Gary's Portfolio

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Gary's Portfolio

  1. 1. Proposal Book Covers ations ral Qualific ion hitectu at Arc eek) N r cog ee (Cr tural Cente fo r Mus and Cul m 09 Museu ruary Feb 19, 20 1 W C E O R P O R AT E D INC CTS HITE A RC , Inc. amson Abrah e n and r th el, Gre n Avenue No 1Hamm to 540 ashing sota 5701 W olis, Minne ap Minne ct: Conta IA eetz, A Gary R .4534 58 612.7 .com @hga greetz 00 orated ue, Suite 8 , Incorp ven EWC1 th Boston A ou 03 400 S lahoma 741 Ok Tulsa, MINNEAPO LIS MILWAUKE E ROCHEST H STER ct: TER Conta Boxley SACRAM ENTO as Thom .3906 ted.co m SAN FRAN CISCO 918.5 82 corpora LO L S ANGE ewc1in LES tb oxley@ This docume nt printed on post-co nsumer rec laimed conte nt. GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  2. 2. Proposal Book Pages Etowah Indian Mounds Historic Site, Cartersville, GeorgiaCover Photo: Ocmulgee National Monument, Macon, GeorgiaMap: A plan of part of the rivers Tombecbe, Alabama, Tensa, Perdido, & Scambia in the province of West Florida; with a sketch of the boundary between the nationof upper Creek Indians and that part of the province which is contiguous thereto, as settled at the congresses at Pensacola in the years 1765 & 1771: Collected fromdifferent surveys at the desire of the Honorable John Stuart, Esquire, sole agent and superintendant of Indian Affairs for the southern district of North America, byDavid Taitt. Library of Congress, Prints and Photograph Division, Washington, D.C. Project Understanding COMMUNITY CENTERED PROJECTS It is imperative that the Muscogee (Creek) Nation Museum and Cultural Center provide a coherent, understandable and exciting architectural experience to the community. The planning process itself presents a significant opportunity to reach out to various audiences, achieve greater visibility, and become more welcoming. Effective design can accentuate the experience of arrival. The museum experience starts for visitors as they approach either by car or foot. Therefore, space planning must take into account signage, wayfinding, and the visitor’s experience from the car to the museum’s entry. A strong arrival experience can enhance a viewers’ appreciation of the exhibits, surrounding grounds and Ocmulgee National Monument, Macon, Georgia the Cultural Center itself. As a whole, the museum’s environment can expand beyond the Museums and Cultural Centers are dynamic, multiuse, buildings to the natural landscape and its paths. Interpretive interactive centers for learning, research, cultural performances information can be incorporated within the landscape to begin a and exhibits. The technological and evolving nature of the better appreciation of the collection. programs require highly specialized architectural expertise. The HGA / EWC1 Team is dedicated to the concept that each Establishing a coherent experience for visitors when they enter building is an individual and unique expression of its context and will be essential. We believe that architecture and the signature community. We will go beyond the mere exterior by focusing character of buildings can help to interpret and frame the on how individuals relate to their environment and how spaces exhibit experience and the Muscogee (Creek) Nation story. allow individuals to relate to one another—how people connect We believe that the planning process is key to designing to a building inside, outside, and around. successful museums and interpretive centers. In order to lay the The Muscogee (Creek) Nation Museum and Cultural Center is foundation for a final result that will best serve the museum’s a singular opportunity to create a memorable and lasting legacy mission, it is of key importance that the early phases of the to the Muscogee (Creek) Nation, the City of Okmulgee and the project be respected and not shortchanged. State of Oklahoma. For the Muscogee (Creek) Nation Museum and Cultural Center, we will immerse ourselves in the Muscogee culture and explore its legacy to create an authentic building that will add another stratum to the Muscogee (Creek) Nation geological timeline. Welcoming, clear and informative, the museum will become a new cultural destination that will speak succinctly of the GARY A. RAYMOND Nation’s living history. Member, SMPS Marke ng Specialist/Graphic Designer Architectural Qualifications • Muscogee (Creek) Nation Museum Project Understanding | 1 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  3. 