Foo fighters the colour and the shape

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Foo fighters the colour and the shape

  1. 1. Verse SlowlyJ = 60 bmd tacet tlolf WordsandMusicbyDavidGrohl,NateMendelandpatSmear G r l j -E- know all of Rhy. Fig. I that we've shared, _ Gtr.1 (elec.) Bm C e e B b m + = = t-{tt E l=I l I've _ nev - er bee q e *_te r e 1 - - Je e drums enter I'll - meel End Rhy.Fig. I 2 . 1 wish Verse bassenters Gtr. l: w/ Rhy. Fig. I G *Gtr.2 (elec.);Gtr.3 (acous.) A"Rsh,s'",,8"1H1,8l{,-'H1,ihibl#{Bft!h:ffi:6ff[ffi$:f,soNG -
  2. 2. [- was - n't Uh huh, Gtrs.1,2& 3 pared. - m y _ qulte -' me up_ there. Gtrs.1& 3 a a r l g u + ' + e J my - bad luck, you-
  3. 3. MonkeyWrcnch Wordsand Musicby DavidGrohl,NateMendeland pat Smear DropD Tuning: O = n @ = r @ = u @ = o @ = c @ = o Intro FastRock) =174 Gtr. 3 (dist.) B5 Riff A Gtrs.l &2(dist.) Verse E5 RI'TT f-at Tt ffitr-]fTTt r l t D5F{s E5 D-<E_i i-. End RifT 'aJ3 tI End Rhr. Fig. i D5 E5 D.5E.<D: EndRhr.t ig,I : ' { i t =T = t = l. What have we done with 2. A11 this time to Rhy.Fig.2 make - a mends. no - cence? Gtrs.1& 2 -T| 4 = r a-.-J --J It dis ap peared with time, _ it What do you do _ when all _ your made much sense. mles - are friends? nev er e n e Bs Ff5 E5 D5 E5 D5 E5 D: Ad o les cent res - i dent. Now and then _ I'll try __ to bend. O 1997EMIVIRGINSONGS,lNC.,M.J.TWELVEMUSIC,FLYINGEARFORMMUSICandRUTHENSMEARMUSTC(BMt) AllRightsfor M.J.TWELVEMUSICand FLYINGEARFORMMUSICControlledandAdminisreredby EMtVtRGtNSONGS,tNC All Rightsfor RUTHENSMEARMUSTCAdministeredby BUG MUSTC All RightsReserved InternationalCopyrightSecured Used by Permission
  4. 4. D5 E5 D5 E5 D5 Wast-ing an oth - er Un der pres sure. night on wind, up plan ning snap ping in the end. - P.M Pre-Chorus N,C. D5 E5 D5 E5 D5 One in ten. _ D5 E5 D5 E5 D5 E5N.C. D5 E5 Gtr.2^ D5 E5 D5 E5 D5 ,TD W (cont. in notation) l a (Gtr. 2 cont. in slash)
  5. 5. t L- -=- t f*w'r i t I = 4.J i l T . + =f+ Rhy.Fig.3A Gtrs.I & 2: w/ Rhy.Figs.3 & 3,{, 2 times N.C. 85 Gfs E F f E C 5 leave - than suf _
  6. 6. N.C. 85 ro (r@ t Inrentrde crn r & 2:w/Rhv.Ft l.2 rime ck :r:!/ Fnr4.rrJ{ine F I E F I E ' 5 8 D5E5 E5Ft5 tl 4 6' 6. = B5 c5 '::- 7 m- = . 1 . I
  7. 7. F#5 (cont. in notation) iA /4,.1'i A /l Gtrs. 1.2 & 3 E5FfsE5FfsE5 Ffs E5 C5 m- -/ --/- a ^AA,.L.l Aa Verse Gtrs.1,2 & 3:d Rhy.Fig.1,4 times B5 D5 E5 D5 E5 D5 3.One B5 last thing be - fore nev - ef E5 want ed a n - y m o r e t h a n D5 E5 D5 E5 D5 re - mem ber ev - 'ry sin gle D5 E5 D5 E5 D5 I could fit in to my B5 word B5 you said, and shitthe some - how E5 long with Gtr.3:w/Fill3 ir! stiu, D5 E5 D5 E5 D5 thing thal me slnce I was al ways caged and there's one Pre-Chorus com - forts D5 E5 I'm D5 E5 N.C. )< - D5 E5 D5 E5 D5 N.C. Gtrs.1,2&3 10
  8. 8. D5 E5 D5 E5 D5 N.C. E5 E5 D.S.al Coda D5 E5 D5 E5 D5D5 E5 Gtrs.2& 3^ ,TT) W)(Gtr. 2 cont. in notation) (Gtrs.2 & 3 cont.in slash) fi coaa Outro Gtrs.1& 2: w/ Rhy.Fig. l, 3 times Gtr. 3: w/ Riff A, 3 1/2times B5 Don't wan na Don't wan - na Don't wan - na b e - be- Fall Fall Gtr. 3 tacet Ffs E5 fal1 D5 E5 D5 E5 D5 fall Fil5 b e - your mon - key Ffs wrench. - E5 (Fall I out. B5 )e out. B5 I out.) your mon, key wrench.- wrench.- ln, wan - na b e - mon- key wrench. N.C. Ff 5 C5E5 E5 D5 E5 D5 D5 E5 D5 E5 D5 Ff5 1 1
