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Jornal Farol das Geraes. Edição 211. Dat. 20 de setembro - Jornal versão oline
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  1. 1. E v a l u a t i o n Q 1 In what ways does your media product use, develop or challenge forms and conventions of real media products?
  2. 2. BBC NEWS The BBC has been a large influence on my documentary, as they have ultimately been following the referendum since day one. They have always had information for me to use and there was never a shortage of topical and controversial discussions.
  3. 3. BBC NEWS The BBC often broadcasted live debates between Euro sceptics and pro Euro politicians. Euro sceptics such as Nigel Farage has given me a good platform to base my ‘out’ arguments upon. I often use clips from the BBC with Farage posing a question to a Member of European Parliament and then edit in an interview of my own answering said question.
  4. 4. BBC TWO As I was using BBC TWO as my preferred broadcaster, I had to use their print ad conventions. I also took into consideration how their documentaries are structured. The deciding factor for me to choose BBC TWO is that my topic is very public and would apply to the whole of the UK, and this is usually something the BBC would cover This print ad followed the format of many other BBC two adverts. The logo is typically in the corner and the print will always feature the title and date of broadcasting.
  5. 5. Bowling for Columbine This was a documentary made by Michael Moore, and it was the first documentary I watched in order to understand documentary conventions. I used shot types and interviewee placement conventions in order to make my own documentary seem more professional.
  6. 6. The Thin Blue Line The Thin Blue Line is famous for pioneering the use of dramatisations in documentaries. I decided that this would be a good convention to take influence from, as it’s very effective in helping the audience understand a situation. I developed upon this convention by being original in creating my own dramatisation of the upcoming referendum.

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