3. Proposal Book Covers e Colleg Hope Facility ent partm Mu sic De 009 l and r 25, 2 rt Hal tembeConce Sep , Inc. amson Abrah ue North n and n e l, Gree ington Ave 5401 Hamm 01 Wash sota 5 7 Minne apolis, Minne Conta ct: IA eetz, A Gar y A. R 34 58.45 612.7 a.com @hg greetz Historical Sign, Hope pe College Front Cove , Holland, olla Mi r Image: V mage: Voor ichigan. Co o hees Hal hees e urtesy of H l, Hope Co ope College llege, Holla Public Rela nd, Michiga tions. n. Courtesy of Hope Co llege Public Relations. GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  4. 4. “The students and faculty are really Proposal Book Pages charmed with this facility. It’s everything Relevant Projects they dreamed of—and a little more.” College of St. Benedict Benedicta Arts Center Expansion ST. JOSEPH, MINNESOTA — Sr. Coleman O’Connell Senior Development Officer / Former President College of St. Benedict The Benedicta Arts Center Expansion has provided much- needed rehearsal and performance space that has enabled the Fine Arts Program to confirm its standing as a leading regional arts program. Harmonious yet distinct from the original facility (also designed by HGA), the expansion strengthens the experience of campus arrival by giving more definition to the main academic Mall. Since its completion in 1964, the Benedicta Arts Center (BAC) has become the premier performing arts center in central Minnesota. The facility’s 1,000-seat auditorium and 300-seat theater reverberate with acoustical precision, while the building itself stands as a modernist campus icon. HGA’s original design, drawing on The Rule of Saint Benedict, reflects monastic architectural tradition in its use of cloisters or courtyards as a unifying devise. BAC’s restrained and dignified persona focuses inward to emphasize the charged energy between audience and performer. The Fine Arts Program’s on-going growth since BAC’s completion led to a predictable struggle for rehearsal and performance space between the burgeoning Theater, Music and Dance departments. HGA addressed that struggle by designing a new state-of-the- art facility that includes: • Music Practice Rooms • Faculty Studios • Band Rehearsal • Small Ensemble Rehearsal • Black-Box Theatre • Dance Studio • Outdoor Amphitheater • Expanded Lobby and Ticket Office KEY FEATURES • Anodized aluminum panels complement original brick. • Interior spaces open to campus. • Glass corridor ushers light into lower level. 10 | Acoustically Superior Installations HGA Architects and Engineers Project Team Hope College DESIGN TEAM Gary Reetz, AIA Bill Blanski, AIA, LEED AP Principal-in-Charge Lead Designer Performing Arts Specialist Nancy Blankfard, AIA, LEED AP Rebecca Krull, AIA, LEED AP Project Architect Project Manager Performing Arts Specialist Performing Arts Specialist Steven Dwyer, AIA, LEED AP Jamie Milne Rojek, AIA Project Designer Performing Arts Specialist Performing Arts Specialist ENGINEERS, SPECIALTY CONSULTANTS & COST ESTIMATING Benjamin Gutierrez Paul Asp, PE, SE, LEED AP Lance Kempf, PE Electrical System Designer Structural Engineer Mechanical Engineer Acoustical / Audio Visual Lighting / Theater Mark McDonald TBD w/ Owner TBD w/ Owner Cost Estimator GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer MINNEAPOLIS MILWAUKEE ROCHESTER SACRAMENTO SAN FRANCISCO LOS ANGELES 9 Franklin Avenue West, Unit 210Hope College | Concert Hall and Music Department Facility Project Team | 1 Minneapolis, Minnesota 55404 This document printed on post-consumer reclaimed content. 612.269.1622
