<ul><li>Created by Amodhi, Andersen, Hannah, Matthew, Sasha, and Yonit.  </li></ul>
Painting
 
<ul><li>only done for the Church. </li></ul><ul><li>almost exclusively about religious themes. </li></ul><ul><li>painted f...
 
 
 
<ul><li>generally painted for wealthy patrons  </li></ul><ul><li>Often not about religious themes  </li></ul><ul><li>Often...
 
 
 
 
<ul><li>Fra Angelico  </li></ul><ul><li>Sandro Botticelli  </li></ul><ul><li>Antonello da Messina  </li></ul><ul><li>Luca ...
 
 
 
 
 
 
Sculpture
<ul><li>Funded by the Church </li></ul><ul><ul><li>No secular sculptures </li></ul></ul><ul><li>Carvings and/supported sta...
<ul><li>Intricate designs around figures </li></ul><ul><li>No emotion on faces </li></ul><ul><li>Religious theme of “Saint...
<ul><li>Secular  </li></ul><ul><ul><li>Unlike the Medieval period wealthy individual were able to support many artist. Dur...
<ul><li>Back to Classical Greek Form </li></ul><ul><ul><ul><li>Realistic and natural  </li></ul></ul></ul><ul><ul><ul><ul>...
<ul><li>While classical sculpture emphasized on perfection, Renaissance sculpture concentrated on realism and humanism </l...
 
 
 
 
 
<ul><li>Romanesque: thick walls, small windows (slits), round arches, columns, low to the ground </li></ul><ul><li>Gothic ...
<ul><li>Organized space mathematically, not by intuition </li></ul><ul><li>Organized around crosses, used math, symmetry, ...
<ul><li>More decorated increasing in the ornate windows and the mathematical planning </li></ul><ul><li>Proportional and o...
<ul><li>Increasing complexity  </li></ul><ul><li>Increasing grandeur and ornate architecture </li></ul><ul><li>Open and or...
 
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Art Of The Renaissance Final 1

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Art Of The Renaissance Final 1

  1. 1. <ul><li>Created by Amodhi, Andersen, Hannah, Matthew, Sasha, and Yonit. </li></ul>
  2. 2. Painting
  3. 4. <ul><li>only done for the Church. </li></ul><ul><li>almost exclusively about religious themes. </li></ul><ul><li>painted for the purpose of conveying a message. </li></ul><ul><li>generally serious and somber. </li></ul><ul><li>generally fairly two dimensional. </li></ul><ul><li>painted with dark colors and rigid lines </li></ul><ul><li>generally painted on a gold background. </li></ul><ul><li>composed mostly of frescoes and temperas. </li></ul><ul><li>less realistic. </li></ul>
  4. 8. <ul><li>generally painted for wealthy patrons </li></ul><ul><li>Often not about religious themes </li></ul><ul><li>Often treated as a collector’s item or as art for art’s sake </li></ul><ul><li>Often lighthearted </li></ul><ul><li>Often painted with bright colors and softer lines </li></ul><ul><li>Often painted with landscapes in the background </li></ul><ul><li>Often painted with new techniques </li></ul><ul><li>In large part oil paintings </li></ul><ul><li>More realistic, but also idealized </li></ul><ul><li>Typically fairly three dimensional </li></ul>
  5. 13. <ul><li>Fra Angelico </li></ul><ul><li>Sandro Botticelli </li></ul><ul><li>Antonello da Messina </li></ul><ul><li>Luca Signorelli </li></ul><ul><li>Piero della Francesca </li></ul><ul><li>Domenico Ghirlandaio </li></ul><ul><li>Benozzo Gozzoli </li></ul><ul><li>Leonardo Da Vinci </li></ul><ul><li>Michelangelo </li></ul><ul><li>Raphael </li></ul><ul><li>Titian </li></ul><ul><li>Tintoretto </li></ul>
  6. 20. Sculpture
  7. 21. <ul><li>Funded by the Church </li></ul><ul><ul><li>No secular sculptures </li></ul></ul><ul><li>Carvings and/supported statues </li></ul><ul><li>Abandoned Greek realism in favor of a more mystical and hieratic style </li></ul><ul><ul><li>Less naturalistic and real </li></ul></ul><ul><ul><li>Abstract detail around simple human form </li></ul></ul><ul><li>Figures </li></ul><ul><ul><li>Frontal view </li></ul></ul><ul><ul><li>Limited expressions </li></ul></ul>
  8. 22. <ul><li>Intricate designs around figures </li></ul><ul><li>No emotion on faces </li></ul><ul><li>Religious theme of “Saints” </li></ul><ul><li>Body not in proportion </li></ul><ul><li>Not free standing </li></ul>
  9. 23. <ul><li>Secular </li></ul><ul><ul><li>Unlike the Medieval period wealthy individual were able to support many artist. During Medieval times majority of the patrons belonged to the church. </li></ul></ul>
  10. 24. <ul><li>Back to Classical Greek Form </li></ul><ul><ul><ul><li>Realistic and natural </li></ul></ul></ul><ul><ul><ul><ul><li>Contrapposto </li></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>Italian for “ Visual Arts” </li></ul></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>A human figure with most of weight on one foot. Shoulders and arms twist of axis from hips and legs to give a more relaxed pose. </li></ul></ul></ul></ul></ul><ul><ul><ul><ul><li>Perspective: </li></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>The use of space to accurately proportion the body. </li></ul></ul></ul></ul></ul><ul><ul><ul><ul><li>Structure: </li></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>From supported structures to free standing structure </li></ul></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>Nude figures </li></ul></ul></ul></ul></ul>
  11. 25. <ul><li>While classical sculpture emphasized on perfection, Renaissance sculpture concentrated on realism and humanism </li></ul><ul><li>Portrayed human emotions and human imperfections. </li></ul><ul><ul><li>Ex: Michael Angelo’s Moses showed veins and defined muscles. </li></ul></ul>
  12. 31. <ul><li>Romanesque: thick walls, small windows (slits), round arches, columns, low to the ground </li></ul><ul><li>Gothic architecture: very tall (emphasized height), large arches, flying buttresses, stained glass, spikes, northern origin, large windows, vast open spaces </li></ul>
  13. 32. <ul><li>Organized space mathematically, not by intuition </li></ul><ul><li>Organized around crosses, used math, symmetry, logic, and patterns </li></ul><ul><li>Inspired by ancient roman buildings </li></ul><ul><li>Emphasized human achievement </li></ul>
  14. 33. <ul><li>More decorated increasing in the ornate windows and the mathematical planning </li></ul><ul><li>Proportional and organized </li></ul><ul><li>Geometry based </li></ul><ul><li>Increase in open spaces and gardens </li></ul>
  15. 34. <ul><li>Increasing complexity </li></ul><ul><li>Increasing grandeur and ornate architecture </li></ul><ul><li>Open and organized space </li></ul><ul><li>Increased patterns and geometric organization </li></ul><ul><li>Increase in intricate artwork to adorn the walls </li></ul>

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