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Know your player - Optimizing the player experience

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Know your player - Optimizing the player experience

  1. 1. J P I R K E R @ M I T. E D U S C I E N C E * PA S S I O N * T E C H N O L O G Y K N O W Y O U R P L AY E R – O P T I M I Z I N G T H E P L AY E R E X P E R I E N C E J O H A N N A P I R K E R
  2. 2. J O H A N N A P I R K E R • Computer Scientist & Software Engineering @Graz University of Technology • Virtual Worlds @Massachusetts Institute of Technology • Researcher at Institute for Information Systems & Computer Media, TU Graz • Games Research, Design, & Development, Gamification • Virtual, Immersive Worlds & Realities • HCI, E-Learning, UX • Website: www.jpirker.com @ J O E Y P R I N K
  3. 3. G A M E D E V E L O P M E N T P R O C E S S
  4. 4. – A F R I E N D . “Oh wow - I love your game! The art is so nice! The controls are a bit complicated, but it’s ok! It’s awesome! I love the story!” “WOW! You did this all by yourself? This is so amazing! ” – M O M .
  5. 5. IT’S A LOCAL MULTIPLAYER GAME WITH PLACEHOLDER GRAPHICS!?!?
  6. 6. T H E M A I N C H A L L E N G E …
  7. 7. P H I L T O L E D A N O - H T T P : / / W W W. M R T O L E D A N O . C O M / G A M E R S R E A L & H O N E S T E M O T I O N S
  8. 8. Immersion Audio Animation Graphics / 
 Objects Character (1st / 3rd) Interactivity Interface Challenges Quests, Puzzles,… D I F F E R E N T U S E R E X P E R I E N C E S
  9. 9. U X I N G A M E S ( V S I N W E B S I T E S / S O F T WA R E ) • Playing games is voluntary • Games are all about fun & experiences • Games industry is extremely competitive
  10. 10. U X I N G A M E S : M A I N C H A L L E N G E S • Modern games are large & complex (e.g. GTA, AC,..) • Fluent gaming experience • Fun first: everything should be intuitive and easy to learn • Onboarding strategies and tutorial research • Challenge: Onboarding for newcomers and not boring for “experts”
 

  11. 11. G A M E S U S E R E X P E R I E N C E • Quality Assurance • “Can this tree fly?” • Game Usability • How usable is my game? (Interface, controls,..) • Games User Research (GUR) and Games UX Research • Who is my player? What are the created emotions?
  12. 12. G A M E S U S E R E X P E R I E N C E
  13. 13. M D A F R A M E W O R K ( H U N I C K E , L E B L A N C , Z U B E K ) • Mechanics - the rules or ‘verbs’ of the game • spawn points / ammo / weapons
 • Dynamics - how players use those rules • camping, sniping
 • Aesthetics - how the game makes the player feel • challenge / tension / zen http://www.cs.northwestern.edu/~hunicke/MDA.pdf
  14. 14. I T E R AT I V E D E V E L O P M E N T + M D A
  15. 15. M E T H O D S + D ATA • Expert Evaluations / Heuristic Evaluation (HE)
 • Playtesting • Surveys, Interviews, Game Logs • Think Aloud Protocol (TA) & Retrospective Testing • Notes, Audio, Video, .. • Biometrics • Biodata, Eye tracking, physical states, emotions • Focus Groups / Interviews with target groups 
 • Game Analytics / Data logging • Quantitative data e.g. engagement, maps, progress details: gamesuserresearchsig.org
  16. 16. E X P E RT E VA L U AT I O N … H O N E S T & B R U TA L F E E D B A C K
  17. 17. U S A B I L I T Y H E U R I S T I C S F O R V I D E O G A M E D E S I G N ( E . G . ) • 1. Provide consistent responses to the user’s actions. • 2. Allow users to customize video and audio settings, difficulty and game speed. • 3. Provide predictable and reasonable behavior for computer controlled units. • 4. Provide unobstructed views that are appropriate for the user’s current actions • 5. Allow users to skip non-playable and frequently repeated content.
 