  9. 9. H"y, Johnny Park! Words and Music by DavidGrohl, NateMendeland pat Smear DropD Tuning: O = E @ = o @ = s @ = o @ = c @ = n lntro Moderately SlowRockJ = 85 Gtr.3{disr.)., ^ Lr (orumsJ EsD5EsFfl5 G5 D5 D5 E5 D5 85 @ 1997M.J'TWELVEMUSJC,FLYINGEARFORMMUSICand RUTHENSMEARMUSTC(BMt) All Rightsfor M.J'TWELVEMUSICand FLYINGEARFORMMUSICControlledandAdministeredby EMtVtRGtNSONGS.tNC All Rightsfor RUTHENSMEARMUSTCAdministeredby BUG MUSTC All Rights Reserved IntemationalCopyright Secured Used by Permrssbn E5 D5 E5 Ff5 G5 1 2
  10. 10. - tryp *vol. swellsthrouehout 's- col - ors. Ev - 'ry-thing - fades- this beau - ti - ful bruise - time;- it's true.- l. Come.and I'll (c -l tclem) ryp rypryp Bm A Asus4 l e t r i n g - - - - - - i - tryp ,tlp ryp 1 3
  11. 11. 2. Wish that I - had - an - oth er 3. Your eyes still re - mind _ me _ of P.M.- . simile on repeal P . M . . '-=--.=-O - rlp stab at the - un - der - cov an - gels that hov - er - a -ryp - n w Was it a eyes that can +Two gtrs. an. for one. a . - r y p
  12. 12. E5 E7 r D5E5D5E5 E7 E5 D5E5 E7 A ?- '=--== l a r ; n n ! - I - nlp in mind from blind for to you? blue. Chorus Gtr. J tacet G5 - Ri1. Fig.1 rm pos ble. - Gtrs.I & 2: w/ Rhy.Fig. 1,2 times,simile G5 You'll - nev er know., ,-.: II t f 2. t----- lng you out?- _-j let tt out. End Rhy. Fig. I and -Am watch - G/B your F5D5 e t, I - e + e 7 r a 1 5
  13. 13. E5 D5 E5 D5 A5 a..lA,l E5D5Es Ff,s = 4 ! ' - 1C'
  14. 14. i/i!.1'i'i/Li /! that I've - found - m y _ long - be I'd share a t t 3 2 = 7 a a , - J - J t 1 7
  15. 15. A5 with you. ble. can't ,'-------- End Riff A 1 8 Rhy.Fig.2 End Rh.r-.Fig. 2
  16. 16. cEiI&a-r/lbr-ft:l.f Eh Gtr.f: u/ RiFA I ln' G5 a You'll- nev - er Sit- and- watch- End Rhy. Fig.3 Gtr.3: W Riff B, 2 times GtIs.I & 2: w/ Rhy.Fig.3, 1 1/2times Gtr.3 tacel C5 1 9
  17. 17. |ltly Poor Brain Words and llusic by David Groht, t{ate Hendel and pat Smear Gtr.3: CapoIX Intro ModerateRockJ=126 *Gtr.I -, ^ /-r^^ , I,L. Gtr. 2 (elec.) mf 'cresc w/ dist.1661. w / b t r . , , . *Two gtrs.arr. for ole through next 6 meas. pitch: Ff x*chord is herd over from "Hey, Jonny prk!" tMicrophonic fdbk., not causedby string vibratron. 3 T T @1997M'J'TWELVEMUSIC,FLYINGEARFORMMUSICandRUTHENSMEARMUSTC(BMt)AllRightsforM'J'TWELVEMUSICandFLYINGEARFORMMUStccontrorLJandAdministeredbyEMtvtRGINsoNGS,tNc. ^,,"flL[,n#:itr"1,'ii,',];y,iil3yr:,,,?,fis:l"i:i*yJy$g:, +l 112 - a ^ a f W bar Hann.+l l/2 pitch:G{ pitch:D r a ^ a A ^ , r faaaa ^ ^^ ^a -------/ w/ bar fa ^^ ^^a^ ^a pitch:D ffSlide andtapw/ edgeofpick. MostnoresarelocateoJart'i."tUoa.o r A ^ ^ ^ ^ a 20
  18. 18. co.ztu"'")ffi fm^m^)/mf b m m Gtrs.l&2tacet **(E) Rhy.Fig.1 **Symbolsin prenthesesrepresentchordnmes respective to capoedguitaranddo notreflectactualsoundingchord. Gtr.3:WRhy. Fig.l,3 2/3times Gtr.4:w/ Rhy.Fig.lA,4 times XCf F# (E) (A) l Real life - is so - 2.When you - are so - hard, far, *Symbols in pre.ntheses representchord nmes respective to capoed guitar. Symbols above reflect actual sounding chord. Ff,sus4 Ff (Asus4) (A) (Asus4) Ffsus2Cf (Asus2)(E) (A) (Asus2) EndRhy.Fig.l Rhy.Flg.1A EndRhy.Fig,1A 'air signature denotes C{ Mixolydian. Ff sus4 (Asus4) That's where_ Lose all - Ff (A) Ff (A) we I'm hide - in fall - ing Filsus2Cf (Asus2)(E) Ff sus2Cf (Asus2)(E) Ff (A) our my Ff,sus4 (Asus4) (Asus4) Rhy.Fill 1 ff Chorus Gtr. 3 tacet cf5 End Rhy.Fill 1 F# (A) Ff (A) A a- B5 E 5 D f s l-:. -?- ,TT M 4a i a I rrti. is loco w/ slight dist. fitch: Af 'mrrqbmr ffrL a black 21
