Princeton Laptop Orchestra (PLOrk)
  • 18. Jon Thomson & Alison Craighead – Telephony (2001) http://www.thomson-craighead.net/docs/teleph.html
  • 19. Ligna – Wählt die Signale (2003) http://ligna.blogspot.com/2009/07/dial-signals-radio-concert-for-144.html
  • 20. Levin et al. – Dialtones: A Telesymphony (2001)
  • 21. Ryan and Hays Holladay – Location Aware Music (2011)
  • 22. mobile phone orchestras Michigan Mobile Phone Ensemble
  • 23. audience participation Luke Dahl, Jorge Herrera, Carr Wilkerson TweetDreams (2010)