Interactive Power point

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Interactive Power point

  1. 1. Modern Art Movements- ABSTRACT ART - FUTURISM- IMPRESSIONISM - CUBISM- POST IMPRESSIONISM - DE STIJL
  2. 2. Abstract Art• Abstract Art is a generic term that describes two different methods of abstraction: semi abstraction and pure abstraction. The word abstract means to withdraw part of something in order to consider it separately. In Abstract art that something is one or more of the visual elements of a subject: its line, shape, tone, pattern, texture, or form.• Semi-Abstraction is where the image still has one foot in representational art, (see Cubism and Futurism). It uses a type of stylisation where the artist selects, develops and refines specific visual elements (e.g. line, colour and shape) in order to create a poetic reconstruction or simplified essence of the original subject.• Pure Abstraction is where the artist uses visual elements independently as the actual subject of the work itself. (see Suprematism, De Stijl and Minimalism).• Although elements of abstraction are present in earlier artworks, the roots of modern abstract art are to be found in Cubism. Among other important abstract styles that developed in the 20th century are Orphism, Rayonism, Constructivism, Tachisme, Abstract Expressionism, and Op Art.
  3. 3. ImpressionismImpressionism is the name given to acolourful style of painting in France at the endof the 19th century. The Impressionistssearched for a more exact analysis of theeffects of colour and light in nature. Theysought to capture the atmosphere of aparticular time of day or the effects ofdifferent weather conditions. They oftenworked outdoors and applied their paint insmall brightly coloured strokes which meantsacrificing much of the outline and detail oftheir subject. Impressionism abandoned theconventional idea that the shadow of anobject was made up from its colour with somebrown or black added. Instead, theImpressionists enriched their colours with theidea that a shadow is broken up with dashesof its complementary colour.
  4. 4. Post Impressionism• Post Impressionism was not a particular style of painting. It was the collective title given to the works of a few independent artists at the end of the 19th century. The Post Impressionists rebelled against the limitations of Impressionism to develop a range of personal styles that influenced the development of art in the 20th century. The major artists associated with Post Impressionism were Paul Cézanne, Paul Gauguin, Vincent Van Gogh and Georges Seurat.
  5. 5. Futurism• Fauvism was a joyful style of painting that delighted in using outrageously bold colours. It was developed in France at the beginning of the 20th century by Henri Matisse and André Derain. The artists who painted in this style were known as Les Fauves (the wild beasts), a title that came from a sarcastic remark in a review by the art critic Louis Vauxcelles.• Les Fauves believed that colour should be used at its highest pitch to express the artists feelings about a subject, rather than simply to describe what it looks like. Fauvist paintings have two main characteristics: extremely simplified drawing and intensely exaggerated colour. Fauvism was a major influence on German Expressionism.
  6. 6. Cubism• Cubism was invented around 1907 in Paris by Pablo Picasso and Georges Braque. It was the first abstract style of modern art. Cubist paintings ignore the traditions of perspective drawing and show you many views of a subject at one time. The Cubists believed that the traditions of Western art had become exhausted and to revitalize their work, they drew on the expressive energy of art from other cultures, particularly African art.
  7. 7. De StijlDe Stijl was a Dutch style of pure abstractiondeveloped by Piet Mondrian, Theo Van Doesburg andBart van der Leck.Mondrian gradually refined the elements of his art toa grid of lines and primary colours which heconfigured in a series of compositions that exploredhis universal principles of harmony. He saw theelements of line and colour as possessingcounteracting cosmic forces. Vertical lines embodiedthe direction and energy of the suns rays. These werecountered by horizontal lines relating to the earthsmovement around it. He saw primary colors throughthe same cosmic tinted spectacles: yellow radiated thesuns energy; blue receded as infinite space and redmaterialized where blue and yellow met. Mondriansstyle which he also called Neo-Plasticism was inspiredby the Theosophical beliefs of the mathematician andphilosopher, M.H.J. Schoenmaekers.
  8. 8. CreditsI simply copied and pasted the information froma website as I will never use this slide for alearning site. It was simply a practice to showevidence of using a PowerPoint presentationAll pictures and information came from herehttp://artyfactory.com/art_appreciation/timelines/modern_art_timeline.htm

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