  19. 19. lr go to aste. c{5 I want to det [. Some times 2. Sonie - times Rhy.Fig.2 Gtrs.I & 2: W Rhy.Fig.2 Gfs get-tin' stuck I could change. To Coda Q I5ma loco pitch:A{ xmicrophonicfdbk l l . feel wish I'M that B5 ,+ +- be I tween the can't save hand - shake you from my and the fuck. _ poor EndRiffA Gtrs.I & 2:w/RiffA,2times N.C.(Cf7) ,--i v I ' 22
  20. 20. Interlude Gtrs.3 & 4: w/ Rhy.Figs.I & lA, 2 times F# (A) c# (E) Ffsus4 (Asus4) Ff, Ff,sus2 (A) (Asus2) -----:.=- -'''''.'''.'''- End Rhy.Fig.3 - - 6 : i l z *fdbk. pitch: D *microphonic fdbk Gtrs.1& 2: w/ Rhy.Fig.3 cf (E) Ff (A) Fflsus4 (Asus4) Ff, Ff,sus2 (A) (Asus2) ,-''''''''.'.- A t ,-,,---= -erse Gtrs.I & 2: w/ Rly. Fig. 3,4 times Gtr.3: w/ Rhy.Fig. l, 3 2/3times Gtr.4: w/ Rhy.Fig. 1A,4 times cf (E) 3.You've Ff (A) Fflsus4 (Asus4) Ffisus2 (Asus2) Ffsus2 (Asus2) / t /^ t- got _ o n _ Ff (A) Ffsus4 (Asus4) Ff (A) A t head -got 23
  21. 21. E head - and )'our_ -'---..-.- cf (E) D.S. al Coda (take 2nd ending) Ffl (A) Gtr. 3: w/ Rhy. Fill I Ffsus4 (Asus4) same_ the - ---;=..-.-=- steady gliss @ coda Gtrs. I & 2: w/ Riff A, 2 times Grr.4: W R}ly. Fig. lA, I l/3 times *fdbk Outro Gtr.4: w/ Rhy.Fig.1A,lst 2 meas. N.C.(Cf7) 8 v u . . . . . . . . . . ,
  22. 22. Intro ModerateRockJ=128 w/ signal noise & effects, next 5 meas Words and Music by DavidGrohl, NateMendeland PatSmear I 1 3 4 1 3 4 Wind Up *Gtr.2 (dist.) -. band tacet N.C.(B5) drums enter N.C.(B5) B5 Rhy. Fig. 1A A5 A#5Bs As B5 Rhy. Fig.2 As Afs Bs As A5 I / Af5 Bs Af5 A5 fTT)" n W ) End )t ,rnw)Rhv. Ds/A A5 End Rhy.Fig.2 / / A 1A !. IFig. D5/ hy. Fig. I/ Rhy. FitEnd *Two gtrs. an. for one Dassenters D5iA II / f Af5 85 A#5A5 W) *Two gtrs. m. for one @ 1997M.J.TWELVEMUSIC.FLYINGEARFORMMUSICand RUTHENSMEARMUSIC(BMl) All Rightsfor M.J.TWELVEMUSICand FLYINGEARFORMMUSICC,ontrolledand Administeredby EMI VIRGINSONGS,INC AJIRightstor RUTHENS#EARMUSICAdministeredby BUG MUSIC All Rights Reserved lnte"rar€y'€. Cooynght Secured Used by Permission 25
  23. 23. the belt _ the shelf? - or of bat back a be Verse Gtr. l: s/ Rhr- Frg, l-{ _rtim B5 have I Af5 Bs Afs 45 hand you've been dealt. _ shar - ittg a cell? _ choice be - tween _ the hap - py on _ the As Afs 85 each time I hear a - bout_ the Will you be hap - py when we're spare me con - fes - sion, it's con fes - sion you sen._ Spare me the ques - tions since you know me so wen._
  24. 24. Gtr. 2: w/ Rhy. Fig. 2, simile B5 Afl5 Af5 Af5 A5 D5/A don't mind- 'cause get shy- and catch up! choke up! Chorus B5 Want a Rhy.Fig.3 Grs. 1& 2: w/ Rhy.Fig.3 B5 song that's in del i - ble,- like E,bsD5 hope you nev-er see me wind up. End Rhy.Fig.3 Eb5D5 hope you nev-er see me wind up.What is wrong with this an Bridge _ G 5' : l i t . ) Ffs/c+ Ff5 F#5 E5 Fs Ff,5 - - J A5 j l. ; I i: ru1'.rig.r End Rhy.Fig.4 27
  25. 25. Crt. I & l: q Rir F:g. +- I lc_< G5 Ffs ,A5 Ff5 Es Fs F#5 A5 F#sE5 Fs Ff5 45 F#5E5 F5 Fil5 As Ff5 Es F5 FfS F#sEs FsFfs End Rhy. Fig.5
  26. 26. A5 Fls E tt Fl5 A 5 F l s E F F l s A5 FI5 E5 R' FIs A5 Ff5 E F5 Fis a AA a'i'rf/i'<l'a,t! Gtr.3 tacetGtr. 4: W Fill 1 B5 r ) l , I a f D5/A A'5 I It l / / 29
  27. 27. Verse Gr. l -{_i )< D-<_{ T 3 . M v Gtr.2: w/ Rhy. Fig. 2 B5 Afs A5 D5/A Gtr.2:W Rhy.Fig.1.A Gtr.2: w/ Rhy.Fig.2 Ds/A 85 As Af 5 B5B5 45 Af5 85 A5 Ail5B5 Af5 A5 Af s 85 A{5 A5 D5/A As I'll bite the bul let, take the beat ing I take it all an y - way. What was I sup-posedto say? -x s R:r Ftg . B-5 x ) < ne! Outro-Chorus Gtrs.1& 2:w/ Rhy.Fig.3,2 times B5 Want a songthat's in del back Eb5D5 hope you nev er see me wind up. 30 Eb5D5 What is wrong with this an ble, - like man ri - ble. I hope you nev-er see me wind up.