  5. 5. Proposal Book Covers vices al Ser ession Settlement Prof nty ety l Cou e Wil Historica l Soci for th unty o , 2008 Will C eptem ber 19 S , Inc. amson Abrah ue North n and n e l, Gree ington Ave 5401 Hamm 01 Wash sota 5 7 Minne Contact: apolis, Minne IA eetz, A Gary R 8.4534 Photo: Sa nta Fe Ra 6 12.75 .comLibrary of ilroad, Illin @hga Congress, oi greetz Prints and s & Michigan Canal rp. Photograph Bridge, CrSignificanc Division, W ossing I&M arch Co fi e: Built in ashington, ning & Rese nal at218 Ca e 1935, this SP lanD.C. elmar, Suit De0 Plaines Rive s railroad br idge is the AM 8147 D 313 r, Joliet, W ol et, ill lie souri 6 ct: et County, Ill bdivided, ouis, Mis only subdivid onta inois St. L double-inters C ed, ectioberg en n Warren th Gre A rthur 8 0 rough Trus 27.28 s bri ge bu brid rid 314.7 e.com ilt in the U pper Illinoi onlin s Valley. rg @ams- ag reenbe GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  6. 6. Proposal Book Covers CE SCIEN RE & FACILITY in eering NATU IONS cture & Eng M OF T um Ar chite RM USEU D COLLECMuse D ENVE TION AN A EDUC NS of TIO IFICA rs QUAL nd Enginee sa rc hitect es HGA A Servic ects / ional ULL Archit P rofess EC F-A/E ERPA eering MNS- SLAT Engin oject No. D tur al and Pr chitec for Ar ts chitec LL Ar E RPAU e 400 SLAT Central, Suit reet rk St O ne Pa 5 Arapahoe 202 151 olor ado 80 De nver, C rs nginee and E rch itects nue North HGA A hington Ave 01 s a 554 7 01 Wa s, Minnesot apoli ct: Minne Conta etri, AIA Gary P .0977 30 3.607 om aull.c laterp gp etri@s MILWAUKE MN E ROCHESTE INNEAPOLIS DE STER SA OLIS R CRAMEN CRA NVER TO SAN FRANCISC O LOS ANGE LES This docume nt printed on post-co nsumer rec laimed conte nt. GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  7. 7. Presenta on Photo (a-1) - detail of typical column and beam Photo (a) - taken from the upper mezzanine level looking to the ground floor Photo (a) - taken from the second floor looking to the upper mezzanine Photo (b) - detail of stair leading from the upper mezzanine to the second floor Photo (e) - detail of stair and catwalk at the second floor Photo (f) - detail of semi-circular catwalk and column at the second floor Graphics Photo (b) - detail of typicalPhoto (b) - detail of column Photo (c) column, beam and - circular vaulted ceiling opening for Photo (d) Photo (a-2) - detail of typical column and beam brewing - circular Photo (c) - detail of tank opening typical column base for Photo (a) - detail of Photo (b) - detail of Photo (c) - interior room, Photo (d) - looking thru Photo (d) - view of Photo (e) - circular Photo (f) - circular brewing brewery tank and stair brewery tank adjacent to stairwell opening to main stairwell brewing relic opening for tank opening for tank tank Photo (a) - detail of main Photo (a) - stairwell room above showing grain elevators, columns and showing railings access ladder to rooftop Photo (b) - door detail; taken from room above grain elevators looking thru to space below cupola Photo (c) - truss system inside the cupola Photo (a-1) - detail of brewery tanks at top of light Photo (a) - catwalk to brewery atrium tanks under the “twin towers” Photo (b) - detail of support footings for tanks under the towers Photo (b) - interior room showing Photo (c) - entrance to “twin stairway leading tower” room on to attic space north side of under the building cupola and weathervane Photo (d) - truss system inside the cupola Photos (b, c, d) - detail of Photo (a-2) - detail of truss system and mansard style interior rooms roof of light atrium Photo (b) Photo (c) Photo (d) Photo (e) - atrium trusses Photo (f) - atrium catwalk Photo (g) - atrium glazing Photo (h) - truss system inside the “twin towers” GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  8. 