酷兒音樂是什麼?<br />
為什麼我們喜歡聽特定音樂?<br />魅惑(Enchantment)<br />誰在魅惑?(文本本身的特質?特定文化群體?他者(The Other)?)<br />哪些人被魅惑了(誰在慾望他者)?<br />被魅惑的原因是?(對他者的渴望?想跨...
音樂作為特定文化的再現<br />再現(Representation):Representation is the use of signs that stand in for and take the place of something e...
酷兒是什麼?<br />酷兒(Queer):Queer is an umbrella term for sexual minorities that are not heterosexual, heteronormative, or gende...
性、性別,與性傾向<br />性(Sex):In biology, sex is a process of combining and mixing genetic traits, often resulting in the speciali...
國立中央大學性/別工作室的名稱由來<br />「性/別」的命名反映了我們多年來在女性主義理論上的反思,其中的斜線至少包含四層意義︰<br />性別並非簡單的兩性,而是還有其他可能。斜線畫出了其間曖昧複雜與分裂不穩定的可能,「性/別」因此也指涉了...
也就是說,酷兒音樂正是不服從主流性(性、性別、性傾向)價值規範的文化族群,所再現出的一種社會現實,是任何怪異的、越界的文化表徵。而公諸於世的結果正是不斷的魅惑著不同規範下的文化群體(不論他們察覺與否),展開不同主體間對話的可能性。<br />
中性(Middlesex)、陰陽莫辨(Androgyny)<br />陰陽同體(Androgyny)Androgyny refers to the combination of masculine and feminine characteri...
Cher《Strong enough》<br />Auto-tuned voice, gay men’s favorite, 裝扮比起美感更加的前衛和酷異,女性裝扮、中性男性聲音(或說無性)<br />Kylie Minogue 《Your d...
扮裝(drag)<br />Drag queen:A drag queen is a man who dresses, and usually acts, like a caricature woman often for the purpos...
欲望對象的再現<br />Village People《YMCA》<br />將自我裝扮為慾望的對象。工人、軍警、印地安人、牛仔等等是美國文化中陽剛氣質的象徵。<br />cf. Macho:Machismo, or machoism, is ...
Judy Garland《Over the rainbow》<br />其死導致最大也是最早的同志運動之一,石牆事件(Stonewall  riot)<br />Wicked 《Defying gravity》<br />酷異的女巫遭到迫害的故...
Adam Lambert<br />Freddie Mercury<br />Elton John<br />David Bowie<br />George Michael<br />Ricky Martin<br />Linda Perry<...
相對壓抑,較資本主義的音樂市場,情歌較多,但還是暗藏偷渡了許多性別符號<br />張國榮 <br />張惠妹(偶像為Linda Perry)<br />費玉清<br />潘美辰 <br />蘇打綠 <br />沒有出櫃的歌手?難道真的沒有?還是...
Scissor Sisters《Any which way》<br />《Glee》─跨足電視節目的跨文本、互文性(Intertexuality)<br />夜店文化+舞曲(remix)<br />Lady Gaga《Born this way...