 6. Provide intuitive and customizable input mappings. • 7. Provide controls that are easy to manage, and that have an appropriate level of sensitivity and responsiveness. • 8. Provide users with information on game status. • 9. Provide instructions, training, and help. • 10. Provide visual representations that are easy to interpret and that minimize the need for micromanagement. Pinelle, D., Wong, N., & Stach, T. (2008, April). Heuristic evaluation for games: usability principles for video game design. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (pp. 1453-1462). ACM. KNOW YOUR QUESTIONS!
  18. 18. • Who is my target player? • Does the player understand my story? • Does the player know how to play? • Does the player know the way? • Is the learning process balanced? • Does the player have freedom to play? • How does the player feel? • What emotions does the game create? • Who is the real player (playing the shipped game)? K N O W Y O U R Q U E S T I O N S !
  19. 19. … W H O I S T H E P L AY E R ? T H E P L AY E R
  20. 20. – J A S O N A L L A I R E 
 ( H T T P : / / T H E E S A . C O M / FA C T S / P D F S / E S A _ E F _ 2 0 1 4 . P D F ) “People of all ages play video games. There is no longer a ‘stereotype game player,’ but instead a game player could be your grandparent, your boss, or even your professor.”
  21. 21. http://www.theesa.com/wp-content/uploads/2015/04/ESA-Essential-Facts-2015.pdf
  22. 22. B A R T L E ’ S G A M E R T Y P E S http://www.gamerdna.com/quizzes/bartle-test-of-gamer-psychology
  23. 23. … H O W W O U L D A P L AY E R R E T E L L T H I S S T O RY ? T H E S T O RY
  24. 24. G A M E C O N C E P T S A yellow creature eats dots while being chased by ghost monsters… 
 A plumber jumps on the heads of mushrooms to find his girlfriend…
 Birds use physics to take vengeance on pigs… Own everything (Monopoly) AT THE HEART OF EACH GAME THERE IS A SOLID CONCEPT.
  25. 25. G A M E C O N C E P T S Formalize the concept of your game - your story - in one sentence 
 … 
 Ask your players/testers after playtesting to formalize the main story in one sentence … compare …
  26. 26. … I S T H E U S E R A B L E T O P L AY Y O U R G A M E ? F R E E D O M , I N T E R FA C E , & F E E D B A C K
  27. 27. P L AY E R F E E D B A C K http://bethsoft.com/en-gb/games/fallout_shelter Give appropriate feedback
  28. 28. F U L L C O N T R O L Add controls requested by players/testers
  29. 29. C O N S I S T E N T I N T E R FA C E D E S I G N Nice game from Zambia: http://www.scndgen.com/ Button Text
  30. 30. L E A R N I N G T H E G A M E … H O W W O U L D A P L AY E R L E A R N Y O U R M E C H A N I C S ?
  31. 31. Onboarding & Tutorials http://imperiumgalactica.com/
  32. 32. Onboarding & Tutorials https://playfeist.net
  33. 33. G A M E O N H O W T O C R E AT E A F L U E N T G A M I N G E X P E R I E N C E ?
  34. 34. F L O W ( M I H A LY C S I K S Z E N T M I H A LY I ) ("The Art of Game Design" book by Jesse Schell)
  35. 35. G A M E S A R E M A D E F O R T H E P L AY E R S Nice article: http://www.gamasutra.com/view/feature/168114/understanding_user_research_its_.php G A M E S U S E R R E S E A R C H = F E E D B A C K F O R G A M E D E S I G N E R S H O W P L AY E R S W O U L D E X P E R I E N C E T H E I R G A M E S
  36. 36. P L AY T E S T I N G … WAT C H O T H E R S P L AY Y O U R G A M E
  37. 37. T H I N K I N G A L O U D
  38. 38. T H I N K I N G A L O U D P R O T O C O L S . .
  39. 39. E Y E - T R A C K I N G • User’s gaze while playing the game is recorded • What does the user see? • What does the user miss?
  40. 40. Thanks to Sony London
  41. 41. Thanks to Sony London
  42. 42. P L AY E R A N A LY S I S
  43. 43. H O W T O M E A S U R E F U N ?
  44. 44. Jeanne H. Brockmyer, Christine M. Fox, Kathleen A. Curtiss, Evan McBroom, Kimberly M. Burkhart, Jacquelyn N. Pidruzny. (2009). The development of the Game Engagement Questionaire: A measure of engagement in video game playing. Journal of Experimental Social Psychology. Vol. 45, pp. 624-634.
  45. 45. Jeanne H. Brockmyer, Christine M. Fox, Kathleen A. Curtiss, Evan McBroom, Kimberly M. Burkhart, Jacquelyn N. Pidruzny. (2009). The development of the Game Engagement Questionaire: A measure of engagement in video game playing. Journal of Experimental Social Psychology. Vol. 45, pp. 624-634.
  46. 46. 0 1 2 3 4 5 6 7 8 9 10 Level 1 Level 2 Level 3 Level 4 Level 5 Level 6 Level 7 Level 8 Avg Player Experience Fun Difficulty Frustra<on
  47. 47. B I G P L AY E R D ATA
  48. 48. P L AY E R H A B I T ( P L AY E R F I N G E R P R I N T ) 0% 20% 40% 60% 80% 100% Player Type 1 Player Type 2 Player Type 3 Player Type 4 Player Type 5 Time spent Game Mode A Game Mode B Game Mode C Game Mode D Game Mode E 0% 20% 40% 60% 80% 100% Story Enjoyer Party Player Killer Online Hero Allrounder Time spent Story Campaign Arena Online MulAplayer Local MulAplayer
  49. 49. 4 P L AY E R T Y P E S N P L AY E R T Y P E S Story Story Enjoyer Party Player Killer Online Hero Allrounder Story Story Enjoyer Party Player Killer Online Hero Allrounder Explorer
  50. 50. C O L L E C T D ATA F O R Y O U R E N V I R O N M E N T
  51. 51. C O N T E X T U A L F E E D B A C K awesome! confused
 /lost frustrated
  52. 52. D E S I G N Y O U R T E S T L I K E Y O U ’ V E D E S I G N E D Y O U R G A M E . . H O N E S T & A S S O O N A S P O S S I B L E
  53. 53. C R E AT E Y O U R O W N N E T W O R K O F E X P E R T S . . B E H O N E S T
  54. 54. P L AY G A M E S . . . . L E A R N F R O M G O O D & F R O M B A D T H I N G S
  55. 55. T H A N K Y O U F O R Y O U R AT T E N T I O N . J O H A N N A P I R K E R , J P I R K E R @ M I T. E D U , W W W. J P I R K E R . C O M , @ J O E Y P R I N K This is how others play your game!

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