There are more than twenty-seven (27) clusters of evidence that indicate other people came to ancient America. [We just paused while making the list. There are enough clusters of evidence to support the new paradigm that Many People came to ancient America from Many Places. The other episodes are: The Red Paint Culture, King woden Abu Ba Kiri Notice that the dates associated with these episodes span the time from very ancient to historic. My presentation will quickly add three more known episodes. Then I will summarize the information we have presented today.
Ted Timreck a film about the Red Paint people twenty (20) years ago. He was working for the Smithsonian when this program was filmed. I have a copy of Ted’s personal video, “The Mystery of the Lost Red Paint People,” that has the same info. It has a 1987 copyright under TimReck Productions (Bullfrog Films) NOVA ran an hour PBS program featuring Timreck’s film in 1987. The video is still available. Timreck implies in his film that the Red Paint Artifacts including similar religious altars are found on both sides of the Atlantic. The best web site to feature Red Paint artifacts is called Red Paint Sites. (Use google.) Importunely the Red Paint Site was created by the University of Southern Maine students who were not comfortable writing about the cross Atlantic artifacts.
Barry Fell, Bronze Age America, page 107 wrote: Fig. 4-1 The opening phrases of Woden-Lithi’s inscription are rendered partly in Tifinag letters and partly in the older hieroglyphic style, called phonoglyphs, in which pictographs give an apporximation to the sound of the word intended. In the above passage. “ The portion of Fig 4-1 shown in the slide is” W-D-N-L-I-TH-I Woden-Lithi We celebrate King Woden’s day every week. Well, maybe not. More likely King, Woden-Lithi was named for the god Woden. Wednesday is “Woden’s day.”
Barry Fell, Bronze Age America, page 38, Fig 1-1 General View of part of the site near Peterborough, Ontario. Only the more conspicuous markings have been delinated by a black wax crayon applied by site personal. These stress the large elements added later bby Algonquian artists. For the finer Tifinag letters, most of them are not marked by crayon, referene should be made to the detailed plan included in the Sacred Arts of the Algonquins by Joan M. and Romas K. Vastoskas (Mansard Press, 1973). This photo shows Otto Devitt woaking the site, makint detailed transparencies to be used in preparing Bronse Age America. The area visible includes the central sighting point of the main sun-god figure and part of the east-facing slope. Photo Pussel Tilt SACRED DESTINATIONS TRAVEL GUIDE websute, 2008 History After being lost for centuries, the Peterborough Petroglyphs was rediscovered by historian Charles Kingam in 1924. The limestone at Peterborough is generally believed to have been carved by the Algonkian people between 900 and 1400 AD. Today, the First Nations people of Ontario call the carvings Kinomagewapkong , meaning &quot;the rocks that teach.&quot; However, there are several other theories of the date and authors of the remarkable petroglyphs: Retired Harvard professor Barry Fell believes the petroglyphs are inscriptions by a Norse king named Woden-lithi (Servant of Odin), who was said to have sailed from Norway up the St. Lawrence River in about 1700 BC. Kinomagtewapkong: The Teaching Rocks (web site, 2008) Copyright 1987 Ministry of Natural Resources and Trent University A review of historic period records by Joan and Romas Vastoukas suggested that local people did not know about the Peterborough Petroglyphs during the recent historic past: &quot;. . . there are no indications that the early settlers or the government survey teams ever came across the site in the course of lumbering, hunting, or exploration. Nor are there any references in the pioneer literature of the area to suggest that the native inhabitants at Chemong Lake or Rice Lake had any knowledge of the petroglyphs.
The paradigm of North America must include discussion of the many people who came here. 7500 BP RED ORCHER PEOPLE 6500 BP MEGALITH PEOPLE 4250 BP CHINESE 4000 BP COPPER TRADE 3700 BP KING WODEN 3000 BP ADENA CULTURE 700 BP ABU BA KARI MORE THAN 19 OTHER PEOPLE!! IS THE TRUTH SELF EVIDENT? YOU CAN DRAW YOUR OWN CONCLUSIONS QUESTION? WHY ARE YOU NOT TEACHING THE TRUTH?
Barry Fell, Bronze Age America, page 25, Fig 1-11 Three of the named vessels of a Bronze Age fleet depicted in the petroglyphs at Lokeberget, Bohuadin. Above, a sixteen oar ship named R-M-N . Old Norse Orminn, The Serpent. Middle, another sixteen oar ship, whose name in letters reading from right to left is given as D-R-S-L. Old Norse Dresil, Steed. Below, a nine-oar support ship named M-GN-A N-R-A. Old Norse Magna ni-arra, the power of nine oarsmen. Nine was a number that imparted magic power. The pictogylphs on this slide are an example of Norse use the Tifinaq alphabet combined with pictures. These pictoqylphs are not associated with the King Woden-lithi site in America, but they do show that similar writing was in use in Europe.
8 - Many Peoples, Summary
OTHER PEOPLE CLASS ROOM FORMAT AAPS OCTOBER 2008
MANY (>24) OTHER PEOPLE RED PAINT PEOPLE, 7500 BP KING WODEN, 3700 BP ABU BA KARI, 700 BP By MYRON PAINE, Ph. D
RED PAINT PEOPLE, 7500 BP RED PAINT ARTIFACTS C 7500
KING WODEN, 3700 BP REGISTERED AT PETERBOROUGH ON
ABU BA KIRI 200 SELECTED MEN 200 SELECTED WOMEN FLOATED ON CURRENT BROTHER TOOK GOLD MECCA LOWERED VALUE BY 13%
CONCLUSIONS 9000 BP KENNEWICK MAN 7500 BP RED PAINT PEOPLE 6500 BP MEGALITH CULTURE 4259 BP CHINESE 4000 BP COPPER TRADE 3700 BP KING WODEN 3000 BP ADENA CULTURE 700 BP ABU BA KARI MORE THAN 19 OTHER PEOPLES!! IS THE TRUTH SELF EVIDENT?
NORSE SHIPS, BOHUALAN SERPENT STEED POWER of NINE