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酷兒音樂介紹

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酷兒音樂介紹

  1. 1. 酷兒音樂是什麼?<br />
  2. 2. 為什麼我們喜歡聽特定音樂?<br />魅惑(Enchantment)<br />誰在魅惑?(文本本身的特質?特定文化群體?他者(The Other)?)<br />哪些人被魅惑了(誰在慾望他者)?<br />被魅惑的原因是?(對他者的渴望?想跨界的潛意識慾望?記憶中的屬性認同?尋求認同的渴望?主體游移的證明?)(最後兩者相對立卻又同時並存)<br />思考:一個台灣人怎麼同時喜歡芬蘭重搖滾樂和美國民謠?(跨國界/跨屬性/跨語言)<br /> cf.《民族主義的魅惑》為什麼使用魅惑來形容民族主義?<br /> 因為我們都有尋求認同的渴望,希望歸於某個群體,來劃分自我和他者。但同 時,我們卻又不斷地在慾望著他者。<br />
  3. 3. 音樂作為特定文化的再現<br />再現(Representation):Representation is the use of signs that stand in for and take the place of something else. It is through representation that people organize the world and reality through the act of naming its elements.<br />文化認同/身份(Cultural identity):是對一個群體或文化的身份認同(感), 又或者是指個人受其所屬的群體或文化影響,而對該群體或文化產生的認同感。<br />cf.身分政治(Identity politics) :political arguments that focus upon the self interest and perspectives of self-identified social interest groups and ways in which people's politics may be shaped by aspects of their identity through race, class, religion, sexual orientation or traditional dominance. Not all members of any given group are necessarily involved in identity politics.<br />
  4. 4. 酷兒是什麼?<br />酷兒(Queer):Queer is an umbrella term for sexual minorities that are not heterosexual, heteronormative, or gender-binary.<br />原指怪異的,無價值的,是貶低性用語。<br />在同志運動者的倡導下反用歧視語作為自我命名(self-naming)<br />cf.「腐女」的自嘲<br />酷兒文化:酷兒群體產生的次文化<br />
  5. 5. 性、性別,與性傾向<br />性(Sex):In biology, sex is a process of combining and mixing genetic traits, often resulting in the specialization of organisms into a male or female variety (each known as a sex).<br />KEY WORD:性交、生物性別(基因、環境、兩性並存)<br />性別(Gender):Gender is a range of characteristics distinguishing between male and female, particularly in the cases of men and women and the masculine and feminine attributes assigned to them. A gender identity is the way in which an individual identifies with a gender category, for example, as being either a man or a woman, or in some cases being neither, which can be distinct from biological sex. <br />KEY WORD:(性別可指生理性,也可指社會性別)男性氣質、女性氣質、跨性別、性別認同(gender role)<br />性傾向(Sexuality):Sexual orientation describes a pattern of emotional, romantic, and/or sexual attractions to the opposite sex, the same sex, both, or neither, and the genders that accompany them.<br />KEY WORD:性向、同性戀、異性戀、雙性戀、無性戀、戀物、動物戀<br />
  6. 6. 國立中央大學性/別工作室的名稱由來<br />「性/別」的命名反映了我們多年來在女性主義理論上的反思,其中的斜線至少包含四層意義︰<br />性別並非簡單的兩性,而是還有其他可能。斜線畫出了其間曖昧複雜與分裂不穩定的可能,「性/別」因此也指涉了「性別」本身內部的多元流動,特別是「跨性別」。<br />「性別」與「性」在這個名稱中合成一體,以表達「性別」與「性」的複雜關連,但是斜線也指出了兩者不可化約為一。<br />斜線同時表達了「性」中有「別」(差異)的概念,指出「性」的多元異質和內部差異,並且還有壓迫宰制關係。<br />「別」就是差異,因此「性/別」也表達性與其他「社會差異」(階級、種族、年齡等)的複雜關連。 <br />※何春蕤教授─《豪爽女人》的作者<br />
  7. 7. 也就是說,酷兒音樂正是不服從主流性(性、性別、性傾向)價值規範的文化族群,所再現出的一種社會現實,是任何怪異的、越界的文化表徵。而公諸於世的結果正是不斷的魅惑著不同規範下的文化群體(不論他們察覺與否),展開不同主體間對話的可能性。<br />