8. Betula nigra Betulaceae Presenta on River Birch BET-u-la NI-gra Graphics Deciduous tree, usually not more than 40-70 ft (12-21 m) tall with a similar spread, rounded outline at maturity, trunk usually divided into several large arching branches. Light brown (often reddish) bark exfoliating into papery plates, exposing inner bark of gray-brown or cinnamon- to reddish-brown. Large variation in bark color among trees. Leaves alternate, 4-9 cm long, rhombic-ovate, sharp pointed, doubly serrate, base wedge shaped, lustrous medium to dark green above and glabrous below. Sun. Best adapted to moist, acid soils, will survive dry soils. Not bothered by the bronze birch borer. Hardy to USDA Zone 4. Cornus sericea (formerly Cornus stolonifera) Cornaceae Redosier Dogwood KOR-nus ser-EE-se-a Deciduous shrub, 7-9 ft (2-3 m) high, spreading to 10 ft (3 m), multi-stemmed, loose, spreads by underground stems (stolons). Leaves opposite, simple, ovate to oblong-lanceolate, 5-13 cm long, rounded at base. Fruit, white, globose. Sun. Very adaptable to a wide range of soil and climatic conditions. Does best in moist soil, in the wild often observed in wet swampy areas. A good shrub for a riparian zones. Red stems, appealing in a winter setting. Hardy to USDA Zone 2.landscape plant materials2 level office building • schafer richardson • shamrock development inc. GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  9. 9. Presenta on Graphics B’nai Israel Synagogue Wall of Discovery Benedicta Arts Center Artists’ Live/Work Lofts 22 | experience ex erience x e xpe Hammel, Green and Abrahamson, Inc. TA s for NESO cation n Qualifi l Desig N F MI itectura Arch O SI TY O HASE TW ER PUNIV RTHROP NO GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  10. 10. Presenta onGraphicsGARY A. RAYMONDMember, SMPSMarke ng Specialist/Graphic Designer9 Franklin Avenue West, Unit 210Minneapolis, Minnesota 55404612.269.1622
  11. 11. Presenta on Graphics3D-CAD MODELING / PHOTOSHOP FINISHESTRANSLATIONAL RESEARCH FACILITY - U of M• 3-D AUTOCAD MODEL (USING 2-D FLOOR PLANS, ELEVATIONS FOR REFERENCE)• 3D-VIZ STUDIO (MATERIAL/FINISHES APPLICATION AND FINAL BUILDING RENDERING)• PHOTOSHOP ENHANCEMENT (LANDSCAPING, PEOPLE, SHADOWS) GARY A. RAYMOND Member, SMPS Marke ng Specialist/Graphic Designer 9 Franklin Avenue West, Unit 210 Minneapolis, Minnesota 55404 612.269.1622
  12. 12. S O N D J F GraphicA/E Selection DesignP r o g r a m m in g 8 W eek s Programming Workshop #1 Programming Workshop #2 Conceptual Workshop Concept Design DeliverablesOwner ReviewS ch e m a ti c D e s i g n 1 0 W eek s Schematic Workshop #1 Schematic Workshop #2 Schematic Workshop #3 Schematic Design DeliverablesOwner ReviewFinalize / Incorporate Comments 2009 2010 PROJECT RESPONSIBILITY—HOW WE WORK TOGETHER PROGRAM CONFIRMATION SCHEMATIC DESIGN DESIGN DEVELOPMENT CONSTRUCTION DOCUMENTS BID / PRICING CONSTRUCTION HGA ARCHITECTS HGA ARCHITECTS HGA ARCHITECTS HGA ARCHITECTS HGA ARCHITECTS HGA ARCHITECTS RESPONSIBILITY: RESPONSIBILITY: RESPONSIBILITY: RESPONSIBILITY: RESPONSIBILITY: RESPONSIBILITY: REVIEW REVIEW REVIEW REVIEW Primary & Lead Primary & Lead Primary & Lead Designer Support Support Attend periodic meetings Designer Designer LEED Review for compliance w/ design Critical issues support intent PRIORITY: PRIORITY: Primarily work w/ Creative solution to SWAIM ARCHITECTS SWAIM ARCHITECTS Arizona Historical Arizona Historical Society to develop Society needs and budget RESPONSIBILITY: RESPONSIBILITY: comprehensive user Lead Architect Lead Architect SWAIM ARCHITECTS group requirements DELIVERABLES: 100% SD w/ cost PRIORITY: PRIORITY: RESPONSIBILITY: Evaluate and Compliance w/ DELIVERABLES: estimate and lifecycle Lead Architect select qualified construction documents Final program costs Cost Estimate LEED contractor PRIORITY: Conduct a pre- DELIVERABLES: Fully developed set of construction bid review for all Shop drawing reviews documents contractors Construction field reports CD’s at 50%, 90%, 100% Weekly meetings Construction cost estimates with CM Perform punch list @ RISK SWAIM ARCHITECTS RESPONSIBILITY: Support SWAIM ARCHITECTS Project administration Cost estimate verification RESPONSIBILITY: with CM @ RISK SWAIM ARCHITECTS Support Life safety GARY A. RAYMOND Project administration Cost estimate verification LEED Member, SMPS RESPONSIBILITY: Support, with CM @ RISK Marke ng Specialist/Graphic Designer Schedules, Schedules 9 Franklin Avenue West, Unit 210 Administration Life safety LEED Minneapolis, Minnesota 55404 612.269.1622

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