  28. 28. Verse Slowly) =72 C t 3 4 2 1| t 3 4 2 11 3 2 t 4 G h / Ab / ? are still - a ,-n^F) n ) n ) n D r n ) . - t - a _., the two - 7 - V - back Up in Arms Words and Music by DavidGrohl, NateMendeland Pat Smear C G / B A m c rex,, .#tlr,. oE-.r,, -ri'Tl -+ift '*i+ -+f" dF. ri+rri r+i-rr rrH, roTI Am7 L ffi-rTrn 2314 F Ab Copen F q-$r*'. Tii ffi ffi E4t+-TTI-N IT-TFI 'fl TT] - l Gtr.I I l-l t c t e a n ) l / / / / / Gtr. 2 (clean) ) - t -t / / / / let ring - , let ring Chorus F|0 ' l ' r l| 1 l I / //7 -J -------- letring - _ _ i @ 1997M.J.TWELVEMUSIC.FLYINGEARFORMMUSICandRUTHENSMEARMUSIC(BMl) A!rRightsfor M.J.TWELVEMUSICand FLYINGEAFFORMMUSICControlledand Administeredby EMIVIRGtNSONGS,tNC. All Rightsfor RUTHESt.r=AHr,!USICAdministeredby BUG MUSTC A1iRrghtsRese".,a: -:3-,-era. Oe:_t-g-: Securec Jsecjov permissron 31
  29. 29. E @ open t r q - who left - yoil-r Al - ways com-ing back, _ letring - _ i / e girl.- - a , a a - - e FasterJ = 167 ot- ott - (cont.in slashr rJ--r I can - not for F r) A b are still - my friend. , this love - could end. Rhy.Fig. n C ) ) ) A b of it as one_ a for you - to galn. _ mend. - r-J-- r Verse c Rhy. Fig. I G/B **mrTn m[Tl1 mfm mD1 2. The rain - 3. To-geth the two - ly heart, is here,- er now,_ and you,- my I don't- know D1 W) W)Da1 mD1 us are falls - a 32
  30. 30. Chorus F Rhy.Fig.2 Ab copen who left - you. - Al-ways com-ing back, I can - not for get - you, girl. fTD TTN TTT TTN l r . c open / / Guitar Solo Gtrs.I & 2: w/ Rhy.Fig. I C G/B End Rhy.Fig.2 / / J J /' J^J / a,i,.l,i,i,.l,rt coPen f ) l f / fTD fTD fTD fTN fTD IN ITD fTN *Refersto Gtr. 1only hold bend
  31. 31. F .AAA,iAAA..|A' Outro-Chorus Gtrs.1& 2: w/ Rhy.Fig.2, I 3/4times F who left you. Al,ways com-ing back, I can not for get you, = Now I am 2 . A b l l rl l / / r 3 T t - 4 J --- anns a galn. _
  32. 32. Words and Music by DavidGrohl, NateMendeland Pat Smear ItlV Hero Cf;5 x xxx lf|lll4fi TfIIITT.TI-T1 E5 o xxxx rrrm ffi ffi I Intro----Moderately FastRock J Half-Time Feel f let ring throughout Rhy. Fig. I f let ring throughout cf;s/G# N,C. {> End Rhy. Fig. l 'l=- --- -_--- e 1997M.J.TWELVEMUSIC,FLYINGEARFORMMUSICand RUTHENSMEARMUSIC(BMl) All Rightslor M.J-TWELVE MUSIC and FLYllrlG EARFORM MUSIC Controlledand Administeredby EMI VIRGIN SONGS, lNC. All Rightsbr RUTHENSMEAR MUSIC Administeredby BUG MUSIC Af FUglilsReserued herdind Copyl;ltt Seored Used by Permission (cf5) = 154 bassenters N.C.(E5) Gtr. 1 (dist.) (cf,s) (Es) 4--' (cfs) Gu.2 (dist.) | 2 .l l . A5E5 35
  33. 33. Verse Gtr.3 (dist.) Grr. l: s Rhr. Fi_g.1.-l iime: Gtr. I tacet E5 a the i,o bleed a - bout. lt out _ 1. Too 2. Don't RiITA f Gtr. 3: w/ Riff A, 3 times E5 cf,5/G+ down - them - out. I out? l and shake it pe ter Take your pic - tures while the rest- of se - quence, Gtr. 3: w/ Fill 1, lst time Rhy.Fig.2 Gtrs. 2 & 3 cf s/G# i t a Watchhim 36
  34. 34. N.C. EndRhy.Fig.3A Rhy.Fig.3 L /^ t Gtrs.2 & 3:w/ Rhy.Fig.2 A5 N.C. Grs. 2 & 3:w/ Rhy.Figs.3 & 3,A,lst & 2ndtimes Gtrs.2 & 3:w/ Rhy.Figs.3 & 3.A,lst 2 meas.,3rdtime N.C He's or y . _ ToCoita2S To CodaI $ N.C. = e (Gtr. I cont. in slash.2nd time) 37
  35. 35. . Interlude Gtr. -1racet E5 e . t . ) Grr.1 - ^ r = - - - . . - / / c#5E5 li )'-')'- I ,, cf,5/cj-___ Verse Gtr. 2: w/ Rhy. Fig. 1, 2 times Gtr. 1 racet E5 c{5/G# T 3.Ku dos, my - he 38 )I DESt.