  8. 8. 中性(Middlesex)、陰陽莫辨(Androgyny)<br />陰陽同體(Androgyny)Androgyny refers to the combination of masculine and feminine characteristics.<br />K.D.Lang《Sexuality》<br />水象徵情慾的意象(cf.Rocky Horror show)、中性扮裝<br />Madonna《Vogue》<br />好萊塢的中性裝扮潮流,比起女同志的中性裝扮多了<br />更多嬌媚跟美感,男同志蔚為經典<br />Julie Andrews《Victor and Victoria》<br />第十二夜的仿製,Julie Andrews東山再起之作<br />Bee Gees《Too much heaven》<br />Prince《Kiss》<br />男性以假音唱情歌以及迪斯可樂曲在70年代很受歡迎<br />Cf. 足球尤物和第十二夜:「陰陽同體打破了性與性別的一致性……性慾是流動的……一個人唯有具備雙性的特質才是完整的」<br />
  9. 9. Cher《Strong enough》<br />Auto-tuned voice, gay men’s favorite, 裝扮比起美感更加的前衛和酷異,女性裝扮、中性男性聲音(或說無性)<br />Kylie Minogue 《Your disco needs you》<br />刻意嬌柔女性化的歌聲,電子音,酷異的裝扮,性解放<br />Jessie J《Do it like a dude》<br />Auto-tuned voice, masculine accessories <br />Lady Gaga《You and I》<br />Creating two figures of opposite sex,<br />酷異外表最大代言人,<br />歌曲有較強烈訴求《Born this way》<br />後現代的性別操演<br />
  10. 10. 扮裝(drag)<br />Drag queen:A drag queen is a man who dresses, and usually acts, like a caricature woman often for the purpose of entertaining.(Tom Boy, drag queen)<br />Queen《I want to break free》<br />Freddie Mercury, masculine gay man who drags.<br />4 non blonde《What's up》<br />聲音上的扮裝(搖滾)(也可視之為Androgyny)<br />《Go West》(Priscilla queen of the desert)<br />翻唱同志經典GoWest(Pet shop boy),直接以女性裝扮唱<br />《I will survive》(Priscilla queen of the desert)<br />扮裝皇后無法以女音歌唱,因此有Divas(女神,泛指歌聲宏亮動人的女歌手,通常為黑人),同志偶像Gloria Gaynor就是其中代表之一<br />
  11. 11. 欲望對象的再現<br />Village People《YMCA》<br />將自我裝扮為慾望的對象。工人、軍警、印地安人、牛仔等等是美國文化中陽剛氣質的象徵。<br />cf. Macho:Machismo, or machoism, is a word of Spanish and Portuguese origin that describes prominently exhibited or excessive masculinity.[1] As an attitude, machismo ranges from a personal sense of virility to a more extreme male chauvinism. Characteristics include domineering, fierceness, bravado, etc., in ways that are showily and histrionically tough.<br />Pet shop Boy《Domino dancing》<br />凝視/被凝視對象的轉換,性別符號,歌手歌聲的androgyny<br />
  12. 12. Judy Garland《Over the rainbow》<br />其死導致最大也是最早的同志運動之一,石牆事件(Stonewall riot)<br />Wicked 《Defying gravity》<br />酷異的女巫遭到迫害的故事,在百老匯大受歡迎<br />Billy Elliot the musical《Electricity》<br />Diana Ross《I’m coming out》<br />Aretha Franklin ft. Eurythmics 《Sisters Are Doin' It For Themselves》<br />女性的樣貌多元化<br />Barbra streisand《Don't rain on my road》<br />Joss Stone《It's a man's, man's, man's world》<br />白人“反串”黑人,女人抗議男人<br />Alanis Morissette<br />西方目前女性歌手普遍都有具代表性的反男性傳統沙文主義的歌曲,包括Rihanna, Lady Gaga, Katy Perry, Kelly Clarkson, Beyonce,Britney Spears, <br />勵志歌曲,認同的對象,女性主義,同志國歌<br />
  13. 13. Adam Lambert<br />Freddie Mercury<br />Elton John<br />David Bowie<br />George Michael<br />Ricky Martin<br />Linda Perry<br />K.D.Lang<br />Lady Gaga(Bisexual)<br />Madonna(Bisexual)<br />為什麼出櫃的女同志流行歌手比較少?<br />出櫃流行歌手<br />
  14. 14. 相對壓抑,較資本主義的音樂市場,情歌較多,但還是暗藏偷渡了許多性別符號<br />張國榮 <br />張惠妹(偶像為Linda Perry)<br />費玉清<br />潘美辰 <br />蘇打綠 <br />沒有出櫃的歌手?難道真的沒有?還是不敢出櫃?<br />華語歌<br />
  15. 15. Scissor Sisters《Any which way》<br />《Glee》─跨足電視節目的跨文本、互文性(Intertexuality)<br />夜店文化+舞曲(remix)<br />Lady Gaga《Born this way》<br />後現代多元發展─藝術化、符號化、商業化<br />

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