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Turkey dramas in pakistan

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Turkey dramas in pakistan

  1. 1. 
  2. 2.  Urdu1 newly launched entertainment TV Channel with the name of Ishq Mamnu with Urdu Translation. The story of this drama is taken from a novel written by Halit zeya which was performed in modern day acting environment
  3. 3.  The Urdu translation of this Turkish soap is considered to be infectious by its viewers. Some Pakistani writers, directors, and producers take it as a healthy competition, others believe it’s a grave threat
  4. 4.  “Our local production standards are very low; if we don’t raise them then in no time these dramas can eat us up,” says Rashid Khwaja — President of United Producers’ Association (UPA). “However, stopping the influx of foreign content is not the solution,” Khwaja tells The Express Tribune.
  5. 5.  First model, producers hold the rights to the drama and recover the cost after airing them in their own country first. After cost recovery, the drama is available for other countries at a very low rate which is when the profit rolls in. other model is largely practised in India. The channels, instead of producers, invest in a big scale production and become sole owners of the project.
  6. 6.  production houses make serials at the cost price of 0.4 million per episode and sell it to the channel for a profit of up to 0.2 million per episode making the producer’s profit significantly low
  7. 7.  This scenario results in more and more low quality entertainment for the channels. According to the producers the low quality of products is a direct result of a continuous increase in the cost of production but no increase in the selling price offered by the channels.
  8. 8.  not always about the size of a production. “I think the arrival of these soaps should give us a chance to boost our own industry standards,” it’s a pleasant change in time of a vacuum. it’s a matter of taking risks He disagrees with the theory that investing more or giving producers the rights of the drama is going to change anything.
  9. 9.  “The problem is that the producers now rely too much on research to get the ratings and play it very safe; but the ones who takes risks pose a threat to the status quo.
  10. 10.  Renowned Urdu writer Syed Mohammad Ahmed believes that the Turkish soaps are not only a threat to the drama industry, but also to Pakistani culture. This is absolute cheating with the local drama industry!” says Ahmed.
  11. 11.  Better quality programming is being broadcast in Pakistan; however, he also thinks that the rest of the Turkish soaps will not be as popular. Turkish soap didn’t shock him. “It didn’t surprise me at all. ‘Ishq-e- Mamnoon’ is a mega hit all over the Middle East; but to say that more Turkish soaps will have the same impact is naïve because there is a huge cultural barrier that would eventually come in to play,” says Khalid
  12. 12.  Certainly not until or unless a dubbed Pakistani drama is playing in Turkey.” Hussain also added that the cultural similarity is going to cost us.
  13. 13.  “I don’t want to see a future where I am going to do voice acting on someone else’s face; that is simply outrageous!” The drama industry was the only industry that has continuously flourished. “If such serials start running regularly, then there will be no audience for Pakistani content
  14. 14.  Pakistani viewers have expressed varied feelings about airing of Turkish dramas on local TV channels.
  15. 15. 70%60%50%40% Series130%20%10%0% like mixed feelings dislike
  16. 16.  22 percent believe that these dramas have positive 42 percent believe it impacts negatively . 32 percent believe them to make no difference at all 4 percent did not give a view.
  17. 17.  10 percent of the respondents claim that they have watched Turkish dramas. 90 percent claim they have not.
  18. 18.  60 percent claim to watch these dramas on Urdu One 33 percent claim to watch it on Express Entertainment, 4 percent cited other channels 3 percent did not give a view.

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