  36. 36. w/ Riff B D.S. al Coda I ]'az 'lzzart'- z/t/ O coda I Gtr. 3 cfs/c{ D.S. al Coda 2 2e 2e az? /22/:r cf 5/Gf, FreeTime Gtr. I tacet , t - t A'== ; , : - : t : Z l ' - = iGri - J + -€_ e € >- - - - - = - - - ' - - . - e' 39
  37. 37. G t r s . l & 3 ; T u n i n g : O = o @ = o @ = u @ = o @ = c @ = u Intro ModeratelyFastJ band tacet A7 SeeYou Wordsand Musicby DavidGrohl,NateMendeland pat Smear sus2 A7 DaddlI G#7 F7 El p'" @'"@*"W ry*- :-]- tTfrr fTTI]-n aTTrn 1 3 4 2 1I l 3 4 l | 1 3 4 2 1I l 3 1 2 l t 3 1 2 * Ve.se =roorjl J)l w C7 aT:T-a 8 fr |mml.mmm .r. n ffi 1.,3.These 2. These how good it is Riff A marked re - tum _ take don't get _ see_ you, to me I wish you One thing is simile on repeats send a n y for _ ther from my my F 7 + o n - l y k n e w _j al ways true; ) Gtr.2 (elec.) End Riff A mf wl cleantone & Leslie effect let ring throughout @1997M.J.TWELVEMUSIC,FLYINGEARFORMMUSICand RUTHENSMEARMUSTC(BMt) AllRightsfor M.J.TWELVEMUSICand FLYINGEARFORMMUSICControlledandAdministeredby EMtVtRGtNSONGS,INC All Rightsfor RUTHENSMEARMUSTCAdministeredby BUG MUSTC All RightsReserved InternationalCopyrightSecured Usedby Permission self. - self. - (cont.in slash) 40
  38. 38. n^w N^fTT N^fTT oiHo2rr fi,TJ*,' A7 r l-l l-T-i r i-i -r-i r / | J^/ / / J / J /^/ / J / / N^TTT 8nd Rhy. Fill I w Rhy. Fig. l -i / I /^/ / / / .n^rTT) ,N^TTT End Rhy. Ifg.1
  39. 39. F7 ) E7 n^fn ) to, - i /^l ) I ) / 2 . A7 -- - -t l l t / ^ / l / / / x / ^ / / / / *Let chord ring through first meas. of repeat. l l l l j l t l l t ll / / l l / ) ) ) / / Bridge G7 * c t r s . r * : l | | | |( e r e c . ) / / / / / C */.1.- ron. C7 G7 , - - l - 1 | | | | |/ / / / l.- / / / / / / ) )n^fm )
  40. 40. . D.S. al Coda Gtr. 3 tacet A7 ? Gtr.rt/ hmd claps E7 , t ' rrt, nt. F7 ) ) ) ) ) ) ) ) $ coaa Gtr.2: d Riff A A7 sus2 Daddll l t 6 . niHl'rr ,n^W) W{TD fTT)^fT) see_ you' you. Gtr. 1: W Rhy. Fig. I Gtr. 2: w/ Riff B m oo, _ Grr.1:w/Rhy.Fig. l, lst 2 meas Gtr.2: w/Riff B, lst'2 meas. F7 mm. _ 43
  41. 41. Enough Space Wordsand Musicby DavidGrohl G5 rFrT +ttF urlll 3 l l Intro FreeTime bmd tacet G5 ModeratelyFastRock | = 144 bassenters *Gff.1 n, {disr.) r- mr Gtr.2(dist.) n'-rr'w/ delay Gtr.3 (dist.) Eusing a gtr. W Les Paul electronics, place neck pickup volume at 0 and bridge pickup volume at 10. After striking chord with toggle switch on bridge pickup, quickly and randomly switch toggle back md forth between the two pickuDs. **Using a gtr. w/ Les Paul electronics set up like Gtr. l, strike chord with toggle switch in neck position and switch toggle to bridge position in rhythm indicated. drumsenter / ' O 1997M.J.TWELVEMUSIC AllRightsControlledandAdministeredbyEMtVIRGtNSONGS,lNC. AllRightsReserved InternationalCopyrightSecured Usedbypermission let ring - 44
  42. 42. A @+ l7fr - l ,,o o': (cont.in notation) End Rhy.Fig.1 let ring i c5 cf5 c f 5 A 5 let ringi let ring i 4 ; G5 Rhy.Fig.2 C5G5 cf5 c#5 As - s - 1 a t : End Rhy.Fig.2 *End toggle switch effects. - - i 1. G5 c5 cfs G*5As I t 2 . Gs cs cf5 Gf5A5 Rhy. Fill I End Rhy. Fill 1 cs cf,5 Gf5As ) a erse G u s . l . 2 & 3 t a c e t .c.(Gs) (c5)(cfs)(Gfs)(A5) was wait-ing for some thing, (C5)(Cr5) (Gf5XA5) (cs)(cf5) (Gfs)(As) Gtr. 2: w/ Rhy. Fig. 1 (Gs) (c5)(cf 5) (G#5)(A5) That's when I found Lil (c5)(cf5) (Gf,s)(As) tt on (c5)(cfls)(Gfs)(As) I.3:l I'd er et )een. - Put her to make her my own. 45
  43. 43. Choros C'tE. l.I & 3: si Rir. Frg. l- -: ums G5 C5 Cr5 Gr5 ._i(G5) (c5)(cfi5) (Gf5)(45) Gtr.3 -. ple line up see,- but there nev c5 cfs be e-nough 2 . Gs c5 cf5 cf5 A5 l, 2 & 3:w/ Rny.Fill I Gf,5A5 G5 C5C#5 Gf5A5 ofr Gtrs G5 l, 2 & 3: w/ Riy. Fig.2,4 times C5 Cf5 G#5 A5 C5 Cf5 GfsAs ----'-T..=-. - k , ^ G5 Csc#scfi5As -oft G5 Interlude Ffs E F#5 @ open o"'f'T) | 1l )T) r Es F#5 @ open (Gtr. I cont.in slash) 46
  44. 44. E F#s @ open ffi-l l / . 1 E Ffs (q) open E Ff5 @ open F l f n1lry),nTlP.M. a A/.Y}l!.! P . M . - - - : l l 2 E +I t r rcJ 2fr o E FS5 @ open E Ffs @ open IT)n,TI FI ,-TTIP.M. P.M. steady gliss. t - , - P.M. -t q l r l - r - P.M. Outro-Chorus Gtrs.I & 3:w/ Rhy.Fig.2,7 times G5 C5 Cf5 cf5 As G f 5 A 55GC5 Cf5 rO -- T 47
