Interface incantations
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The field of psychology can help us to understand why we love certain experiences and hate others. With it we can explain how the use of language and animated illusions can make us fall in love with an experience and gives us a sense of empowerment. With more skill and a little moral flexibility it’s possible to use what we know about human behaviour to make an experience irresistible to the point of addiction. Beyond that, those who choose to embrace the dark arts fully have learned to confound and control our thinking, making us choose what they want us to choose and even deliberately causing pain that we might think twice before attempting certain actions. Interface incantations will take us on a journey behind the disguise, subterfuge and misdirection, from the joy of simple charms to defence against the dark arts.
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Interface incantations
- 1. INTERFACE INCANTATIONS JO HANNA PEARCE (THEY/THEM OR SHE/HER) @jdpearce
- 2. INTERFACE INCANTATIONS JO HANNA PEARCE (THEY/THEM OR SHE/HER) @jdpearce
- 4. @jdpearce INTERFACE INCANTATIONS CONTENT WARNING If you, or anyone you know has been affected by any of the unforgivable curses, please use your discretion when choosing to continue with this presentation…
- 10. @jdpearce That colours influence organic life does not need special proof. Looking around at the colourfulness of all living things, one becomes immediately aware of this fact. Kurt Goldstein
- 11. @jdpearce That colours influence organic life does not need special proof. Looking around at the colourfulness of all living things, one becomes immediately aware of this fact. Kurt Goldstein
- 12. @jdpearce
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- 27. @jdpearce
- 28. @jdpearce Time is an illusion. Lunchtime, doubly so… Ford Prefect (Douglas Adams)
- 29. @jdpearce Time is an illusion. Lunchtime, doubly so… Ford Prefect (Douglas Adams)
- 30. @jdpearce Time is an illusion. Lunchtime, doubly so… Ford Prefect (Douglas Adams)
- 31. @jdpearce < 100 ms THE ILLUSION OF DIRECT MANIPULATION
- 32. @jdpearce < 100 ms THE ILLUSION OF DIRECT MANIPULATION
- 33. @jdpearce < 100 ms 60 fps => 16.6 ms/frame THE ILLUSION OF DIRECT MANIPULATION
- 34. @jdpearce OPTION 3OPTION 2OPTION 1MENU < 100 ms THE ILLUSION OF DIRECT MANIPULATION
- 35. @jdpearce OPTION 3OPTION 2OPTION 1MENU > 100 ms THE ILLUSION OF DIRECT MANIPULATION
- 36. @jdpearce OPTION 3OPTION 2OPTION 1MENU > 100 ms THE ILLUSION OF DIRECT MANIPULATION
- 37. @jdpearce MENU > 100 ms OPTION 1 OPTION 2 OPTION 3 THE ILLUSION OF DIRECT MANIPULATION
- 38. @jdpearce < 1 second THE ILLUSION OF CONTROL
- 39. @jdpearce < 1 second THE ILLUSION OF CONTROL
- 40. @jdpearce < 1 second THE ILLUSION OF CONTROL
- 41. @jdpearce
- 42. @jdpearce < 10 seconds THE ILLUSION OF CONTINUITY
- 43. @jdpearce But if thought corrupts language, language can also corrupt thought. George Orwell, 1984
- 44. @jdpearce But if thought corrupts language, language can also corrupt thought. George Orwell, 1984
- 45. @jdpearce But if thought corrupts language, language can also corrupt thought. George Orwell, 1984
- 51. @jdpearce words of power Content design is extremely important when writing for the web…
- 52. @jdpearce words of power content is key
- 54. @jdpearce I can resist everything except temptation. Oscar Wilde
- 55. @jdpearce #GOALS
- 56. @jdpearce 0
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- 78. @jdpearce
- 79. @jdpearce I have experimented; I have pushed the boundaries of magic further, perhaps, than they have ever been pushed… Tom Marvolo Riddle (Voldemort)
- 92. @jdpearce DARK PATTERNS - BAIT & SWITCH
- 93. @jdpearce DARK PATTERNS - BAIT & SWITCH
- 94. @jdpearce DARK PATTERNS - FORCED CONTINUITY
- 95. @jdpearce DARK PATTERNS - FORCED CONTINUITY
- 96. @jdpearce DARK PATTERNS - CONFIRM SHAMING
- 97. @jdpearce DARK PATTERNS - CONFIRM SHAMING
- 98. @jdpearce DARK PATTERNS - CONFIRM SHAMING
- 100. @jdpearce FINFIN