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Its Elements
Drama is a composition
   in prose form that
presents a story entirely
  told in dialogue and
action and written with
   the intention of its
 eventual performance
  before an audience.
Drama has a two-fold nature:
LITERATURE and THEATRE.
THEATRE
Setting identifies the time and place in which the
events occur. It consists of the historical period, the
  moment, day and season in which the incidents
  take place. It also includes the sceneries in the
   performance which are usually found in the
             preliminary descriptions.
Characters are the people in the play and thus
considered as the principal material in a drama.
PHYSICAL                              SOCIAL

   Physical identifies peripheral       Social embraces all aspects
    facts such as age, sexual             that can be gleaned from
    category, size, race and color.       the character’s world or
    It deals with external                environment as
    attributes which may be
                                          exemplified by the
    envisaged from the
                                          economic status,
    description of the playwright
    or deduced from what the              occupation or trade, creed,
    characters say or what other          familial affiliation of the
    characters verbalize about his        characters.
    appearance.
PSYCHOLOGICAL                           MORAL
   Psychological discloses the            Moral discloses the
    inner mechanism of the mind
    of the character as                     decisions of the characters,
    exemplified by his habitual             either socially acceptable
    responses, attitudes,                   or not, exposing their
    longings, purposes, likes and
    dislikes. It is considered as the       intentions, thus projecting
    most indispensable level of             what is upright or not.
    character categorization
    because routines and
    emotions, thoughts, attitude
    and behavior enable the
    readers to know the character
    intrinsically.
Plot lays out the series of events that form the
    entirety of the play. It serves as a structural
framework which brings the events to a cohesive
                  form and sense.
NATURAL PLOT                    EPISODIC PLOT

   Natural Plot is a              Episodic Plot – each
    chronological sequence of       episode independently
    events arrangement where        comprises a setting,
    actions continuously take       climax, and resolution;
    place as an end result of       therefore, a full story in
    the previous action             itself is formed.
Beginning
            Middle
                     Ending
EXPOSITION

   Exposition is the point where
    the playwright commences
    his story. It reveals the
    identity of story’s initial crisis.
COMPLICATIONS                      CRISIS

   Complications bring               Crisis reveals the peak of
    changes and alterations in         anticipation in the series of
    the movement of the                incidents.
    action which take place
    when discovery of novel
    information, unexpected
    alteration of plan, choosing
    between two courses of
    action or preface of new
    ideas are revealed.
OBLIGATORY SCENE                    DISCOVERY

   Obligatory Scene                   Discovery discloses points
    identifies the open collision       which are previously
    between two opposing                unknown, characterized as
    characters or forces.               something mysterious,
                                        strange, unfamiliar and
                                        thus revealed through
                                        objects, persons, facts,
                                        values, or self-discovered.
Theme is considered as the unifying element that
  defines the dramatized idea of the play. It is the
over-all sense or implication of the action. It defines
the problem, emphasizes the ethical judgment and
suggest attitude or course of action that eliminates
           the crisis is an acceptable way.
Style refers to the mode of expression or
presentation of the play which points out the
  playwright’s position or viewpoint in life.
REALISM                             NON-REALISM

   Realism is an accurate             Non-realism is method of
    detailed, and life-like             presentation identified as
    description in a play where         something stylized or
    things are presented as real        theatricalized whereby
    as can be set in actual life,       artist uses his feral
    with dialogues sounding             imagination in projecting
    like day-to-day                     his ideas.
    conversation.
Tragedy is a type of drama that shows the downfall and
destruction of a noble or outstanding person, traditionally
 one who possesses a character weakness called a tragic
 flaw. The tragic hero, through choice or circumstance, is
caught up in a sequence of events that inevitably results in
                          disaster.
Comedy is a type of drama intended to interest and amuse
 the audience rather than make them deeply concerned
about events that happen. The characters overcome some
difficulties, but they always overcome their ill fortune and
                   find happiness in the end.
Tragicomedy is a play that does not adhere strictly to the
structure of tragedy. This is usually serious play that also has
  some of the qualities of comedy. It arouses thought even
                        with laughter.
Farce is a play that brings laughter for the sake of laughter,
    usually making use grossly embellished events and
  characters. It has very swift movements, has ridiculous
        situations, and does not stimulate thought.
Melodrama shows events that follow each other rapidly, but seems to be governed
   always by chance. The characters are victims in the hands of merciless fate.