  45. 45. !Pa!'e. _ _..r --: a r t t-T --- Gtrs.I & -l:w/ Rhy.Fill 2 G5 cs cf5 G f s A # space, whoa! Rhy. Fill 2 Gtrs. I & 3
  46. 46. February Star WordsandMusicby DavidGrohl,NateMendelandPatSmear Dsus4 D Ffin/Cf G/D E/D D/A fusr, ffisr, Tii#'n Tiiffi'nifu iit'nFrrf H-rffl Tnfl E++ l+-11 f-r.r ffi F# rr.rn r'-rn u--]f :++-DropD Tuning: O = u @ = o @ = e @ = e @ = c @ = p Verse I Slowly) =76 band tacet Dsus4 3 4 1 3 4 1 3 4 1 in' on DmajT here un Right where 1. Hang Rhy. Fig. I ryp letring thrcughout I- be Just hang +Two gtrs. an. for one End Rhy. Fig. l Gtr. l: w/ Rhy. Fig. 1, simile Dsus4 :: I tclean) Az. = E - ven though, c) 1997M.J.TWELVEMUSIC.FLYINGEARFORMMUSICand RUTHENSMEARMUSIC(BMI) A1 Rightsfor M.J.TWELVEMUSICand FLYINGEARFORMMUSICControlledand Administeredby EMI VIRGINSONGS,lNC. All Rightsfor RUTHENSMEARMUSICAdministeredby BUG MUSIC Al1Rrghts Reserved lntematixal Copynght Seorred Used by Permission let ring throughout 7 7 7 49
  47. 47. , 9 ' ::- t'.t :--: )-e : -: ht'* ii j. I :r, i.Jlprr . , t t = t I rteal th.- :hou l l = - t e . . l r - r . t . t . a , a J l t l . li - e - o l l . 1 l r 9 - = l r r t r , . , ? - ? ? i i ' . ' . * i i i = ' , i j ' i i i i i i i i+ t - - t + + e 1 + + + + + + e e Pre-Chorus band enters *Bm Cmaj7 D - I r f : . i . . o j _ I'll wait to hear Bm7/A t t r l ..+J 'll have - [ ] , " I i .' I - l One day I Gtr. 0 i RiITA j G 2 t l 2 I I I I + - = + -{- +-' 4 *Chord symbolsreflectoverall tonality. 7 - - a ? . a | - . i . ' . ? o . i 1 o ' ' . . t . t l - . - - L 0 { - a o 1 o l t a ) a t a . t- - : 3 1 , o ' . 1 . i . i l . {9- - _ . _ +
  48. 48. Verse GtJ.2trcet Dsus4 Rhy. Fig. 1A D Ff,m/Cf G G/D :/ 8 f r G'ISII}ITD^D ND D ITT D N^D ND M 2. Hang - in' on - E/D Pre-Chorus Gtrs.1& 2: w/ Riffs A & A1, simile Bm We'll in shad Gtrs.I & 2: dRiffs A & Al, last4 meas. GmaiT D v v : DIAGID End Rhy. Fig. 1A [ry) D.f,^D ND F;^D IND D D IDITN Right where- I- be long,- Gtr. l: WRly. Fig. lA, simile Dsus4 D F#m/C# though, un known, - I'lt build - them - the soul.- ---.--j --: a -time - -' pass this - them all some where so t-...'..---'-; fall. - 51 BnTlA hrt thcy're nrci- of t(x) _
  49. 49. D Gr.l I / n f f i ) t r ) f f i m f f i ) - P ' M - - rit. Chorus SlowerJ = 66 Gtr'3 Rhy.Fig.2 crr.4 RhY.Fig'2A float ing- in the dark 4+at2F - - J tvol. swell t-! ?, -- tt. t . 52 J + -
  50. 50. Tem po rar y SCATS.- Gtrs.3 & 4: w/ Rhy.Figs.2 & 2A,simile .._--. Dsus4/GD/Fg Dsus4/ED oiHillc Feb ru a r y Feb ru a r - y float ing - in - the stars. stars_ dark r a r - y a r y stars. Outro-Chorus Gtrs.3 & 4: w/ Rhy.Figs.2 & 2A, lst 6 meas.,simile Dsus4/G D/Ff Dsus4/ED oiHlllc stars_ D EndRhy.Fig.2 ffi Tem 53
  51. 51. Fzrr, -.5 =- float ing in - the dark 54
  52. 52. Everlong Words and Music by DavidGrohl Bsus2 End Rhy.Fig. I band enters Gtr. 1: w/ Rhy. Fig. l, simile DmajT Gtrs.2& 3(dist.) DropD Tuning: O = u @ = o @ = s @ = o @ = c @ = o Intro Moderately FastRock J = L58 bmd tacet ctr. I DmajT (clean) Rhy. Fig. I m1nlet ring throughoul Bsus2 8-----g: f - Gtr.l : w/ Rhy.Fig.I, simile DmajTadd9 -1(dist.) Rhy.Fig.18 slEhlr 6rs.l&3 Rhy.Fig.lA @ 1997M.J.TWELVEMUSIC All RightsControlledand Administeredby EMI VIRGINSONGS.lNC. All Rights Reserved IntematronalCopynght Secured Used by Permission 55
  53. 53. Verse Gtrs.1,2 & 3:w/ Rhy.Figs.I & lA, 2 times,simile Gtr.4tacet DmajT l. Hel lo, 2. Come - down - 3. Breathe oul r T 1.,---- long. - m e _ ln. _ Gsus2 Pre-Chorus N.C.(D) b : J . l l End R-bl. Fie. 1B l-rF-, i 1 '-L- - 5 o 7 1l 5 lT T - : : a _ L r a a r i End Rh1. Fig. l{ t T - I've and SO DmajT To slow,- And and out of the I'm o ver my out of your wait ed here - for waste a way with I can breathe - you night - how - now _ you_ me,_ ln, - e v e r l down with hold you thrown my self in to. want ed it to be. _ know you've al ways been N.C.(D) I've you I Bsus2 red, head, - head,- out out out of of of her her my she she I G t r s . 2 , 3 & 4 56
