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Translation Analysis with TEI: Robert
Southey’s Amadis of Gaul
Stacey Triplette
University of Pittsburgh at Greensburg
Elisa Beshero-Bondar
University of Pittsburgh at Greensburg
Helena Bermúdez Sabel
University of Santiago de Compostela
amadis.newtfire.org
https://github.com/ebeshero/Amadis-in-Translation
Texts:
•  15th c fragment
•  Garci Rodríguez de Montalvo,
Amadís de Gaula (1508)
•  Spanish editions (1526, 1533)
•  Nicolas de Herberay, French
translation (1540)
•  Anthony Munday, English
translation (1590)
•  Louis-Élisabeth de la Vergne,
Conte de Tressan, French
translation (1779)
•  Robert Southey, English translation
(1803)
•  Edwin Place, English translation
(1974)
The calderón,
paragraph
symbol
The tironian sign
symbol for “and” (y
or et)
Punctuation
/ : .
“To have translated a closely printed folio would
have been absurd. I have reduced it to about half
its length, by abridging the words, not the story […]
There is no vanity in saying, that this has improved
the book, for what long work may not be improved
by compression?”
Robert Southey on Amadís
What’s Next?
•  Finish transcribing Montalvo’s Book I and find
correspondences with Southey
•  Classify the alterations Southey makes to Montalvo
Long-range questions:
•  How does Southey translate culture and ideology?
•  What is “English” about Southey’s text?
•  What is “French” or “Spanish” about other
translations and adaptations?

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Translation analysis with TEI: Robert Southey’s Amadis of Gaul - Stacey Triplette and Elisa Beshero-Bondar

  • 1. Translation Analysis with TEI: Robert Southey’s Amadis of Gaul Stacey Triplette University of Pittsburgh at Greensburg Elisa Beshero-Bondar University of Pittsburgh at Greensburg Helena Bermúdez Sabel University of Santiago de Compostela
  • 3. Texts: •  15th c fragment •  Garci Rodríguez de Montalvo, Amadís de Gaula (1508) •  Spanish editions (1526, 1533) •  Nicolas de Herberay, French translation (1540) •  Anthony Munday, English translation (1590) •  Louis-Élisabeth de la Vergne, Conte de Tressan, French translation (1779) •  Robert Southey, English translation (1803) •  Edwin Place, English translation (1974)
  • 4.
  • 5. The calderón, paragraph symbol The tironian sign symbol for “and” (y or et)
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16. “To have translated a closely printed folio would have been absurd. I have reduced it to about half its length, by abridging the words, not the story […] There is no vanity in saying, that this has improved the book, for what long work may not be improved by compression?” Robert Southey on Amadís
  • 17. What’s Next? •  Finish transcribing Montalvo’s Book I and find correspondences with Southey •  Classify the alterations Southey makes to Montalvo Long-range questions: •  How does Southey translate culture and ideology? •  What is “English” about Southey’s text? •  What is “French” or “Spanish” about other translations and adaptations?