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Elements of drama

  • 2. Drama is a composition in prose form that presents a story entirely told in dialogue and action and written with the intention of its eventual performance before an audience.
  • 3. Drama has a two-fold nature: LITERATURE and THEATRE.
  • 5.
  • 6. Setting identifies the time and place in which the events occur. It consists of the historical period, the moment, day and season in which the incidents take place. It also includes the sceneries in the performance which are usually found in the preliminary descriptions.
  • 7. Characters are the people in the play and thus considered as the principal material in a drama.
  • 8. PHYSICAL SOCIAL  Physical identifies peripheral  Social embraces all aspects facts such as age, sexual that can be gleaned from category, size, race and color. the character’s world or It deals with external environment as attributes which may be exemplified by the envisaged from the economic status, description of the playwright or deduced from what the occupation or trade, creed, characters say or what other familial affiliation of the characters verbalize about his characters. appearance.
  • 9. PSYCHOLOGICAL MORAL  Psychological discloses the  Moral discloses the inner mechanism of the mind of the character as decisions of the characters, exemplified by his habitual either socially acceptable responses, attitudes, or not, exposing their longings, purposes, likes and dislikes. It is considered as the intentions, thus projecting most indispensable level of what is upright or not. character categorization because routines and emotions, thoughts, attitude and behavior enable the readers to know the character intrinsically.
  • 10. Plot lays out the series of events that form the entirety of the play. It serves as a structural framework which brings the events to a cohesive form and sense.
  • 11. NATURAL PLOT EPISODIC PLOT  Natural Plot is a  Episodic Plot – each chronological sequence of episode independently events arrangement where comprises a setting, actions continuously take climax, and resolution; place as an end result of therefore, a full story in the previous action itself is formed.
  • 12. Beginning Middle Ending
  • 13. EXPOSITION  Exposition is the point where the playwright commences his story. It reveals the identity of story’s initial crisis.
  • 14. COMPLICATIONS CRISIS  Complications bring  Crisis reveals the peak of changes and alterations in anticipation in the series of the movement of the incidents. action which take place when discovery of novel information, unexpected alteration of plan, choosing between two courses of action or preface of new ideas are revealed.
  • 15. OBLIGATORY SCENE DISCOVERY  Obligatory Scene  Discovery discloses points identifies the open collision which are previously between two opposing unknown, characterized as characters or forces. something mysterious, strange, unfamiliar and thus revealed through objects, persons, facts, values, or self-discovered.
  • 16.
  • 17. Theme is considered as the unifying element that defines the dramatized idea of the play. It is the over-all sense or implication of the action. It defines the problem, emphasizes the ethical judgment and suggest attitude or course of action that eliminates the crisis is an acceptable way.
  • 18. Style refers to the mode of expression or presentation of the play which points out the playwright’s position or viewpoint in life.
  • 19. REALISM NON-REALISM  Realism is an accurate  Non-realism is method of detailed, and life-like presentation identified as description in a play where something stylized or things are presented as real theatricalized whereby as can be set in actual life, artist uses his feral with dialogues sounding imagination in projecting like day-to-day his ideas. conversation.
  • 20.
  • 21. Tragedy is a type of drama that shows the downfall and destruction of a noble or outstanding person, traditionally one who possesses a character weakness called a tragic flaw. The tragic hero, through choice or circumstance, is caught up in a sequence of events that inevitably results in disaster.
  • 22. Comedy is a type of drama intended to interest and amuse the audience rather than make them deeply concerned about events that happen. The characters overcome some difficulties, but they always overcome their ill fortune and find happiness in the end.
  • 23. Tragicomedy is a play that does not adhere strictly to the structure of tragedy. This is usually serious play that also has some of the qualities of comedy. It arouses thought even with laughter.
  • 24. Farce is a play that brings laughter for the sake of laughter, usually making use grossly embellished events and characters. It has very swift movements, has ridiculous situations, and does not stimulate thought.
  • 25. Melodrama shows events that follow each other rapidly, but seems to be governed always by chance. The characters are victims in the hands of merciless fate.