  54. 54. B5 when I sing a long - with you, if ev 'ry thing could ev er feel this if an y-thing could ev er be this , ( I . a Sooo-i 2..J. a galn. )- gain.J The on ly thing I'll ev er B5 B5 l - / . + : ( s * t l _-- - - - real - for *Singvocalhamony 2nd& 3rdtimesonly : - - _ [ L t r . a t - - ask of you've got to prom - ise 57
  55. 55. To Coda2 A ToCdal O D.S. al Coda I (no repeat) End Rhr. Fill I a a o,/- n a + - : t 1 + 1 4 1 ' + - - t / $ coaat Gtrs.2, 3 & 4: w/ Rhy.Fill I Interlude Gtr. l: w/ Rhy. Fig. l, 2 times,simile w/ whispered recitations *Gtr.4:w/Rhy.Fig.18 DmajTadd9 Gtrs.2& 3 +Play mf with slighr P.M, s:Hll clHl?" o Gtr.5 (dist.) e;HAlr
  56. 56. 2.3.&.4 D.S.S.al Coda 2 B5 t a t i t T l l t i t ' I hl r / won der Q codsz G5 T I -- when. h t a . . 4'=+-t-J I ' - ' T ' T T
  57. 57. Walking AfterYou Wordsand Musicby DavidGrohl Ff 7addll Aaddg C#m7 Asus2 &i-H+t ?++*Nr :F E?- --6- - fI] -Tfl] .rl-m iTIl- 1 3 1 2 1 3 1 2 13 4 2 3 nyf w/ pick& fingers letring throughout n E iffifrffi 2 3 1 Intro , Moderately) = 102 Gtr.1(acous.) E Gtr.2 (acous.) ^f let ring throughout -J___r = night you'd - tanglea inl cept sur-ren - blank et give up Cue ---- of- clouds some more. *Chord symbols reflect combined tonality O 1997M.J.TWELVEMUSIC All RightsControlledandAdministeredby EMtVIRGtNSONGS,lNC. All RightsReserved InternationalCopyrightSecured Used by permission60
  58. 58. dream- ing Weren't you a- loud. a-dored? Gtr.2: W RiffA, 2 times,simile E Aadd9 v v Things- just won't do with - out- you. I I can - not be with - out - you. l End RiffA Af' BTtDf. -----t oh, - .i>v back.-I'm Af,"E/Gf; --- ['m back. oh,_ 61
  59. 59. -;dd9 Gr. l / / / / / / / / / / / / / / ff Chorus I'm on your back._ FfTaddlI ) r)^fTl1 ) r)^m l*'D^frn ) If you walk out - on me._ ['m walk-ing af - ter - E ) D^m )D^W) x xFf,7add1I I n --T'l / I /^l / / / / If you walk out- on D^fTT ToCodal S t' Aadd9 E - - - ^ - ' ' i i . _ j - / / ^ l / / / / | i i / / / / / / / / / / / / / ) / / i / #-r1r7f; 1++r T
  60. 60. E ) Bridge C#m7 -r -i^-''l / | l^r / / / / I /^/ / / / simile on repeat Asus2 Ff,7addl1 f , i - i - , , - , ^ F t | )^) / / / ) ) i^l / / / I | / ^/ / / / / r)^fTn ToCoda2 SInterlude E | ri^ffi''l / / / / / / / / C#m7 f f i - l - , i - ' ' ' i ^ - " ] r )^r / / ) / / / / | / / / / /^l / / / Asus2 FfTaddlI - - / / ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ^ ) t ) J t #-. 1 D^ff)
  61. 61. Verse Gr. l: $i Rifi -. simile E Aadd9 $ CodaI E / T + - +- e be with out - you. B7/D# D.S. al Coda l E C"., ) D D I l D ) M D.S.S.al Coda2 (take2nd ending) n^w $ codaz A open I a n^w mrm E 64
  62. 62. NewWayHome Wordsand Musicby DavidGrohl,NateMendeland PatSmear F f m T D D T x1^- E9- Ygr-.eri : - -.fi- .fia+ [Trrl arTT at fTrfl]]l fTTfTfl E/Gf ffi +t++ fffi 3 1 4 Dadd4 ffi-t-r--l a o t i l a 3 l l : l Fadd9 FTa FFri--:1 l 2 l . + G/A |1# ffiflffi tfrn A ko l'i+5rl FU+1 2 31 3 1 2 r l l 2 A5 tFffiTrT--tn L t o a 1 , 1 4 Intro Moderately FastRock J = 138 **A A5 +611.1 1,1iq1.)RhY. Fig' I G FTTTT] ffia a t l | 3 4 2 F{ -nTn ?+1+la a L t fn-Tft 1 3 4 2 F5 ?+++ ffi-trTr- I 3,1 Atyp.Z FttF tT---l -TTTN l.f.n G5 Ffl-]-- flT! F-aTl-t 1 3 4 D5/A Ff,m Gtr. 2 (dist.) Rhy. Fig. tA *Two gtrs.am.for one. **Chord symbolsreflectoverall tonality Ffm A/Cl End Rhy. Fig. I , - . ? t t t t t t ? E j S L t t - + + t * t t ' 2 1 ' . y = - ' a . . . . - a a ' a , a a o I a a , t t a a a a t - l t a r r i | 4 a) 2 2 t t . - l I f - - { lt End Rhy.Fig.lA O 1997M.J.TWELVEMUSIC.FLYINGEARFORMMUSICandRUTHENSMEARMUSIC(BMI) AltRightsforM.J.TWELVEMUSICandFLYINGEARFORMMUSICControlledandAdministeredby EMIVIRGINSONGS.INC' A' B cF's{orRUTHENSMEARMUSICAdministeredbv BUGMUSIC : I :-:s Fese^"'ec -:e-a:,3.a Ccc',''c-: Sec-'e: vs€3 3' Pe'r ss'on 65
  63. 63. -erse l E - - - l. Have you found - your way - a Riff A let ring throughout Rhy. Fig.2 P.M. : P.M. P.M. - know P.M. l Gtr.1:w/ Rhy.Fig.2,simile Gtr.2: w/ Riff A, simile A7 I'm still round - the down and out? ? I must seem End RiffA + j End Rhy.Fig.2 P.M l time - from run D D7 Interlude Gtrs.I & 2:w/Rhy.Figs.I & lA simile Head caddol, al ways mov 66 down, and on - and on.
