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2. PANTONE
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ravel expands the mind - feelinginsignificant
under the stars, feeling swallowed by thevast
Tdeserts, and feeling invincible on fast lanes. Your
experience becomes a microcosm of different worlds.
The provocative red of the geisha, the deep blue jeweled
tones of deep Aegean waters, thebrown earth that
looks pistachio green from airplane windows, but not all
travel is leisurely. It can also be an aggravation: getting
used to other cultures, always being an outsider. This
colour palette juxtaposes the euphoric reds of the high
from travel with the pensive beiges and faded bricks of
aging buildings and sickly yellows. The blue - cerulean,
jeweled and imperial - the colour with the mist abundant
wavelength occurs in various avatars through-out the
journey like déjà vu, similar yet different everytime.
THE WANDERING MYSTIC
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3. f Icarus was around in the 21st Century, he’d have fit right in. We are all
flying too close to the sun, living on the edge, or as 50 Cent phrased
I‘get rich or die trying’. This is an intense colour palette where human
endeavour and human desperation to be relevant, walk hand in hand. The
grainy white dots stand for the uncomfortable closeness of the object to
the eye. It is an era of hyper-reality and bi-polarity; we know everything and
see everything in microscopic details and have contradictory reactions.The
closeness skews the perspective and the colours go in a David Lynch-ian
direction but sometimes the microscopic detail also provide for clarity - a
double edged sword.
Classic bluebells, rose dawn, autumn leaves and blanc de blanc are acliché
fall colour palette but neutralized with vibrant maroons and deep purples
HYPER-REAL
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COLOURS > S/S 2016
4. PANTONE
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hat goes around comes around - this colour palette focuses
COLOURS > S/S 2016
on the beginnings of the 90s hip hop movement which along
Wwith street art and graffiti culture in unison came to represent
the angst and pent up anger of the sidelined minority.
Taking specifically from the graffiti is the use of deep blues with
multiple hues of green…both venomous vapourous colours that
seemed to exorcise the anger from the person to the art. French blue,
crown blue, liberty coexist with artisan’s gold and ultramarinegreen.
It came to stand for urban artistry and making rundown parking
lots and abandoned walls into a modern canvas. The advent into
technology in a big way made the generation look at science
skeptically; the green of the HULK was the same green of the Joker
(Batman) of the absinthe and most importantly, money, the lack/
abundance of it being the root cause of all evil.
BOOMERANG
5. “I think I am dumb, or maybe just happy” crooned the poet of
the 90s Kurt Cobain and this sentiment seems to have seeped
intothe generations coming after that. Intelligence needed
to be accompanied with gravitas to be taken seriously. The
colour palette is an idealistic view of the world that allows for
a potential of the new intellectual barter system. It’sobsession
with order make it decrepit yet functional…multiple rectangular
browns denote an earthiness that is restrained. The clean, neat
lines and minimalist aesthetic travel easily from one generation
to another, and the colours seem to transcend from muted to
mute; focusing on the inner monologue, the big eyes seemingly
a Murakami-esque burst of knowledge struggling to not
overflow.
SADCORE
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COLOURS > S/S 2016