  64. 64. Verse Gtr. l: d Rhy.Fig. 2, 2 times,simile Gtr. 2: w/ Riff A,2 times,simile A5 Rhy.Fig.3 G:tr.3t ,. 'l'^tllf heard - this warn An - o th -e r D ear - ly morn D7 in' takes- End Rhy. Fig,3 )i waKes_ me_ ln Gn. 3: w/ Rhy.Fig. 3 A7 late Chorus ly- Dadd4 N II I | f f / do. - you, - but G/A G5 lf you - could man caddOf, A G/A Rhy.Ftg.4A ctrs. l f-l f 2 & 3 / J / ^ J / J it's Fadd9 I / GIA G5 AtYw2 EndRhy.Fig.4A - l ^ | / / f / -r- / I Rhy.Fig.4 home. E D oopen Fadd9 ) Gtrs.l, 2 & 3: W Rhy.Figs.4 & 44, simile A G/A Fadd9 Dadd4 il-n^) to. Ff m7 End Rhy.Fig.4 the King - dome.
  65. 65. F5 )G r r l a" " / / Bridge .{t}Ptl EJGt - - - - / / / / ^ / / / / ^ / / / / ^ / / / / tell you the se letring throghoul t I . Atype2 EiGf I I know these things ( I love this leash_ xcomposite atrangement 2 . w w - w f T T ) 1 -_ ++- J a-=--__i=- bore- you._ holds- me
  66. 66. Chorus band tacet G t r s . 1 , 2 & 3 t a c e l A5 I Rhy.Fig.5 this my way G h . 4 (clean) p P.M. throughoul Gtr.4: w/ Riy. Fig. 5, 3 times,simile A.5 F5 v not scared.- End Rhy.Fig.5 F5A5 --' boats and the King dome. Gtr.5(dist.) t l G e p p * - - - / - *Hold through next 30 meas. w/ grad. cresc. F5 D5A5 _-- - this F5 my way home. F5A5D5 I pass Interlude drumsenter Gtr.4:w/ Rhy.Fig.5.2 times boats and Fadd9 the King ---' dome. letring throughout h - 1 ft-= 7g Y l = ' G r r . 7 ( c l e a n ) mP 69
  67. 67. _. l I Chorus *Gtr.4: w/ Rhy.Fill 1,30times +Gtr.7: w/ Rhy.Fig.6, 8 times Gtr.6 tacet A I felt like *w/gradcresc. A ['m not scared.-my way boats and the King - dome I felt like this on mv wav home. grad. accel. G5 A F scared. .-, -,-/ I'm not scared.- Rhy.Fill I Gtr.4 m
  68. 68. boats and the King - dome. l G t r l felt like this on my way home. I'm not scared.- Gtr. 1:W Rhy.Fig.6, 3 times A ---- boats and the King - dome. I'm not scared.- s s -e- ,+-- - - - - - - - - - - - fdbk 71
  69. 69. a a thl i G: I c D . EA - ' - l t = t t a r U a a r I felt hke - T iJ +' scared. End RiffB [ ' m Gtr'2 RiffB A = i Gtr. 2: w/ Riff B pass Chorus l FastRocka =167 Gtr. 5 tacet A I felt like Gtrs.I &, RhY'Fig'7 Gtrs.I & 2:w/ Rhy.Fig.7 Fsus2 Dadd4 G5 boats and the King this on my way home. D i i r t H scared.['m G5 Fsus2 Dadd4 A 72 pass the boats and the King dome. - G5 scared.-
  70. 70. Outro Gtrs. I & 2: w/ Rhy. Fig. 7, till tade A Fsus2 w/ Voc. ad lib., next 9 meas. F D Fsus2 DG5Dadd4 ||^aa,l G5A Fsus2 Dadd4 .AAA' aAAA/| a'!.1 'l Dadd4 DG5 a/i ^'f aA ^,i T AA' Begin Fade Fsus2 T .AAA' 2nd time, Fade Out D i/(| '.!{} Fsus2 aAA,a Dadd4 G5 aAA 'l 73 f 11llt
  71. 71. u.s"s19.95 r q i r ' A l i l ; - A lll||lilil]ililiil]iil- z a A a " 9 0 2 3 5 t r r r , H100690235

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